10 Reasons why you should submit your work to photo contests
10 Reasons why you should submit your work to photo contests
Posted on January 30, 2023
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Participating in photo contests can be an important way to showcase your work and gain recognition as a photographer. Here are a few reasons why it can be beneficial:
Exposure:
Photo contests often have a large audience, which can provide a great opportunity for your work to be seen by a wide range of people. This can help to increase your visibility as a photographer, and can lead to more opportunities for work or collaborations.
Feedback:
Participating in photo contests can also provide valuable feedback on your work. Judges and other participants can offer constructive criticism that can help you to improve your skills and develop your style.
Networking:
Photo contests can be a great way to connect with other photographers and industry professionals. This can help you to learn from others, and can also open doors to new opportunities and collaborations.
Prizes:
Many photo contests offer prizes, such as monetary awards, equipment, or other tangible rewards. These can be a great way to help you to build your photography business or to fund your next project.
Recognition:
Winning or placing in a photo contest can provide a great sense of accomplishment, and can be a valuable addition to your portfolio or resume. It can also serve as a way of validating your skills and talents as a photographer.
Inspiration:
Participating in photo contests can be a source of inspiration and motivation. Seeing the work of other photographers can help to spark new ideas and push you to explore new subjects and techniques.
Education:
Participating in photo contests can be a great way to learn about different photography techniques and styles. You may also be exposed to different techniques and styles that you might not have otherwise considered.
Inspiration for others:
By participating in photo contests, you can inspire others to take up photography. The exposure that your photos receive can be a great way to inspire others to take up photography as well.
Creativity:
Participating in photo contests can help to boost your creativity. Seeing other photographers' work can inspire you to think in new ways and come up with unique ideas for your own photos.
Fun:
Participating in photo contests can be a fun and rewarding experience. It can be a great way to meet other photographers, learn new skills, and showcase your work.
Overall, participating in photo contests can be a great way to gain exposure, feedback, and recognition for your work as a photographer. It can also provide valuable opportunities for networking, prizes, and inspiration. Plus it can be a fun and exciting way to challenge yourself and improve your skills.
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Diana Markosian’s Father is an intimate and engrossing diaristic portrayal of estrangement and reconnection, recounted through documentary photographs, family snapshots, text, and visual ephemera.
Diana Markosian: Father presents the photographer’s journey to another place and another time, where Markosian attempts to piece together an image of a familiar stranger—her long-lost father. The book explores her father’s absence, her reconciliation with him, and the shared emptiness of their prolonged estrangement. The images, made over the course of a decade, take place in her father’s home in Armenia. In Markosian’s first monograph, Santa Barbara (Aperture, 2020), the photographer recreates the story of her family’s journey from post–Soviet Russia to the US in the 1990s. Father uses both documentary photographs and archives of objects, letters, and vernacular images to probe the fifteen years of absence and separation from the photographer’s childhood. In this voyage of self-discovery, Markosian touchingly renders her longing for connection to a man she barely remembers and who asks her, when she finds him, “Why did it take you so long?”
The first title in Aperture’s Vision & Justice Book Series—featuring a collection of award-winning short essays by Maurice Berger that explore the intersections of photography, race, and visual culture. Created and coedited by Drs. Sarah Lewis, Leigh Raiford, and Deborah Willis, the series reexamines and redresses historical narratives of photography, race, and justice.
Race Stories: Essays on the Power of Images examines the transformational role photography plays in shaping ideas and attitudes about race and how photographic images have been instrumental in both perpetuating and combatting racial stereotypes. Written between 2012 and 2019 and first presented as a monthly feature on the New York Times Lens blog, Berger’s incisive essays help readers see a bigger picture about race through storytelling. By directing attention to the most revealing aspects of images, Berger makes complex issues comprehensible, vivid, and engaging. The essays illuminate a range of images, issues, and events: the modern civil rights movement; African American–, Latinx–, Asian American–, and Native American photography; and pivotal moments in the nineteenth and twentieth centuries when race, photography, and visual culture intersected. They also examine the full spectrum of photographic imaging: from amateur to professional pictures, from snapshots to fine art, from mugshots to celebrated icons of photojournalism.
Race Stories collects together Berger’s reader-friendly essays in their breadth and brilliance to encourage a broad range of readers to look at and think about photographs in order to better understand themselves and the diverse world around them.
Find out how to transform the ordinary into something extraordinary with this guide to minimalist photography.
With advice on composition, balance, shape and texture, this book takes inspiration from the masters of minimalism to demonstrate how stripping a subject down to its very essence can help you craft beautifully bold and unique images.
Illustrated with the finest examples of the style from the likes of Fan Ho, Imogen Cunningham, Michael Kenna, Berenice Abbott, William Eggleston and Horst P. Horst, this book guides you through the key techniques that define minimalism and provides easy-to-follow advice for how to create your own minimalist images that are visually striking in their simplicity.
In his coffee table book Metropolis, Alan Schaller presents city life in his own individual way, setting standards in modern street photography. For all lovers of spectacular black-and-white photography, the coffee table book Metropolis is a must-have, because there is hardly anything comparable on the market. In a unique way, Alan Schaller depicts urban contrasts that big cities like New York, London, Paris, Tokyo or Istanbul hold in store in their architecture and everyday life.
In the photo book Metropolis, Alan Schaller elevates city views to an art form, playing with light and perspective and creates a world in black and white that captivates the viewer. This is what fans of Schaller love about his work. The photo artist manages to capture moments for eternity.
Accompany Alan Schaller in his coffee table book Metropolis on 240 pages through the most famous metropolises on earth. Look forward to impressive black-and-white photographs, with extraordinary city views in which people and architecture merge in an intimate moment.
