Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded.
Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography.
Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way.
In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.
From the first known photograph taken in Los Angeles to its most recent sweeping vistas, this photographic tribute to the City of Angels provides a fascinating journey through the city’s cultural, political, industrial, and sociological history. It traces the city’s development from the 1880s’ real estate boom, through the early days of Hollywood and the urban sprawl of the late 20th century, right up to the present day. With over 500 images, L.A. is shown emerging from a desert wasteland to become a vast palm-studded urban metropolis.
Without emptiness, matter does not exist. But what if the void itself contains all the meanings we seek? In her book Atlas of Void, German artist Kathleen Alisch offers us a tangible and hypnotic proof of how
space—interior, exterior, and other—is synonymous with infinite possibilities. The ninety-six page book, published by L’Artiere in 2022, collects images that seem to come from our everyday world and at the same time from places we swear we’ve seen in a dream, or perhaps in other dimensions. Black, silver, present, absent: each photograph draws us into the boundary between reality and perception, creating a silent rhythm that does not need words—and gives viewers the time to find their own. A map of the void was possible all along.
Bury Me in the Back Forty is the highly anticipated successor to the sold-out books "Out West" and "Crown Ditch" by Kyler Zeleny and the final chapter in his prairie trilogy. For a decade now, Kyler Zeleny has been documenting his hometown, a rural community on the Canadian Prairies with deep Ukrainian roots, consisting of 915 people.
Black Box, a memoir by award-winning American photographer Dona Ann McAdams, combines fifty years of black and white photography with the photographer’s own short lyric texts she calls “ditties.” The book brings together McAdams’ striking historical images with personal reflections that read like prose-poems. Her photographs, taken between 1974 and 2024, document astonishing moments and people across decades of American life.
Jeff Dworsky dropped out of school at 14, bought a Leica at 15, and moved to a small island in Maine at 16 to become a fisherman.
In his debut monograph, Sealskin, photographs of his life are paced to an old Celtic folktale about a fisherman who discovers a selkie—a mythical creature that can transform from a seal into a human—falls in love, has a family, but must let her go. This tale mirrors Dworsky’s own life, it is a story of desire, the erosion of time, and the inevitability of change. Using Kodachrome film, Dworsky documented his family, daily life, and the fishing community in a small Maine village during the 70-80s, capturing a world that no longer exists.
When artist Dimitri Staszewski found out that his close friend and artistic mentor, renowned contemporary jewelry artist Thomas Mann was diagnosed with cancer, Staszewski made the decision to support Mann through that process. During Mann’s three-month treatment, he continued making work at a frenetic pace while Staszewski started documenting the physical and emotional space they were sharing.
Don’t miss your chance to own The Sound of Waves, the latest photo book by acclaimed photographer Tatsuo Suzuki. This stunning new work captures the essence of life and movement with Suzuki's signature style. Be among the first to experience this visual masterpiece by pre-ordering your copy through his exclusive Kickstarter campaign. Support the project today and secure a piece of art that promises to inspire and captivate!
Photographs by Stefano De Luigi: Captures the transformation of Italian TV and its influence on society and had free access to all these programmes during the renowned Bunga Bunga era in Italy.
Curated by Laura Serani: Ensures a thoughtful and engaging presentation.
The portraits, life stories, and DNA of 100 Angelenos making positive social impact in the community will be showcased in an exhibition, book, podcast, website, and more
Call Me Lola: In Search of Mother (Hatje Cantz, November 2024) is the culmination of Israeli-American photographer Loli Kantor’s extensive 20 year process retracing her own history through surveying and photographing family archives, as well as present-day places and geographies meaningful to her and her family's history such as Poland, France, Ukraine, Germany, and Israel.
