Portfolio Reviews

To support our members with their photography and stay connected, CPA offers ongoing online portfolio reviews. Members have the opportunity to sit with executive director of CPA, Ann Jastrab, for a 25-minute one-on-one review. Occasionally she may be joined by fellow curators and photography professionals. These sessions are for photographers with a developed body of work. Students and recent graduates are of course welcome. Portfolio reviews are open to members only, and cost $40. If you are

Every weekend, The Eye of Photography dedicates itself to the portfolios of its readers. By publishing the best portfolios, the magazine enables photographers around the world to show case their photographs.To participate, please, send to lecteurs@loeildelaphotographie.com : - A series of 12 to 15 photographs (jpg, 72dpi 1024 pixels) - A Text about the series (English and French would be appreciated) - A Short Biography - Your portrait ou self-portrait.You will be notified by email of the p

We promote established, mid-career, and emerging artists from Maine and a far with a focus on concepts, innovation and cross-boundary practices. Often it’s the portfolio submissions and reviews that we gain artists. To schedule an appointment for a 45 minute review, send us an email with PORTFOLIO REVIEW in the subject line, contact.mmpa@gmail.com - A link to your website, - A short bio (2-3 sentences), - 3 dates a month ahead that work for you. Typically reviews are done in per

These photography professionals are offering portfolio reviews for photographers at a cost of $150 for 30 minutes. You can select one or more of them at checkout. Gabriel Sanchez (photo editor at The New York Times) Anna Goldwater Alexander (Director of Photography of WIRED) Polly Irungu ( Photo Editor for the Office of the Vice President & Founder of Black Women Photographers) Caroline Hunter (picture editor for The Guardian Saturday magazine) Giangiacomo Cirla (Editor in Chief of PHROOM

Crafting a standout photography portfolio is an art in itself. Many portfolios benefit from pruning, as weaker images can dilute the overall impact. Editing requires objectivity and self-reflection, ensuring only the strongest, most cohesive images remain. Organizing around unique themes, rather than places or genres, can showcase a photographer’s distinct vision. Sequencing adds depth and flow, keeping viewers engaged. Through personalized feedback on editing, organizing, and sequencing durin

One of the best innovations offered by this ever more connected world we live in is to connect with colleagues, share experiences and collaborate together. This is the main goal of our education program: allow you to work with internationally recognised photography experts. In this live private session, you can get your projects reviewed, prepare a submission for an open call, consider what is the best way to publish your work or simply get feedback and move forward. Forget about theoretical

An exclusively professional portfolio review featuring premier photographers and contemporary art buyers, art producers, creative directors, photo editors and reps. MEET 1-ON-1 W/ CREATIVES FROM ALL OVER THE COUNTRY 25 minutes meetings via Zoom MEETINGS ARE SCHEDULED ACCORDING TO REVIEWER AVAILABILITY. NEW MEETINGS BECOME AVAILABLE WEEKLY