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LAST WEEK TO ENTER AAP MAGAZINE B&W: PUBLICATION AND $1,000 CASH PRIZES
LAST WEEK TO ENTER AAP MAGAZINE B&W: PUBLICATION AND $1,000 CASH PRIZES
Iris Brito Stevens
Iris Brito Stevens
Iris Brito Stevens

Iris Brito Stevens

Country: United States

I was born and raised in Salinas, California (U.S.), a farming community known for its lettuce. As a daughter of Mexican immigrants, I became aware of, and sensitive to, the differences between the immigrant and non-immigrant communities and their perspectives, which at times felt narrow and somewhat limiting. Growing up surrounded by family grounded me deeply, yet an insatiable curiosity and passion for learning about the world beyond me, called out. I spread my wings and traveled to destinations that were completely foreign, often under the auspices of humanitarian and educational endeavors. The lens through which I saw the world opened-up and expanded my perspective, just like a camera. Through first-hand experience, I became aware of the lives and conditions of marginalized and oppressed peoples globally. This new dimensionality helped me to confront certain realities, to grow, and to self-reflect on what it means to be human. It also led me toward activism and social documentary photography, which enabled me to blend visual narrative with the stories of other people through projects or partnerships in Uganda, the Occupied Palestinian Territories, Spain, San Francisco and more. My photographic work is my passion, and it serves to create awareness and a more intimate human connection, by encouraging a path that looks beyond our limited and inherent perceptions and conditioning.

Statement
In America, we place so much value on individuality and independence, that we forget how truly interdependent we are on one another, both on a local and global scale. We have become hyper-focused on the self and are losing our ability to empathize and see the intense vulnerability around us—though considering recent events, this appears to be shifting. As a social documentary photographer, I am drawn towards people and the conditions that are relevant in their lives, as individuals and as members of a family, community, or society. Our perception of the world can be limited to our own multi-faceted forms of conditioning; I utilize the impact of visual narrative to bring awareness of the human condition worldwide. There is so much beauty in diversity. I want to validate that diversity through photography, to help others grow in that appreciation, to demonstrate that we are all a part of something collectively - that life's experience doesn't begin and end with us, as individuals. Dominance consciousness is so pervasive in society; it's like a box with thick walls and nothing to see, nowhere to go, devoid of any inspiration. It kills curiosity and ideas. I want us all to be inspired and curious by the diversity we see and experience in everyday life. Diversity is beautiful.
 

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More Great Photographers To Discover

James Nachtwey
United States
1948
James Nachtwey is an American photojournalist and war photographer. He grew up in Massachusetts and graduated from Dartmouth College, where he studied Art History and Political Science (1966–70). Nachtwey started working as a newspaper photographer in 1976 at the Albuquerque Journal. In 1980, he moved to New York and began working as a freelance photographer. In 1981, Nachtwey covered his first overseas assignment in Northern Ireland illustrating civil strife. He has documented a variety of armed conflicts and social issues, spending time in South Africa, Latin America, the Middle East, Russia, Eastern Europe, the former Soviet Union shooting pictures of war, conflict and famine, and images of socio-political issues (pollution, crime and punishment) in Western Europe and the United States. He currently lives in New York City. In 1994, Nachtwey was covering the upcoming elections in South Africa, the first non-racial ones in decades. As an associate of the Bang-Bang Club, he was at the scene when Ken Oosterbroek was killed and Greg Marinovich was seriously injured. Nachtwey had been injured previously in his work, but it was during his extensive coverage of the United States invasion of Iraq that he received his first combat injury. As Nachtwey, along with Time correspondent Michael Weisskopf rode in the back of a Humvee with the United States Army "Tomb Raiders" Survey Platoon, an insurgent threw a grenade into the vehicle. Weisskopf grabbed the grenade to throw it out of the humvee, but it exploded in his hand. Two soldiers were injured in the explosion, along with the Time journalists. Nachtwey managed to take several photographs of medic Billie Grimes treating Weisskopf before passing out. Both journalists were airlifted to Germany and later to hospitals in the United States. Nachtwey recovered sufficiently to return overseas to cover the tsunami in Southeast Asia of December 26, 2004. Nachtwey has worked with Time as a contract photographer since 1984. He worked for Black Star from 1980 until 1985 and was a member of Magnum Photos from 1986 until 2001. In 2001, he was a founding member of the VII Photo Agency (he disassociated from VII in August 2011). Nachtwey was present during the September 11, 2001 attacks on the World Trade Center, and produced a well known related body of work. He also compiled a photo essay on the effects of the Sudan conflict on civilians. In February 2011, Nachtwey contributed to a controversial piece for Vogue Magazine, which shone a favorable light on Syrian dictator Bashar al-Assad and his family. The article and the photo series were particularly controversial as a peaceful protest movement in the context of the Arab Spring that was gathering steam at the same time, was brutally put down by the Syrian regime's military and secret police services. By December 2011, death toll estimates of the uprising ranged between 3,500 and 5,000, while an approximate 30,000 civilians were imprisoned and, in many cases, tortured severely. Vogue later decided to remove the article from its pages. Nevertheless, the article can still be accessed on the Syrian presidency's own website. Source: Wikipedia James Nachtwey grew up in Massachusetts and graduated from Dartmouth College, where he studied Art History and Political Science (1966-70). Images from the Vietnam War and the American Civil Rights movement had a powerful effect on him and were instrumental in his decision to become a photographer. He has worked aboard ships in the Merchant Marine, and while teaching himself photography, he was an apprentice news film editor and a truck driver. In 1976 he started work as a newspaper photographer in New Mexico, and in 1980, he moved to New York to begin a career as a freelance magazine photographer. His first foreign assignment was to cover civil strife in Northern Ireland in 1981 during the IRA hunger strike. Since then, Nachtwey has devoted himself to documenting wars, conflicts and critical social issues. He has worked on extensive photographic essays in El Salvador, Nicaragua, Guatemala, Lebanon, the West Bank and Gaza, Israel, Indonesia, Thailand, India, Sri Lanka, Afghanistan, the Philippines, South Korea, Somalia, Sudan, Rwanda, South Africa, Russia, Bosnia, Chechnya, Kosovo, Romania, Brazil and the United States. Nachtwey has been a contract photographer with Time Magazine since 1984. He was associated with Black Star from 1980 - 1985 and was a member of Magnum from 1986 until 2001. In 2001, he became one of the founding members of the photo agency, VII. He has had solo exhibitions at the International Center of Photography in New York, the Bibliotheque nationale de France in Paris, the Palazzo Esposizione in Rome, the Museum of Photographic Arts in San Diego, Culturgest in Lisbon, El Circulo de Bellas Artes in Madrid, Fahey/Klein Gallery in Los Angeles, the Massachusetts College of Art in Boston, the Canon Gallery and the Nieuwe Kerk in Amsterdam, the Carolinum in Prague,and the Hasselblad Center in Sweden, among others. He has received numerous honours such as the Common Wealth Award, Martin Luther King Award, Dr. Jean Mayer Global Citizenship Award, Henry Luce Award, Robert Capa Gold Medal (five times), the World Press Photo Award (twice), Magazine Photographer of the Year (seven times), the International Center of Photography Infinity Award (three times), the Leica Award (twice), the Bayeaux Award for War Correspondents (twice), the Alfred Eisenstaedt Award, the Canon Photo essayist Award and the W. Eugene Smith Memorial Grant in Humanistic Photography. He is a fellow of the Royal Photographic Society and has an Honorary Doctorate of Fine Arts from the Massachusetts College of Arts. Source: www.jamesnachtwey.com
Cayetano González
My grandparents met during their studies in the University of Fine Arts in Valencia. Most of my close relatives work in the field of visual arts. On my behalf, I've always wanted to be a painter, and was fascinated by many artists: Sorolla, Velázquez, Rembrandt, Delacroix... During High School I had the opportunity to work on a short film for one of the courses, I then realised I wanted to work in the film industry. In 2006 I started my adventure. I studied Film in Valencia, and afterwards worked as a freelancer in a television production company for a year. At that time everything we did was recorded on tapes, and the cinematography quality I was searching for was unattainable. Fortunately, my grandfather lent me his Leica and everything changed. I slowly began learning how to use different cameras and I knew I had found my calling. Before even realising it I was already working as a photographer. I knew (or at least I thought I knew) how to use a camera, but not what to express with it, I needed to expand my knowledge of Art and extend my perspective. I began my studies in Fine Arts, and it was one of the best decisions I have ever made. I still don't know the meaning of Art, fully, but I was able to learn what people could achieve thanks to having artistic values. During the last two years of my Arts studies I concentrated on Contemporary Art, Film and Photography. When I finished I wanted to specialise in Cinematography and decided to move to Barcelona to study a Masters in Cinematography in ESCAC (Superior School of Cinema of Catalonia). Since then I'm based in Barcelona and my work is focused mainly on Photography and Cinematography. I also teach workshops specialised in natural light and try to direct my work towards a more natural feel, creating atmospheres that recall the painters I've always admired. About Light In 2016, after years of studying arts and photography I decided I wanted to specialise in natural light. I wanted to learn everything I could about it, so I began to research and practice, studying from artists starting from the 15th century until today. This research evolved in a personal project called "aboutlight", shot with natural light, about beauty, femininity, loneliness, melancholy and any type of feeling you can transmit while in a state of calm. I'm currently teaching and learning constantly, improving and making others improve. It's this combination that's helping me grow and develop my skills day to day. Find out more in his exclusive interview
Dasha Pears
Russia
1982
Dasha Pears is an award-winning Russian conceptual photographer, currently based in Helsinki, Finland. Dasha uses the instruments of surrealism, color, and photography to speak about deepest psychological matters, including emotions, states of mind and mind shifts. She started her photographic path in 2011, after reaching burnout in a marketing communications career. Having tried many types of photography, Dasha found herself in the conceptual and fine art sphere. Since then her images have been exhibited in Russia, France, Poland, Austria, Italy and Finland. Dasha's photographs can be found on covers of books published in Europe, the United States and South America. In 2016 Dasha started sharing her experience of organizing conceptual photography shoots and producing surrealist artworks in the form of creative photography workshops. Since then she has held over 15 events in Finland and abroad. Statement Photography turned out to be a way of discovering my true self and expressing it. My works are a reflection of this discovery process and I hope that they can help others who are on the same journey as me. In metaphorical ways I try to show and share processes that are going on in many people's minds: dealing with negative self-talk, being overwhelmed by all kinds of emotions, finding that activity that puts you in the state of flow, when time ceases to exist. My photography is influenced by classical fine art, surrealism, as well as fantasy and science fiction books. The instruments of surrealism help me show that the scene is only partially real and that most of it is going on in the character's mind. My works are carefully composed and many of them are leaning towards minimalism. This is my way of expressing that controlling your mind and creating space is crucial for discovering who you are and who you are not.
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