Jacko Vassilev is an internationally acclaimed art and press photographer, actively working in the field since 1983. He was born in 1951 in Stara Zagora in Bulgaria. His work has been widely shown around the world in museums and galleries, institutes and private collections. His photographs are included in the permanent collections of the International Center for Photography in New York City, the European Center of Photography in Paris, the Museum of Fine Arts in Houston. Since 1996 Vassilev’s been residing and traveling around the United States.
Jacko Vassilev was born to freespirited parents in communist Bulgaria. As a boy, he dreamed of freedom, the simple right to plan out one's own life and destiny. Taught by his parents to "ask questions" and to "read between the lines," he courted trouble as a young student, asking his teacher after a lesson on patriotism: "People are arrested, killed by their own if they want to flee and find a better life. Why are they killing them if it is such a paradise here?" For an answer, he was forced to kneel and keep his hands in the air for at least five hours; if he let his arms drop, he would be beaten with a stick and a belt.
At twenty-eight, he put his dreams of freedom to the test, attempting to escape past the barbed wire and border patrols. He was caught, severely beaten (he sustained a fractured neck), and tossed into a slave-labor camp for one year. He befriended many of the older political prisoners, and instead of building up hate, he built up the strength to survive. While the camp was harsh, he was not subjected to the drugging and injections of the mental "institutes" where many other political prisoners languished. Though his body suffered, his mind was clear. "It was the university of my life," he states over three decades later. "I've learned from the bad people how to be strong." It is this same willingness to confront suffering and the "reality" of life that informs his work, even now.
His work is a reminder of an often-harsh reality, bringing us down to earth, and yet Jacko Vassilev is a self-described optimist. He considers it his life's work to uncover the humanity in each person that he photographs, no matter the circumstances of their lives. He believes joy is an integral part of that humanity. Witness the face of the small Bulgarian girl, swimming in her older brother's or father's shoes, as she helps a fellow creature, a dove, attain the freedom she herself may never have. She is too young to be hemmed in by her future; she experiences only the joy of the moment, of being the instrument of freedom for another.
American photographer Susan Anthony brings a painter’s eye to documentary photography, creating nuanced portraits of people and places shaped by time, community, and tradition. Her work is rooted in observation, empathy, and a deep curiosity about the lives of others. Through long-term projects, she explores the relationship between individuals and the environments they inhabit, revealing the stories that connect people to a place and to one another.
Carole Mills Noronha is an Australian photographer whose deeply personal work explores memory, family, loss, and the fragile nature of identity. Living with epilepsy and a lifelong sensitivity to light, she has developed a distinctive photographic language rooted in observation, empathy, and emotional connection. Her images are shaped by lived experience, revealing intimate stories with remarkable honesty and tenderness.
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community.
Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist.
As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe.
Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments.
Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life.
His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
