Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded.
Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography.
Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way.
In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.
Seasons of Time by Nathalie Rubens is an intimate and fearless photobook exploring the emotional distance and deep connection between mother and daughter, while confronting the beauty, vulnerability, and physical reality of a woman’s aging body with rare honesty.
1804 continues Rich-Joseph Facun’s exploration of life in the Appalachian foothills of Southeast Ohio, this time turning his lens toward the local university and its complex, symbiotic relationship with the surrounding community.
GOST Books presents Robin Bernstein’s debut photobook MAPALAKATA, a compelling visual investigation into landscape, memory, and the layered histories of Southern Africa. The project offers a nuanced reflection on how geography is not only inhabited, but continually rewritten through movement, extraction, and shifting narratives of belonging.
A reflective photobook by Newsha Tavakolian revisiting her early Iranian archive through contact sheets, personal notes, and reworked images. Spanning 1995–2007 and 2017–2019, it explores memory, loss, political context, and resilience through photography and process.
Discover Pyramiden, a contemplative photography book by Damien Aubin exploring abandoned Soviet Arctic settlements through themes of persistence, displacement, and quiet continuity.
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community.
Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist.
As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Patterns: Art of the Natural World (Damiani) documents photographer Jon McCormack's meditation on the
geometric patterns that define our planet's most breathtaking landscapes and ecosystems. Through McCormack's
documentation, the Earth reveals itself as both architect and storyteller. Across continents and scales, from
microscopic mineral blooms to vast aerial geometries, the images trace a living grammar of pattern, rhythm, and
resonance that connects the intimate to the immense.
KAOS by Albert Watson is far more than a retrospective monograph spanning more than fifty years of photography. To me, it immediately felt like an object of art—something that insists on being present. With its imposing XL format and nearly eleven pounds, it’s not a book you casually leave on the side of a sofa or slip into a shelf. You place it somewhere with intention. On a table, in full view. Not just as decoration, but as something that invites attention, something you return to
Venezuelan Youth by Silvana Trevale is a powerful photography project exploring identity, resilience, and coming of age in contemporary Venezuela. Blending documentary and portraiture, the series offers an intimate and poetic perspective on youth navigating life amid social and economic challenges. Published by Guest Editions, this compelling body of work redefines visual narratives around Venezuela through sensitivity, depth, and hope.
