Art Paris returns to the Grand
Palais, an architectural gem dating
back to the Belle Époque that has
been returned to its former glory.
For its 27th edition from 3-6 April 2025, Art Paris
is returning to the Grand Palais. After four years’
restoration work, this emblematic construction
built for the 1900 Universal Exhibition has been
restored to its former glory. The splendour of
this location makes it one of the most beautiful
exhibition venues in the world.
A strong line-up of 170 galleries
for the Nave at the Grand Palais
Art Paris is the leading spring event for modern
and contemporary art. Its return to the Grand
Palais in the entirely renovated Nave and its
balcony spaces means it can play host to some
170 French and international galleries (35 more
than in 2024). Without compromising on its dual
regional and cosmopolitan identity and, as ever,
a place of artistic discovery in the very heart of
Paris, a city that is undergoing a veritable artistic
renaissance, Art Paris will be presenting an
ambitious programme of the highest quality.
Still life #10, Maroc, 2022 © Flore / Courtesy Clémentine de la Féronnière
The 2025 edition will be exploring two themes:
Immortal: a focus on figurative painting in France by Amélie Adamo and Numa Hambursin
Convinced of the impact of Immortal, their jointly curated exhibition that provided an ambitious and
groundbreaking panorama of young French figurative painting, writer and independent curator
Amélie Adamo and Numa Hambursin, general director of MO.CO. (Montpellier Contemporain)
wanted to further explore their commitment to the French figurative scene at Art Paris 2025.
Thanks to a selection of thirty artists chosen from the exhibiting galleries, the guest curator
duo will present a new analysis that will take into account the historical context and compare
artists from different generations. The themed visit aims to underline, irrespective of fads and
fashions, the permanent nature of figurative painting in France, while highlighting the influence
of the painters of the past. It will show how figurative painting - at a time when a global art form
focusing on abstraction and new mediums has become predominant - is a dynamic, Europe-wide
movement. The idea is also to present the similarities between works that already have their place
in history and those of younger artists who have emerged since the beginning of the 2000s. By
mapping out this genealogy, the curators have put the spotlight on the pictorial and philosophical
issues common to the work of artists of different generations and different practices.
Painters are part of the long march of history and, as such, must come to terms with the
paradoxes of their condition. They are the heirs to an age-old practice handed down from the old
masters, but also have to reflect upon the revolutionary evolution of the image. They must find
inspiration in tradition and accept their heritage, while looking to popular culture and new ideas
and immersing themselves in the hybrid practice of contemporary art, without forgetting to insist
upon the importance of accepted forms. From the banal reality of everyday life to political and
historical upheaval, from poetic flights of fancy to conceptual and societal debates and from art
to commitment, the selection will bear witness to the destiny of painters from the French scene
over the last fifty or so years and highlight their ambiguous status that sees them kept at arm’s
length, while being, at times, praised for their exploits.
A catalogue presenting the work of each selected artist will accompany this themed visit and a
series of conferences will be held at the Grand Palais during the fair.
Haute-cour de Chandigarh, Le Corbusier, 1955 © Lucien Hervé / Courtesy Galerie Camera Obscura
Out of bounds by Simon Lamunière
In “Out of Bounds”, independent exhibition curator Simon Lamunière will be exploring contemporary
creation seen through a prism of multiethnicity and the hybridisation of forms and cultures. His
selection of works by some twenty international artists chosen from the exhibiting galleries will
address questions such as origins, gender, kinship, history and geography. His reflections will give
rise to a themed visit and a catalogue presenting the work of each selected artist.
“The current art scene, or rather scenes are made up in more or less equal parts of unique
individuals and cultural communities that meet in a permanent, confrontational exchange. These
confrontations currently relate to origins, gender, kinship, history and geography. Countries
are being redefined. Conflicts are shifting, criss-crossing and moving following clearly defined
patterns that are at times visible and at others invisible. Multiethnicity, diversity and difference
are omnipresent: artists come from a multitude of different backgrounds and express their
preoccupations with questions such as the sense of belonging, differentiation, and limits.
Speech has been freed giving rise to a collective debate that allows everyone to find their place
in a space that, rather that restricting itself and dividing up into even smaller parts, must on
the contrary open out more. The same goes for the mediums used as artists no longer limit
themselves to one medium or field of investigation and their creative expression sometimes goes
beyond the borders of the arts. At a time when geographic super entities are endeavouring to
establish their hegemony, other smaller entities draw attention and resonate with the zeitgeist.
The minority can become the majority and the art scene continues to evolve as does the world
itself.” Simon Lamunière.
Chouette effraie, 2023 © Stephan Vanfleteren / Courtesy Galerie Rabouan Moussion
Promises: the sector for young galleries and emerging artists
increases in size and takes up residence on the balconies
around the central nave at the Grand Palais
New for the 2025 edition, the Promises sector for young galleries created less than ten years ago
is taking up residence on the balconies around the central nave at the Grand Palais. The space
will play host to more than twenty galleries (compared to just 9 in 2024) and provide a forward-
looking analysis of cutting-edge contemporary art. Participating galleries can present up to three
emerging artists and will be sponsored by the fair so that the exhibitor fees will be reduced to an
all-inclusive price of 10,000 euros (VAT not included ) for a 20m2 booth. Also new this year, Marc
Donnadieu, Art Paris selection committee member and an independent exhibition curator, will be
in charge of the curation for the Promises sector.
Solo Show: promotes monographic exhibitions
Art Paris encourages the presentation of monographic exhibitions spread throughout the
fair. These solo shows allow visitors to discover or rediscover in depth the work of modern,
contemporary, or emerging artists.
Art Paris: a sustainably designed art fair
Art Paris is a regional art fair that gives pride of place to proximity, drawing local visitors and
favouring local transport solutions. Since 2022, the fair has undertaken to develop a sustainable
approach to organising an art fair based on a life cycle analysis (LCA). This pioneering approach
entrusted to Karbone Prod will be continued in 2025.
Paris, the world art capital this spring
Paris is in the midst of an exceptional period of cultural and artistic renaissance illustrated by
the opening of new galleries and venues, the renovation of existing cultural institutions and the
inauguration of new ones. The activities on offer as part of the VIP programme “In Paris during
Art Paris”, devised in partnership with Parisian cultural institutions and reserved for collectors
and art professionals, bear witness to the effervescent art scene in the City of Light this spring.
Autoportrait, Molenbeek, 2009, 2022 © Hélène Amouzou / Courtesy Galerie Carole Kvasnevski