CLAMP is proud to present Meryl Meisler | Simply Scintillating: A Retrospective—the artist's second solo
exhibition with CLAMP and the first retrospective of the artist's five-decade career as a photographer, which
began in 1973.
The work in ''Simply Scintillating'' spans
from Meisler's early pictures of suburban
Long Island to the frenetic clubs of 1970s
Manhattan, to slices of daily life in pre-
gentrification Bushwick, to the present,
where Meryl has found herself back in the
nightlife world documenting the
contemporary party landscape through a
lens informed by decades spent watching
New York and its inhabitants evolve.
Regardless of whether her subject is a
stranger on the Bowery, Grace Jones at a
club opening, or a child in Bushwick putting
on roller skates, Meisler maintains a
perspective and voice as a photographer
who does not shy away from the absurd and
joyful. As the artist puts it, she has a ''queer,
quirky eye.''
Mixing pictures from different eras and
contexts is not a new strategy for Meisler,
who once had an epiphany below a disco
ball in a dance club in Bushwick. In that
moment, she realized that her pictures of glamorous nightclubs and humble streetcorners in Bushwick made
sense together—telling a wider and more complex story of the city. The clubs are no longer just downtown; they
are now out in the neighborhood where Meisler used to teach.
A public school teacher for 31 years, Meisler only revealed her vast photographic archive upon retiring in 2010.
Then the work emerged like a bat out of hell! This exhibition offers a peek into the archive, including vintage
and contemporary prints surveying the artist's entire collection of images
Ripped Stocking and Garter Dance Trio at GG’s Barnum Room, NY, NY, December 1978 © Meryl Meisler
JJ Holding Head as Hair Flies While Dancing with JudiJupiter, Studio 54, NY, NY, July 1977 © Meryl Meisler
Women Embrace on Floor Near JudiJupiter’s Legs Les Mouches, NY, NY, June 1978 © Meryl Meisler
Coli, Playmate Hostess, NY, NY, December 1978 © Meryl Meisler
Mom Getting her hair Teased at Besame Beauty Salon North Massapequa, NY, June 1976 © Meryl Meisler
Meryl Meisler
Meryl Meisler was born 1951 in the South Bronx and raised in North Massapequa, Long Island, New York.
Inspired by photographers such as Diane Arbus and Jacques Henri Lartigue, as well as her dad, Jack, and
grandfather, Murray Meisler, Meryl Meisler began photographing herself, family, and friends while enrolled in a
photography class taught by Cavalliere Ketchum at the University of Wisconsin, Madison. In 1975, Meisler
returned to New York City and studied with Lisette Model, continuing to photograph her hometown and the
city around her. After working as a freelance illustrator by day, Meisler frequented and photographed the
infamous New York discos. As a 1978 C.E.T.A. Artist grant recipient, Meisler created a portfolio of photographs
which explored her Jewish identity for the American Jewish Congress. After C.E.T.A., Meisler began a three-
decade career as a NYC public school art teacher.
Meisler has received fellowships, grants, and residencies from the New York Foundation for the Arts, Light
Work, YADDO, The Puffin Foundation, Time Warner, Artists Space, C.E.T.A., the China Institute, and the
Japan Society. Her work has been exhibited at the Brooklyn Museum, Brooklyn Historical Society, the Center
for Photography at Woodstock, Dia Art Foundation, MASS MoCA, Islip Art Museum, Annenberg Space for
Photography, the New Museum for Contemporary Art, Everson Museum of Art, New-York Historical Society,
Steven Kasher Gallery, the Whitney Museum of American Art, the Zillman Museum of Art and in public spaces
including Grand Central Terminal, South Street Seaport, Photoville, and throughout the New York City subway
system. Her work is in the permanent collections of the American Jewish Congress, ARTPPOOL Budapest,
AT&T, Bibliothèque Nationale de France, the Brooklyn Historical Society, Book Art Museum (Poland),
Columbia University, Emory University, Islip Art Museum, the Library of Congress, Musée de la Poste Paris,
Smith College Museum of Art, Smithsonian Institute, University of Iowa, and The Waskomium, and can be
found in the artist book collections of Carnegie Mellon, the Centre Georges Pompidou, the Chrysler Museum,
the Museum of Modern Art NYC, Metronome Library, and the Whitney Museum of American Art.
Upon retiring from the New York City public schools, Meisler began releasing large bodies of previously unseen
work. Her first monograph,
A Tale of Two Cities: Disco Era Bushwick (Bizarre, 2014), received international
acclaim. The book juxtaposes her zenith of disco photos with images of the burned out yet beautiful
neighborhood of Bushwick, Brooklyn in the 1980s. Her second book,
Purgatory & Paradise: Sassy ‘70s, Suburbia
& The City (Bizarre, 2015), contrasts intimate images of home life on Long Island alongside New York City street
and night life. Her most recent monograph is titled
New York PARADISE LOST Bushwick Era Disco (Parallel
Pictures Press, 2021).
Meryl Meisler lives and works in New York City and Woodstock, New York.
www.merylmeisler.com
@merylmeisler
All about Meryl Meisler
Nightlife NYC, 1977-2023
Dallas Performs Near Mirrors © Meryl Meisler
Two Queens, One Blonde, One Brunette, COYOTE Hookers Masquerade Ball, CopaCabana, February 14, 1977 © Meryl Meisler
Jive Guy on Williamsburg Subway, March 1978 © Meryl Meisler
MC Murray Hill with Jacket Overhead, The Big Drag King Show, 3 Dollar Bill, Brooklyn, NY, June 2023 © Meryl Meisler
Boy in Tire, Bushwick Brooklyn, 1984 © Meryl Meisler
Handshake, Bushwick, Brooklyn, NY, September 1982 © Meryl Meisler
Thumbnail: Self-Portrait, My Childhood Mirror, Woodstock, August 2023