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LAST CALL to Win a Solo Exhibition this March!
LAST CALL to Win a Solo Exhibition this March!
Kim Kyung Soo
Kim Kyung Soo
Kim Kyung Soo

Kim Kyung Soo

Country: Korea
Birth: 1975

Born in Seoul, Korea in 1975
2002 Bachelor Degree in photography, Sangmyung University, Seoul, Korea
Lives and Works in Seoul, Korea

When Vogue Korea asked Kim Kyoungsoo, a renowned fashion photographer to realize a series of fashion portraits that would (re-actualize) the traditionnal Korean costum (Hanbok), he also decided to realize his series Full Moon Story. His models are elegantly staged, wearing somptuous Hanbok, with their haircuts and make-up done perfectly. There is a serenity, poetry and softness which emanates from the pictures that astonishes and instantly puts the viewer in a contemplative state of mind. "During the National traditionnal festivities called 'Chuseok', many Korean people used to wear the hanbok. I wanted to show this typical ambiance with both a lyric and modern touch. I wanted a neutral stage; only shadows and reflections mattered to me: Colours, faces and models were enhanced by cold and light tones creating an almost surreal feeling."

Source: www.galerieparisbeijing.com

 

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More Great Photographers To Discover

Anna Hayat and Slava Pirsky
We are Anna Hayat (born 1974) and Slava Pirsky (born 1965), originally from the Soviet Union. Each of us decided to start a new life in Israel in the early 90s, in search of new horizons. Fate brought us to Jerusalem through different paths, where we lived for over 20 years and now find joy in a small town nearby. We met in 1999 and instantly felt a special connection, as if our shared passion for photography brought us closer. In 2000, we became proud parents of an exquisite daughter whom we started photographing from her very birth. Since then, we have become an inseparable team and partners in the world of photography and art. For over 20 years, we have actively collaborated on joint photography projects. Our creative process revolves around analog photography, primarily using old Polaroid large-format black and white negative plates. Despite the discontinuation of production of these films in 2008, we use expired films to create unique and emotive works of art. We capture images using both a large studio camera and small field Polaroid cameras. The slow shooting process is of utmost importance to us, as it imparts a special depth to our works. In a way, the negative itself becomes another partner in our process. We appreciate the unpredictability of old negatives, which gives our photographs a distinct character, a touch of poetry, and a timeless feeling that is crucial to our work. Our latest project reflects our emotions and pain caused by Russia's treacherous aggression. For this series, we ventured into a mixed technique for the first time, tearing and cutting our works, stitching them anew, adding patches and seams. The project was showcased at the Ramlah Museum and immediately after at the KyotoGraphie International Photography Festival in Japan.
Szymon Brodziak
What you see, is who you are - says Szymon Brodziak, the master of black and white photography. The youngest aritist exhibited at the Museum of Photography - Helmut Newton Foundation in Berlin (2015). The best black & white campaign photographer of the world, acclaimed by the jury of FashionTV Photographers Awards, during 2013 Cannes Film Festival. In 2019, Brodziak confrmed his mastery by winning 1st Place in World's Top 10 Black & White Photographers contest curated by OneEyeland. He loves to photograph women. He's inspired mainly by locations, where he brings to life his monochromatic visions. Brodziak received Johnnie Walker Keep Walking Award for constant fulflment of dreams and passion for setting new paths in the search of beauty. In Europe, Brodziak received numerous medals and honourable mentions in various editions of the renowed Prix de la Photographie Paris, both for commercial and personal projects, including the title of Advertising Photographer of the Year (2016). In the USA, he won frst place in Fashion category in two photo competitions: International Photography Awards (2016) and Black and White Spider Awards (2016), which rewards the best monochromatic images from all over the word. His frst photo album ONE had its ofcial premiere in Rome (2014). It presents the frst 10 years of his professional activity. The publication starts with a personal dedication from June Newton, wife to the legendary photographer Helmut Newton. Szymon's new photographic book entitled WHAT YOU SEE IS WHO YOU ARE won a Gold Medal (Book: Cover) and 2 Bronze Medals (Book: Fine Art & Other) at Prix de la Photographie Paris 2019 and also Honorable Mention at 2019 International Photography Awards (USA). The artist's work can be seen and ordered in his own galleries of photography located in Poland and are also available worldwide at Online Shop www.szymonbrodziak.com as well as www.saatchiart.com/brodziak.
Neşe Arı
Turkey
1980
Neşe Arı is an independent artist based in Istanbul, who has transformed photography into a powerful means of personal expression. Immersed in the world of photography for over fifteen years, Arı focuses on capturing the simple yet profound moments of everyday life. Working primarily in documentary, travel, and street photography, she draws attention to human stories, emotions, and the often unseen details of life. Her photographs invite the viewer to witness small but meaningful fragments of time. Her artistic approach is built on sincerity, simplicity, and a strong narrative voice. Particularly passionate about social responsibility projects, she gained recognition through her long-term project "Yaşamda Kal" ("Stay Alive"), which sheds light on the life journeys of individuals overcoming physical disabilities. Through this project, she aims to highlight the strength and resilience of people who reclaim life through sports. Neşe Arı’s work has been exhibited in numerous shows across Turkey and internationally, and has been published in renowned outlets such as The Times, The Daily Telegraph, and The Guardian. In 2016, she was awarded the EFIAP distinction by the International Federation of Photographic Art (FIAP). Her photographs have also been featured in major international projects such as "Women's Cry", "Changes", and "Open Doors", and her work has been showcased in exhibitions in the Vatican and many other countries. For Neşe Arı, every journey and every new face represents a story waiting to be told. She continues to use her camera as a tool to create photographs that touch lives, provoke thought, and evoke deep emotions. Artistic Vision: As Neşe Arı, I aim to make the simple yet profound moments of life visible. I use photography as a language to touch human stories, reveal emotions, and uncover the hidden beauty of everyday life. With each frame, I strive to create an impact that invites the viewer to reflect, feel, and connect with the essence of existence. By emphasizing sincerity, simplicity, and the strength of the human spirit, I seek to preserve and celebrate the diverse faces and stories of life.
Mike Brodie
United States
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Claiming inspiration from “old-school American values mixed with a little punk-rock idealism,” Mike Brodie, aka The Polaroid Kidd, hopped trains across the U.S. for seven years, documenting his friends, lovers, and travels with a Polaroid and a 35-millimeter camera and amassing a critically acclaimed body of images. Like a 21st-century Jack Kerouac, replacing pen with pictures, Brodie rode the railways with a motley crew. In 2004, two years into his journeying, he acquired a camera and began photographing this gritty youth subculture. His intimate portraits, saturated with color and often set against moving backgrounds, capture the reality of this life in raw detail—its dirt-encrusted bodies, sickness and exhilaration, dangers and comforts. After traveling more than 50,000 miles through 46 states, Brodie has since become an itinerant mechanic. He says he has abandoned photography—at least for now. Source: Artsy Mike Brodie, best known by his pseudonym "Polaroid Kidd", is a self-trained American photographer from Pensacola, Florida. In 2003 Brodie left home at 18 to travel the rails across America. A friend gave him a camera and he found himself spending three years photographing the friends and companions he encountered with the Polaroid SX-70. Polaroid discontinued SX-70 film, so now he shoots on 35mm on a Nikon F3. His photographs have been featured in exhibits in Milwaukee, at Get This! Gallery in Atlanta and in Los Angeles at M+B Gallery. His work was also selected to appear in the 2006 edition of the Paris International Photo Fair at the Louvre. In November 2007 he collaborated with Swoon and Chris Stain to mount an installation at Gallery LJ Beaubourg in Paris. He also has had collaborative shows with artist Monica Canilao. His photographs largely depict what he refers to as "travel culture", train-hoppers, vagabonds, squatters and hobos. Critic Vince Aletti of artsandantiques.net says of Brodie's work: "Even if you're not intrigued by Brodie’s ragtag bohemian cohort—a band of outsiders with an unerring sense of post-punk style—the intimate size and warm, slightly faded color of his prints are seductive. His portraits... have a tender incisiveness that is rare at any age." Source: Wikipedia Born in 1985, Mike Brodie began photographing when he was given a Polaroid camera in 2004. Working under the moniker 'The Polaroid Kidd,' Brodie spent the next four years circumambulating the United States, amassing an archive of photographs that make up one of the few, true collections of American travel photography. Brodie made work in the tradition of photographers like Robert Frank, William Eggleston and Stephen Shore, but due to never having undergone any formal training he always remained untethered to the pressures and expectations of art market. Brodie compulsively documented his exploration of the tumultuous world of transient subcultures without regard to how the photographs would exist beyond him. After feeling as though he documented all that he could of his subject, his insatiable wanderlust found a new passion, and as quickly as he began making photographs, he has left the medium to continue in his constant pursuit of new adventures. In 2008, Brodie received the Baum Award for American Emerging Artists and has a forthcoming book to be published by Steidl, as well as numerous international shows. Brodie recently graduated from the Nashville Auto Diesel College (NADC) and is now working as a diesel mechanic. Although Brodie has stopped making photographs, the body of work he made in only four short years has left a huge impact on the photo world, and is now being made available to the public. Source: M+B
Jared Ragland
United States
1977
Jared Ragland is a fine art and documentary photographer and former White House photo editor. He currently teaches and coordinates exhibitions and community programs in the Department of Art and Art History at the University of Alabama at Birmingham and is at work on a long-term documentary on methamphetamine users living in northeast Alabama. He is the photo editor of National Geographic Books' "The President's Photographer: Fifty Years Inside the Oval Office," and has worked on assignment for NGOs in the Balkans, the former Soviet Bloc, East Africa and Haiti. His photographic work is rooted in his lifelong exposure to the landscapes, people, aesthetics, and storytelling traditions of the American South, and his work has been exhibited internationally and featured by The Oxford American, The New York Times, and TIME Magazine. Jared is an alumni of LaGrange College and a 2003 graduate of Tulane University with an MFA in Photography. He resides in his hometown of Birmingham, Alabama. Statement: The rise in use of methamphetamine across the United States over the last decade has led to increased cultural anxiety about the drug and those who use it, while the general perception of the meth-head is perpetuated by popular television programs and pervasive anti-meth campaigns. These limited representations typically paint one-dimensional, demonized characters whose chronic drug use is epitomized by obsessiveness, paranoia, and monstrous physical side effects. But while there are certainly deleterious consequences to meth use and stereotypes often ring too true, existing cultural narratives too often fall short of more complex, individually considered realities. Photographed over 18 months in collaboration with University of Alabama at Birmingham sociologist Heith Copes, Ph.D., GOOD BAD PEOPLE documents the tumultuous lives of meth users from Sand Mountain, a sandstone plateau in northeast Alabama infamous for extreme poverty, poultry processing plants, Pentecostal snake-handlers, and meth production. The images simultaneously reinforce and undermine assumptions of what it means to be a methamphetamine user and present an intimate look into the lives of those who struggle amidst drug use and diminished social status.
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Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes