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1 Week Left to enter All About Photo Awards: $5,000 Cash Prizes - Juror Steve McCurry
1 Week Left to enter All About Photo Awards: $5,000 Cash Prizes - Juror Steve McCurry
Maynard Switzer
Maynard Switzer
Maynard Switzer

Maynard Switzer

Country: Canada

Maynard Switzer was born in Los Angeles and is a professional freelance travel and documentary photographer. He is a graduate of the Art Center College of Design in Pasadena and a former assistant to legendary photographer Richard Avedon. He has taught at the International Center of Photography in New York City and has written many magazine articles about travel photography. His love of foreign cultures and their fascinating customs has been the main catalyst for Maynard’s photography around the globe. Maynard has had his photography published in National Geographic Traveler Magazine, Geo Magazine, Afar Magazine and the prestigious Fine Art Spanish Magazine Art Fotografico.



Statement
There are approximately 195 independent countries in the world and an estimated 6,800 different languages spoken, and often times there is a breakdown in communication. Some caused by language barriers, other times lost or inadequate translation and sometimes a woeful attempt at hand signals. However, images are universally understood. The cliché "a picture is worth a thousand words" certainly rings true. Pictures speak a thousand words to a thousand different people in a thousand different ways. This global understanding has been the main reason that I have been documenting various cultures around the world. Over the past 20+ years I have concentrated on photographing people and their various ways of life that seem to have been left behind by the world's rush to modernize. Certain aspects of these various cultures seem to be in a time warp, many within their own country. The photographs presented here are part of a long-term project photographing some of these people that live and work in challenging environments that time seems to have forgotten and whose way of life may never be seen again.
 

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More Great Photographers To Discover

Shuwei Liu
China
1985
Shuwei Liu (b.1985) was born in Tangshan and currently lives in Shanghai, China. He received his Bachelor of Engineering in Guangdong University of Technology in 2009, then he decided to do what he really love such as photography, design and writing. He's a finalist of LensCulture Portrait Awards 2016. His works got exhibited internationally include Power Station of Art, the State Hermitage Museum, Artefiera Bologna, JIMEI × ARLES Photo Festival Three Shadows Photography Art Centre, Vu Photo. He was an residency artist in Vermont Studio Center, Red Gate residency and granted by them, and was awarded Fine Art "First Place" by PDN, and he was a finalist of LensCulture Portrait Awards, Three Shadows Photography Awards, Barcelona International Photography Awards, British Journal of Photography, described as "Ones to Watch" talents and Photovogue Festival.All about Childhood Revisited"Childhood is a human water, a water which comes out of the shadows. This childhood in the mists and glimmers, this life in the slowness of limbo gives us a certain layer of birth... " Gaston Bachelard "Childhood is not a thing which dies within us and dries up as soon as it has completed its cycle. It is not a memory. It is the most living of treasures, and it continues to enrich us without our knowing it." Franz Hellens All about Visible Darkness "Visible darkness" is a part of my "Blue" trilogy. When I discovered 4 moon-like crescents at the base of my corneas, I thought I was going to lose sight. The anxiety reminded me of Derek Jarman's "Blue is darkness made visible." , blue was the only thing he could see before he went blind. Meanwhile I was hiding in my own corner, chasing the color blue, turned out to be adjusting the distance between the world and me. Blue itself is just like distance, not reachable.
Sabiha Çimen
Turkey
1986
Sabiha Çimen was born in Istanbul, Turkey in 1986. She is a self-taught photographer, focusing on Islamic culture, portraiture and still life. Çimen graduated from Istanbul Bilgi University with a Bachelor's Degree in International Trade and Finance, and a Masters Degree in Cultural Studies. Her Master's​ thesis on subaltern studies, which includes her photo story titled ‘Turkey as a simulated country’, was published by Cambridge Scholars Publishing in 2019. Çimen has worked on her project entitled Hafız: Guardians of the Quran Çimen since 2017, traveling​ to five cities in Turkey to produce ninety-nine portraits on medium format film. With this project,​ she participated in the World Press Photo Foundation’s Joop Swart Masterclass in 2018 and was awarded 3rd prize in PH Museum's​ Women Photographers Grant. Çimen became a Magnum Nominee member in 2020.Source: World Press Photo About her project: Hafız: Guardians of the Quran Sabiha Çimen’s project, Hafız: The Guardians of Quran, is an ongoing series of medium format portraits shot in conservative Quran boarding schools for young girls in five cities in Turkey. It shows the daily lives of the girls and their hidden emotions as they try to memorize the sacred texts while still retaining the humble dreams of any young woman their age. “I attended Quran school with my twin sister when I was twelve years old, and with that experience I am now able to reveal a world unknown till now,” Çimen wrote in her submission to the Smith Grant. “This story is a rarely seen glimpse into this world, normally hidden and forbidden to most others. My project is about these young women, about me and my twin, the memory of the Quran, and an investigation and portrayal of the hidden power within them acting out with small forms of resistance to find their individuality.” The W. Eugene Smith Grant is presented annually to photographers whose work is judged by a panel of experts to be in the best tradition of the documentary photographic practice exhibited by W. Eugene Smith during his 45-year career in photojournalism. This year, the grant was presented to five recipients with each receiving $10,000 to continue their projects. Smith Fund board member Daniella Zalcman was this year’s lead juror for the Smith Grant, along with judges Teju Cole, a photographer, critic, curator, author, and former photography critic at The New York Times Magazine; and Yukiko Yamagata, the curatorial and deputy director of Culture and Art for the Open Society Foundation.Source: W. Eugene Smith Memorial Fund
Eric van den Brulle
United States
1961
Eric van den Brulle began his photographic journey studying fashion photography under legendary image-maker William Klein at Parsons, followed by training in cinematography with Oscar-winning director of photography Gordon Willis at the School of Visual Arts in New York City. He launched his career assisting iconic celebrity photographer Annie Leibovitz during her celebrated GAP portraits era. Eric’s own career has spanned an impressive roster of clients, including MoMA, Michael Kors, Mexx, Lionel, Cole Haan, architect Robert Stern for The 7th Art, luxury kitchen designer St. Charles, Fox & Fowle Architects, EYP Architects, Jonathan Taylor Design, designers Brad Ford and Carolyne Roehm for Wantful Magazine, and designer Craig van den Brulle, among many others. His work has been featured in Travel + Leisure, Vogue, Men’s Journal, Paper, Roomplanners, ForbesLife, and The New York Times. His architectural series Structures was reviewed by ARTnews contributor Barbara Pollack, and he has exhibited in New York at Clic Gallery, Mary Gearhart Gallery, and the Puffin Gallery. Eric’s photography has earned recognition from top creative industry publications such as Communication Arts, Graphis, and American Photography. A passionate supporter of Tibet House, he contributed images to its annual benefit auction following a photographic expedition through Tibet with singer-songwriter James Taylor. His work is held in notable private collections, including those of fashion icon Donna Karan, Academy Award-winning director Robert Benton, contemporary artist Takashi Murakami, and model Frederique van der Wal. Statement In my journey as a portrait photographer, I strive to capture the essence of individuals through the lens of my camera. Each portrait is a visual narrative, a unique story frozen in time. I am fascinated by the intricate dance between light and shadow, using it to sculpt and define the personality of my subjects. Through careful composition and an acute awareness of the emotional subtleties, I aim to create images that resonate on a profound level. AAP Magazine: AAP Magazine 37: Travels AAP Magazine 49: B&W
Attila Ataner
Canada/Turkey
I am of Turkish ancestry, but born in Svishtov, Bulgaria, a small town on the Danube river. During the 1980s, my parents and I lived in Triploi, Libya, where I attended an international school for the children of expats. There, I was introduced to photography by one of my all-time best, and favourite teachers. I have been an avid amateur photographer ever since. I currently live in Toronto, Canada, with my wife and two young children. I am formerly a practicing lawyer, however I recently returned to school to pursue a PhD degree in philosophy, with my focus being on environmental philosophy and legal and political theory. My current passion for photography, and the series of photos I have been working on more recently, is partly informed by my scholarly work on environmental issues. For instance, my series titled "Landscapes of Modernity" is an attempt to translate some of my philosophical ideas into a visual/photographic format. Landscapes of Modernity This series of phots is, in part, an attempt to translate some of my academic work on environmental philosophy into visual/photographic format, an effort to express my ideas through art rather than scholarship alone. My overall project aims to reflect on the contemporary experience of dwelling in extensively built-up, "artificial" spaces. Our ancestors lived in spaces pervaded by natural landscapes, by mountains, valleys, by open skies, and the like. They were surrounded by spontaneous, self-generating, self-sustaining (i.e., so-called "natural") entities. Conversely, consequent to modernity, our visual landscapes are now largely colonized by massive, cuboid, monolithic structures; and by constricted, disrupted or otherwise occluded skies. Above all, we have surrounded ourselves with a seemingly endless array of almost exclusively human-made constructs. This is the central contrast between modernity and the modes of dwelling of our ancestors. ... And here, in this modern moment, we find astounding beauty mixed with a certain apprehension, oppressiveness and brutality - for instance, as is exemplified by the staggering scale of the seemingly omnipresent and ever-expanding character of the structures that now envelop and enframe our lives. I hope my photos manage to capture this duality in the contemporary urban landscape.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry