Publisher : Columbia Books on Architecture and the City
2024 | 184 pages
In South Louisiana, where the Mississippi River meets the Gulf of Mexico, water―and the history of controlling it―is omnipresent. Into the Quiet and the Light: Water, Life, and Land Loss in South Louisiana glimpses the vulnerabilities and possibilities of living on the water during an ongoing climate catastrophe and the fallout of the fossil fuel industry―past, present, and future. The book sustains our physical, mental, and emotional connections to these landscapes through a collection of photographs by Virginia Hanusik. Framing the architecture and infrastructure of South Louisiana with both distance and intimacy, introspection and expansiveness, this work engages new memories, microhistories, anecdotes, and insights from scholars, artists, activists, and practitioners working in the region. Unfolding alongside and in dialogue with Hanusik’s photographs, these reflections soberly and hopefully populate images of South Louisiana’s built and natural environments, opening up multiple pathways that defy singularity and complicate the disaster-oriented imagery often associated with the region and its people. In staging these meditations on water, life, and land loss, this book invites readers to join both Hanusik and the contributors in reading multiplicity into South Louisiana’s water-ruled landscapes.
With texts from Richie Blink, Imani Jacqueline Brown, Jessica Dandridge, Rebecca Elliott, Michael Esealuka, T. Mayheart Dardar, Billy Fleming, Andy Horowitz, Arthur Johnson, Louis Michot, Nini Nguyen, Kate Orff, Jessi Parfait, Amy Stelly, Jonathan Tate, Aaron Turner, and John Verdin.
Twana’s Box' can be described in many ways: a journey through a photographer’s rare archive, documenting the Kurdistan region of Iraq from 1974–1992; a son’s quest to find his lost father, who was murdered by a military regime; a young man’s way to piece together the fragments of a scattered family in a scattered culture; the becoming of a photographer who, through the stories of others, starts to understand his own identity in times of war. 'Twana’s Box' is not only the photo book that holds a selection of Twana Abdullah’s archive; it is a unique insight into a time and place in a region that has since completely transformed. Rawsht has spent years piecing together his father’s negatives and stories. His archival work inspired him to become a photographer himself, working for Metrography – the first independent Iraqi photo agency – before immigrating to Europe. ills colour & bw, 21 x 27 cm, hb, Kurdish/Arabic/English
Taken across Europe and Africa, Akinbiyi’s images of everyday city life muse on the sociopolitical labyrinths of urban society
Whether in Bamako, Berlin, London, Lagos or Durban, British photographer Akinbode Akinbiyi (born 1946) creates black-and-white street scenes that function as visual metaphors, ruminating on cultural change, social exclusion and colonialism’s effect on urban planning.
A deeply personal meditation on and around modern Black expression, curated by the acclaimed London-based designer
This volume, Grace Wales Bonner: Dream in the Rhythm―Visions of Sound and Spirit in the MoMA Collection, is an artist’s book created by the acclaimed London-based designer Grace Wales Bonner as “an archive of soulful expression.” Through an extraordinary selection of nearly 80 works from The Museum of Modern Art’s collection and archives, this unique volume draws multisensory connections between pictures and poems, music and performance, hearing and touch, gestures and vibrations, and bodies in motion. Photographs, scores and films by artists such as Dawoud Bey, Mark Bradford, Roy DeCarava, Lee Friedlander, David Hammons, Glenn Ligon, Steve McQueen, Lorna Simpson and Ming Smith, among others, are juxtaposed with signal texts by Black authors spanning the past century, including Amiri Baraka, Nikki Giovanni, Langston Hughes, June Jordan, Robin Coste Lewis, Ishmael Reed, Greg Tate, Jean Toomer, Quincy Troupe and Lynette Yiadom-Boakye. Published on the occasion of the exhibition Artist’s Choice: Grace Wales Bonner―Spirit Movers, this resplendent publication is a deeply personal meditation on and around modern Black expression that echoes Wales Bonner’s own vibrant, virtuosic designs.
I’m a studio photographer that works mostly with people. I’m always looking for someone with a different point of view. I like pushing my subjects a bit.
A while back, I met a gymnast who wanted to do a photo shoot dancing with a pole. I managed to put one together and asked if she wanted to stop by my studio and try it out. She thought it would work fine and excitedly wanted to setup a time to come back for a shoot. She came back a few days later and we went to work.
“Stories in Stillness” focuses on capturing a wide array of human experiences, expressions, and everyday moments. The images collectively form a set that celebrates the diversity and depth of individuals in various settings, both public and private. Each photo tells its own story in an introspective tone, suggesting themes of memory, longing and melancholy, with focus on emotion, detail, and character. Together, these images celebrate the beauty and complexity of human life. They explore themes of identity, connection, resilience, and everyday moments, each scene imbued with a sense of storytelling and emotional resonance. Captured here are not just people, but the atmospheres and settings that frame their lives, inviting viewers to find narratives and emotions within each frame.
"Slipping Through My Fingers" is a deeply personal exploration of parenthood. It's about the
quiet fear that tugs at every parent: the realization that the time we have with our children is
painfully short, that their childhood is an ever-fleeting season, and that I may not have
savored enough of it while it was here.
I was born queer, mildly autistic and afflicted by multiple autoimmune conditions. I started "Vulnerable Valiance" project during suicide prevention month. It is dedicated to all those who have lost the ability to express themselves due to prejudices and stigma associated with difference.
The problem of an aging population is one of the most pressing issues of our time. Nowadays, older people increasingly find themselves lonely and without support from their loved ones. One typical situation is the story of an elderly woman who does not want to leave her village home due to attachment to the place and memories, while her daughter is unable to take her in due to a lack of space. Find out more on All About Photo.com
Halloween Underground is the culmination of twenty years of photographing people dressed up in fantastical, outlandish costumes against the backdrop of the drab, gritty reality of the New York subway.
When I arrived in Los Angeles in 1971, the urban landscape was totally different
from Philadelphia, where I had been living previously, and, for that matter,
anywhere else that I had lived. There was art deco everywhere and it was bright
and sunny even in the winter. The box offices welcomed you (attracted me) and
stood out like jewels surrounded by deco entrances and terrazzo sidewalks.
Not so many photographers load cameras anymore, but we all still aim them and shoot pictures. I
get a bang out of describing my own photographic pursuit as hunting for big game, portraits in
particular. I bag my quarry with a four-by-five instead of a thirty-aught-six. But I still hang their
heads on a wall to admire like trophies
In the delicate tapestry of human existence, vulnerability weaves its intricate threads, exposing us to
the caprices of fate and the relentless march of time. This vulnerability is often accentuated by the
chasm that exists between the raw immediacy of lived experiences and the filtered veneer of their
representation through media and technology. Nowhere is this divide more pronounced than in the
contrast between the serene rhythms of rural life and the tumultuous currents of global events. As I
found myself immersed in the tranquil embrace of countryside existence, I was struck by the
palpable disconnect between the intimate realities of communal living and the distant spectre of
world affairs. Here, amidst the verdant fields and time-honoured traditions, the fragility of human
existence stood juxtaposed against the enduring resilience of community bonds.
