All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Sherrie Nickol
Sherrie Nickol
Sherrie Nickol

Sherrie Nickol

Country: United States

Sherrie Nickol is a fine art photographer who captures moments in time - and in life - with an almost tangible warmth and energy. She was grew up in Osceola, Arkansas and has lived her adult life in New York City. Nickol studied photography at the University of Cincinnati and later at the International Center of Photography in New York City. Her photographs are in the permanent collection of the Bibliotheque Nationale de France in Paris, and in numerous private collections in the United States. She has mounted one-person exhibitions at Temple University and The National Arts Club in New York City.

In recent years, Nickol has focused especially on exploring the relationships between people and their environments. She is interested in families as they come together to share experiences and in individuals as they navigate their space alone. Her work examines the different ways to experience public and private spaces, and she brings a sincerity to her approach that breaks down barriers and allows her to connect deeply with her subjects - a connection which is evident in the photographs themselves.

Les étés en bretagne
Les étés en Bretagne (Summers in Brittany) is part of my larger series By the Water which is a meditatation on the carefree days of summer.

When my son turned six our family began spending a part of each summer near the seaside town of Dinard, on the north coast of Brittany, and I began a project documenting the lives of French families as they vacationed on various beaches. We always rented the same home near the seaside, a short car ride from our relatives, who lived in an old stone house on a working farm. The scenes spoke of another era, with seaside picnics and striped cabanas dotting the beaches. The photographs in this series show the intimacy among families, friends, and lovers as they break from their routines and come together at the water.
 

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Eugenio Recuenco
Eugenio Recuenco was born in Madrid in May of 1968, in the middle of student protests that had spread out from Paris. As he himself would say: " I heard all that to-do, and was in a rush to be born and see what was going on."He studied fine art, graduating with a degree in painting from the Universidad Complutense de Madrid. Without a space in which to create his large-scale paintings, he began to collaborate with fashion magazines - first in Spain and later in Paris, where he habitually spent long periods - while waiting to be able to devote himself to painting. Vogue Espana, Madame Figaro, Wad, Vogue UK, Spoon, Planet, Vanity Fair, Stern, Kult, Twill, GQ, and Zink are some of the magazines he's worked with.It was in Paris that he produced his first advertising piece for Boucheron. From that moment, many brands would begin to call him to create their images, including Nina Ricci, Diesel, Shanghai Tang, Yves Saint Laurent, Sony Playstation, Custo, Le Bon Marché, BSI Lugano and Pernod Ricard.In 2007 he was invited to create the Lavazza Calendar and from the US he was called to conceive, together withe Eric Dover, the set design and staging the opera, Les Huguenots, at the Richard B. Fisher Center in New York City.Paris became the city that established his rhythm. It is there where he also created his first advertising spot. This time it was for "Nina" by Nina Ricci. This newly-opened avenue quickly lead to opportunities with other brands such as Loewe, Freixenet, Mango, Codormiú,Chivas Regal, Regione Campania, Vanderbilt, and Motorola among others.In 2008 his video, Essence of a Seduction, won the award for best advertisement of the year in Spain and the award for best short film at the Mexico City International Film Week. From that moment, he continued to create short films and video clips, such as Rammstein's Mein Herz Brennt, for example. He is now preparing his first full length film.Although his photographs had already been shown at the Reina Sofia museum in Madrid, the BAC (Barcelona Arte Contemporáneo), the Naardeen Photo Festival, the FEM (Festival Edición Madrid), Les Rencontres d'Arles, PhotoEspana, Art Toronto, and the Spanish National Library, it was once again in Paris where he would have his first solo exhibit, "Dream and Storm" at the Bertin-Toublanc Gallery.In 2004 he was given the ABC National Photography Award, in 2009 he won Gold and Bronze Awards at the Sol Festival, and in 2006 and 2013 his photographs won Gold Lions at the Cannes Lions Festival.In 2013 teNeues approached him to create his first solo book, Revue, whose launch will coincide with an exhibit at Camera Work Contemporary in Berlin.Eugenio Recuendo currently lives behind a camera.All about Eugenio Recuendo:AAP:Do you have a mentor or role model?To be honest I only have my intuition.AAP: How long have you been a photographer?I think since I was born. Another question is from what moment afterwards and I began taking pictures. Light and its effects have a great influence on me; I was always conscious of what was happening around me. I think that’s the first need a photographer must have.AAP: Do you remember your first shot? What was it?They were some household pictures that I took after my dad finally let me borrow his camera. It was during a school-trip. Those pictures were horrible; and, however they were really symbolic and full of emotions. That’s what magic is all about.AAP: What or who inspires you?Life inspires me.AAP: How would you describe your style?I have no clue. I don’t frown upon a specific style; I just go along doing what I feel is best. I don’t tell myself that things have to be a certain determined way. I start building and end up doing it in a certain way. But it’s all about circumstances, your vibes and needs and priorities when it comes down to transmitting them that end up paving a style for each series.AAP: Do you have favorite pictures or series?I’ve hated all of them at one point or another for not being loyal to what I expected them to be like; and all of them are favorites because there is something from me in all.AAP: What kind of gear do you use? Camera, lens, digital, film?It depends on each cases. Now more digital, Canon and with Hasselblad; always old ones and which treat the image with honesty. That is why I like old ones, ones that have a less forced definition.AAP: Do you spend a lot of time editing your images? For what purpose?It depends. It's all in the take. After that it's all a question of taking out defects and over all working on the texture and what it looks like in the end.AAP: Favorite(s) photographer(s)?A lot of them. For example I love Paolo Ventura.AAP: What advice would you give a young photographer?Shoot and shoot. Above all to shoot what you feel; not what is in fashion.AAP: What mistake should a young photographer avoid?Trying to go too fast and do what is currently succesful. Because when doing that, success will be in another type of photography.AAP: An idea, a sentence, a project you would like to share?(W)Hole time. A project I would like to take to movie-making. AAP: What are your projects?A book with 365 pictures, it is a poetry about the world we live in and the full-length film that I mentioned before.AAP: Your best memory as a photographer?When I stumble upon a photograph I didn't mean to do.AAP: Your worst souvenir as a photographer?Deal with creative managers who don't have a clear concept of their idea. It happens quite often.AAP:If you were someone else who would it be?I don't know. You can be creative in any activity that humans do.AAP: Your favorite photo book?I have a huge library because I actually love photo books as an object as a whole; regardless of its content.
Erik Hijweege
The Netherlands
1963
Erik Hijweege (1963) is fascinated with the overwhelming power of nature. He started chasing big weather and tornadoes in 2006. During his first years of stormchasing Hijweege chose an alter ego for this body of work in the making. Kevin Erskine a farmer from Valentine Nebraska was born. This resulted for Erskine (a.k.a Hijweege) in his first international solo show in New York and the Supercell book. Sequel to Supercell are his Sublime Nature series focusing on the beauty of nature that is grand and dangerous. Following his 19th century inspired longing for remote places and distant shores he travels the world working on his long-term Uncharted and waterfalls projects. Capturing landscapes on tintype and using old copper lenses, he shows us the world as seen through the eyes of early explorers. The multiple threats of our natural surroundings triggered Hijweege to start a second line in his work focusing on endangered species. Based on the Red List of the IUCN he photographed 23 endangered animals preserved in ice. Being a fragile subject matter Hijweege used the 19th century wetplate collodion process to capture these frozen animals on ambrotype. His Endangered series was exhibited at the Dutch Natural History Museum in Rotterdam raising awareness for this important matter. The Endangered book was published in 2014. In succession of this series Hijweege is currently working on 'New Habitat'. This series is about relocating endangered species to safer grounds. New Habitat is exhibited in the Dutch Natural History Museum during the first three months of 2020.
Philippe Halsman
Latvia/United States
1906 | † 1979
Philippe Halsman was born in Riga, Latvia and began his photographic career in Paris. In 1934 he opened a portrait studio in Montparnasse, where he photographed many well-known artists and writers — including André Gide, Marc Chagall, Le Corbusier, and André Malraux, using an innovative twin-lens reflex camera that he designed himself. Part of the great exodus of artists and intellectuals who fled the Nazis, Halsman arrived in the United States with his young family in 1940, having obtained an emergency visa through the intervention of Albert Einstein. Halsman’s prolific career in America over the next 30 years included reportage and covers for every major American magazine. These assignments brought him face-to-face with many of the century’s leading statesmen, scientists, artists and entertainers. His incisive portraits appeared on 101 covers for Life magazine, a record no other photographer could match. Part of Halsman’s success was his joie de vivre and his imagination — combined with his technological prowess. In 1945 he was elected the first president of the American Society of Magazine Photographers (ASMP), where he led the fight to protect photographers’ creative and professional rights. In 1958 Halsman’s colleagues named him one of the World’s Ten Greatest Photographers. From 1971 to 1976 he taught a seminar at The New School entitled Psychological Portraiture. Halsman began a thirty-seven-year collaboration with Salvador Dali in 1941 which resulted in a stream of unusual photographs of ideas, including Dali Atomicus and the Dali’s Mustache series. In the early 1950s, Halsman began to ask his subjects to jump for his camera at the conclusion of each sitting. These uniquely witty and energetic images have become an important part of his photographic legacy. Writing in 1972, Halsman spoke of his fascination with the human face. “Every face I see seems to hide – and sometimes fleetingly to reveal – the mystery of another human being. Capturing this revelation became the goal and passion of my life.”Source: Magnum Photos Over the course of his career, Halsman enjoyed comparing his work to that of a good psychologist who regards his subjects with special insight. With his courtly manners and European accent, Halsman also fit the popular stereotype at a time when Americans regarded psychology with fascinated skepticism. In fact, Halsman was proud of his ability to reveal the character of his sitters. As he explained, "It can't be done by pushing the person into position or arranging his head at a certain angle. It must be accomplished by provoking the victim, amusing him with jokes, lulling him with silence, or asking impertinent questions which his best friend would be afraid to voice." In the spring of 1952, Halsman put his signature technique to work when Life sent him to Hollywood to photograph Marilyn Monroe. Halsman asked Monroe to stand in a corner, and placed his camera directly in front of her. Later, he recalled that she looked "as if she had been pushed into the corner cornered with no way to escape." Then Halsman, his assistant, and Life's reporter staged a "fiery" competition for Monroe's attention. "Surrounded by three admiring men she smiled, flirted, giggled and wriggled with delight. During the hour I kept her cornered she enjoyed herself royally, and I . . . took between 40 and 50 pictures." In this widely familiar portrait, Monroe wears a white evening gown and stands with her back against two walls, one dark, the other light, her eyes half-closed and her dark, lipsticked mouth partly open. Yet Halsman deftly avoided any explicit representation of the true subject of the picture. Using the euphemistic language of the time, Halsman's assistant admired the photographer's ability to make "suggestive" pictures of beautiful women which still showed "good taste," emphasizing "expression" rather than "physical assets." And then the assistant added, "Halsman is very adept at provoking the expression he wants."Source: National Portrait Gallery
Marco Sanges
Italian
1970
SANGES is an imaginative and innovative photographer who has exhibited worldwide and published extensively. Clients and art projects include: Agent Provocateur, Cutler & Gross, Vogue, National Opera Munich,Dolce & Gabbana National Opera Stuttgart, Dario Argento, Stash Klossowski de Rola and Gunther Von Hagens' Body World. Academy of Art New York. Magazines include: Sunday Telegraph, Silver Shotz, Photo, All About Photos, Musee, Katalog, Lomography, Normal, Elle, Esquire, The Times, Independent, Fault , Aesthetica , Shoot, Harpers Bazar, L’œil De la Photographie. Wonderland Some of his short films include : Sugar, Meet me in Winter, Circumstances, Music Sound Machine, Sonnambula, Wunderkamera. His books include : Circumstances, Venus, Wild, and Erotic Photography, Love Lust Desire, Dolce & Gabbana Animal, National Opera Munich, The Cutting Room. Mefistofele Opera Stuttgart by Arrigo Boito. A multi-disciplinary artist, his film 'Circumstances' won Best Art Film at the Portobello Film Festival in London and Best Experimental Film at the Open Cinema Film Festival, St. Petersburg, Russia. Sanges' work is exhibited in the Virginia Museum of Fine Arts permanent collection and at the Center for Creative Photography in Arizona - USA His distinctive photographs have been shown at major contemporary photography festivals including Helsinki Photo Festival and Batumi PhotoDays in Georgia and the Lodz Photofestiwal in Poland. One of his latest project 'Wunderkamera' has been exhibited at the Hospital Club in London and at the Chateau de Dampierre (France) and will be exhibited in the Gallerie de Buci in Paris February 2020.
Sasha Stone
Russia/United States
1895 | † 1940
Sasha Stone was a Russian artist. A stateless photographer, he and his first wife, Cami Stone (born Wilhelmine Schammelhout 1892-1975), were successful photographers during the 1920s and 1930s. One of his most known work is the cover of Walter Benjamin's book One-Way Street published in 1928. Sasha was born as Aleksander Steinsapir to Jewish parents, Natan Steinsapir and Bella Meerson, in Saint Petersburg, Russia. He studied electrical engineering at Warsaw Technical Institute in Poland from 1911 to 1913. In 1913, he immigrated to New York and spent a few years working briefly at the Edison Company in New Jersey. In 1917, Sasha enlisted in the United States Army, served in WWI and was honorably discharged on June 14, 1919. While in the United States Army he was granted a stay at the American Expeditionary Forces (AEF) Art Training Centre in Paris after the war. After his military discharge, Sasha lived in the Rue de Plantes, Paris, and worked as a sculptor. In 1918, Sasha and Cami moved to Berlin together and later married in 1922. When he moved to Berlin, he kept his studio in Rue de Plantes for his cousin Harry Ossip Meerson to use; however, Meerson failed to pay rent and was evicted. In Berlin, Sasha was associated with the sculptor Aleksandr Archipenko, and was a contributor to the magazine G-Material für elementare Gestaltung. His work was published in Die Form, Das Kunstblatt, UHU, Berliner Illustrirte Zeitung, Der Querschnitt, Gebrauchsgraphik, and Die Dame as well. In 1924, Sasha and Cami opened their own studio in Berlin, named Atelier Stone, meaning “Studio Stone”. In 1928, he officially changed his name to Sasha Stone and became a painter. He had little success as an artist. Due to an economic downturn in Europe during this period, Sasha focused on photography as a main source of income. Sasha had become an extremely versatile photographer, working with portraits, journalism, feature images, advertising, property, fashion, and architecture photos. His photos appeared in Adolf Behne's edition of Berlin in Bildern, and Paul Cohen–Portheim's travel guide Paris. Sasha took images for surrealist journals like Varietés in Belgium and Bilfur in Paris. His work was presented in the first international photography exhibition called Fotografie der Gegenwart in Essen, Germany, and Werkbund's exhibition Film und Foto in Stuttgart, Germany. In 1931, Sasha and Cami moved to Brussels, Cami's hometown, where they lived until they divorced. In 1933, the couple were part of the Exposition Internationale de la Photographie in Brussels. A collection of nudes by Sasha and Cami Stone was published in Les Femmes through the French magazine Arts et Metiers Graphique in 1933. Throughout this time Sasha was connected with artists, celebrities and intellectuals of that period. Sasha and Cami divorced on February 15, 1939. They continued to work together until Sasha remarried. On April 29, 1939, Sasha Stone remarried, to Lydia Edens (born Alida Anna Edens). Sasha, Lydia and other families fled the German attack on Brussels on May 14, 1940. Their goal was to reach Spain and then go to the United States for safety. The group was en route through the Pyrénées in Perpignan, France. On August 6, 1940, Sasha died in Perpignan due to a serious ailment. The exact location of his grave is unknown. The only thing left is the graveyard book entry.Source: Wikipedia Best known for his photomontage reproduced on the cover of Walter Benjamin's book One-Way Street (1928), Stone was closely associated with the New Objectivity movement of the 1920s in Germany. From 1924 to 1931, he operated a successful photographic studio in Berlin. He contributed photo reportage to many of the major illustrated magazines, including Uhu, Die Dame, and Berliner Illustrierte Zeitung and was celebrated for his innovative advertising work. In 1933 the French magazine Arts et Metiers Graphique published Femmes, a portfolio of Stone's studies of female nudes, as the first in a series of three planned portfolios on the human body. (The other two, Hommes and Adolescents, were never realized.) Stone's photographs, with their fragmented figures, angular compositions, and use of raking light, are superb examples of avant-garde photographic aesthetics in Europe between the world wars.Source: The Met
Marco Gualazzini
Born in Parma in 1976, Marco Gualazzini began his career as a photographer in 2004, with his home town's local daily, La Gazzetta di Parma. His works include reportage photography on microfinance in India, on the freedom of expression in Myanmar, on the discrimination of minorities in Pakistan. For the last few years he has been covering Africa extensively. He devised and took part in the creation of a documentary for the Italian national TV network RAI on the caste system in India, which has been selected at IDFA- The International Documentary Film Festival Amsterdam, and has been awarded with the Best Camera Work Award at the Aljazeera International Documentary Film Festival 2014. Gualazzini published in national and international titles and he has received numerous accolades, including the Getty Images Grant for Editorial Photography, the PDN and the World Press Photo. Represented by CONTRASTO Agency Resilient is his first book and it's published by ContrastoBooks PUBLICATION: The New York Times, GEO, Al-Jazeera, Paris Match, LIGHTBOX- TIME magazine, Courrier International, L'Express, 6Mois, Internazionale, L'Espresso, InsideOver, CNN, M (Le Monde), Der Spiegel, The Sunday Times Magazine, Newsweek Japan, and Vanity Fair. AWARDS: Nomination award HPA2011- the Humanity photo awards 2011 Finalist CGAP 2011- Microfinance Photograpy contest Short-Listed, premio internacional de fotografia humanitaria Luis ValtueÑa 2011 Short-Listed 3rd Lumix Festival for Young Photojournalism, Hannover 2012 Silver Medal, category press-war, Prix de la Photographie 2013 Premio giornalistico Marco Luchetta- Miran Hrovatin 2013, 1st Prize Getty Images Grants for Editorial Photography Recipient 2013 Short Listed Premio giornalistico Internazionale Marco Luchetta - Miran Hrovatin 2014 Lucie Fondation, Photo Taken Scholarship Recipient 2015 Winner in PDN Photo Annual photo contest 2016 Final 100 to The Other Hundred Educators, The Other Hundred 2016 Photographer of the year All About Photo Awards, 2017 Short Listed - Premio giornalistico Internazionale Marco Luchetta 2017 Wiki Loves Africa, 2nd Prize All About Photo Awards 2019, 4th Prize Wiki Loves Africa, 1st Prize World Press Photo 2019 Photo Contest, Environment, Stories, 1st Prize EXHIBITIONS & SCREENINGS: Palazzo Pigorini, Collettiva sulla città con i fotografi NEOS, Parma, Italy, 2009 Galleria d'arte Camera Sedici, Storie in tre scatti, Milano, Italy, 2010 FoFu Phot'arte, Festival internazionale fotografico, Fucecchio (FI), Italy, 2011 Medicos del Mundo, premio Luis ValtueÑa, Madrid, Spain, 2011 The Humanity photo awards, Memories of Mankind VII, con il patrocinio dell' UNESCO, Beijing, Cina, 2011 3rd Lumix Festival for Young Photojournalism, Hannover, Germany, 2012 Angkor Photo Festival, Angkor, Cambodia, 2013 Les Rencontres d'Arles, Screening, Arles, France, 2013 Visa pour L'image, Screening, Perpignan, France, 2013 'Italy. Another View' Vadehra Art Gallery, India Art Fair, NSIC Exhibition Grounds, New Delhi, India, 2014 One Day in Africa - Spazio Oberdan, Milan, Italy, 2014 "One World" - Photofestival Horizonte, Zingst, Germany, 2014 Angkor Photo Festival, Screening, Angkor, Cambodia, 2015 World Humanitarian Summit, Istanbul, Turkey, 2016 Pune Biennale, Pune, India, 2017 Visa pour l'image, Screening in Campo Santo, Perpignan, France, 2017 Spazio Forma Meravigli, solo exhibition , Milan, Italy, 2019 Palazzo Pigorini, solo exhibition , Parma, Italy, 2019 World Press Photo, World Wide, 2019 RESILIENTI2020 - Installation Art Città di Parma, Parma, 2020
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes