Articles / Photographers

TBW Books is excited to present the seventh installment of our Annual Series. This year, four artists were invited to approach the concept of the human form. Implementing stylistically distinct approaches, each book works to challenge the artist's own practice, making room for discovery within not only their own oeuvre but within the language of photography itself.
While each book is thought of as a stand-alone title, an undeniable dialogue is shared between all four when presented together, allowing viewers to experience the collection as a singular photographic meditation.

With a rising number of women throughout the world picking up their cameras and capturing their surroundings, this book explores the work of 100 women and the experiences behind their greatest images.

Traditionally a male-dominated field, street photography is increasingly becoming the domain of women. This fantastic collection of images reflects that shift, showcasing 100 contemporary women street photographers working around the world today, accompanied by personal statements about their work. Variously joyful, unsettling and unexpected, the photographs capture a wide range of extraordinary moments. The volume is curated by Gulnara Samoilova, founder of the Women Street Photographers project: a website, social media platform and annual exhibition. Photographer Melissa Breyer's introductory essay explores how the genre has intersected with gender throughout history, looking at how cultural changes in gender roles have overlapped with technological developments in the camera to allow key historical figures to emerge. Her text is complemented by a foreword by renowned photojournalist Ami Vitale, whose career as a war photographer and, later, global travels with National Geographic have allowed a unique insight into the realities of working as a woman photographer in different countries. In turns intimate and candid, the photographs featured in this book offer a kaleidoscopic glimpse of what happens when women across the world are behind the camera.

Natalie Christensen has shown her work in exhibitions around the world, including London, Berlin, New York and Los Angeles. She was recently named one of "ten photographers to watch" at the Los Angeles Center for Digital Art. Her photographs are in the permanent collections of museums and institutions as well as numerous private collections. When natalie isn’t looking for photos behind forgotten shopping centers you can find her checking her instagram feed while hiking the mountains around Santa Fe.

UNPERSON is one of the first photo books of North Korean Defectors. In George Orwell’s 1984, an unperson is someone who has been vaporized, whose record has been erased. As each defector begins their new life, they all start out as an UNPERSON. The 15 intimate portraits tell the stories of the brave people who decided to take the chance to flee to South Korea.

The road to South Korea is dangerous and can take years with the many different borders of Mongolia, Laos, Thailand and China. The people fleeing are filled with the fear of being arrested and sent back to labour camps. Once they arrive in South Korea, they often struggle to find a new identity: Lost between their North Korean past and South Korean future.