Diana Markosian’s Father is an intimate and engrossing diaristic portrayal of estrangement and reconnection, recounted through documentary photographs, family snapshots, text, and visual ephemera.
Diana Markosian: Father presents the photographer’s journey to another place and another time, where Markosian attempts to piece together an image of a familiar stranger—her long-lost father. The book explores her father’s absence, her reconciliation with him, and the shared emptiness of their prolonged estrangement. The images, made over the course of a decade, take place in her father’s home in Armenia. In Markosian’s first monograph, Santa Barbara (Aperture, 2020), the photographer recreates the story of her family’s journey from post–Soviet Russia to the US in the 1990s. Father uses both documentary photographs and archives of objects, letters, and vernacular images to probe the fifteen years of absence and separation from the photographer’s childhood. In this voyage of self-discovery, Markosian touchingly renders her longing for connection to a man she barely remembers and who asks her, when she finds him, “Why did it take you so long?”
Pedro Jarque Krebs presents WildLOVE, his long-awaited second major photo book. With his colorful photography of wild animals, he occupies a special place in wildlife photography. One of the world's most awarded wildlife photographer captures the animals with his camera in a humorous and almost human way. In this way, he builds up an intimate relationship with each animal: WildLOVE.
Pedro Jarque Krebs is a most awarded wildlife photographer with more than 100 awards to his credit. His aim is to show the beauty and diversity of wildlife, but also to draw attention to the problems and fragility of the animal world.
Find out how to transform the ordinary into something extraordinary with this guide to minimalist photography.
With advice on composition, balance, shape and texture, this book takes inspiration from the masters of minimalism to demonstrate how stripping a subject down to its very essence can help you craft beautifully bold and unique images.
Illustrated with the finest examples of the style from the likes of Fan Ho, Imogen Cunningham, Michael Kenna, Berenice Abbott, William Eggleston and Horst P. Horst, this book guides you through the key techniques that define minimalism and provides easy-to-follow advice for how to create your own minimalist images that are visually striking in their simplicity.
Photographs taken in New York over 50 years ago by Mark Cohen will be published for the first time in Tall Socks. In July 1973 Cohen spent a month living in a dorm room at NYU while taking part in a film production workshop. His daily classes were short so he used his free time to walk around the city with his camera. Only a few of the images were printed at the time and the vast majority remained unseen, except as negatives, until now.
This photo project presents a series of photographs about provincial Russia, executed in the style of classical realism. It reveals the everyday life of ordinary people living in small towns and villages.
Living on a semi-rural, heavily forested island, I experience each season intimately without the
filter of modern urban life. Every day is a unit of time measured in the changing character of
light, reminding me it is good to be alive. Winter is full of mysteries tucked away in the woods
—places that inspire the telling of fairy tales.
Wildlife photographer Will Burrard-Lucas has unveiled the results of his year-long camera trap project deep in the Congo rainforest, revealing some of the region’s most elusive species in breathtaking detail. Over 12 months, remotely operated cameras recorded secretive rainforest inhabitants, including golden cats, red river hogs, water chevrotains, and a spectacular male leopard—one of the most challenging predators to photograph in dense jungle environments.
Once the shantytown on the hills was bulldozed, an apartment complex bearing the name of a prosperous town took its place. Driven by the fear of losing out on an opportunity, and despite the premium attached to being close to a flashy neighborhood across the river, I ended up purchasing a unit. While this numbered, rectangular space—built in the air—legally belongs to me, I can’t shake the anxiety. Even though I’ve just bought it, the thought of selling it already gives me a headache.
As a woman in my seventies, I've witnessed the rapid growth of an anti-ageing culture that constantly encourages women like me to be ashamed of our ageing bodies. This culture, heavily promoted in women's magazines and on social media, has escalated over the years, making it increasingly difficult for women to ignore as they age. By encouraging anti-ageing and a youth-focused culture, sexism and ageism against older women become more powerful.
I'd like to share a series of images that I began capturing in the winter of 2020 during the pandemic.
With the unexpected free time brought on by the coronavirus, I started taking long walks along the
Mississippi River. I was captivated by the ice formations along the riverbanks. Soon my camera
joined me on these cold walks.
As Winter arrives on Cape Cod, trees become bare and beautiful in their various forms. At first glance they are just leafless totems, but on closer inspection they are so much more. The twists and turns of branches are almost human-like in form. I see dancers, phantom shapes and everything in between. My imagination takes hold and I riff on their beauty by mirroring, repeating and enhancing their mysterious winter forms into meditative, Mandala-like images. Sometimes a tree is not just a tree.
It was to study at university that I first came to İstanbul. I was very excited that I was going to discover the strangeness, chaos, and anarchy of Istanbul, which doesn’t fit into any classification or discipline. Wandering around the historical peninsula, the place that most reflects the melancholic spirit of the city stuck between the West and the East, caught between the past and the present was my greatest pleasure.
I first visited Cuba in 2013 and have been there many times since. The focus of all my trips there has been street photography, and my experiences on the island have been intense, illuminating, creatively gratifying, sometimes heartbreaking, and often deeply moving.
