Anastasia Samoylova: Atlantic Coast opens a vast, quietly unsettling portrait of the American East Coast — one in which nostalgia, dislocation and transformation are sewn into the landscape itself. In this new monograph, Samoylova retraces the route pioneered by Berenice Abbott in 1954, journeying from Florida to Maine to revisit the places Abbott once documented, and to observe what has become of them decades later. Her images — in vivid color and stark black and white — reveal the tension between myth and reality, between promises of progress and the traces of decay or displacement.
Where once small towns and coastal communities had a certain stillness, Samoylova finds change carved into facades and roadside signs, into suburban sprawl and shuttered shopfronts. She frames these scenes with a photographer’s patience and a poet’s sensitivity — capturing abandoned diners, empty motels, decaying houses, ghostly intersections. At the same time, there is stubborn life: occasional portraits of people, wildlife, reminders that behind every sign of decline, someone, something endures.
Her book does not simply document physical places. It traces the shifting contours of identity, belonging and memory in a nation where the open road has long symbolized freedom — and where that ideal has become tangled with consumerism, environmental degradation, and socio-economic upheaval. Through Atlantic Coast, Samoylova asks whether the “American Dream” remains intact, or if it has fractured along with the towns her car passes through.
Reading this volume is to experience a slow, attentive journey — as a witness, as a traveller, as someone invited to reconsider what America has become. Her photographs linger, subtly unsettling the viewer’s assumptions about beauty, progress and decline. In its silence and restraint, the book whispers that memory, identity and place are fragile — and that every road carries stories worth listening to.
Coreen Simpson: A Monograph is the first major book dedicated to the influential photographer and jewelry designer whose career spans more than fifty years. As the second volume in the Vision & Justice Book Series—a groundbreaking initiative created by Dr. Sarah Lewis and coedited with Drs. Leigh Raiford and Deborah Willis—the monograph celebrates Simpson’s enduring impact on visual culture.
Simpson began her career as a journalist before turning to photography, capturing the richness of Black life, fashion, and identity. Her portraits of icons such as Grace Jones, Muhammad Ali, and Toni Morrison, as well as her iconic B-Boys series from the 1980s, showcase her eye for style, pride, and self-expression. The book also features her later work with collage and overpainting, alongside the story of her celebrated jewelry line, including the iconic Black Cameo worn by Rosa Parks and Rihanna.
Featuring original essays by leading voices such as Bridget R. Cooks, Rujeko Hockley, Awol Erizku, and Doreen St. Félix, as well as an in-depth interview by Deborah Willis, Coreen Simpson: A Monograph offers a multifaceted portrait of an artist whose work continues to shape the worlds of photography, fashion, and Black cultural history.
Explore the groundbreaking early work of Daido Moriyama, one of Japan’s most radical photographers, with this collectible, slipcased photobook.
Daido Moriyama (b. 1938) is one of Japan’s most renowned and prolific photographers. His diverse projects often focus on urban landscapes, exploring light and shadow, and form and abstraction. Using a handheld camera and high-contrast black-and-white film, Moriyama captures Tokyo’s chaotic streets and clandestine underbelly, revealing the darkness and strangeness beneath the surface.
Daido Moriyama: Quartet is a vital anthology of the four seminal photobooks that form the foundation of Moriyama’s career as a photographer: Japan: A Photo Theater, A Hunter, Farewell Photography, and Light and Shadow. Spanning the fifteen years during which he honed his techniques and unveiled his distinctive vision, these photobooks were originally released as limited editions in Japan and represent some of the most daring ventures in photographic publishing history. Edited by Mark Holborn, this compilation includes excerpts from Moriyama’s diaries, journals, and memoranda, offering intimate glimpses into the core of his creative process. Presented in a slipcase, this volume is essential for all Moriyama fans and anyone passionate about photography and visual culture.
An essential introduction to the complexities of visual representation, this book offers a critical new framework for understanding and practicing photojournalism in a global digital context.
Critical Photojournalism guides readers through a variety of ethical, technical and business skills, plus the mental health, self-care and safety considerations necessary to thrive in the field. Drawing on their extensive industry and teaching experience, the authors provide real-world advice on how to navigate the demands of the profession while addressing the impact that photojournalism has on society and ways that photojournalists can mitigate harm. Consideration is given to understanding and disrupting implicit bias and power structures in newsrooms, as well as issues around access, working in breaking news environments and balancing informed consent with varying media laws around the world. In accessible language, this book highlights the importance of collaboration and community engagement in contemporary photojournalism and encourages students to adopt a decolonial approach to their work. Readers will learn to balance the needs for accuracy and thoughtfulness with the priorities of a global, social-media-engaged audience.
This is a key textbook for those seeking a nuanced introduction to visual journalism and/or a fresh approach to their craft. This book is supported by a website which can be accessed at www.criticalphotojournalism.com. The website includes a full-length bonus chapter on video and photojournalism, interviews with professional visual journalists, further tips and tools, and a glossary of key terms.
Award-winning Palestinian photographer Ahmad Al-Bazz presents a groundbreaking new work, The Erasure of Palestine, the result of a three-year journey documenting the remnants of hundreds of Palestinian villages and towns depopulated and destroyed from 1948 to the present. Through his lens, Al-Bazz confronts history, memory, and contemporary occupation, offering a stark counter-narrative to the dominant historical record.
With Cockaigne, Austrian photographer Gregor Sailer directs his gaze toward the largely unseen machinery of contemporary food production. Drawing inspiration from the medieval legend of the “Land of Cockaigne” — a fantasy of limitless abundance — Sailer examines the very real systems, technologies, and infrastructures that underpin how food is produced, distributed, and controlled today. The book challenges readers to rethink ideas of nourishment, consumption, and collective responsibility.
In 1998, the Good Friday Agreement was signed in Belfast, signaling peace following 30 years of sectarian violence in Northern Ireland known as The Troubles. Photographer Julie McCarthy photographed annually for five years on Shankill Road, a one-mile Protestant/Loyalist enclave running parallel to the Catholic/Republican area. A wall called the “Peace Wall” divides the two communities.
For the first time, Jo Spence: The Unknown Recordings brings together the full transcripts of key historic recordings made with and by the acclaimed British photographer, writer, and feminist Jo Spence (1934–1992), alongside a wealth of unpublished photographs and documents. This landmark book offers an intimate window into the life, work, and politics of one of the most influential figures in British documentary photography.
For more than thirty years, Photoworks has been at the heart of photography culture in the UK and beyond, nurturing artists, commissioning new work, and creating opportunities for people to engage deeply with the medium. Founded in 1995 from the Cross Channel Photographic Mission, Photoworks has grown into a nationally and internationally recognised charity that supports photographers and visual thinkers at every stage of their careers.
In October, when we were down in Bristol for the Foundation’s BOP event, Martin, Caroline and I got together to select the edit for this new 2026 edition of Small World.
It had become almost a tradition that with every reprint of the book we would change the cover and add in a number of new photos that Martin had rediscovered or taken recently. Over the years, Martin and I made six different editions of the book – each subtly different and each with a new cover. For this edition we added in eight new images, five taken in 2025 and three earlier images. Back in Stockport over the following weeks I adjusted the sequence to accommodate these new images, sent it over to Martin for his approval and then sent it off to EBS, our printers in Italy.
SNAP COLLECTIVE presents the first book by photographer Asako Naruto, who has received numerous international awards. Through her lens, the artist explores the contours of “what is present” while
tracing the silent echoes of “what is absent.” Divided into ten chapters, the
book gathers fragments of “untold stories” that float through the streets of
Madrid, reflecting the fleeting nature of memory and the delicate fragility of
existence.
Anna Atkins: Photographer, Naturalist, Innovator offers a clear and well-documented introduction to one of the most important yet long-overlooked figures in photographic history. Corey Keller places Atkins’s cyanotypes within their scientific, technical, and social context, showing how her work contributed to the early development of photographic publishing while navigating the constraints faced by women in the nineteenth century. Concise, carefully illustrated, and accessible to non-specialists, the book provides both visual pleasure and historical insight. It is an essential reference for readers interested in early photography, photobooks, and the intersection of science and image-making.
Archipelago, a debut photobook by Yolanda del Amo, explores the tension between the inner and exterior realities of human life. Through staged tableaus featuring friends and family, Del Amo constructs moments that expose the social frameworks shaping identity, class, family, and gender. Her photographs illustrate how closeness and separation coexist within the same space and reveal the fragile balance between connection and solitude.