10 Reasons why you should submit your work to photo contests
10 Reasons why you should submit your work to photo contests
Posted on January 30, 2023
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Participating in photo contests can be an important way to showcase your work and gain recognition as a photographer. Here are a few reasons why it can be beneficial:
Exposure:
Photo contests often have a large audience, which can provide a great opportunity for your work to be seen by a wide range of people. This can help to increase your visibility as a photographer, and can lead to more opportunities for work or collaborations.
Feedback:
Participating in photo contests can also provide valuable feedback on your work. Judges and other participants can offer constructive criticism that can help you to improve your skills and develop your style.
Networking:
Photo contests can be a great way to connect with other photographers and industry professionals. This can help you to learn from others, and can also open doors to new opportunities and collaborations.
Prizes:
Many photo contests offer prizes, such as monetary awards, equipment, or other tangible rewards. These can be a great way to help you to build your photography business or to fund your next project.
Recognition:
Winning or placing in a photo contest can provide a great sense of accomplishment, and can be a valuable addition to your portfolio or resume. It can also serve as a way of validating your skills and talents as a photographer.
Inspiration:
Participating in photo contests can be a source of inspiration and motivation. Seeing the work of other photographers can help to spark new ideas and push you to explore new subjects and techniques.
Education:
Participating in photo contests can be a great way to learn about different photography techniques and styles. You may also be exposed to different techniques and styles that you might not have otherwise considered.
Inspiration for others:
By participating in photo contests, you can inspire others to take up photography. The exposure that your photos receive can be a great way to inspire others to take up photography as well.
Creativity:
Participating in photo contests can help to boost your creativity. Seeing other photographers' work can inspire you to think in new ways and come up with unique ideas for your own photos.
Fun:
Participating in photo contests can be a fun and rewarding experience. It can be a great way to meet other photographers, learn new skills, and showcase your work.
Overall, participating in photo contests can be a great way to gain exposure, feedback, and recognition for your work as a photographer. It can also provide valuable opportunities for networking, prizes, and inspiration. Plus it can be a fun and exciting way to challenge yourself and improve your skills.
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In a new body of work, a critically acclaimed photographer retraces Berenice Abbott’s 1954 photographic journey along the Eastern Seaboard, documenting dislocation, loss, and a shifting American dream.
In 1954, American photographer Berenice Abbott set out to document the historic US Route 1, already predicting seismic changes to small towns and major cities along the route brought by the rapidly expanding Interstate Highway System. Spanning all thirteen original colonies and beyond—from Fort Kent, Maine, to Key West, Florida—US Route 1 formed over the course of three hundred years from connecting sections of what was once known as the Atlantic Highway. Inspired by Abbott’s acute and poetic observations on life along Route 1 and on the seventieth anniversary of her project, Florida-based photographer Anastasia Samoylova ventures on her own journey to revisit those communities forever transformed by the interstate. Working in color and black and white, Samoylova provides a closer look at the American landscape irreversibly altered by the unrelenting expansion of industry, commerce, and development, as well as the displacement and tenacity of people and wildlife.
Coreen Simpson: A Monograph is the first major book dedicated to the influential photographer and jewelry designer whose career spans more than fifty years. As the second volume in the Vision & Justice Book Series—a groundbreaking initiative created by Dr. Sarah Lewis and coedited with Drs. Leigh Raiford and Deborah Willis—the monograph celebrates Simpson’s enduring impact on visual culture.
Simpson began her career as a journalist before turning to photography, capturing the richness of Black life, fashion, and identity. Her portraits of icons such as Grace Jones, Muhammad Ali, and Toni Morrison, as well as her iconic B-Boys series from the 1980s, showcase her eye for style, pride, and self-expression. The book also features her later work with collage and overpainting, alongside the story of her celebrated jewelry line, including the iconic Black Cameo worn by Rosa Parks and Rihanna.
Featuring original essays by leading voices such as Bridget R. Cooks, Rujeko Hockley, Awol Erizku, and Doreen St. Félix, as well as an in-depth interview by Deborah Willis, Coreen Simpson: A Monograph offers a multifaceted portrait of an artist whose work continues to shape the worlds of photography, fashion, and Black cultural history.
Photographer Ed Kashi’s passion is long-term documentary projects that immerse him in issues that need attention or people’s lives whose struggles warrant concern. He has had a lengthy and varied career with National Geographic and other major magazines, traveling around the world to tell visual stories.
Kashi’s archive, now housed at the Briscoe Center for American History at the University of Texas at Austin, houses many of his personal memories and the experiences attached to the creation of those images. More than a simple repository of images, the archive is a growing, thriving, and continually evolving organism, a living library with immense value.
Through his photography, Kashi has had an intimate, front-row seat to witness and record major events in history. His work has been a passport to worlds unseen, unveiling issues that need illumination, documenting history in the making, and capturing the human experience and the many awe-inspiring places in our fragile world. A Period in Time is a testimony to some of Kashi’s most memorable stories—people he has been privileged to observe and learn from and the places and narratives that have shaped his life, all captured one moment at a time.
An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.
Critical Photojournalism guides readers through a variety of ethical, technical and business skills, plus the mental health, self-care and safety considerations necessary to thrive in the field. Drawing on their extensive industry and teaching experience, the authors provide real-world advice on how to navigate the demands of the profession while addressing the impact that photojournalism has on society and ways that photojournalists can mitigate harm. Consideration is given to understanding and disrupting implicit bias and power structures in newsrooms, as well as issues around access, working in breaking news environments and balancing informed consent with varying media laws around the world. In accessible language, this book highlights the importance of collaboration and community engagement in contemporary photojournalism and encourages students to adopt a decolonial approach to their work. Readers will learn to balance the needs for accuracy and thoughtfulness with the priorities of a global, social-media-engaged audience.
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