Written by world-renowned photographer, writer, and broadcaster Tom Ang, Photography lavishly celebrates the most iconic photographs and photographers of the past 200 years.
Tracing the history of photography from its origins in the 1800s to the digital age, Photography: The Definitive Visual History is the only book of its kind to give a comprehensive account of the people, the photographs, and the technologies that have shaped the history of photography.
An entertaining and comprehensive compendium packed with fascinating trivia, delightful oddities, and compelling stories that will captivate photographers of all levels and interests!
Dive into photography's rich heritage with A Brief History of Photography, an engaging almanac-style book that offers far more than just the typical and dry historical accounts of the genre. With more than 400 fascinating trivia entries and delightfully odd anecdotes, this book breathes life into the background details, stories, and personalities behind the cameras and processes we know and love.
Meticulously researched and written over two decades, this thoroughly entertaining and highly readable book provides an understanding of photography's evolution, from its beginnings going as far back as the 16th century all the way up to the modern day. Whether you’re dipping into the book for just a few minutes or sitting down for an afternoon of reading, you’ll explore the seminal cameras, lenses, and chemical processes that paved the way, as well as the visionary inventors, influential magazines, and significant photographers who made photography what it is today.
Profusely illustrated with both photographs and line drawings, A Brief History of Photography is an essential addition to any photographer's library. Whether you're a seasoned professional, an avid enthusiast, or simply someone who appreciates the magic of capturing images with your smartphone, this book offers an entertaining and educational look into the genre's rich history. The perfect gift—for either yourself or the photographer on your list—A Brief History of Photography is a must-have for anyone seeking to deepen their understanding and appreciation of this extraordinary art form.
Walter Benjamin's A Little History of Photography offers a fascinating glimpse into the early development of photography and its broader implications, making it as relevant today as when it was first published in 1931. In this essay, Benjamin—a philosopher and cultural critic—demonstrates remarkable foresight about the transformative power of photography. His declaration that "the illiterate of the future ... will not be the man who cannot read the alphabet, but the one who cannot take a photograph" underscores his belief that the medium would become essential to modern communication and culture.
Beginning with the pioneering experiments of Louis Daguerre and Nicéphore Niépce, Benjamin traces photography's evolution through to the work of August Sander and Germaine Krull. But his essay goes beyond a simple history of the medium, exploring its artistic, societal, and political potential. In doing so, Benjamin anticipates his later and more famous work, The Work of Art in the Age of Mechanical Reproduction, where he would further explore the concept of “reproducibility” and its implications for art in the modern age.
A Little History of Photography remains a seminal text for understanding photography as more than just a technical innovation—it’s a tool for analyzing art, culture, and politics. Benjamin’s insights gave early credibility to the medium and its practitioners, shaping the critical frameworks that are still used today. This essay is a must-read for anyone interested in the philosophical and historical dimensions of photography.
From a delivery boy to one of the most important industrialists in American history, George Eastman's career developed in a particularly American way. The founder of Kodak died in 1932, and left his house to the University of Rochester. Since 1949 the site has operated as an international museum of photography and film, and today holds the largest collection of its kind in the world. The continually expanding photography collection contains over 400,000 images and negatives - among them the work of Alfred Stieglitz, Edward Steichen, Ansel Adams and others - as well as 23,000 cinema films, five million film stills, one of the most important silent film collections, technical equipment and a library with 40,000 books on photography and film. The George Eastman House is a pilgrimage site and a place of worship for researchers, photographers and collectors from all over the world.
This volume shows in chronological order the most impressive images and the most important developments in the art of light that is photography. It provides in its huge collection and themes a unique survey of the medium from its origins until now.
Since its first publication in 1937, this lucid and scholarly chronicle of the history of photography has been hailed as the classic work on the subject. No other book and no other author have managed to relate the aesthetic evolution of the art of photography to its technical innovations with such an absorbing combination of clarity, scholarship and enthusiasm. Through more than 300 works by such master photographers as William Henry Fox Talbot, Timothy O'Sullivan, Julia Margaret Cameron, Eugene Atget, Peter Henry Emerson, Alfred Stieglitz, Paul Strand, Alvin Langdon Coburn, Man Ray, Edward Weston, Dorothea Lange, Walker Evans, Ansel Adams, Brassai, Henri Cartier-Bresson, Harry Callahan, Minor White, Robert Frank and Diane Arbus, author Beaumont Newhall presents a fascinating, comprehensive study of the significant trends and developments in the medium since the first photographs were made in 1839. New selections added to the fifth edition include photographs made in color, from hand-tinted daguerreotypes of 1850 to turn-of-the-century autochromes by Edward Steichen, to works by contemporary masters such as Eliot Porter, Ernst Haas, William Eggleston, Stephen Shore and Joel Meyerowitz.Beaumont Newhall (1908-1993) was an influential curator, art historian, writer and photographer. In 1935 he became the Librarian at The Museum of Modern Art, New York. In 1940, he became the first Director of MoMA's Photography Department. He served as Curator of the International Museum of Photography at the George Eastman House from 1948 to 1958, then as its Director from 1958 to 1971. While at the Eastman House, Newhall was responsible for amassing one of the greatest photographic collections in the world.
We’re thrilled to partner with Peter Caton for the launch of his Kickstarter campaign to bring his powerful book, Unyielding Floods, to life. Set for publication in September, this book sheds light on one of the most devastating yet overlooked climate crises in the world today.
If there’s one thing that sets "WildLOVE" by Pedro Jarque Krebs apart from the myriad of wildlife photography books, it’s the profound intimacy and empathy captured in every page. A work of both beauty and boldness, the book brings us face-to-face with wildlife in a way that is rarely seen. Through Krebs’ lens, animals are not distant, untouchable beings; they become relatable, full of personality, and—most importantly—emotion.
How can you go home when a leopard is sleeping in your bed? Most of us go through life caught up in rituals so convincing that we confuse them for the real world, all tenuously tied together by the thin red line we call family. And yet we often ask ourselves, who are these people in my house?
For almost six decades, Stephen Shames has documented the world as an award-winning photojournalist. Through his photography, he uncovers the raw emotions and deeper truths behind both global, political issues and private, personal ones. From chronicling the Black Panther movement in Power to the People: The World of the Black Panthers, to exposing the silent crisis of child poverty in Outside the Dream: Child Poverty in America, Shames’ work consistently highlights the humanity at the heart of struggle and survival.
Terza Vita, a third life. This enchanting book delves into the rebirth of interpersonal relationships among adolescents after a two-year compulsory break. Mar Sáez photographs the reappearing residents, and, above all, the yearning young lovers, in sensual, almost dancing attitudes, reflecting the classical images of sculptures and paintings offered up by the eternal city of Rome.
Sirkka-Liisa Konttinen’s Writing in the Sand is a vibrant and deeply human exploration of life along the beaches of North East England. Through her lens, she captures the spontaneity, joy, and eccentricity of Geordie beachgoers, transforming everyday moments into something both intimate and universal.
The Raw Society Magazine is a non-profit project that aims to highlight important and compelling work from both its professional members and the wider storytelling community. It’s all about photography that goes beyond just visuals—focusing on themes like social issues, politics, culture, travel, and history. What makes it stand out is the strong emphasis on personal storytelling, allowing photographers to share deeper, more meaningful narratives.
The magazine is a space for photographers who want to bring attention to issues that matter. Instead of just showcasing beautiful images, it gives context, background, and a real sense of the photographer’s vision. It’s a mix of documentary, reportage, and artistic work, always keeping storytelling at the core.
Unable to find imagery that was relatable and authentic about a young family navigating cancer, photographers Anna and Jordan Rathkopf turned the camera on each other and themselves after Anna's diagnosis at the age of 37 with an aggressive form of breast cancer. HER2 is an ongoing visual conversation told through the utterly unique dual perspective of the experience as a husband- and-wife team, showing both the ways in which there is a deep bond in shared survival while also highlighting their parallel, isolated traumas amidst layers of grief and joy.
Emily Nkanga, photographer and filmmaker, presents Unyọñ Ufọk (translation: Going Home), a photo book exploring grief, identity, and home. Through analog photographs shot on Mamiya RZ 67 and Olympus OM2, Nkanga captures fleeting moments of everyday life in her hometown of Akwa Ibom, Nigeria. The images act as a time capsule, preserving the beauty of life’s transient moments.
