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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Yoni Blau
Yoni Blau
Yoni Blau

Yoni Blau

Country: Israel
Birth: 1982

I consider myself a travel photographer, but my primary focus is on people and cultures rather than nature, landscape and wildlife. I was fortunate enough to be able to spend a good amount of time traveling and I genuinely wish I will be able to keep exploring this beautiful planet of ours and the fascinatingly different cultures around the globe.

Proud Women of the Omo Valley
This project ("Proud Women of the Omo Valley") was taken inside a Suri tribe in the Omo Valley in Southern Ethiopia. The models were not dressed, simply recorded as is. No artificial lighting was used. The pictures with the black backdrop were taken within a dark tent with the light coming in from the entrance of the tent. In the Omo Valley, it feels as if time has no meaning. Days, months, seasons and years are irrelevant in this timeless corner of the world. Same goes for the concept of money, or the modern angst that comes with intellectual pursuit of the meaning of life and death. There, it's about life's essentials. It's about freedom and bare necessities. About being satisfied, joyful and surrounded by loved ones. I tried capturing the essence of what it means to be "stuck in time" which made me keep wondering whether they were left behind or whether the modern world is the one who made the wrong turn. This project taken in Dec 2019 feels more current than ever, especially in times like these with the Covid-19 global health crisis and the economic downturn, when we all got to spend some alone time and got back in touch with our most basic human needs and what "really matters".
 

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More Great Photographers To Discover

Alison Wright
United States
1961 | † 2022
Alison Wright, an award-winning documentary photographer and author, has travelled to 150 countries photographing indigenous cultures and people while covering issues concerning the human condition. She is a recipient of the Dorothea Lange Award in Documentary Photography, a two-time winner of the Lowell Thomas Travel Journalism Award, and an Explorers Club Fellow. She was recently named a National Geographic Traveler of the Year as someone who travels "with a sense of passion and purpose." Alison has published ten books. Her upcoming book, Grit and Grace: Women at Work documents the empowerment of women working in global communities (Schiffer 2021). Her work has been published in numerous magazines including National Geographic, National Geographic Traveler, National Geographic Adventure, Outside, Islands and Smithsonian. Alison's life was nearly cut short during a devastating bus accident on a remote jungle road in Laos. Her best-selling memoir, Learning to Breathe; One Woman's Journey of Spirit and Survival, chronicles her inspirational story of survival, the years of rehabilitation and her ongoing determination to recover and continue traveling the world as an intrepid visual storyteller. This experience while working in post disaster/conflict areas inspired her to establish a foundation called Faces of Hope (facesofhope.org); a non-profit that globally supports women and children's rights by creating visual awareness and donating directly to grass-roots organizations that help sustain them through education and healthcare. About Human Tribe "The emotive beauty and grace of the human face, in all its diversity, will never cease to inspire me but it's the enduring spirit of our collective tribe of humanity that will always certainly amaze me. One of the many things I have learned during my years of global travel as a documentary photographer is that no matter how unique we may look in appearance, from the exotic to the mundane, we basically have the same universal desires and concerns. Our needs are actually quite simple: to love and be loved; to have a useful place in our society with some meaningful and fulfilling occupation in our life; work that will hopefully provide us with enough money in our pocket to get by; food on the table; education, health and safety for ourselves, our family and our children. The freedom to be oneself is a right that creates the exquisiteness of our human race. These portraits are an unguarded moment in the lives of a few of the people I have photographed from our remarkable human tapestry. Some are celebrating significant events, while others are living out ordinary days. Others are merely struggling to survive. Many are from countries whose lives are in flux or change due to war, natural disaster or the inevitable rapid progression of modernity. I feel drawn to those who live close to the land, documenting communities that may not last even another generation. Most are surprised that I actually wanted to stop and photograph someone who is considered in their culture to be such an ordinary looking person. From tribes in Africa, to nomads in Asia, survivors of post conflict and disaster, families and individuals around the world have graciously opened up their homes and hearts to me. Surprisingly, I have discovered that it is often the ones who have the least who share the most. I find compassion in what can seem to be a world of chaos. The planet, at times, can seem so vast, with the numbers almost too large for us to comprehend. But when you capture the look in someone's eyes, an intimate stare, a knowing glance, his or her situation becomes a shared experience, a more personal connection. Their eyes seem to radiate a dignity, a claim for a right to be seen, no matter what their circumstances. These eyes are what initially draws us in and connects us together. These photos are a celebration of the universal human spirit within us all. It is what bonds us as humankind, a continued thread, as together we continue this journey on the pilgrimage of life. "
Guillermo Espinosa
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Carole Glauber
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1951
Carole Glauber is an internationally exhibiting, award-winning photographer and photo-historian, based in Israel since 2017. She has a B.S.Ed and a M.Ed. and is the author of two books: "Personal History" (Daylight Books) and "Witch of Kodakery: The Photography of Myra Albert Wiggins 1869-1956" (Washington State University Press). Her photographs have been exhibited in the United States and Europe including PH21 Gallery in Budapest, ValidFoto in Barcelona, Festival Pil'Ours in France, and The Center for Fine Art Photography, Blue Sky Gallery, ASmith Gallery, Soho Photo Gallery, the Griffin Museum of Photography, and the Dr. Bernard Heller Museum amongst others in the United States. Her book "Personal History" received a silver medal from the PX3 Prix de la Photographie Paris and three gold and bronze medals from the Budapest, Tokyo, and Moscow International Foto Awards. Her photography honors include PX3 Prix de la Photographie, Paris, the International Photography Awards, the Tokyo International Foto Awards, the Julia Margaret Cameron Awards, the Pollux Awards, the Mobile Photography Awards, PHmuseum, and the International Krappy Kamera Competition. She is the recipient of a Peter E. Palmquist Photographic History Research Fellowship, a Winterthur Museum Fellowship, an Oregon Humanities Research Fellowship, and numerous grants for her photographic research. She continues her studies and teaching of History of Photography and making photographs of her experiences and observations based on her curiosity and sense of spontaneity. Statement My book, "Personal History" explores the lives of my sons, Ben and Sam—a span covering 30 years. I used a 1950's Kodak Brownie Hawkeye camera for this work which I tried by chance, and discovered I related to the soft colors, the imperfections, and the transcendent quality of the image. During childhood and adolescence, we first experience the world. Spells are woven, our thoughts wander, curiosity grows, and our memories are sown. Friendships, dream chasing, and absorbing knowledge under the glare of the day can all happen. It is the time to discover by divergent thinking; to create, love, and energize without practical concerns of the day. Travel and seeing the world are fresh. They are like waves lapping on the beach. I invited Ben and Sam to write essays about being photographed by their mother for so many years. In effect, they have the final word. For me, the opportunity to photograph my children is like a calm breeze and now I can run with the memories recorded in the soft imagery of time.
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Carlos Javier is a director, cinematographer and documentary photographer who focuses on urban life, gun violence, racism, poverty and marginalized communities. In 2016, Carlos received a Guggenheim Fellowship for film/video. His work has been exhibited nationally and internationally in a variety of venues including the Schomburg Center for Research in Black Culture; the Worcester Art Museum in Massachusetts; the International Museum of Photography and Film in Rochester, NY; the Museum of Contemporary Photography in Chicago; the Detroit Institute of Arts; and the Library of Congress. In addition, his photos were used to illustrate Ta-Nehisi Coates' The Case for Reparations (2014) article, which was the best selling issue in the history of the Atlantic Magazine. His photos have also been published in The New Yorker, Mother Jones, among many others. He is represented by the Karen Jenkins-Johnson Gallery in San Francisco. His film, We All We Got, uses images and sounds to convey a community's deep sense of loss and resilience in the face of gun violence. We All We Got has been screened at the Tribeca Film Festival, Los Angeles International Film Festival, St. Louis International Film Festival, CURRENTS Santa Fe International New Media Festival, and the Athens International Film + Video Festival. Carlos' current project is series of short films chronicling the contemporary stories of Black Americans who came to the North during the Great Migration. Beginning with his mother-in-law's story, Carlos is exploring the legacy of the Great Migration a century after it began. For Carlos, who moved back and forth between Puerto Rico and the U.S. mainland as a child, the story of a displaced people in search of stability and economic opportunity resonates with his own. Carlos' work has been supported by many organizations including: the University of Chicago Black Metropolis Research Consortium Short-term Fellowship (2015); the Economic Hardship Reporting Project (2015); the Pulitzer Center on Crisis Reporting (2013); the California Endowment National Health Journalism Fellowship (2012); the Richard H. Driehaus Foundation (2011); Open Society Institute Audience Engagement Grant (2011); and the Illinois Arts Council Artist Fellowship Award (2011). In addition to his photography and film, Carlos Javier has taught at Northwestern University and the University of California, Berkeley. He lives in Chicago and Oakland with his wife and frequent collaborator, Tina K. Sacks, a professor of social welfare at the University of California, Berkeley.
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