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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
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Elizabeth Bourne
Elizabeth Bourne
Elizabeth Bourne

Elizabeth Bourne

Country: United States
Birth: 1964

I describe myself as an artist using a camera rather than as a photographer since I am more concerned with creating an emotional connection with the viewer rather than technical perfection. After living most of my life in the Pacific Northwest, I went to Greenland in 2017 and everything changed. I fell in love with the high arctic. In 2018 I had artist residencies in both Svalbard and Iceland. In 2019, at a time when most people my age are thinking about retirement and grandchildren, I packed seven suitcases, and moved to Longyearbyen. Now I live in the world's northernmost town on the archipelago of Svalbard. I work almost exclusively in the arctic. My work, both painting and photography, have been exhibited nationally and internationally. In 2019 I was honored to receive the Vision Excellence Award from the Miami Photography Center during Art Basel Miami for best work in a series. Svalbard: Land without Borders which is an ongoing project. My work has been collected by Adobe, Corel Draw, and the City of Seattle.

About the work:
In the arctic, glaciers ten thousand years old rise in shimmering cliffs of light. These ice rivers calve towering icebergs with life spans of only two years. The paleocrystic beauty of the high arctic is as rich as any Tahitian sunset. There is a struggle between those who would exploit the arctic, and those who would preserve it. I have chosen to document these changes in Svalbard, the last land without borders on our planet.

My goal is to engage a heart-felt reaction in the viewer. I believe the artist must have a passion for her subject, and a core need to communicate that passion. My hope is that my work will show the arctic's beauty so that people will choose to preserve it. We need the ice. Not just for environmental reasons, but also to maintain the last truly wild, untouched place on our crowded planet.
 

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Alesya Osadchaya
Russia Federation
1990
Alesya Osadchaya was born in October of 1990 in Moscow, Russia. She studied veterinary medicine at the Moscow Veterinary Academy. Currently, he also works as a teacher in the field of veterinary entrepreneurship. The fascination with photography came from childhood. Dad taught her to handle the camera, later she got carried away with photography seriously and began to earn money by taking pictures - portrait and reportage. After graduation, the institute began to travel and take pictures of more scenery and travel reports. Travel and photography are closely related. Alesya rarely uses the services of travel agencies and travels alone. Always takes a camera with her. Through photographs, she shows the fragility of man compared to the forces of nature. Statement: No wonder they say that the most cool photos are obtained at a time when the elements are raging. Nature opens on the new side. In bad weather, few people can force themselves to leave the warm bed and go to meet the unknown. At this time, and people who are on the street once pretend to wear "masks". They are busy with more important things - how not to get wet, do not mess up your hair, save your property, and even the safety of your life, after all. But these are not all. However strange it may sound, I am inspired by the vagaries of nature: storms, hurricanes, tornadoes, storms. As a child, I reviewed a bunch of BBC films (and not only) about similar natural phenomena. Probably, therefore, at such moments in the head immediately the plots for photographs are born - a good look. But even in the quietest weather one can find "moments of strength". With my capture I want to show the greatness of nature, its beauty, strength and scale in comparison with fragility and human life.
Mark Mann
United States
1970
Mark Mann is a celebrity and advertising photographer. He was born in Glasgow, where he lived until he went to study in the prestigious photographic program at Manchester Polytechnic. Before long, the recent graduate was assisting innovative fashion photographers Nick Knight and Miles Aldridge, learning the ropes and building his own body of work. Three years later, Mark started shooting on his own, relocating to New York City. Mark’s editorial work has appeared in Esquire, Men’s Health, Vibe, Spin, Fortune, Billboard, Parade and Complex, among others. He has shot countless celebrities, including Robert Redford, Michael Douglas, Iggy Pop, Jack Black, the Black Eyed Peas, Jerry Seinfeld, Dave Chappelle, Rihanna, Queen Latifah, Simon Baker, Stevie Wonder, Bradley Cooper, Willie Nelson, Sean Connery, John Hamm and Jennifer Hudson. Mark has amassed a sizable advertising portfolio, as well. His clients run the gamut: Reebok, Adidas, Hennessy, Bombay Sapphire, Pepsi, Gillette, Vitamin Water, NHL, Zumba, Ford, Chrysler and Svedka to name a few. Mark has just completed a yearlong project for Esquire Magazine, The Life of Man. He shot 80 American men ages 1 through 80, to celebrate 80 years of Esquire Magazine. This project took Mark to the White House where he was honored to shoot the sitting president, as well as former President Clinton. He also shot numerous other notable people and celebrities all across the country.Source: www.markmannphoto.com Because so many of Mark Mann’s striking celebrity portraits are taken from just a few feet away, he’s often asked, “Why so close?” “I’m not exactly sure where that idea of getting so close to my subjects came from. The simple answer is that I don’t like to have to shout to talk to people so—over the years—I’ve moved closer and closer. If you’re more than a few feet from someone, the nuances of what you are saying can be lost. And I always try to have a conversation to help make a connection with everyone I am photographing.” He may start out four or five feet away from a subject but “bobs and weaves” or “creeps” (as he terms it) closer to three feet or so while chatting and shooting. “That means the camera can be just 24 inches from a person’s face, or smelling distance,” says Mann. He never uses a tripod because he’s always moving, changing his distance and angles. He also shoots close up because he enjoys shooting wide open, explaining that helps give a "dimension” to his images. “They have a shallow depth of field, but I like that they almost feel three-dimensional,” he says. “There’s another reason I like shooting close,” says Mann. “I just love faces. I love looking at them. I can inspect every detail, every angle of a face when I’m just a few feet from someone as I look through my lens. I could never get that close without the camera in front of me.”Source: PPA
Sim Chi Yin
Singapore
1978
Sim Chi Yin (born 1978) is a Singaporean photographer, based between Beijing, China, and London. She works as a documentary photographer and artist who pursues self-directed projects in Asia and is "interested in history, memory, and migration and its consequences". As well as photography she uses film, sound, text and archival material. The Long Road Home: Journeys Of Indonesian Migrant Workers was published in 2011. Sim is a nominee member of Magnum Photos. Sim Chi Yin was born in Singapore. She learned history and international relations at the London School of Economics on a scholarship. She worked as a print journalist and foreign correspondent at The Straits Times for nine years. In 2010 she quit to work full time as a photographer. Within four years she was working as a photojournalist, getting regular assignments from The New York Times. Her first major work was The Rat Tribe, about blue-collar workers in Beijing. It has been published widely and was shown at the Rencontres d'Arles in 2012. Sim spent four years photographing Chinese gold miners living with the occupational lung disease silicosis, published in the photo essay Dying To Breathe, much of it about He Quangui, also the subject of a short film. She was commissioned as the Nobel Peace Prize photographer in 2017 to make work about its winner, the International Campaign to Abolish Nuclear Weapons. Her photographs of similarities in landscapes related to nuclear weapons, both in the USA and along the China-North Korea border, were exhibited at the Nobel Peace Center museum in Oslo, Norway. In 2014 she became an interim member of VII Photo Agency, a full member in 2016 then left in 2017. In 2018 she became a nominee member of Magnum Photos. She has been awarded a Magnum Foundation Social Justice and Photography fellowship and the Chris Hondros Award. She is newly based in Berlin.Source: Wikipedia Sim Chi Yin’s work combines deep research with intimate storytelling. She explores history, memory, conflict and migration using photography, film, sound, text and archival material, in a multidisciplinary practice. Chi Yin was commissioned as the Nobel Peace Prize photographer in 2017 and created a solo show for the Nobel Peace Centre museum in Oslo on nuclear weapons, combining video installation and still photography. Other notable projects include One Day We’ll Understand, an ongoing excavation of histories from the anti-colonial resistance movement in British Malaya during the early Cold War, Dying to Breathe which chronicled the slow death of a Chinese gold miner from “Black Lung” disease and Shifting Sands, an on-going visual investigation into world’s dependence on a non-renewable resource. Her work has been exhibited in the Istanbul Biennale (2017), at the Institute of Contemporary Arts Singapore, the Annenberg Space For Photography in Los Angeles, Gyeonggi Museum of Modern Art in South Korea, and other galleries and institutions in Europe, the United States and Asia. Her film and multimedia work have also been screened at Les rencontres d’Arles and Visa pour l'Image festivals in France, and the Singapore International Film Festival. She has worked on assignments for global publications, such as The New York Times Magazine, Time Magazine, National Geographic, The New Yorker and Harper's Bazaar. Chi Yin read history at the London School of Economics and Political Science for her first two degrees and was a staff journalist and foreign correspondent for a decade before quitting to become an independent visual practitioner in 2011. She is currently also a PhD candidate on scholarship at King’s College London, in War Studies. Chi Yin became a Magnum nominee in 2018.Source: Magnum Photos Recent solo exhibitions include One Day We’ll Understand, Les Rencontres d’Arles (2021), One Day We’ll Understand, Landskrona Foto Festival, Sweden (2020), One Day We’ll Understand, Hanart TZ Gallery, Hong Kong (2019) and Most People Were Silent, Institute of Contemporary Arts, LASALLE College of the Arts, Singapore (2018), Fallout, Nobel Peace Museum, Oslo (2017). Her work has also been included in group shows such as Most People Were Silent, Aesthetica Art Prize, York Art Gallery, United Kingdom (2019); UnAuthorised Medium, Framer Framed, Amsterdam, The Netherlands; Relics, Jendela (Visual Arts Space) Gallery, Esplanade, Singapore (both 2018); and the Guangzhou Image Triennial ( 2021), the 15th Istanbul Biennial, Turkey (2017). Sim was commissioned as the Nobel Peace Prize photographer in 2017, nominated for the Vera List Center’s Jane Lombard Prize for Art and Social Justice 2020.Source: chiyinsim.com
Gabrielle Duplantier
Gabrielle Duplantier studied painting and art history at the university of Bordeaux in France. Photography was a hobby on the side. After her university studies, she decided to dedicate herself to photography and she went to Paris where she worked as an assistant for several photographers. In 2002, she felt the need to come back home. Inspired by the rich and enigmatic Basque country, she started a series of photographs where landscapes, animals or humans are revealed as impressionist visions, this body of work contains some of her best images. She pursues her work on portraits of women, one of her favorite subjects, and on Portugal where she travels regularly. Gabrielle’s photographic world seems voluntarily detached from all temporal or social reality. So her subjects or not really thematic, she is seeking beautiful images that exist outside of any context, on their own. She has already published 3 books, works with press, edition, she collabore with musicians, writers. Her work is also regularly exhibited. In 2012, Gabrielle Duplantier appears in MONO, edited by Gomma books, monography of the best contemporary black and white photographers along with artists such as Michael Ackerman, Trent Parke, Anders Petersen, or Roger Ballen... FNAC's Collection and privates Collections. Finalist Grand Concours Agfa 2003. Coup de Cœur Bourse du Talent Portrait, Photographie.com 2005. Finalist Parole photographique, Actuphoto 2008. Published in Photos Nouvelles, Shots Magazine, Gente di fotografia, Le Festin, Pays basque magazine, Geokompakt, Philosophy magazine... Discover Gabrielle Duplantier's Interview
Sebastião Salgado
Brazil
1944 | † 2025
Sebastião Salgado was born on February 8th, 1944 in Aimorés, in the state of Minas Gerais, Brazil. Having studied economics, Salgado began his career as a professional photographer in 1973 in Paris, working with the photo agencies Sygma, Gamma, and Magnum Photos until 1994, when he and Lélia Wanick Salgado formed Amazonas images, an agency created exclusively for his work. He has travelled in over 100 countries for his photographic projects. Most of these, besides appearing in numerous press publications, have also been presented in books such as Other Americas (1986), Sahel: l’homme en détresse (1986), Sahel: el fin del camino (1988), Workers (1993), Terra (1997), Migrations and Portraits (2000), and Africa (2007). Touring exhibitions of this work have been, and continue to be, presented throughout the world. Salgado has been awarded numerous major photographic prizes in recognition of his accomplishments. He is a UNICEF Goodwill Ambassador, and an honorary member of the Academy of Arts and Sciences in the United States. In 2004, Salgado began a project named Genesis, aiming at the presentation of the unblemished faces of nature and humanity. It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity’s rediscovery of itself in nature. Together with his wife, Lélia, Salgado has worked since the 1990’s on the restoration of a small part of the Atlantic Forest in Brazil. In 1998, they succeeded in turning this land into a nature reserve and created the Instituto Terra. The Instituto is dedicated to a mission of reforestation, conservation, and environmental education. (Amazonas Images) "I have named this project GENESIS because my aim is to return to the beginnings of our planet: to the air, water and the fire that gave birth to life, to the animal species that have resisted domestication, to the remote tribes whose 'primitive' way of life is still untouched, to the existing examples of the earliest forms of human settlement and organization. A potential path towards humanity's rediscovery of itself. So many times I've photographed stories that show the degradation of the planet, I thought the only way to give us an incentive, to bring hope, is to show the pictures of the pristine planet - to see the innocence. And then we can understand what we must preserve." —Sebastião Salgado Source: Peter Fetterman Gallery After a somewhat itinerant childhood, Salgado initially trained as an economist, earning a master’s degree in economics from the University of São Paulo in Brazil. He began work as an economist for the International Coffee Organization, often traveling to Africa on missions for the World Bank, when he first started seriously taking photographs. He chose to abandon a career as an economist and switched to photography in 1973, working initially on news assignments before veering more towards documentary-type work. Salgado initially worked with the photo agency Sygma and the Paris-based Gamma, but in 1979, he joined the international cooperative of photographers Magnum Photos. He left Magnum in 1994 and with his wife Lélia Wanick Salgado formed his own agency, Amazonas Images, in Paris, to represent his work. He is particularly noted for his social documentary photography of workers in less developed nations. They reside in Paris. He has been a UNICEF Goodwill Ambassador since 2001. Salgado works on long term, self-assigned projects many of which have been published as books: The Other Americas, Sahel, Workers, Migrations, and Genesis. The latter three are mammoth collections with hundreds of images each from all around the world. His most famous pictures are of a gold mine in Brazil called Serra Pelada. Between 2004 and 2011, Salgado worked on "Genesis," aiming at the presentation of the unblemished faces of nature and humanity. It consists of a series of photographs of landscapes and wildlife, as well as of human communities that continue to live in accordance with their ancestral traditions and cultures. This body of work is conceived as a potential path to humanity’s rediscovery of itself in nature. In September and October 2007, Salgado displayed his photographs of coffee workers from India, Guatemala, Ethiopia and Brazil at the Brazilian Embassy in London. The aim of the project was to raise public awareness of the origins of the popular drink. Together, Lélia and Sebastião, have worked since the 1990s on the restoration of a small part of the Atlantic Forest in Brazil. In 1998, they succeeded in turning this land into a nature reserve and created the Instituto Terra. The institute is dedicated to a mission of reforestation, conservation and environmental education. Salgado and his work are the focus of the film The Salt of the Earth (2014), directed by Wim Wenders and Salgado's son, Juliano Ribeiro Salgado. The film won a special award at Cannes Film Festival and was nominated for the best Documentary Feature at the 2015 Academy Awards. Source: Wikipedia
Frieke Janssens
Belgium
1980
Over the past 25 years, Frieke Janssens has acquired a reputation as a photographer of surreal staged tableaux and group portraits, often originating in a specific concept, and almost always stemming from an inexhaustible interest in human diversity. Her series often stand out because of their confrontational nature. Notable series include, among others, Smoking Kids, Your last shot, Diana's, Animalcoholics, and recently Lightness. In the same way that an oil painter builds up a work layer by layer, she too meticulously creates each image, down to the smallest detail. In every picture we can recognise the same artistic touch, the same technical perfection, combined with a playful duality between reality and fiction. At first glance, her images attract the viewer because of their pared-down beauty. Yet once one really starts to look in earnest, one realises that there are always multiple layers of meaning. It seems as if the people portrayed are trying to tell us something. However, they are silent, and consequently have to rely on the viewers to create the story for themselves. Frieke does not adopt any particular position, but aims to convey the feeling that one is not only looking at a photograph, but at a mirror as well. As such, she leaves the viewers free in their interpretation, yet never leaves them indifferent. She sometimes lends her pared-down style to clients with whom she has a good connection, like a cultural centre, or a campaign, or a newspaper or magazine. In recent years, Frieke Janssens has exhibited in New York, Chicago, London, Hull, Bilbao and obviously also in her own country, including in Antwerp and Knokke-Heist. Her work has appeared in The Guardian, The Atlantic, Huffington Post, Knack, De Morgen, De Tijd and NRC, among others. Her book The Sweetest Taboo won gold at the 2019 Henry Van De Velde awards. In 2022, her third book Lightness was published on the occasion of the eponymous exhibition in Foto Knokke-Heist.
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