All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Mahya Rastegar
Mahya Rastegar
Mahya Rastegar

Mahya Rastegar

Country: Iran
Birth: 1980

I am Mahya Rastegar, born 1980 in Tehran, Iran, a graduate in Photography and a Documentary Photographer, based in Tehran, Iran. I began to study Graphic Design in 2000, but quit it very soon in 2001 to find my field of interest somewhere else. After many years, in 2010, I started to study Photography, and graduated in 2013.
I am mainly a social documentary photographer, most interested to capture the influential stories of women's lives.From the aspect of appearance, face and fashion, women are different from each other, but they are all the same in the way that all of them make efforts to get stronger in their inner world and possess the ability to live independently.
From 2015 until now, I've been working on a long-term documentary photographing project with topic of Iranian women with influential stories. The collections of photos about each woman have the form of stories of their lives, meaning that I'm talking about the lives of these women by taking pictures of them. While holding on to the passion of presenting all type of women issues as a woman and after some serious researches and studies, I started shooting Iranian women trough different projects since 2013.
In addition to all my ongoing projects, I have been working on a project called "To Remain Such a Woman" since 2016. I pictured all the women I live inside myself trough more than 10 women living under different conditions in the real/outside world (more on portfolio). This project will be released as a book soon.

Some of my photos had the chance to be released on different pages and magazines such as: Panospictures, UK, L'HEBDO Magazine, France, Refinery29 Blog, PRI Org, NYTimes, women Photograph: 2018 year in Pictures, welt.de, leparisien.fr, NBC news, Euronews, Photo printing in Lens magazine 2019, Fine art photography awards 2020 (portrait nominee), Tow Phot's from NBCnews.com's November gallery of Women defying stereotypes in Iran won an AI-AP award in 2020.

About Soudabeh
Soudabeh was born in 27 October 1976
Soudabeh is the deputy of women bodyguards in ISBTA association. she said : "l was seeking for a sport-educational system for years to evacuate my excitements and beside that I could be able to protect myself in front of bullies and also in dangerous situations", until I got to know the international security and bodyguard training association or ISBTA. This association legally and officially works.

Soudabeh's son, Pouria, was born in 25 March 1997. He was 10 when Soudabeh got divorced. Soudabeh has given motivation of independence to his son and Pouria has learned to sport and having a healthy body from his mother.

The first reason I chose Soudabeh was the divorce thing.In Iran ‘s society divorce and being divorced is still a taboo for women. A divorced woman can't easily go to work and still has challenges in her work communications with men. Soudabeh and even me are divorced women and we are facing obstacles in this patriarchal society and we were able to prove ourselves with an appropriate job in this society. Which means we can continue living despite the fact that we are divorced.

Soudabeh has been a body building coach for 8 years.
Before being a coach she used to work in an advertising company in the graphic section. Soudabeh went to a beauty salon which is owned by one of her students. She is student of body building and she just goes to gym for sport. Soudabeh, It's right that she is doing a masculine sport but at first she is a woman and then a mother and ultimately she is a woman bodybuilder. Her position as a deputy in this organization means she can holds ISBTA bodyguard classes for women and she she can teach in this classes as a coach.
 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Jan Janssen
Netherlands
1963
As a social photographer, Jan Janssen captures the moments he recognises in his fellow human beings, especially those elsewhere in the world. In everyday moments, he finds the same needs, insecurities or pleasures that all people enjoy in their lives - albeit to different degrees. Travelling is inseparable from Janssen photographic practice. On the one hand, travelling is an opportunity to discover who you are yourself. By travelling to other places, Jan seeks precisely the things we have in common. In a world of polarisation and contrasts, sometimes even on one continent, Janssen settles geographical and symbolic boundaries by photographing people in a pure essence. He photographs the richness of our most basic human needs, like freedom, family and security - or, conversely, the absence of their obviousness. To create his photographs, Janssen works on location for long periods of time. He often returns to the same place during subsequent trips. Here he builds a bond with the local people, a bond based on mutual respect and dignity. This photographing with a free heart allows him to get as close to people as possible. Only in this way can he penetrate to the essence of their being, and then capture it on camera. It Matters Pieces of Europe is a long-term photography project, started in 2016. In this series, I show the moments I recognise in my fellow human beings. Things that are common to our human existence, such as love, play, growing up, loss and need for contact. Things that are present everywhere in the world, in anyone. Several times a year, I travel to destinations in Central and Eastern Europe. For these photos, I travelled to Turkey, Azerbaijan, and Armenia, among others. Once arrived in the country, I work together with the locals to find entry into these communities. I find it very important that I approach them as an equal, and not as a western outsider just using them to take a photo. I build a bond with my portrayed people by following them for weeks, sometimes months. I may return regularly after my visit or stay in touch with my portraits online or remotely. Through this long-term contact, I get to know their traits and discover when they are at their most beautiful, their most vulnerable or their purest. It is at these moments that the most beautiful photos are created. The series is growing and will culminate in a book of the same name in 2026. Travelling is inseparable from my practice. It is an opportunity to discover who I am. By travelling to other places, I seek precisely the things we have in common. It is also a way for me to remind myself of the gratitude of a simple existence in places elsewhere in the world: things I take for granted in the West.
Marcin Owczarek
Poland
1985
My art has always been focusing on condition of our globe and the condition of man. My antiutopian, critical photography is based on the anthropological research. I focus on exploring and interpreting the impact of: new technologies, bio-science, unconscious, fears, morals, social situations, behaviors, habits, rituals, biological changes, the use of animals, depression in urban envi...ronments, destruction of the soil, overpopulation, deforestation, universal famine and - over human life. As a result, I create the image of the 21 century and the image of our current society. In this way, by commenting behaviour of human individuals I want to indicate that: Man is imperfect. Man is a savage, greedy rebel of Nature, living between the insanity and lunacy, away from his true nature. Man live in the play cage because he was captured by Illusions of this world: welfare tyranny, desire of possessing material things, consumption, jealousy, hate...what all in all led him to the broken relationship with the globe and other human beings. As a result I stress the present process of dehumanization, mechanization and standardization of human race, false norms and illusional values that was given for the truth to the society by religion, governments,laws,propaganda, false mirror of the television...etc. In my opinion, nowadays it is essential to articulate this kind of behavior, because the way which the present world run, might guide the human species: firstly- into a total slavery, then to new nuclear era, and finally to the total extinction...There is number of potential scenarios, but one of them is definitely Total Extinction... I admire the way of dadaism as well as surrealism. My spirit flies with counterculture and the idea of transgression. I regard my critical collages as the prediction of human degradation, and as a consequence - 'Apocalypse'....... Many wise people said that before but I will repeat: we are responsible for this world and for other human beings, and in our hands is decision: Do we want to live in coexistence or do want to reproduce another monsters to this world who will fight against each other in another nuclear war... What are the crucial implications of this? - The world's Future. "You pays your money and you takes your choice".Marcin Owczarek, Lier 2011
Julius Shulman
United States
1910 | † 2009
Julius Shulman was an American architectural photographer best known for his photograph Case Study House #22, Los Angeles, 1960. Pierre Koenig, Architect. The house is also known as the Stahl House. Shulman's photography spread the aesthetic of California's Mid-century modern architecture around the world. Through his many books, exhibits, and personal appearances his work ushered in a new appreciation for the movement beginning in the 1990s. His vast library of images currently resides at the Getty Center in Los Angeles. His contemporaries include Ezra Stoller and Hedrich Blessing photographers. In 1947, Julius Shulman asked architect Raphael Soriano to build a mid-century steel home and studio in the Hollywood Hills. Some of his architectural photographs, like the iconic shots of Frank Lloyd Wright's or Pierre Koenig's remarkable structures, have been published countless times. The brilliance of buildings like those by Charles Eames, as well as those of his close friends, Richard Neutra and Raphael Soriano, was first brought to wider attention by Shulman's photography. The clarity of his work added to the idea that architectural photography be considered as an independent art form in which perception and understanding for the buildings and their place in the landscape informs the photograph. Many of the buildings photographed by Shulman have since been demolished or re-purposed, lending to the popularity of his images. I’m not modest about myself. I know for a fact that I am good. But good in the sense that I can put things together. I expound vociferously to students of architecture and photography, the significance of design. A photograph is a design in which you assemble thoughts in your mind. -- Julius Shulman Julius Shulman was born in Brooklyn to Russian-Jewish parents on October 10, 1910, and grew up on a small farm in Connecticut before moving to Los Angeles while still a boy. He briefly attended the University of California, Los Angeles and the University of California, Berkeley, and earned pocket money by selling his photographs to fellow students. In 1936 he returned to Los Angeles, where he was enlisted by a friend, working as a draftsman for Richard Neutra, to take photographs of a new, Neutra-designed Kun Residence in Hollywood with his amateur Kodak Vest Pocket camera. When Neutra saw the pictures, he asked to meet the photographer and proceeded to give him his first assignments which assisted Shulman in launching his career in architectural photography. Shulman opened a studio in Los Angeles in 1950, by that time drawing much of his work from magazines based in New York. He remained in business full-time until the late 1980s. In 2000, Shulman gave up retirement to begin working with business partner Juergen Nogai. The Getty Research Institute held a 2005–2006 exhibition of Shulman's prints entitled Julius Shulman, Modernity and the Metropolis. The exhibition included sections entitled Framing the California Lifestyle, Promoting the Power of Modern Architecture, The Tools of an Innovator and The Development of a Metropolis. The exhibition traveled to the National Building Museum and to the Art Institute of Chicago. In 1987, the Shulman House was designated a Cultural Heritage Monument by the city of Los Angeles. Shulman himself had a Golden Palm Star on the Palm Springs Walk of Stars dedicated to him in 2006. He died at his home in Los Angeles, California on July 15, 2009; he was 98 years old. He was buried at Hillside Memorial Park Cemetery in Culver City, California.Source: Wikipedia I sell architecture better and more directly and more vividly than the architect does... The average architect is stupid. He doesn’t know how to sell. He’s not a merchandiser. He doesn’t know how to express his own image. He doesn’t know how to create a design of his image... And I do it. I’ve done it all my career over half a century, and it gets better. -- Julius Shulman
Mark Seliger
Unites States
1959
Mark Alan Seliger (born May 23, 1959) is an American photographer noted for his portraiture. Seliger was born in Amarillo, Texas, the son of Maurice and Carol Lee. The family moved to Houston in 1964. He attended the High School for the Performing and Visual Arts in Houston, and East Texas State University (now Texas A&M University Commerce). He moved to New York City in 1984. Seliger began working for Rolling Stone in 1987, and served as its chief photographer from 1992 to 2002, and shot more than 100 covers for the magazine. As of 2010, Seliger lives in New York City and works for Conde Nast Publications. He has shot a number of covers for GQ and Vanity Fair. Seliger has also published several books; created a number of CD covers for Burning Spear, Diana Krall, and other bands; and directed short films. The celebrities whose portraits Seliger has made include Susan Sarandon, David Byrne, Matthew Barney, Willie Nelson, Mick Jagger, Keith Richards, Kurt Cobain, Lenny Kravitz, Rob Thomas, Brand Nubian, and Tony Bennett.Source: Wikipedia Seliger now shoots frequently for Vanity Fair, Italian Vogue, Harper’s Bazaar, Elle, and many other magazines. In addition, he shoots advertising work for Adidas, Anheuser-Busch, Levi’s, McDonald’s, Netflix, Ralph Lauren, Ray-Ban, and many more. Seliger is the recipient of such esteemed awards as the Alfred Eisenstaedt Award, Lucie Award, Clio Grand Prix, Cannes Lions Grand Prix, The One Show, ASME, SPG, and the Texas Medal of Arts Award. Seliger’s work has been exhibited in museums and galleries around the world. His photographs are part of the permanent collection of the National Portrait Gallery at the Smithsonian Institution in Washington, D.C., the Museum of Fine Arts in Houston, and the National Portrait Gallery in London.Source: www.markseliger.com
Neşe Arı
Turkey
1980
Neşe Arı is an independent artist based in Istanbul, who has transformed photography into a powerful means of personal expression. Immersed in the world of photography for over fifteen years, Arı focuses on capturing the simple yet profound moments of everyday life. Working primarily in documentary, travel, and street photography, she draws attention to human stories, emotions, and the often unseen details of life. Her photographs invite the viewer to witness small but meaningful fragments of time. Her artistic approach is built on sincerity, simplicity, and a strong narrative voice. Particularly passionate about social responsibility projects, she gained recognition through her long-term project "Yaşamda Kal" ("Stay Alive"), which sheds light on the life journeys of individuals overcoming physical disabilities. Through this project, she aims to highlight the strength and resilience of people who reclaim life through sports. Neşe Arı’s work has been exhibited in numerous shows across Turkey and internationally, and has been published in renowned outlets such as The Times, The Daily Telegraph, and The Guardian. In 2016, she was awarded the EFIAP distinction by the International Federation of Photographic Art (FIAP). Her photographs have also been featured in major international projects such as "Women's Cry", "Changes", and "Open Doors", and her work has been showcased in exhibitions in the Vatican and many other countries. For Neşe Arı, every journey and every new face represents a story waiting to be told. She continues to use her camera as a tool to create photographs that touch lives, provoke thought, and evoke deep emotions. Artistic Vision: As Neşe Arı, I aim to make the simple yet profound moments of life visible. I use photography as a language to touch human stories, reveal emotions, and uncover the hidden beauty of everyday life. With each frame, I strive to create an impact that invites the viewer to reflect, feel, and connect with the essence of existence. By emphasizing sincerity, simplicity, and the strength of the human spirit, I seek to preserve and celebrate the diverse faces and stories of life.
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes