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Mario Giacomelli
Mario Giacomelli
Mario Giacomelli

Mario Giacomelli

Country: Italy
Birth: 1926 | Death: 2000

Giacomelli was a self-taught photographer. At 13, he left high school, began working as a typesetter and spent his weekends painting. After the horrors of World War II, he turned to the more immediate medium of photography. He wandered the streets and fields of post-war Italy, inspired by the gritty Neo-Realist films of Vittorio De Sica and Roberto Rossellini, and influenced by the renewed Italian photographer Giuseppe Cavalli, and developed a style characterized by bold, stylized compositions and stark contrasts.

Source: Wikipedia


With the death of Mario Giacomelli (1925-2000) Europe lost one of its most talented photographers. Trained initially as a typographer, his early interest in graphic effect became a key part of his later photographic work. Winner of numerous medals and prizes, he acheived international status through numerous exhibitions throughout Europe, America and Japan. His highly personal, artistically atmospheric visual style demonstrates a life-long preoccupation with landscapes that emphasize linear, abstact patterns, rural townscapes, streetscenes and portraits of everyday Italian life. His work displays a profound understanding of the country and its people and a mastery of form and effect that make his photographs imaginatve works in their own right.

Source: Peter Fetterman Gallery

 

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More Great Photographers To Discover

Tracy Burke
United States
1964
Tracy Burke is a visual artist whose practice examines nature as humanity's salvation. Working primarily through photography, she explores places that remain essentially untamed despite their public accessibility, investigating human engagement with the natural world and its profoundly positive psychological, emotional, and physical effects. Burke received her BA in History from Yale University, where she served as editor and publisher of Black and White: The Yale Undergraduate Photography Review. She later earned a master's degree in clinical social work from Smith College. After a transformative three-month wilderness experience at age 22 that fundamentally shifted her understanding of what gives life meaning, Burke initially set aside photography, feeling unable to capture the profound impact of the natural world through her lens. She returned to the medium years later while documenting family outings to national parks, recognizing that these images transcended family snapshots to become powerful artistic statements about human connection to the natural world. Burke's work has been exhibited at the Colorado Photographic Arts Center in Denver and the Dairy Arts Center in Boulder, Colorado. Her photographs have been published in Lenscratch and included in online exhibitions with the Center for Fine Art Photography in Fort Collins, Colorado, and PhotoPlace Gallery in Vermont. Her work is held in numerous private collections. She lives and works in Boulder, Colorado. AAP Magazine AAP Magazine 54 Nature
Andreas Gursky
Germany
1955
German photographer. Shortly after Gursky was born, his family relocated to Essen, and then to Düsseldorf, West Germany in 1957. Gursky’s parents ran a commercial photography studio, but Gursky had no plans to join the business. He attended the Folkwangschule in Essen (1978-80) with a concentration in visual communication and the goal of becoming a photojournalist, but was unsuccessful with finding work. Encouraged by fellow photographer Thomas Struth, Gursky entered the prestigious Kunstakademie, Düsseldorf in 1980 and in his second year began studying photography under Bernd and Hilla Becher. Although the Becher’s preferred black and white photography, Gursky only worked in color, and with the help of his friends set up a color darkroom in 1981. By integrating the “systematically objective and rigorously conceptual”* documentary style of the Bechers’ photography with his taste for color, Gursky began to explore the contemporary culture of the world. Gursky had his first exhibition in 1981 featuring his series Pförtnerbilder (1981-5), a collection of works depicting pairs of German security guards. After graduating from the Kunstakademie in 1987, Gursky focused on photographing urban landscapes, both interior and exterior, and began to increase the size of his large format prints. Gursky had his first solo gallery show in 1988, at the Galerie Johnen & Schöttle. A rise of interest in the international art market for photography paired with the growing popularity of the Becher’s circle brought Gursky much commercial success. Gursky began the infamous May Day series (early 1990’s) in reaction to the biggest economic slump of recent history. A combination of the collapsing stock market with the growth of a dynamic drug-addicted rave scene inspired this photographic compilation. During this time, Gursky traveled to a number of international cities such as Tokyo, Los Angeles, Stockholm, Cairo and Hong Kong in order to photograph the masses – busy stock exchanges, manufacturing plants, industrial-looking apartment buildings, crowded arenas and swarming clubs. Gursky was one of the first contemporary photographers to use new digital photo editing techniques on his large format photographs. In 1999, Gursky created 99 Cent, the first in a series of photographs of discount stores, which “was quickly recognized as one of his most important works and placed in major museums around the world.”* Gursky’s retrospective at the Museum of Modern Art, New York in 2001, which included the work May Day IV, confirmed him as one of the greatest artistic visionaries of his generation. Source Sotheby’s, London
Francesco Ridolfi
Francesco Ridolfi is an Italian portrait photographer who usually shoots for advertising and editorial projects. Born and raised in Bologna, Italy, he now splits his time between Brussels, Milan and Bologna, working for different clients and assignments in the editorial and commercial field. Some of his most recent clients includes: Rolling Stone Magazine, Auchan, Louis Vuitton and Tetra Pak. All about Francesco Ridolfi: AAP: When did you realize you wanted to be a photographer? The photography passion came to me long ago, since I was a child. But maybe I started to realize it could be turned into a profession around the 2006. How long have you been a photographer?Professionally speaking, since 2008. What or who inspires you? Well, maybe it could sounds expected, but for me inspiration is everywhere! I think that the process of developing an idea it's like connecting dots. More dots you have (experiences, visual references, interests,..) more chance to come out with something original and great! How could you describe your style? I'm pretty sure it could be described as clean and precise. And actually it's what I'm looking for in my photos. I prefer to take away instead of add something: less is more for me. Do you have a favorite photograph or series? Speaking of my work, for the efforts done, I surely like the Chess Portraits here presented. But from my previous works, I'm attached to a John Landis' portrait I took a couple of years ago and a series of black and white portraits I took in Cuba Cublanco Do you spend a lot of time editing your images? For what purpose? Actually not so much, I prefer to do as much as possible on camera. The editing process consists mainly in color correction and general cleaning of the photos. Favorite(s) photographer(s)? Erwin Olaf, Martin Schoeller, Richard Avedon. What advice would you give a young photographer? If I had to suggest something to a young or an aspirant photographer, for sure I will advice him of the importance of the profession's business side. It's something you have to take really seriously, if you want to survive out there.What mistake should a young photographer avoid?Think that to be a photographer (and making a living with it) it's enough just take good pictures. An idea, a sentence, a project you would like to share? Less is more. But also, try to convey an idea through your photos. An idea adds much more than technique and Photoshop. About "Room 322""The airy luminosity of an ethereal space, aseptic and suspended, contrasts with the stolidity of these bodies - less than perfect in their awkward and authentic humanness. Statically present, the hotel room preserves its non-connection to sundry turn-taking occupants: its stillness heightens the tension they feel inside, which rips itself free of these contentless surroundings. Thus, from the bottom of a bathtub, contrasting perceptions emerge: appearance and reality, restlessness holding itself still, past within present; authenticity within fiction."
Daniel Beltrá
Spain/United States
1964
Born in Madrid, Spain, Daniel Beltrá is a photographer based in Seattle, Washington. His passion for conservation is evident in images of our environment that are evocatively poignant. The most striking large-scale photographs by Beltrá are images shot from the air. This perspective gives the viewer a wider context to the beauty and destruction he witnesses, as well as revealing a delicate sense of scale. After two months of photographing the Deepwater Horizon Gulf Oil Spill, he produced many visually arresting images of the man-made disaster. Over the past two decades, Beltrá's work has taken him to all seven continents, including several expeditions to the Brazilian Amazon, the Arctic, the Southern Oceans and the Patagonian ice fields. For his work on the Gulf Oil Spill, in 2011 he received the Wildlife Photographer of the Year Award and the Lucie Award for the International Photographer of the Year - Deeper Perspective,. His SPILL photos toured the world independently and as part of the Prix Pictet exhibitions. In 2009, Beltrá received the prestigious Prince's Rainforest Project award granted by Prince Charles. Other highlights include the BBVA Foundation award in 2013 and the inaugural "Global Vision Award" from the Pictures of the Year International in 2008. In 2006, 2007 and 2018 he received awards for his work in the Amazon from World Press Photo. Daniel's work has been published by the most prominent international publications including The New Yorker, Time, Newsweek, The New York Times, Le Monde, and El Pais, amongst many others. Daniel Beltrá is a fellow of the prestigious International League of Conservation Photographers. Source: danielbeltra.photoshelter.com Born in Madrid, Spain, Daniel Beltrá is a photographer based in Seattle, Washington. His passion for conservation is evident in images of our environment that are evocatively poignant. The most striking large-scale photographs by Beltrá are images shot from the air. This perspective gives the viewer a wider context to the beauty and destruction he witnesses, as well as revealing a delicate sense of scale. After two months of photographing the Deepwater Horizon Gulf Oil Spill, he produced many visually arresting images of the man-made disaster. His SPILL exhibit premiered in August 2010, toured around the globe in 2011 and will continue into 2012. Over the past two decades, Beltrá’s work has taken him to all seven continents, including several expeditions to the Brazilian Amazon, the Arctic, the Southern Oceans and the Patagonian ice fields. For his work on the Gulf Oil Spill, in 2011 he received the Wildlife Photographer of the Year Award, the Lucie Award for the International Photographer of the Year - Deeper Perspective, and was chosen as one of the six finalists for Critical Mass for Photolucida. In 2009, Beltrá received the prestigious Prince’s Rainforest Project award granted by Prince Charles. Other highlights include the inaugural “Global Vision Award” from the Pictures of the Year International in 2008. In 2007 and 2006 he received awards for his work in the Amazon from World Press Photo. Daniel’s work has been published by the most prominent international publications including The New Yorker, Time, Newsweek, The New York Times, Le Monde, and El Pais, amongst many others. Daniel Beltrá is a fellow of the prestigious International League of Conservation Photographers. Source: edelmangallery.com
Marco Gualazzini
Born in Parma in 1976, Marco Gualazzini began his career as a photographer in 2004, with his home town's local daily, La Gazzetta di Parma. His works include reportage photography on microfinance in India, on the freedom of expression in Myanmar, on the discrimination of minorities in Pakistan. For the last few years he has been covering Africa extensively. He devised and took part in the creation of a documentary for the Italian national TV network RAI on the caste system in India, which has been selected at IDFA- The International Documentary Film Festival Amsterdam, and has been awarded with the Best Camera Work Award at the Aljazeera International Documentary Film Festival 2014. Gualazzini published in national and international titles and he has received numerous accolades, including the Getty Images Grant for Editorial Photography, the PDN and the World Press Photo. Represented by CONTRASTO Agency Resilient is his first book and it's published by ContrastoBooks PUBLICATION: The New York Times, GEO, Al-Jazeera, Paris Match, LIGHTBOX- TIME magazine, Courrier International, L'Express, 6Mois, Internazionale, L'Espresso, InsideOver, CNN, M (Le Monde), Der Spiegel, The Sunday Times Magazine, Newsweek Japan, and Vanity Fair. AWARDS: Nomination award HPA2011- the Humanity photo awards 2011 Finalist CGAP 2011- Microfinance Photograpy contest Short-Listed, premio internacional de fotografia humanitaria Luis ValtueÑa 2011 Short-Listed 3rd Lumix Festival for Young Photojournalism, Hannover 2012 Silver Medal, category press-war, Prix de la Photographie 2013 Premio giornalistico Marco Luchetta- Miran Hrovatin 2013, 1st Prize Getty Images Grants for Editorial Photography Recipient 2013 Short Listed Premio giornalistico Internazionale Marco Luchetta - Miran Hrovatin 2014 Lucie Fondation, Photo Taken Scholarship Recipient 2015 Winner in PDN Photo Annual photo contest 2016 Final 100 to The Other Hundred Educators, The Other Hundred 2016 Photographer of the year All About Photo Awards, 2017 Short Listed - Premio giornalistico Internazionale Marco Luchetta 2017 Wiki Loves Africa, 2nd Prize All About Photo Awards 2019, 4th Prize Wiki Loves Africa, 1st Prize World Press Photo 2019 Photo Contest, Environment, Stories, 1st Prize EXHIBITIONS & SCREENINGS: Palazzo Pigorini, Collettiva sulla città con i fotografi NEOS, Parma, Italy, 2009 Galleria d'arte Camera Sedici, Storie in tre scatti, Milano, Italy, 2010 FoFu Phot'arte, Festival internazionale fotografico, Fucecchio (FI), Italy, 2011 Medicos del Mundo, premio Luis ValtueÑa, Madrid, Spain, 2011 The Humanity photo awards, Memories of Mankind VII, con il patrocinio dell' UNESCO, Beijing, Cina, 2011 3rd Lumix Festival for Young Photojournalism, Hannover, Germany, 2012 Angkor Photo Festival, Angkor, Cambodia, 2013 Les Rencontres d'Arles, Screening, Arles, France, 2013 Visa pour L'image, Screening, Perpignan, France, 2013 'Italy. Another View' Vadehra Art Gallery, India Art Fair, NSIC Exhibition Grounds, New Delhi, India, 2014 One Day in Africa - Spazio Oberdan, Milan, Italy, 2014 "One World" - Photofestival Horizonte, Zingst, Germany, 2014 Angkor Photo Festival, Screening, Angkor, Cambodia, 2015 World Humanitarian Summit, Istanbul, Turkey, 2016 Pune Biennale, Pune, India, 2017 Visa pour l'image, Screening in Campo Santo, Perpignan, France, 2017 Spazio Forma Meravigli, solo exhibition , Milan, Italy, 2019 Palazzo Pigorini, solo exhibition , Parma, Italy, 2019 World Press Photo, World Wide, 2019 RESILIENTI2020 - Installation Art Città di Parma, Parma, 2020
Francis Frith
United Kingdom
1822 | † 1898
Francis Frith was an English photographer of the Middle East and many towns in the United Kingdom. Frith was born in Chesterfield, Derbyshire, attending Quaker schools at Ackworth and Quaker Camp Hill in Birmingham (c. 1828–1838), before he started in the cutlery business. He suffered a nervous breakdown in 1843, recuperating over the next two years. In 1850 he started a photographic studio in Liverpool, known as Frith & Hayward. A successful grocer, and later, printer, Frith fostered an interest in photography, becoming a founding member of the Liverpool Photographic Society in 1853. Frith sold his companies in 1855 in order to dedicate himself entirely to photography. He journeyed to the Middle East on three occasions, the first of which was a trip to Egypt in 1856 with very large cameras (16" x 20"). He used the collodion process, a major technical achievement in hot and dusty conditions. Photographs taken by Frith are held in the Conway Library of Art and Architecture at the Courtauld in London. When he had finished his travels in the Middle East in 1859, he opened the firm of Francis Frith & Co. in Reigate, Surrey, as the world's first specialist photographic publisher. In 1860, he married Mary Ann Rosling (sister of Alfred Rosling, the first treasurer of the Photographic Society) and embarked upon a colossal project—to photograph every town and village in the United Kingdom; in particular, notable historical or interesting sights. Initially he took the photographs himself, but as success came, he hired people to help him and set about establishing his postcard company, a firm that became one of the largest photographic studios in the world. Within a few years, over two thousand shops throughout the United Kingdom were selling his postcards. Many of his photographs were collected into published volumes. Initially these works were compiled by established publishing companies. However, by the 1860s, Firth realized that he could profit from publishing his own images and established the publishing company F. Frith & Co. Frith died at his villa in Cannes, France, on 25 February 1898, aged 75. His family continued the firm, which was finally closed in 1971. Following closure of the business, Bill Jay, one of Britain's first photography historians, identified the archive as being nationally important, and "at risk". Jay managed to persuade McCann-Erikson the London advertising agency to approach their client Rothmans of Pall Mall on 14 December 1971 to purchase the archive to ensure its safety. Rothmans went ahead and acquired the archive within weeks. Frith was re-launched in 1975 as "The Francis Frith Collection" by John Buck, a Rothmans executive, with the intention of making the Frith photographs available to as wide an audience as possible. On 25 August 1977, Buck bought the archive from Rothmans, and has run it as an independent business since that time – trading as The Francis Frith Collection. In 2016 the company completed a two-year project to scan the entire archive and now holds over 330,000 high resolution digital images. The company website enables visitors to browse all 330,000 Frith photographs, depicting some 7,000 cities, towns and villages.Source: Wikipedia Born into a Quaker family in 1822 in Chesterfield, Derbyshire, Francis Frith was a remarkable person, philosophical and devoutly religious by nature and pioneering in outlook. He was a complex and multi-talented man who had a formidable instinct for business. By the time he founded his photographic publishing company in 1860 he had already established a wholesale grocery business in Liverpool which was so successful that by the mid 1850s he was able to sell it for a price which made him a the equivalent of a multi-millionaire today. Frith had been a founder member of the Liverpool Photographic Society in 1853 – only 14 years after the invention of photography, 1839. Between 1856 and 1860, as a gentleman of leisure, he made three pioneering and sometimes dangerous photographic expeditions to the Middle East, taking bulky cameras, equipment and glass plates with him and travelling by boat, donkey, mule and camel. These journeys took him to Egypt, Nubia, Ethiopia, Sinai, Palestine, Lebanon and Syria, and established his reputation as an outstanding pioneer photographer. The photographs he took on these expeditions were marketed by the London firm of Negretti & Zambra as hugely popular stereoscopic views, and were also published in London and New York in limited edition part-works of prints, with sales totalling over £3 million in today’s value.Source: www.francisfrith.com
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