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Victor Moriyama
Photo © Isadora Brandt
Victor Moriyama
Victor Moriyama

Victor Moriyama

Country: Brazil
Birth: 1984

Victor Moriyama is a freelance Brazilian photographer based in São Paulo that covers the region of South America and the problems concerning the Amazon Rainforest for the international press, mainly for The New York Times. His work discloses an humanist kind of photography, committed to document the processes of violence that prevail in social and environmental relations in Brazil and the Amazonian region. Agrarian Conflicts, the deforestation and conservation of the Amazon Rainforest, the genocide of the indigenous populations, the acceleration of climate change and the violation human rights have been guiding themes of his career in the last few years. Victor also collaborates regularly with NGOs, such as Greenpeace, Instituto Socioambiental, iCRC and UNHCR.

Concerned with the shortage of reported on the conflicts in the Amazon, Victor has created, in 2019, the project @historiasamazonicas a community of Latin American photographers committed to document the current processes that are taking place in the Amazon, with the objective of defining and changing the present. The idea is to expand the world's knowledge concerning the conflicts that surround the Amazon and to engage the global society into thinking and fighting the deforestation of the greatest rainforests in the world.

Victor is also a member of the @everydayclimatechange, a group of photographers from the five continents engaged and committed to climate change. Mr. Moriyama is also a photography columnist for the Brazilian edition of the Spanish Newspaper El País.

About Amazon Deforestation
"'Nature will die in embers', told me Davi Yanomami, one of Brazil's greatest indigenous leaders, during the 70 days I spent doing field work in the Amazon Rainforest. The greatest rainforest in the world is dying. The year of 2019 was the worst in history for the Amazon Forest. The deforestation of the vegetation cover set a record and increased 29.5% in relation to 2018, adding up to a total loss of 9.762km² of forest. However, this process isn't new: the deforestation of the Amazon Rainforest has been going on for decades, with the connivance of the rulers of the South American countries, whose actions are utterly inefficient when it comes to trying to reverse this context of destruction. This situation became even more severe, after the elected right-wing government took office in 2019. Stimulated by official speech, deforestation agents set thousands of hectares on fire, with the certainty of impunity. As an immediate reaction, thousands of young people started protesting against the destruction of the rainforest, in dozens of cities worldwide, headed by Greta Thunberg. This series of images is the result of my immersive work in the heart of the Amazon Rainforest, where I have documented the advances of the deforestation in a special piece for The New York Times." -- Victor Moriyama

Websites

www.victormoriyama.com.br

@historiasamazonicas

 

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George Zimbel
George Zimbel
United States / Canada
1929
George S. Zimbel (born July 15, 1929) is an American-Canadian documentary photographer. He has worked professionally since the late 1940s, mainly as a freelancer. He was part of the Photo League and is one of its last surviving members. Born in Massachusetts, he settled in Canada about 1971. His works have been shown with increasing frequency since 2000, and examples of his work are part of several permanent collections including the Museum of Modern Art and the Montreal Museum of Fine Arts. George Zimbel has been described as a humanist. He has published several books of his photographs and in 2016 was the subject of a documentary retrospective film co-directed by his son Matt Zimbel and distributed by the National Film Board of Canada. Born George Sydney Zimbel in Woburn, Massachusetts, son of a dry goods store owner, he attended Woburn High School and was the school's yearbook photographer. He later studied at the Photo League under John Ebstel. George Zimbel then enrolled in Columbia University in New York where he became the school's news photographer. There he met art student Garry Winogrand and introduced Winogrand to photography. They used the school's darkroom late at night to avoid crowding at other times of the day, and they called themselves the "Midnight to Dawn Club". Both Zimbel and Winogrand later both studied under Alexey Brodovitch at the New School for Social Research on scholarships in 1951. He next met Edward Steichen, the then curator of the Museum of Modern Art who showed Zimbel original prints by early masters of photography, and this sealed his decision to take up photography as a career. On Steichen's advice, he had a stint as a photographer with the US Army and spent 2 years in Europe during the restoration period following World War II. On his return to America, he became a freelance photographer. One of his early opportunities was the famous Marilyn Monroe shoot on Lexington Avenue in 1954 to promote her film The Seven Year Itch, at which Monroe wore her famous white dress. Zimbel never sold any of these images and packed them away until 1976, whereupon he printed them and began to show them in solo exhibitions. He was married to Elaine Sernovitz in 1955. A professional writer, she has collaborated with George Zimbel on travelogues and other works. George and Elaine Zimbel had four children including jazz musician Matt Zimbel, founder of Manteca. Matt Zimbel co-produced and co-directed (with Jean-Francois Gratton) a documentary film about his father called Zimbelism, released in 2016. In 1971, Zimbel and his family moved to the small community of Argyle Shore, Queens County, Prince Edward Island where they raised animals for the next 10 years at a farm they called "Bona Fide Farm". After their children moved away, he and his wife relocated to Montreal, where they still reside. Though he was widely published in publications such as the New York Times, Look, Redbook and Architectural Digest in the 1950s and 60s, he did not become widely recognized until a retrospective exhibition of his work was mounted at the Institut Valencià d'Art Modern in Spain in 2000. Since then he has had several major shows around the world.Source: Wikipedia The American-Canadian humanist photographer George S. Zimbel is one of the last elders of photography faithful to the legacy of the Photo League, who in the fifties imbued their pictures with a personal commitment towards the people and the social landscapes they documented. Zimbel’s work is collected by major museums internationally, he has published numerous books and in 2016 he was the subject of an award winning feature documentary on his work called Zimbelism. George’s collection is now managed by his children. The collection consisting of prints printed by George, negatives and colour slides is in the process of being cataloged. Cataloging of the prints has been completed. The thousands of colour slides, and hundred of thousand negatives will be an on going project. In an era of increased manipulation of the photographic image by computer technology, Zimbel’s commitment to the “straight” photograph has become stronger. He sees the early 21st century as a period in which classic photography will have it’s last flowering. "My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph: a very personal view of life, a knowledge of technique, and of course, information. It is the information that grabs the viewer, but it is the photographer’s art that holds them." – George S. ZimbelSource: georgezimbel.com
Yasser Alaa Mobarak
Yasser Alaa Mobarak
Egypt
1993
Yasser Alaa Mobarak is a 24-year-old, Egyptian award-winning photographer based in Delhi, India. He has won photography prizes from National Geographic Traveler India, National Geographic Egypt, International Federation of Photographic Art, Photographic Society of America and Prix De La Photographie Paris. Yasser's works have been featured in Digital Camera World Magazine, Amateur Photographer Magazine, Smart Photography Magazine, Silvershotz Magazine, Adobe Blog, PBS NewsHour and Xinhua News Agency. He is holder of AFIAP distinction from the International Federation of Photographic Art and holder of Associateship from Image Colleague Society International. He was judge at Adobe Youth Voices Awards, Romania's National Creativity Contest and The Photographic Angle.
Michael Kenna
Michael Kenna
United Kingdom
1953
Michael Kenna was born in Widnes, England in 1953. As one of 6 children born to a working class Irish-Catholic family, he initially aspired to enter the priesthood but his passion for the arts led him to The Banbury School of Art where he studied painting and then photography. Later he attended The London College of Printing and began working as a photographer and artist. He moved to San Francisco in 1977 where he was astounded by the number of galleries the city housed which allowed artists to showcase and sell their work. San Francisco has remained his home ever since. Michael Kenna's work has often been described as enigmatic, graceful and hauntingly beautiful much like the Japanese landscape. Kenna first visited Japan in 1987 for a one-person exhibition and was utterly seduced by the country's terrain. Over the years he has traveled throughout almost the entire country constantly taking photographs. From these many treks the book Japan, featuring 95 of these photographs, was conceived. The simplicity and clarity of Kenna's Japan alludes to rather than describes his subject allowing the viewer to have a completely unique and tailored interpretation. He has described this body of work as, "more like a haiku rather than a prose"; his work being like photographs written in short poem form. Kenna's photographs are often made at dawn or in the dark hours of night with exposures up to 10 hours. Kenna has said "you can't always see what's otherwise noticeable during the day... with long exposures you can photograph what the human eye is incapable of seeing". Michael Kenna's prints have been shown in numerous exhibitions throughout the world with permanent collections in the Bibliotheque, Paris; The Museum of Decorative Arts, Prague; The National Gallery of Art, Washington DC; and the Victoria and Albert Museum, London. Kenna has also done a great deal of commercial work for such clients as Volvo, Rolls Royce, Audi, Sprint, Dom Perignon and The Spanish Tourist Board. Japan is one of 18 books of Kenna's photography to have been published to date. Source: Supervision With more than fifty monographs documenting his travels, Michael Kenna shows no signs of slowing down in his endless pursuit of nature's haunting beauty. Whether working in his native England, Easter Island, the coastal towns of France or the islands in Japan, Kenna seeks places of solitude which speak volumes about humanity. Barren seascapes, abandoned fishing nets, fragmented piers, mysterious horizons, trees emerging from under snow drifts – these are just some of the images which dominate Michael Kenna's work from Japan. The result of his efforts can be seen in two books, Hokkaido (2006) and Japan (2002), both published by Nazraeli Press. His newest book, Mont St Michel, continues his passion for solace. Originally built as a community for Benedictine monks, Mont St Michel became a place of prayer, meditation and silence. Kenna made may journeys to Mont St Michel, staying for days at a time, living among the residents, following their codes of silence and prayer. Armed with a camera, Kenna walked the halls, crypts and towers, watching shadows sneak their way around columns and spires, recording the passing of time. Mont St Michel is dedicated to Michael's father who recently passed away. As Kenna states in his introduction: "My dad was a quiet man, he didn't seem to have a need to talk very much...We walked pretty much everywhere, and I liked to walk with my Dad...I think the time in-between destinations was most special for me. We didn't need to say very much to each other. Walking, observing, listening, waiting. Somehow I associate those walks with my time at Mont St Michel...He taught me that it's alright to walk alone sometimes." Whether photographing in Mont St Michel, Japan, China, or the United States, Michael Kenna invites the viewer to walk along with him as he captures moments between events, when human presence seems right around the corner and silence is always present... Source: Catherine Edelman Gallery
Cheryl Clegg
Cheryl Clegg
United States
1964
Cheryl Clegg grew up in NJ, attended the Rochester Institute of Technology, receiving a BFA in Photographic Illustration and moved to Boston to start her commercial photography career. Fast forward over 30 years, Cheryl’s work has appeared in numerous, publications, billboards and annual reports as well as exhibiting in numerous group exhibitions. Cheryl was named a 2020 critical Mass finalist for her series, Downeast Harborside, a visual story about the lobster fishing village of Corea, Maine. Cheryl embraces any medium of photography always striving to evoke emotion in an image. More than filling white space, each project tells a story or burns an impression into the mind of its audience.
Valerio Nicolosi
Valerio Nicolosi
Italy
1984
Valerio Nicolosi, filmmaker and photojournalist based and born in Rome in 1984, has always had a passion for photography and video. In 2008 he graduated with highest honours from the 'Experimental Television Center' in Rome. He is always looking for the "human factor" on his photos. He made few reportages from the Syrian-Lebanon border about the crises of refugees and the humanitarian corridors. He made Italian and european network and investigative journalism programs for which he has made many reportages on the issue of immigrants and in particular in the "Jungle of Calais". He also covered the terrorist attacks both in Paris and Brussels. During the months of October and November 2016 he followed the US elections making a series of reportages together with the journalist Giovanna Pancheri, broadcast by SkyTg24. Most of the reportages were about human condition on suburbs of America. Making the documentary "Death Before Lampedusa" for the German national TV, ARD, he followed the operation "Mare Nostrum" on board the Italian military vessels deployed in the recovery of boats coming from Africa. He has made numerous music videos with Italian and Palestinian singer/songwriters and has published three books of short stories and photography, "Bar(n)Out", "Be Filmmaker in Gaza" "(R)Esistenze". He spent more than 20 days on board the "Proactiva Open Arms" boat, a Spanish NGO whose main mission is to rescue refugees from the sea that arrive in Europe fleeing wars, persecution or poverty. On that 3 weeks they rescued 86 refugees. He is just come back from the Gaza Strip where he taught filmmaking and did some reportages about fishermen and daily life. He also works as an occasional lecturer with the 'Audio-visual Journalism Tribune' at La Sapienza University and the Palestinian Al-Aqsa and Deir El-Balah, both located in the Gaza Strip. He collaboreted with the international press agency Reuters and currently he collaborates with Associated Press. Discover Valerio Nicolosi's Interview
Sean Du
Sean Du
United States
1987
Sean Du is a landscape photographer whose work aims to reconnect us with nature. Born and raised in Taiwan, he developed a fondness for nature at an early age thanks to his family upbringing. He later relocated to the United States and earned a BFA in photography at ArtCenter College of Design. Sean combines his artistic practice and a passion for the wilderness to create many award-winning imageries. His works have been exhibited across the United States, in Canada, and overseas. Statement: Above the Treeline is an ongoing study that seeks to capture, by way of hiking and climbing, seldom-seen views of North America's mountain wildernesses. Where trees give way to tundra, snow, ice and rock, the power of the Earth-shaping forces becomes evident – as seen in the tilt and fold of the rocks and the remnants of valley-carving glaciers. The physical contact with million-year-old rocks puts the briefness of humans' existence into perspective, but at the same time, establishes an intimate connection between the climber and the Earth. From here, it becomes apparent why the mountains are often referred to as the “beginning places” when one sees trickles of water gaining volume downstream to support complex ecosystems below. What the mountains have returned to me is a renewed capacity for wonder, but more importantly, I hope my passion for the mountains will inspire a greater sense of connection to the land, for it is key to the protection of the places and things we depend on. AAP Magazine AAP Magazine 54 Nature
Ellen Stern
Ellen Stern
United States
1959
Ellen Stern was a fashion photographer in New York and Milan working for magazines, designers and advertising agencies. She was adjunct faculty at the Maryland Institute College of Art teaching the summer photography program in Paris, France. Since 2008, Stern has been Associate Professor at Lynn University in Boca Raton, Florida. Statement: I lived in my beloved Paris, taught and traveled throughout the city via the underground subway system, the Metro. One day, I noticed a French worker shaving down a wall with decaying layers of plastered images – ads upon ads, notices upon notices – stripped this way and that revealing unexpected color, beauty and harmony. I couldn’t take my eyes off of this compilation of images. The subway train arrived and I left but I couldn’t get this mysteriously compelling image out of my head. Later that day, I went back and photographed what a passerby would consider “visual trash.” In the days, months and years that have followed, I have been drawn back to Paris spending countless hours in the underground tunnels in search of and in photographing these images. AAP Magazine 35 Colors
Shinji Isobe
Shinji Isobe
Japan
1976
Started street photography in 2009. While traveling in Asia, I mainly work on documentary photography. Exhibitions: Held three photo exhibitions in Japan Artist statement: Started photography in 2009, and currently captures urban landscapes in Japan and abroad through street photography. At the same time, I regularly visit slums in various parts of Asia and record people's daily lives through my lens. Through these activities, I aim to capture moments of joy, suffering, and hope. I am deeply attracted to both street photography and documentary photography. What these two genres have in common is the act of capturing a moment as it is. I am particularly interested in how such fleeting moments can convey people's stories and emotions.
Miho Kajioka
Miho Kajioka
Japan
1973
Miho Kajioka was born February 21st, 1973 in Japan and studied at Concordia University and the San Francisco Art institute in the 1990s. Kajioka's artistic practice is in principal snapshot based; she carries her camera everywhere and intuitively takes photos of whatever she finds interesting. These collected images serve as the basic material for her work in the darkroom where she creates her poetic and suggestive image-objects through elaborate, alternative printing methods. Kajioka regards herself more as a painter/drawer than as a photographer. She feels that photographic techniques help her to create works that fully express her artistic vision. Her images evoke a sense of mystery in her constant search for beauty. The focused, creative and respectful way in which she uses the medium of photography to create her works seems to fit in the tradition of Japanese art that is characterized by the specifically Japanese sense of beauty: wabi sabi. Wabi has been described as 'serene attention to simple things' and sabi as 'beauty acquired through the patina of time'. The artist regards herself as a maker of objects rather than a maker of photographs, using moments of her everday life as both inspiration and material. Source: Peter Fetterman Gallery Miho Kajioka (b. 1973, Japan, lives in Kyoto) studied fine art in the United States and Canada and started her career as a journalist in her native country Japan. It was after the 2011 earthquake and tsunami that Kajioka was reconnected to her photographic art. Two months after the disaster, while reporting in the coastal city of Kamaishi, where over 800 people died, she found roses blooming beside a blasted building. That mixture of grace and ruin made her think of a Japanese poem: In the spring, cherry blossoms, In the summer the cuckoo, In autumn the moon, and in Winter the snow, clear, cold. Written by the Zen monk Dogen, the poem describes the fleeting, fragile beauty of the changing seasons. The roses Kajioka saw in Kamaishi bloomed simply because it was spring. That beautiful and uncomplicated statement, made by roses in the midst of ruin, impressed her, and returned her to photography. The photos presented, span Kajioka's adulthood, including pictures she took while living abroad, as well as scenes she captured in Japan after the disaster. The little pictures of a flower, or a running boy, are scenes from daily life, as it is. These fragments of her life, from various periods and against changing backdrops, are not so different from each other, and the differences that remain aren't important. Happiness, sadness, beauty and tragedy only exist in our minds. Things are just as they are. Since 2013 Kajioka's work has been exhibited in France, the Netherlands, Colombia, the United Kingdom, Italy, Germany and Spain. Source: IBASHO Exhibitions 2020 tanzaku, The Photographers' Gallery Print Sales (February 7 to March 22) 2019 time travel (duo exhibition with Rens Horn), de ketelfactory, Schiedam, the Netherlands (September 28 to December 22) And, where did the peacocks go?, International Photo Festival InCadaqués, Cadaqués, Spain (September 20 to 29) And, where did the peacocks go?, Kunstenfestival Watou, Watou, Belgium (June 29 to September 1) 2018 (all solo) So it goes, IBASHO Gallery, Antwerp, Belgium (September 9 to November 4, 2018) So it goes, Caroline O'Breen Gallery, Amsterdam, Netherland (September 8 to October 13, 2018) Half a dozen, Residency Program, Lisbon, Portugal (May 24 to August 31, 2018) Unfinished spaces, The Photographers' Gallery, Print Sales, London, UK (Feb 23 to April 14) 2017 And, where did the peacocks go?, Corden Potts Gallery, San Francisco, US (March 23 to April 29) 2016 And, where did the peacocks go?, Galerie VU', Paris, France (June 8 to September 2 – Solo) Et, où les paons sont-ils allés?, Festival La Gacilly Photo, France (June 3 to September 30) Grace and Ruin, SeeLevel Gallery, Amsterdam, Netherland And, where did the peacocks go?, Central Colombo Americano, Bogota, Colombia 2015 Renaissance Photography Prize, Getty Images Gallery, London, UK (Group) And, did the peacocks go?, ARTBO, Bogota, Colombia (Solo) And, where did the peacocks go?, Twenty 14 Contemporary, Milan, Italy (Solo) UNREAL, M2 Gallery, Sydney, Australia (Group) 2014 LAYERS, Microprisma, Rome, Italy (Solo) as it is, Fotografika Galerie, Gland, Switzerland (Solo) Balade(s) Parcours Photographique, Galerie Le Neuf, Lodève, France (Group) Boutographies, Montpellier, France (Group) Catching tails, Linke, Milan, (Group) 2013 As It is, Centro Italiano della Fotografia d'Autore, Bibbiena, Italy (Group) Reality and Emotion, Valid Foto BCN Gallery, Barcelona (Group) Galleries IBASHO, Antwerp, Belgium The Photographers' Gallery, Print Sales, London, United Kingdom Galerie Caroline o'Breen, Amsterdam, the Netherlands Ira Stehmann Fine Art, Munich, Germany Bildhalle, Zürich, Swizterland Polka Galerie, Paris, France Twenty14 Contemporary, Milan, Italy Peter Fetterman Gallery, Santa Monica, United States
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