Fashion photography captures our desires and fantasies about how we present ourselves to the world, while reflecting the changing values of our culture and society. Fashion Photography: The Story in 180 Pictures explores the profound influence that fashion photography has had on us over the past eight decades, presenting its evolution as a language, and a genre, while showcasing some of its most glamorous moments. Featuring work by every important fashion photographer of the past, alongside those shaping contemporary taste today―including Richard Avedon, Horst P. Horst, William Klein, Helmut Newton, Guy Bourdin, Steven Meisel, Corinne Day, and Juergen Teller, to name a few―fashion chronicler Eugénie Shinkle reveals illuminating moments in the story of fashion and photography, while sketching the bigger picture. She charts how fashion photography flourished with the rise of illustrated magazines, how influential art directors collaborated with photographers to shape epochs of style, and how generations of fashion photographers have built upon each other’s ideas to expand this genre. An object of exquisite beauty in its own right, this book serves as an accessible primer to the story of fashion photography, for everyone engaged by this compelling subject.
Femxphotographers.org: Love offers a layered and quietly radical meditation on intimacy as seen through feminist eyes. This black-and-white publication gathers a wide range of voices who approach love not as a fixed ideal, but as a lived experience shaped by power, vulnerability, memory, and care. Here, love unfolds slowly, resisting spectacle in favor of presence, honesty, and emotional depth.
Across its pages, intimacy appears in many forms: between partners, within families, toward the self, and in moments of longing or loss. Some images are carefully constructed, others fleeting and instinctive, yet all share a commitment to reclaiming the act of looking. By placing womxn and non-binary perspectives at the center, the book gently but firmly disrupts inherited visual conventions, offering alternatives to the dominant narratives that have long framed desire and affection.
Photography in this volume functions as both witness and participant. The camera becomes a space of trust, where subjects are neither idealized nor reduced, but allowed to exist in their complexity. Love is shown as resilient and fragile, political and personal, tender and unresolved. The inclusion of poetry and written reflections deepens this experience, allowing images and words to resonate together, much like memory itself.
As the third publication by femxphotographers.org, Love continues the collective’s commitment to solidarity and shared authorship. Rather than presenting a single curatorial voice, the book embraces multiplicity, honoring differences in culture, generation, identity, and lived reality. This openness gives the work its strength, reinforcing the idea that love cannot be contained within one definition or visual language.
Rooted in feminist practice yet forward-looking in spirit, Femxphotographers.org: Love is both a visual archive and a quiet manifesto. It reminds us that photography, when guided by care and intention, can become a tool for connection rather than consumption. In returning to love as something slow, attentive, and deeply human, the book reclaims intimacy as an act of resistance and a shared ground for imagining more equitable ways of seeing.
Two Women in Their Time
The Belarus Free Theatre and the Art of Resistance By MISHA FRIEDMAN and MASHA GESSEN
A collaboration between the National Book Award-winning journalist and the prize-winning photographer on the queer-resistance theater troupe
In the fall of 2017, the internationally acclaimed underground theater troupe Belarus Free Theatre took New York by storm for a production of their harrowing anti-torture, anti-Putin play, Burning Doors. They were joined by Maria Alyokhina, a member of Russian punk group Pussy Riot, who made international headlines when they were imprisoned for staging an anti-Putin performance in a Moscow cathedral. The play met with enthusiastic acclaim from critics.
Ben Brantley, The New York Times wrote: No matter what the laws of physics decree, there is untold and explosive energy in resistance. Or such is the evidence of 'Burning Doors,' the Belarus Free Theater's bruising exploration of the dynamics of resistance -- the kind that occurs in the intersection of art and politics. Sara Holden, New York Magazine praised it as a smart, smoldering, physically brutal piece of theater.
In Two Women in Their Time: The Belarus Free Theatre and the Art of Resistance (The New Press, October 2020), award-winning documentary photographer Misha Friedman and New Yorker reporter Masha Gessen take us backstage, giving us an intimate look at this fiercely creative drama troupe that cannot officially perform in its homeland, which remains a dictatorship in all but name. The result is an astonishing series of photos documenting the group's productions in New York and Gessen and Friedman's visit to Minsk to meet Svetlana Sugako and Nadezhda Brodskaya, the young lesbian couple who keep the Belarus Free Theatre running. The two women live a life in the borderlands-between underground and public, between the closet and being out, in a country where same-sex sexual activity is legal yet remains taboo. Their work proves that queerness will always be dangerous to autocracy.
Searchable CD ROM containing the entire book (including images).
Over 450 color images, plus never before published images provided by the George Eastman House collection, as well as images from Ansel Adams, Howard Schatz, and Jerry Uelsmann to name just a few.
The role and value of the picture cannot be matched for accuracy or impact. This comprehensive treatise, featuring the history and historical processes of photography, contemporary applications, and the new and evolving digital technologies, will provide the most accurate technical synopsis of the current, as well as early worlds of photography ever compiled. This Encyclopedia, produced by a team of world renown practicing experts, shares in highly detailed descriptions, the core concepts and facts relative to anything photographic. This Fourth edition of the Focal Encyclopedia serves as the definitive reference for students and practitioners of photography worldwide, expanding on the award winning 3rd edition.
In the late 1960s, Polaroid Corporation founder Edwin Land initiated a project to invite more than 800 artists around the world to shoot on Polaroid film, supplying them with the company's latest products. Over the ensuing decades, more than 4,500 works, by photographers ranging from Ansel Adams to Andy Warhol, were presented to the company and found their way into Polaroid's International Collection at their European headquarters near Frankfurt am Main. In 2008 Polaroid went bankrupt. The company was bought by the Impossible Project (who promptly invented a new kind of instant film at the Polaroid factory in Enschede) and its legendary collection was acquired by the Westlicht Schauplatz museum in Vienna. From Polaroid to Impossible celebrates both this acquisition and the launch of a new Polaroid collection spearheaded by Westlicht and the Impossible Project. It offers the first overview of the European Polaroid Collection, and includes selected Polaroid masterpieces by figures such as Ansel Adams, Barbara Crane, Giselle Freund, Gottfried Helnwein, Sally Mann, Robert Mapplethorpe, Helmut Newton, Stephen Shore, Aaron Siskind, Andy Warhol, William Wegman and Minor White; artists like Miyako Ishiuchi, Andreas Mahl and Catherine Wagner, who made specialties of the medium; plus newly commissioned Impossible instant photography by contemporary artists such as Nobuyoshi Araki, David Leventhal, Mary Ellen Mark and Stefanie Schneider. Numerous images are reproduced in full color at 1:1 scale, making this volume a luscious and giftworthy celebration of the charm of the Polaroid photograph.
Find out who's making their mark in a new century--and era--of fashion photography. The 21st century has brought about seismic changes in photography, technology, fashion, and art. At the nexus of these exciting movements is a group of fashion photographers who are breaking ground in a variety of ways, including cultural referencing, digital imaging, photo manipulation, and the use of new media. This stunningly illustrated book profiles more than 30 artists from around the world through exclusive interviews, commentary, and beautiful images. From Nick Knight's paint-soaked portrait of Lady Gaga to Mikes Aldridge's dark surrealism to Alice Hawkins's explorations of body image through satire, new fashion portraiture is challenging conventional ideas of beauty by confronting us with the unexpected. Throughout the book, these photographers explore new avenues previously off-limits in the world of couture, opening the art of fashion photography to thrilling possibilities.
Never in human history has there been an event more horrifying than the Holocaust—the human loss inconceivable, the aftershocks felt for generations. But in the midst of the misery was forged a strength of spirit and humanity that shows in the faces and stories of survivors. Captured here with clarity and truth are fifty images of survival, portraits of the men and women who actually lived through the brutality. The tales of survival vary: the misery of day-to-day existence in the camps; the luxury and guilt of passing as a non-Jew; the ever-mounting dread of having a hiding place raided by the SS; the chaos of families fleeing, broken and scattered.
Punctuating the narratives throughout the book are impassioned essays by Abe Foxman, Yaffa Eliach, Anne Roiphe, Rabbi Arthur Hertzberg, Eva Fogelman, and others. An introduction by National Book Award–winner Robert Jay Lifton opens the text. Taken together, this powerful collection of words and images forms a moving testimony to human dignity and a record of history that must never be forgotten.
Patterns: Art of the Natural World (Damiani) documents photographer Jon McCormack's meditation on the
geometric patterns that define our planet's most breathtaking landscapes and ecosystems. Through McCormack's
documentation, the Earth reveals itself as both architect and storyteller. Across continents and scales, from
microscopic mineral blooms to vast aerial geometries, the images trace a living grammar of pattern, rhythm, and
resonance that connects the intimate to the immense.
KAOS by Albert Watson is far more than a retrospective monograph spanning more than fifty years of photography. To me, it immediately felt like an object of art—something that insists on being present. With its imposing XL format and nearly eleven pounds, it’s not a book you casually leave on the side of a sofa or slip into a shelf. You place it somewhere with intention. On a table, in full view. Not just as decoration, but as something that invites attention, something you return to
Venezuelan Youth by Silvana Trevale is a powerful photography project exploring identity, resilience, and coming of age in contemporary Venezuela. Blending documentary and portraiture, the series offers an intimate and poetic perspective on youth navigating life amid social and economic challenges. Published by Guest Editions, this compelling body of work redefines visual narratives around Venezuela through sensitivity, depth, and hope.
Still Life: A Photographer’s Journey Through Grief and Gardening by Jane Fulton Alt presents forty-five photographs of a native garden and the flowers and plants that inhabit it. Following the unexpected death of her husband, Howard, Alt assumed responsibility for the nascent ecosystem he had planted in response to his growing concern over climate change. What began as daily stewardship gradually became a source of creative focus and sustenance amid mourning.
Seasons of Time is an intimate photographic exploration of transformation, identity, and the passage of time. Through deeply personal imagery, photographer Nathalie Rubens presents a visual dialogue between two interconnected yet profoundly different stages of life: the emergence into young adulthood and the transition into post-menopausal womanhood. The project brings together portraits of Rubens and her daughter Ruby, creating a powerful meditation on aging, family bonds, and the cyclical nature of human experience.
“It’s unclear who first said, ‘The best camera in the world is the one in your hand,’ or words to that effect, but most of the photographs in this book are the result of having one, or sometimes two with me while on brief holidays or visiting people around Britain.” – Berris Conolly
Released today by Reporters Without Borders, Malick Sidibé, 100 Photos for Press Freedom celebrates the work of one of the most influential photographers of the twentieth century.
Through a selection of iconic images, the album revisits the vibrant world of Malick Sidibé, whose photographs captured the spirit of a generation coming of age in post-independence Mali.
In the winter of 2021, Luke Oppenheimer arrived in the Tien Shan mountains of central Kyrgyzstan with a straightforward assignment: document the wolves that prey on livestock in the remote shepherding village of Ottuk. Each year, wolves descend from the high ridges to kill dozens of horses and countless sheep. For families whose wealth is measured in hooves and wool, these losses are catastrophic. The men ride into the mountains during the harshest winter months to track and hunt the predators, navigating blizzards and subzero nights in defense of their herds.
The Inner Passage: An Untold Story of Black Resistance Along a Southern Waterway is a groundbreaking photographic and historical project by Charleston-based photographer Virginia McGee Richards, published by MIT Press in April 2026. The work uncovers a little-known chapter of American history, revealing a 300-mile network of colonial-era canals—called “cuts”—dug by enslaved people between the 17th and 18th centuries along the Atlantic coastline from Charleston, South Carolina to St. Augustine, Florida.
