The atomic age began at 5:30 a.m. on July 16, 1945, with the explosion of “the Gadget” at Trinity near Alamogordo, New Mexico. Prelude to the bombing of Hiroshima and Nagasaki, which forced the capitulation of Japan and ended World War II, the Trinity test was the culmination of herculean efforts by scientists, civilians, and the military of the United States to tap the potential of the atom for a wartime emergency. If Nazi Germany could engineer the bomb first, an Allied victory against Hitler was all but lost. Historic Photos of the Manhattan Project is a look back at the epic struggle to build the world's first atomic bomb. Nearly 200 images in vivid black-and-white reveal the project as it unfolded, from its secretive origins at Oak Ridge, Hanford, and Los Alamos, to the day Americans celebrated triumph over the Axis powers with victory over Japan. A pinnacle moment in the history of the United States, the Manhattan Project's application of Einstein's famous equation E = MC2 shows, perhaps better than any other single endeavor, what can be achieved by human ingenuity when the citizens of a great nation are united in freedom against a fearsome and despotic foe.
A charismatic stage and screen actress. A model whose beauty inspired some of the most arresting images of the twentieth century. A visionary photographer. A revolutionary with deep commitments to communism. A woman whose life, loves, and death were controversial. Tina Modotti (1896-1942) was all of these. Her life was one of almost unimaginable glamor, scandal, and turmoil. This biography portrays Modotti accurately and fairly, cutting through the distortions of myth and rumor that surround her. Perhaps best known as the lover, model, and apprentice of American photographer Edward Weston, Modotti emerges in these pages as a complex woman, deeply passionate in her relationships as well as her art and politics.
Historian Letizia Argenteri examines an array of international historical documents and letters as she traces the path of Modotti's life and career through Italy, California, Mexico, Germany, Moscow, and Spain. Argenteri tells the dramatic story in full detail, casting light on the mysteries of Modotti's life and carefully placing her in the political and social milieu of her time. The many fascinating illustrations in this book further illuminate Modotti's life.
The history of photography in Mexico was a largely untold story until the 1994 publication of Olivier Debroise's Fuga Mexicana, un recorrido por la fotografía en México. Based on ten years' research in public and private photographic archives in Mexico, the United States, Guatemala, and Europe, Fuga Mexicana provided the first comprehensive survey of Mexican photography from the advent of the daguerreotype in 1839 to the present.
The Mexican Revolution of 1910-1920 is among the world's most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other's images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was "the photographer of the Revolution," there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).
Alongside an exploration of Bayard’s decades-long career and lasting impact, Hippolyte Bayard and the
Invention of Photography (J. Paul Getty Museum, $65) presents—for the first time in print—some of the earliest
photographs in existence. Among the Getty Museum’s rarest and most treasured photographic holdings is an
album containing nearly 200 images, 145 of those by or attributed to Bayard. Few of these prints have ever
been seen in person due to the extreme light sensitivity of Bayard’s experimental processes, making this an
essential reference for scholars and photography enthusiasts alike.
For seven years, American photographer Barbara Peacock crisscrossed the United States photographing people in the spaces they defined as their bedrooms. The bedroom is an inherently personal space where humans are perhaps at their most vulnerable. Whether a room in a house, a camper, or an outdoor space, Peacock presents a body of work that invites the viewer to consider the stories we each carry, and how those unify us all.
SINK / RISE is the third chapter of The Day May Break, an ongoing global series portraying people and animals that have been impacted by environmental degradation and destruction. This third chapter focuses on South Pacific Islanders impacted by rising oceans from climate change. The local people in these photos, photographed underwater in the ocean off the coast of the Fijian islands, are representatives of the many people whose homes, land and livelihoods will be lost in the coming decades as the water rises. Everything is shot in-camera underwater.
The passing of time has a way of adding context and layers of meaning to any story, and photographer Lisa McCord's expansive and nuanced project and book, Rotan Switch, (Kehrer Verlag, May 2024) reflects the dedication of over 40 years of observation and documentation of her rural southern family farm and community.
I discovered Michael Joseph's work in 2016, thanks to Ann Jastrab. I was immediately captivated by the power of his beautiful black and white photographs from his series 'Lost and Found.' His haunting portraits of young Travelers have stayed with me ever since.
Through conceptual imagery, intimate portraits, and reflections in writing from a wide variety of women and girls ages 13-81, artist and former actor and model Jamie Schofield Riva presents an in-depth exploration of what it's like as a girl trying to navigate a world full of "preconceived notions of what it means to be a woman." Her selection of images presents an assessment between generations of the intersections between cultural and social conditioning and messages about the female gender, and considerations of the implication of the stereotypes of femininity.
Renowned photographer Brice Gelot is proud to announce the release his first Archives book. This stunning volume offers a captivating journey through his lens, showcasing his unique perspective and profound artistic vision, featuring a carefully curated selection of his most iconic works,
In January 2020, North Korea officially closed its borders. But even
before that date, photographing the enigmatic landscapes of North
Korea posed immense challenges due to the regime's strict control
and prohibition of unauthorized photography. However, from a vast
archive of images captured painstakingly over two years, in this book
Tariq Zaidi curates a selection of more than 100 remarkable photographs that offer a wider perspective on a society often misunderstood and overshadowed by stereotypes.
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