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Jacque Rupp
Jacque Rupp
Jacque Rupp

Jacque Rupp

Country: United States

Jacque Rupp is a humanist photographer residing in Silicon Valley. She picked up her first camera, a Rollei, in her teens, and immediately fell in love with the entire process- but especially how the camera connected her to others. Because she moved extensively as a child, Jacque learned quickly how to walk into new situations and build trust with people. She draws on these early experiences when creating a rapport with her photographic subjects.

Jacque was an executive in the technology industry, responsible for recruiting top talent for many years. Interviewing and learning about people's stories fits directly into her style of photography. Jacque goes deep, looking to capture the human spirit by using layers, complexity, and emotion in her work.

She received her MBA from Santa Clara University. She is on the Advisory Board for the United Nations Affiliated Film Festival at Stanford University and for the Weston Collective in Carmel. She has exhibited at the Center for Photographic Arts in Carmel, Foothill College in Los Altos Hills, The Daily Photograph and numerous on-line venues.

Statement
It's always about the people. Curiosity and connection. It's very personal for me. I'm drawn by intensity, intimacy and authenticity in my subjects.

I am curious about different cultures, here and abroad, and search for stories about everyday people in everyday life. I look for a face that is lived in, a spirit I can connect with, a truth that is shared and a story to tell. I am seeking a sense of identity and place. When I engage with my subjects, this moment shared between us is an honor. In my photographs, I strive to show the humanity and universal spirit that binds all of us together.

Spirit of India
India, and especially its religious spirit, has always held a special place in my heart. My first visit was during a very vulnerable time in my life, my husband was terminally ill, and I found the calming spirit to be very healing. These images are a collection of my favorites over years. I love the spirit, the orderly chaos and the warmth of its people. As a visual artist, I see and very much appreciate the theatre and cast of characters.
 

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More Great Photographers To Discover

Victor Moriyama
Brazil
1984
Victor Moriyama is a freelance Brazilian photographer based in São Paulo that covers the region of South America and the problems concerning the Amazon Rainforest for the international press, mainly for The New York Times. His work discloses an humanist kind of photography, committed to document the processes of violence that prevail in social and environmental relations in Brazil and the Amazonian region. Agrarian Conflicts, the deforestation and conservation of the Amazon Rainforest, the genocide of the indigenous populations, the acceleration of climate change and the violation human rights have been guiding themes of his career in the last few years. Victor also collaborates regularly with NGOs, such as Greenpeace, Instituto Socioambiental, iCRC and UNHCR. Concerned with the shortage of reported on the conflicts in the Amazon, Victor has created, in 2019, the project @historiasamazonicas a community of Latin American photographers committed to document the current processes that are taking place in the Amazon, with the objective of defining and changing the present. The idea is to expand the world's knowledge concerning the conflicts that surround the Amazon and to engage the global society into thinking and fighting the deforestation of the greatest rainforests in the world. Victor is also a member of the @everydayclimatechange, a group of photographers from the five continents engaged and committed to climate change. Mr. Moriyama is also a photography columnist for the Brazilian edition of the Spanish Newspaper El País. About Amazon Deforestation "'Nature will die in embers', told me Davi Yanomami, one of Brazil's greatest indigenous leaders, during the 70 days I spent doing field work in the Amazon Rainforest. The greatest rainforest in the world is dying. The year of 2019 was the worst in history for the Amazon Forest. The deforestation of the vegetation cover set a record and increased 29.5% in relation to 2018, adding up to a total loss of 9.762km² of forest. However, this process isn't new: the deforestation of the Amazon Rainforest has been going on for decades, with the connivance of the rulers of the South American countries, whose actions are utterly inefficient when it comes to trying to reverse this context of destruction. This situation became even more severe, after the elected right-wing government took office in 2019. Stimulated by official speech, deforestation agents set thousands of hectares on fire, with the certainty of impunity. As an immediate reaction, thousands of young people started protesting against the destruction of the rainforest, in dozens of cities worldwide, headed by Greta Thunberg. This series of images is the result of my immersive work in the heart of the Amazon Rainforest, where I have documented the advances of the deforestation in a special piece for The New York Times." -- Victor Moriyama
Charles Marville
France
1813 | † 1879
Charles Marville, the pseudonym of Charles François Bossu (Paris 17 July 1813 - 1 June 1879 Paris), was a French photographer, who mainly photographed architecture, landscapes and the urban environment. He used both paper and glass negatives. He is most well known for taking pictures of ancient Parisian quarters before they were destroyed and rebuilt under "Haussmannization", Baron Haussmann's new plan for modernization of Paris. In 1862, he was named official photographer of Paris. Marville's past was largely a mystery until Sarah Kennel of the National Gallery of Art and independent researcher Daniel Catan discovered that Marville's given name was Charles-François Bossu. That newly-found association allowed them to discover a variety of biographical information, including photographs of his family, that had been considered lost to time. Bossu was born in 1813 in Paris. Coming from an "established" Paris family, he trained as a painter, illustrator and engraver. He assumed the pseudonym Charles Marville around 1832, and began working in his field. After 17 years, as an illustrator, he took up photography around 1850. He had no family, but a long-time companion was included in his will. He died in 1879 in Paris.Source: Wikipedia Charles Marville was commissioned by the city of Paris to document both the picturesque, medieval streets of old Paris and the broad boulevards and grand public structures that Baron Georges-Eugène Haussmann built in their place for Emperor Napoleon III. Marville achieved moderate success as an illustrator of books and magazines early in his career. It was not until 1850 that he shifted course and took up photography - a medium that had been introduced just 11 years earlier. His poetic urban views, detailed architectural studies, and picturesque landscapes quickly garnered praise. Although he made photographs throughout France, Germany, and Italy, it was his native city - especially its monuments, churches, bridges, and gardens - that provided the artist with his greatest and most enduring source of inspiration. By the end of the 1850s, Marville had established a reputation as an accomplished and versatile photographer. From 1862, as the official photographer for the city of Paris, he documented aspects of the radical modernization program that had been launched by Emperor Napoleon III and his chief urban planner, Baron Georges-Eugène Haussmann. In this capacity, Marville photographed the city’s oldest quarters, and especially the narrow, winding streets slated for demolition. Even as he recorded the disappearance of Old Paris, Marville turned his camera on the new city that had begun to emerge. Many of his photographs celebrate its glamour and comforts, while other views of the city’s desolate outskirts attest to the unsettling social and physical changes wrought by rapid modernization. Haussmann not only redrew the map of Paris, he transformed the urban experience by commissioning and installing tens of thousands of pieces of street furniture, kiosks, Morris columns for posting advertisements, pissoirs, garden gates, and, above all, some twenty thousand gas lamps. By the time he stepped down as prefect in 1870, Paris was no longer a place where residents dared to go out at night only if accompanied by armed men carrying lanterns. Taken as a whole, Marville’s photographs of Paris stand as one of the earliest and most powerful explorations of urban transformation on a grand scale.Source: Howard Greenberg Gallery
S. Gayle Stevens
United States
Lotta Lemetti
Finland
1995
Lotta Lemetti is a photographer with a unique vision that embraces the beauty of the simple and mundane. Her minimal aesthetic carries through the diverse work she loves to make and she's not afraid to use alternative processes, mixed media and graphic design in her image making. The native of Finland obtained her Bachelor of Fine Arts in Photography from the NewYork Film Academy, and was also the recipient of the highly prestigious Fulbright undergraduate award in 2015, one of only 3 Finnish winners that year and the only grantee in the field of arts. Her work has since been exhibited in galleries around the world, including New York, Los Angeles, Italy, and Finland. Lotta is constantly sought after by leading artists in her field, and has worked alongside many, including award-winning photographer and visual artist Amanda Rowan, named Chromatic Photographer of the Year 2018 for her achievements in color photography and Photo District News' The Curator Fine Art competition in Still Life in 2019, whose work has been exhibited in Photo LA, and Paris Photo as well as the Wall Street Gallery and the Leica Gallery in Los Angeles, and on display at the Palms with Damien Hirst, Jean-Michel Basquiat, Andy Warhol, and Takashi Murakami, and Photographer/Visual Artist Naomi White, winner of Photo District News' Objects of Desire award and has exhibited throughout North America and Europe, including with Tobey Fine Arts, Christopher Henry Gallery and the Lower Manhattan Cultural Council in New York. In 2018, Lemetti's latest photography series Kekta won the title of Latitude Life APS Photographer of the Year. Kekta was then exhibited in New York and the city of Pravisdomini, Italy. Ms. Lemetti's work has been featured in FAYN Magazine, U+I Magazine, NewBeauty Magazine, PhotoVogue and FLOAT Magazine. Kekta is an exploration of cultural blending and national identity. These photographs originate from her own experience of living between two cultures. She created scenes that are inspired by the immemorial beliefs of unity between humans and nature, and cultural traditions that have been passed on for generations in the form of oral folk tales about Finnish mythology. The stories are hand picked from the Finnish national epic Kalevala, which is a book of poems collected from different regions of Finland and then stitched together into one cohesive story. I took these individual stories and photographed them in a variety of American landscapes, with people from different ethnic backgrounds, creating a new narrative of polycultural identity. Today, we live in a global age, which means that we must reconsider the old ways of thinking about national identity. People are no longer bound by the geographical borders of countries and only a few places on earth can be said to remain monocultural. Bigger metropolis cities are starting to resemble a ‘human mosaic' in which we are moving from multiculturalism, which emphasises the coexistence of different individual cultures to polyculturalism, which indicates the integratedness of the cultures.
Vanessa Marsh
United States
1978
Vanessa Marsh is a visual artist working in Oakland, CA. Originally from Seattle, WA, her favorite pastimes are hiking in mossy forests and watching re-runs of NOVA. In 2002 she moved to San Francisco to go to grad school at California College of the Arts and earned her MFA two years later. She moved to Oakland in 2010 where she now lives with her boyfriend and two cats. Some of her favorite places to have exhibited her work include the Contemporary Jewish Museum in San Francisco, Dolby Chadwick Gallery in San Francisco, Foley Gallery in New York, and the Sun Valley Art Center in Ketchum, ID. She has spent time making work at the Headlands Center for the Arts, The MacDowell Colony, Kala Art Institute and was AIR at Rayko Photo Center. In the spring of 2018 she was an artist in residence at Jentel Foundation in Banner, WY. About The Sun Beneath the Sky "The Sun Beneath the Sky is a series of Lumen prints featuring imagined landscapes highlighted by soft glowing light. In the images, seen and unseen suns illuminate transparent layers of mountains and volcanoes creating dreamlike and atmospheric places. The Sun Beneath the Sky continues my use of cut paper, multiple exposures and dodging and burning techniques to create invented photographic landscapes. First cut paper masks traced from the silhouettes of real mountain ranges are layered on top of silver gelatin paper. The paper is then exposed to sunlight at intervals and then processed to fix the image. The resulting photographs are pastel and ethereal. Through this series I am reflecting upon the nature of light, atmosphere, geology and time." Read more about Falling
Joel-Peter Witkin
United States
1939
Joel-Peter Witkin (born September 13, 1939, in Brooklyn, New York City) is an American photographer who lives in Albuquerque, New Mexico. His work often deals with such themes as death, corpses (and sometimes dismembered portions thereof), and various outsiders such as dwarves, transsexuals, hermaphrodites, and physically deformed people. Witkin's complex tableaux often recall religious episodes or classical paintings. Witkin was born to a Jewish father and Roman Catholic mother. His twin brother, Jerome Witkin, and son Kersen Witkin, are also painters. Witkin's parents divorced when he was young because they were unable to overcome their religious differences. He attended grammar school at Saint Cecelia's in Brooklyn and went on to Grover Cleveland High School. Between 1961 and 1964 he was a war photographer documenting the Vietnam war. Going freelance in 1967, he became the official photographer for City Walls Inc. He attended Cooper Union in New York where he studied sculpture, attaining a Bachelor of Arts degree in 1974. After Columbia University granted him a scholarship, he ended his studies at the University of New Mexico in Albuquerque, where he became Master of Fine Arts.Source: Wikipedia Finding beauty within the grotesque, Witkin’s work extends beyond post-mortem photography with his staged set-ups of corpses and dismembered parts. Witkin’s fascination with death was triggered by a life-altering episode at a very early age; he witnessed an automobile accident in front of his house in which a young girl was decapitated. Witkin has also pursued his interest in the human condition, drawing attention to “the other,” photographing marginalized groups of people. Those often cast aside by society—hermaphrodites, dwarfs, amputees, androgynes— inspire his work as he confronts the viewers’ sense of normalcy. His interest in spirituality, in particular the teachings of Christianity, has played into his work, as do frequent references to classical paintings. Works by Picasso, Balthus, Goya, Velásquez, and Miro reappear in his dramatic, staged scenes, as well as the work of E.J. Bellocq, who photographed a series on prostitutes of the red light district in New Orleans in the early twentieth century. Witkin’s work has been exhibited internationally at the Museum of Modern Art in New York, the Fraenkel Gallery in San Francisco, Galerie Baudoin Lebon in Paris, and the Bibliothèque Nationale de France in Paris, among many others. Witkin is represented by Catherine Edelman Gallery and currently resides in Albuquerque, New Mexico.Source: International Center of Photography
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