Born in Mulhouse, France in 1976, Lavoué worked as a timber engineer in the Amazon region of Brazil, only sporadically taking photographs. It was the pictures of Sebastião Salgado that inspired him to take up photography as a profession. In 2001 he took a course at the Centre Iris Photography School in Paris, after which he worked for the national and international press. His pictures have been shown in numerous exhibitions at home and abroad.
"I encountered the land of the Bigouden only a few days after meeting my partner, Catherine.
I was in my twenties, we had just decided to spend our life together and I had already had to go to Malaysia for several months. To seal our very young relationship, she decided to submit me to the "bigouden test", an initiation ceremony of a few days, at her grandparents' in Kérity.
From the first moment, I was literally bewitched. The smile of her grandmother welcoming us on the sidewalk, the blinding white light on the front of the house, the tray of steamed langoustines on the living room table ... then the strolls on the shore, the silhouette of the lighthouse, the stories of sailors lost at sea
Everything, my retina printed everything.
Twenty years later, here we are again at Kérity. With our two daughters.
After more than a decade of life in Paris, we are yearning for profound changes. We have considered everything: Rio de Janeiro, San Francisco, Montreal.
Finally, it was at Cap Caval, the southern tip of Finistère, that we decided to settle.
In Kerity, in the house of Catherine's grandparents.
Quickly, this small familiar territory provoked the long-awaited Copernican revolution. The end of Parisian commissions has enabled me to practice a more personal photography and our new environment becomes my main source of inspiration. It's about trying to express the emotions I can feel living here on the edge of the world.
I grope around, experiment with several photographic forms to escape the worn-out iconography of the seashores, boats and fishing nets. Luckily, I'm too sick at sea to photograph on board! So I stay at the quay and push the door of the hangars: auctions, shipyards, marine forges, canneries, coolers ... I discover the "On land " sector fed by the successive tides of trawlers, trolling boats and netters. Community. Manual work. Painfulness. The economic and social architecture of the territory.
And there are young people . Those who have not left "the country" but cling to it, viscerally. They intrigue me, I photograph them: the young self-employed fisherman, queen of the embroiderers, miller, fish-scaler, surfer ... why do they stay when the majority leave? They guide me on new paths and help me complete my "Bigoudene" mind map.
That's how The Black Months was born, a fictional photographic story, an intimate representation of the territory in which my "bigoudène" and I had decided to live."
70 writers, whether academicians or young novelists, following Leïla Slimani and Jean d'Ormesson, are featured in the pages of this book.
Gathered by Étienne de Montety for the 70th anniversary of the "Figaro Litéraire" that he manages, they play the literary game inherited from the surrealists and let themselves be photographed for the occasion by Stéphane Lavoué.
Chris Yan is a Beijing-based photographer and Creative Director whose work focuses on street and documentary photography. His series Beijing Story, which earned him a solo exhibition in October 2024, offers a nuanced look at daily life in the city. In this interview, he discusses his photographic approach, creative influences, and the ideas behind the project.
California-based photographer Meg McKenzie Ryan has followed an unconventional and deeply personal path into the world of photography. From chance beginnings in Hong Kong to a life shaped by travel, education, and immersion in vastly different cultures, her work reflects a deep curiosity about the world—and the people who inhabit it. Her solo project, The Lives of Others, awarded the March 2024 Solo Exhibition, is rooted in a documentary approach that feels both intimate and unflinching.
At just 25, Evan Murphy’s work immediately stood out for its depth and maturity. A self-taught photographer originally from Las Vegas and now based in New York City, Evan blends raw emotion with a strong visual voice shaped by years of creative exploration. His series I.D. earned him a solo exhibition in July 2024, marking an impressive early milestone in a career that promises to go far.
Lydia Panas, winner of AAP Magazine #38: Women, is an American photographer, known for her powerful and introspective portraiture. With a background in visual arts and philosophy, she uses photography to explore identity, vulnerability, and human connection—often drawing from personal experience to create images that are both intimate and thought-provoking. Her work has been widely exhibited and published, and is part of numerous permanent collections.
We asked her a few questions about her life and work.
Hana Peskova is a passionate self-taught photographer whose journey began at Škola kreativní fotografie in Prague. In 2021, she was awarded the prestigious EFIAP distinction by the Fédération Internationale de l'Art Photographique, recognizing her artistic excellence.
Based in Český Krumlov, Czech Republic, she explores the world through street and documentary photography, capturing the beauty of fleeting moments and untold stories. Drawn to forgotten places and lives lived on the margins, her work reflects both emotional depth and creative vision.
In April 2024, she won a solo exhibition with her powerful series Child Labour, further cementing her commitment to socially engaged photography.
Shinji Ichikawa, winner of AAP Magazine 39: Shadows, was born into a family of photographers in Shimane Prefecture, Japan, where he grew up surrounded by cameras and prints. After graduating from Tokyo Visual Arts, he began his career in commercial photography before moving to New York in 1999 to explore a more personal, surreal approach to image-making. His work often investigates themes of space and presence. Now back in Shimane, he continues to create and exhibit his photography while managing his family’s studio. We asked him a few questions about his life and work.
Eric is addicted to street photography — and he’s been chasing its highs since 2014. Logging thousands of miles through city streets, he captures quirky, satirical, and often humorous moments that reflect the absurdities of modern urban life. His recent series, Life Is But a Dream, won him a solo exhibition and challenges viewers to look up from their screens and truly observe the world around them. Through his lens, the ordinary becomes extraordinary — and sometimes, even a wake-up call.
Visual storytellers Anna and Jordan Rathkopf didn’t set out to make a book, an exhibition, or a lecture series. When Anna was diagnosed with HER2-positive breast cancer at 37, their shared creative language—photography—became a way to stay connected, grounded, and emotionally present. Nearly a decade later, that body of work has evolved into HER2: The Diagnosed, The Caregiver, and Their Son—a book and traveling exhibition that blends fine art, writing, and lived experience to explore how illness reshapes marriage, identity, and family. The exhibition opens June 7 at Photoville Festival in New York City and will travel through Czechia beginning in Fall 2025. Below, Anna and Jordan reflect on how they shaped the project, how their perspectives stayed distinct, and how it became the first major initiative of their nonprofit, the Patient Caregiver Artist Coalition (PCAC).
Amsterdam-based artist Jackie Mulder took an unconventional path into photography. After working in fashion and graphic design, she shifted her creative focus later in life—graduating from the Fotoacademie in Amsterdam at the age of 60. Since then, she’s embraced photography not as an end but as a beginning: a base layer in a deeply personal and tactile artistic process that blends images with wax, embroidery, and drawing.
