10 Reasons why you should submit your work to photo contests
10 Reasons why you should submit your work to photo contests
Posted on January 30, 2023
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Participating in photo contests can be an important way to showcase your work and gain recognition as a photographer. Here are a few reasons why it can be beneficial:
Exposure:
Photo contests often have a large audience, which can provide a great opportunity for your work to be seen by a wide range of people. This can help to increase your visibility as a photographer, and can lead to more opportunities for work or collaborations.
Feedback:
Participating in photo contests can also provide valuable feedback on your work. Judges and other participants can offer constructive criticism that can help you to improve your skills and develop your style.
Networking:
Photo contests can be a great way to connect with other photographers and industry professionals. This can help you to learn from others, and can also open doors to new opportunities and collaborations.
Prizes:
Many photo contests offer prizes, such as monetary awards, equipment, or other tangible rewards. These can be a great way to help you to build your photography business or to fund your next project.
Recognition:
Winning or placing in a photo contest can provide a great sense of accomplishment, and can be a valuable addition to your portfolio or resume. It can also serve as a way of validating your skills and talents as a photographer.
Inspiration:
Participating in photo contests can be a source of inspiration and motivation. Seeing the work of other photographers can help to spark new ideas and push you to explore new subjects and techniques.
Education:
Participating in photo contests can be a great way to learn about different photography techniques and styles. You may also be exposed to different techniques and styles that you might not have otherwise considered.
Inspiration for others:
By participating in photo contests, you can inspire others to take up photography. The exposure that your photos receive can be a great way to inspire others to take up photography as well.
Creativity:
Participating in photo contests can help to boost your creativity. Seeing other photographers' work can inspire you to think in new ways and come up with unique ideas for your own photos.
Fun:
Participating in photo contests can be a fun and rewarding experience. It can be a great way to meet other photographers, learn new skills, and showcase your work.
Overall, participating in photo contests can be a great way to gain exposure, feedback, and recognition for your work as a photographer. It can also provide valuable opportunities for networking, prizes, and inspiration. Plus it can be a fun and exciting way to challenge yourself and improve your skills.
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Publisher : Columbia Books on Architecture and the City
2024 | 184 pages
In South Louisiana, where the Mississippi River meets the Gulf of Mexico, water―and the history of controlling it―is omnipresent. Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana glimpses the vulnerabilities and possibilities of living on the water during an ongoing climate catastrophe and the fallout of the fossil fuel industry―past, present, and future. The book sustains our physical, mental, and emotional connections to these landscapes through a collection of photographs by Virginia Hanusik. Framing the architecture and infrastructure of South Louisiana with both distance and intimacy, introspection and expansiveness, this work engages new memories, microhistories, anecdotes, and insights from scholars, artists, activists, and practitioners working in the region. Unfolding alongside and in dialogue with Hanusik’s photographs, these reflections soberly and hopefully populate images of South Louisiana’s built and natural environments, opening up multiple pathways that defy singularity and complicate the disaster-oriented imagery often associated with the region and its people. In staging these meditations on water, life, and land loss, this book invites readers to join both Hanusik and the contributors in reading multiplicity into South Louisiana’s water-ruled landscapes.
With texts from Richie Blink, Imani Jacqueline Brown, Jessica Dandridge, Rebecca Elliott, Michael Esealuka, T. Mayheart Dardar, Billy Fleming, Andy Horowitz, Arthur Johnson, Louis Michot, Nini Nguyen, Kate Orff, Jessi Parfait, Amy Stelly, Jonathan Tate, Aaron Turner, and John Verdin.
Twana’s Box' can be described in many ways: a journey through a photographer’s rare archive, documenting the Kurdistan region of Iraq from 1974–1992; a son’s quest to find his lost father, who was murdered by a military regime; a young man’s way to piece together the fragments of a scattered family in a scattered culture; the becoming of a photographer who, through the stories of others, starts to understand his own identity in times of war. 'Twana’s Box' is not only the photo book that holds a selection of Twana Abdullah’s archive; it is a unique insight into a time and place in a region that has since completely transformed. Rawsht has spent years piecing together his father’s negatives and stories. His archival work inspired him to become a photographer himself, working for Metrography – the first independent Iraqi photo agency – before immigrating to Europe. ills colour & bw, 21 x 27 cm, hb, Kurdish/Arabic/English
Taken across Europe and Africa, Akinbiyi’s images of everyday city life muse on the sociopolitical labyrinths of urban society
Whether in Bamako, Berlin, London, Lagos or Durban, British photographer Akinbode Akinbiyi (born 1946) creates black-and-white street scenes that function as visual metaphors, ruminating on cultural change, social exclusion and colonialism’s effect on urban planning.
A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer
This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
