Annie Leibovitz Wonderland

Weinstein Hammons Gallery is delighted to present Advice for Young Artists, an exhibition featuring fourteen new photographs by internationally acclaimed artist Alec Soth. The exhibition opens with a reception on Thursday, February 13th, from 6–8 PM, where the artist will be in attendance. Soth’s latest body of work, Advice for Young Artists, emerged from his visits to undergraduate art programs across the United States between 2022 and 2024. However, rather than dispensing direct guidance, Soth offers a contemplative meditation on the artistic journey, revealing the complexities of photography, time, and creative evolution. The images—ranging from structured classroom compositions to expressive, introspective moments—mark a significant evolution in Soth’s practice. Two decades after the release of his celebrated series Sleeping by the Mississippi, this new work revisits themes of artistic discovery and transformation with a fresh perspective. Renowned for his narrative-driven approach to photography, Alec Soth (b. 1969, Minneapolis, MN) has built a career rooted in curiosity, exploration, and an ever-evolving engagement with human connection. His work often captures moments of solitude, longing, and vulnerability, resonating deeply with viewers and fellow artists alike. With Advice for Young Artists, Soth continues to push boundaries, offering a nuanced reflection on the lifelong process of making art. Soth has published over twenty-five photobooks, beginning with his widely acclaimed monograph Sleeping by the Mississippi (2004). Other notable titles include NIAGARA (2006), Broken Manual (2010), Songbook (2015), I Know How Furiously Your Heart Is Beating (2019), A Pound of Pictures (2022), and the most recent Advice for Young Artists (2024). In 2008, he founded Little Brown Mushroom, an independent publishing house based in Minnesota. His work has been the subject of major solo exhibitions worldwide, including at Jeu de Paume (Paris), Fotomuseum Winterthur (Switzerland), The Finnish Museum of Photography (Helsinki), El Museo de Bogotá (Colombia), and Deichtorhallen (Hamburg). His photographs are held in the permanent collections of institutions such as The Museum of Modern Art (New York), the Los Angeles County Museum of Art, the San Francisco Museum of Modern Art, the Museum of Fine Arts (Houston), the Whitney Museum of American Art, and the Walker Art Center (Minneapolis), among others. With Advice for Young Artists, Alec Soth continues his legacy as one of contemporary photography’s most thought-provoking storytellers, exploring the intersections of creativity, education, and the passage of time. Image: © Alec Soth

Mengwen Cao, Jess T. Dugan, Yorgos Efthymiadis, Matthew Leifheit, Laurence Philomene, Anne Vetter What makes a family? How do we define community? These fundamental questions are explored in the exhibition Nuclear Family, which re-imagines the concept of family, expanding our vision beyond traditional norms through the lens of LGBTQIA+ artists. Traditional family values. The universal phrase for how we perceive and accept families in public. We are reminded of the standard visual narrative of a family as two heterosexual parents and their children. Family dynamics are complicated, not all of us fit into this vision of perceived perfection. In expanding the idea of family, we see these photographers present honest and authentic portrayals of themselves, their families and the broader community, challenging viewers to confront their own biases and assumptions through fresh eyes. Featuring a diverse range of photographic and video works, the exhibition presents a compelling exploration of diverse family structures. Jess Dugan‘s A Letter to My Daughter is a poignant video essay that delves into the joys and challenges of parenthood. Mengwen Cao‘s Liminal Space celebrates the everyday beauty, intimacy, and resilience of queer and trans people of color, with a particular focus on Asian queer identities. Yorgos Efthymiadis‘ Lighthouse Keepers offers a series of intimate portraits of friends in their own spaces, providing a glimpse into the artist’s personal connections and his shared community. Laurence Philomene‘s vibrant and colorful images serve as a visual diary reflecting their environment and their own trans and non-binary identity. Anne Vetter‘s Love is not the Last Room explores themes of gender, attachment, and family through intimate portraits of themselves and their partner. Matthew Leifheit‘s Queer Archives delves into LGBTQIA+ history through objects and archives that remind the community of its origins and those who came before. These artists utilize photography and video not only to document their lives but also to challenge societal norms and celebrate the diversity of love and family structures. By reclaiming the genre of portraiture, often used to uphold traditional ideals, they create powerful and moving works that resonate with viewers on a deeply personal level. Nuclear Family was conceived and created by curator and artist Katalina Simon, in collaboration with Crista Dix, Executive Director of the Griffin Museum, and exhibition designer Yana Nosenko. Image: Liminal Space © Mengwen Cao

Imagine a world where it doesn’t matter who you love, just that you love. An Impossibly Normal Life is an artifact from another world, a more loving, inclusive one where who you love is of little societal importance. This fictional story, centered on my imagined uncle’s idealized life, is created from collected vintage snapshots from around the world. Four years ago, my mother offhandedly mentioned that I had an uncle who may have been gay, but he died not long after I was born. Hearing this revelation for the first time, nearly thirty years after I had struggled to come out to my disapproving family, sent my mind spinning. The thought of a family member so close to me going through some of the same things I did inspired me to create this story. Instead of returning to the hiding or shame of most pre-1970’s queer stories, a reality of how our world was (and in some cases, still is), I have created an alternate history where fluidity in gender and sexuality is the societal norm. Re-contexualizing found photographs and creating a new narrative, my Uncle Ken’s life becomes full of acceptance, friends and love, and shows anyone struggling with identity today the joy of what could have been and can still be.

Influenced by my own queer experience and ideals of mid-century American culture, my work investigates a familiar environment that alludes to something more enigmatic. Creating vignettes of this space and time allows for the images to exist in reality or remain fictitious. Initially making work about control of the environment, I am able to create a safe space for the narrative to unfold; purposely diverting from what we may consider conventional. The characters become distant protagonists as the work allows the viewer to respond as a voyeur. “Meditations in an Emergency” explores quiet amongst chaos. By focusing on themes of disaster and tragedy I am able to address the human condition; attempting to thrive in times of turmoil.

Stephen, as the founder and editor of The Photo Review and editor of The Photograph Collector, has a deep understanding of both the artistic and technical aspects of photography. In his body of work, he leverages this expertise to create photographic vignettes that re-imagine the artwork of Baroque, Rococo, and Romantic masters. Using the digital darkroom as his modern-day canvas, Stephen translates the meanings and themes of these 17th- to early 19th-century masterpieces into a contemporary context, bridging the gap between historical and modern visual art. His work reflects a synthesis of classical aesthetics with modern technology, offering a fresh perspective on timeless themes. This approach not only pays homage to the original works but also invites viewers to consider how the meanings and messages of these Baroque, Rococo, and Romantic pieces might change or expand when viewed through the lens of today's world. Stephen is a distinguished figure in the world of photography, known for his role as the founder and editor of The Photo Review, a critical journal that has been exploring the international photography scene since 1976. Additionally, he serves as the editor of The Photograph Collector, a premier publication that provides in-depth insights into the photography art market. His photographs reside in many museum and private collections, including those of the Philadelphia Museum of Art, the George Eastman Museum, the Santa Barbara Museum of Art, the James A. Michener Art Museum, Lehigh University, Haverford College, and the University of North Dakota.

Leica Store & Gallery Los Angeles presents a landmark exhibition celebrating a century of innovation in photography: 100 YEARS OF LEICA. This iconic exhibit will feature the work of two renowned artists, Joel Meyerowitz and Barbara Davidson, honoring Leica's transformative role in shaping the world of photography. The exhibition kicks off a year-long celebration of Leica's centennial, with inspiring events, cultural highlights, and exclusive releases throughout 2025. For 100 years, Leica has been at the forefront of photographic technology and artistry, empowering photographers to capture defining moments that have shaped our visual culture. In celebrate this milestone, Leica Store & Gallery Los Angeles invites visitors to experience a diverse range of photographs that reflect the evolution of the medium— from the streets of the 20th century to today's contemporary landscapes. ''When I first began making photographs, my focus was often on capturing an action or event at the center of the frame,'' Joel Meyerowitz explained. ''But as I grew and began questioning my methods, influences, and photography itself, I realized it was time to move beyond what I already did well and aim for more challenging, engaging images. This shift led me to move away from the ‘incident-based photograph' and toward a broader, ‘deep space, field photograph,' where every element in the frame carries meaning. Rather than relying on a single ‘hook' to draw the viewer in, I aimed to capture the essence of the entire frame as a cohesive, meaningful space.'' In her collection of intimate images, Barbara Davidson explores the current American landscape through the lens of social injustice. She delves into the complexities of inequality, empowerment, and hope, capturing the intersections of these themes in contemporary culture. Through her Leica 100 collaboration, Davidson, alongside Meyerowitz, reveals how the American panorama has evolved and devolved since the golden era of street photography in the 1960's and 70's. Her work reflects the stunning persistence of America's complex social fabric, examining how people coexist in a radically changed yet enduring country. This exhibit kicks off the exciting year-long celebration for Leica's 100th anniversary. Throughout 2025, Leica will host a series of events, exhibitions, and exclusive product releases to commemorate its century of photographic excellence. Visitors to Leica Store & Gallery Los Angeles will have the opportunity to experience the enduring legacy of Leica through the works of legendary photographers like Meyerowitz and Davidson, whose contributions continue to shape the visual landscape of today.

Robert Klein Gallery is honored to present a special selection of vibrant color photographs by Constantine Manos, drawn from his celebrated American Color series. This exhibition showcases striking moments of public life across the United States, offering a dynamic and unexpected portrait of American culture. Each photograph, printed by Manos in his Massachusetts studio before his passing, represents the first time many of these works have been exhibited in a monumental 24 x 36-inch format. A kaleidoscope of movement, energy, and everyday spectacle, American Color transforms fleeting interactions into masterful compositions. From the lively boardwalks of Venice Beach to the exuberant revelry of Mardi Gras, Manos captures the surreal in the ordinary, blending bold hues, precise framing, and serendipitous encounters into compelling visual narratives. As a longtime Magnum Photos member, Manos devoted years to observing and documenting the richness of American public spaces. His approach to photography is both selective and immersive—distilling layered, spontaneous moments into arresting images that pulse with life. While rooted in American landscapes and communities, American Color does not attempt to define the nation but rather celebrates its rhythms, contrasts, and expressions. Each frame invites viewers to pause, explore, and uncover new details with every glance. Born in South Carolina in 1934 to Greek immigrant parents, Constantine Manos developed an early passion for photography that led to an illustrious career spanning decades. His work has been exhibited internationally and is held in major museum collections worldwide. Manos’s acclaimed books include Portrait of a Symphony, A Greek Portfolio, and Bostonians. His legacy as a visionary photographer endures through his images—vibrant, unfiltered, and profoundly human. Constantine Manos passed away this year at the age of 90. Image: American Color 2 (Daytona Beach, FL), 1997 © Constantine Manos

We are delighted to invite lens-based artists, 18 and older, to submit their work for Winter Light, an exhibition celebrating the season’s luminous glow in all its forms: the golden rays of a low winter sun, the shimmering reflections on snow and ice, and the soft glow of candles on long, quiet nights. This exhibition will be presented at the Jenks Center in Winchester, MA, from February 1 to April 4, 2025. We seek photographic works that interpret Winter Light, capturing its interplay of brightness and shadow, warmth and chill, hope and reflection. This is an opportunity to showcase light as both a physical phenomenon and a symbol of resilience, creativity, and connection during the winter season. Share your vision of Winter Light and join us in celebrating the beauty that radiates in winter’s stillness. Submission details and deadlines are provided below. Let your work inspire reflection and connection in this special community exhibition. Image: The Sound of Snow #26 by Xuan Hui Ng

Jessica Silverman is pleased to announce “Catherine Wagner: Reel to Real,” the San Francisco-based artist’s second solo exhibition with the gallery, on view February 27 to April 5, 2025. The exhibition features two bodies of work that restage physical sites of our collective imaginations. These include Wagner’s new series Moving Pictures, exploring the film archive at the Berkeley Art Museum and Pacific Film Archive (BAMPFA), alongside never-before-seen photographs from Architecture of Reassurance, her historic 1995 series capturing Disney theme parks in Anaheim, Orlando, Paris, and Tokyo. These curious and often humorous images confront enchantments promised by the twentieth century’s most iconic visual landscapes. Through Wagner’s lens, “Reel to Real” takes us behind the scenes, lifting the curtain on cinematic smoke and mirrors. Image: Catherine Wagner, Do the Right Thing, 2024,

Gagosian is proud to present Ghost Images, an exhibition of new works by Tyler Mitchell, opening on February 27 at 541 West 24th Street. This marks Mitchell’s first solo exhibition with the gallery in New York and follows the announcement of his global representation. Exploring themes of Southern gothic and personal memory, Mitchell’s latest images of seaside leisure (all 2024) draw from his Southern upbringing to interrogate the psychological weight of history. His photographs evoke unseen yet deeply felt presences, questioning how imagery can document memory and reflect self-determination in the context of historical narratives. This series was created on Jekyll and Cumberland Islands, Georgia—sites rich with both natural beauty and historical significance—as part of Mitchell’s preparation for Idyllic Space, his 2024 exhibition at the High Museum of Art, Atlanta. These barrier islands, now nationally protected, bear traces of the past, from the remnants of a Carnegie family mansion on Cumberland Island to the landing site of one of the last-known slave ships on Jekyll Island in 1858—an event subtly referenced in Gulfs Between, where toy boats drift on the water. Throughout the exhibition, Mitchell experiments with veiling and layering to create compositions suspended between past and present. Works like Old Fear and Old Joys and Buoyancy depict moments of leisure, while in Ghost Image, a boy peers through a translucent net. In Convivial Conversation and The sky is cold but the wing blood hot, figures are transformed by scrims of fabric and kites, filtering light like spectral presences. Expanding his practice, Mitchell prints images onto mirrors and draped fabric, invoking the ephemeral nature of memory and the shifting boundaries between physical and psychological space. His work resonates with the experimental techniques of Clarence John Laughlin, Frederick Sommer, and Francesca Woodman, employing multiple exposures, superimpositions, and fragmented compositions to materialize the ghostly echoes of the past. Mitchell’s ongoing career continues to gain international recognition. His retrospective Wish This Was Real is currently on view at the Finnish Museum of Photography in Helsinki (through February 23), with upcoming stops at Photo Elysée, Lausanne (2025), Maison Européenne de la Photographie, Paris (2025–26), and Foto Arsenal Wien, Vienna (2026). Additionally, he is the photographer for the exhibition catalogue of the Costume Institute’s Spring 2025 exhibition, Superfine: Tailoring Black Style, at The Met, where he will contribute a special 32-page photographic feature celebrating its themes. Image: Ghost Image, 2024 © Tyler Mitchell

Fremin Gallery is excited to present "Reminiscence," a captivating new exhibition by renowned artist, musician, and humanitarian Julian Lennon. Running from March 6th to April 6th, 2025, this highly anticipated showcase provides a rare and personal look into Lennon’s visionary artistry. In this latest body of work, Julian Lennon continues his exploration of profound themes such as humanity, nature, and the interconnectedness of all life. Through a striking collection of evocative photographs, Lennon invites viewers to reflect on the world around them, blending his sharp photographic eye with a steadfast commitment to environmental and social advocacy. "Reminiscence" will unveil a series of never-before-seen images, each capturing the delicate beauty of our planet. The collection exemplifies Lennon’s unique ability to intertwine personal experiences with universal messages, creating art that resonates deeply with audiences on both an emotional and intellectual level. “We are incredibly excited to present Julian Lennon’s latest work,” said Emmanuel Fremin, Director of Fremin Gallery. “His artistry goes beyond the visual, offering a powerful narrative about our collective responsibility to protect and honor the world we share.” Image: Rico Suave (1/5), 2018 © Julian Lennon

See how documentary photography transformed during the 1970s. The 1970s was a decade of uncertainty in the United States. Americans witnessed soaring inflation, energy crises, and the Watergate scandal, as well as protests about pressing issues such as the Vietnam War, women’s rights, gay liberation, and the environment. The country’s profound upheaval formed the backdrop for a revolution in documentary photography. Activism and a growing awareness and acceptance of diversity opened the field to underrepresented voices. At the same time, artistic experimentation fueled the reimagining of what documentary photographs could look like. Featuring some 100 works by more than 80 artists, The ʼ70s Lens examines how photographers reinvented documentary practice during this radical shift in American life. Mikki Ferrill and Frank Espada used the camera to create complex portraits of their communities. Tseng Kwong Chi and Susan Hiller demonstrated photography’s role in the development of performance and conceptual art. With pictures of suburban sprawl, artists like Lewis Baltz and Joe Deal challenged popular ideas of nature as pristine. And Michael Jang and Joanne Leonard made interior views that examine the social landscape of domestic spaces. The questions these artists explored—about photography’s ethics, truth, and power—continue to be considered today. Image: Helen Levitt, New York, 1972, dye imbibition print , Patrons' Permanent Fund, 1995.36.99