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Mahya Rastegar
Mahya Rastegar
Mahya Rastegar

Mahya Rastegar

Country: Iran
Birth: 1980

I am Mahya Rastegar, born 1980 in Tehran, Iran, a graduate in Photography and a Documentary Photographer, based in Tehran, Iran. I began to study Graphic Design in 2000, but quit it very soon in 2001 to find my field of interest somewhere else. After many years, in 2010, I started to study Photography, and graduated in 2013.
I am mainly a social documentary photographer, most interested to capture the influential stories of women's lives.From the aspect of appearance, face and fashion, women are different from each other, but they are all the same in the way that all of them make efforts to get stronger in their inner world and possess the ability to live independently.
From 2015 until now, I've been working on a long-term documentary photographing project with topic of Iranian women with influential stories. The collections of photos about each woman have the form of stories of their lives, meaning that I'm talking about the lives of these women by taking pictures of them. While holding on to the passion of presenting all type of women issues as a woman and after some serious researches and studies, I started shooting Iranian women trough different projects since 2013.
In addition to all my ongoing projects, I have been working on a project called "To Remain Such a Woman" since 2016. I pictured all the women I live inside myself trough more than 10 women living under different conditions in the real/outside world (more on portfolio). This project will be released as a book soon.

Some of my photos had the chance to be released on different pages and magazines such as: Panospictures, UK, L'HEBDO Magazine, France, Refinery29 Blog, PRI Org, NYTimes, women Photograph: 2018 year in Pictures, welt.de, leparisien.fr, NBC news, Euronews, Photo printing in Lens magazine 2019, Fine art photography awards 2020 (portrait nominee), Tow Phot's from NBCnews.com's November gallery of Women defying stereotypes in Iran won an AI-AP award in 2020.

About Soudabeh
Soudabeh was born in 27 October 1976
Soudabeh is the deputy of women bodyguards in ISBTA association. she said : "l was seeking for a sport-educational system for years to evacuate my excitements and beside that I could be able to protect myself in front of bullies and also in dangerous situations", until I got to know the international security and bodyguard training association or ISBTA. This association legally and officially works.

Soudabeh's son, Pouria, was born in 25 March 1997. He was 10 when Soudabeh got divorced. Soudabeh has given motivation of independence to his son and Pouria has learned to sport and having a healthy body from his mother.

The first reason I chose Soudabeh was the divorce thing.In Iran ‘s society divorce and being divorced is still a taboo for women. A divorced woman can't easily go to work and still has challenges in her work communications with men. Soudabeh and even me are divorced women and we are facing obstacles in this patriarchal society and we were able to prove ourselves with an appropriate job in this society. Which means we can continue living despite the fact that we are divorced.

Soudabeh has been a body building coach for 8 years.
Before being a coach she used to work in an advertising company in the graphic section. Soudabeh went to a beauty salon which is owned by one of her students. She is student of body building and she just goes to gym for sport. Soudabeh, It's right that she is doing a masculine sport but at first she is a woman and then a mother and ultimately she is a woman bodybuilder. Her position as a deputy in this organization means she can holds ISBTA bodyguard classes for women and she she can teach in this classes as a coach.
 

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David Plowden
United States
1932
David Plowden was a renowned American photographer known for his evocative and poignant images of America's vanishing landscapes. Plowden's work documented the changing face of the American landscape, particularly the decline of small towns, historic structures, and industrial sites, with a deep sense of reverence for the past. Plowden's interest in photography began at a young age, and he honed his skills while studying at the Institute of Design at the Illinois Institute of Technology, where he was mentored by renowned photographer Harry Callahan. Plowden's work was influenced by the work of Edward Steichen and Walker Evans, and he developed a distinct style that combined technical precision with emotional depth that resonated with viewers. Plowden's photography focused on capturing the essence and character of a rapidly disappearing America throughout his career. His black-and-white photographs were hauntingly beautiful, providing a glimpse into the past while raising questions about progress and preservation. Plowden's documentation of small towns and rural landscapes is one of his most notable bodies of work. He sought out areas untouched by modern development, photographing the fading facades of main streets, weathered barns, and decaying structures. He revealed the stories etched into the architectural details through his lens, conveying a sense of nostalgia and longing for a simpler time. David Plowden’s work is sometimes compared to that of the great WPA photographers—Walker Evans, Bernice Abbot, Russell Lee, Dorothea Lange—but he’s been in the field decades longer than any of them were. What he has done is nothing less than capture a whole nation passing through fifty years of changes as momentous as those unleashed by the Industrial Revolution. -- Richard Snow (from the forward of Vanishing Point) Plowden also focused on America's disappearing industrial landscape. He chronicled the decline of once-thriving industries like steel mills, factories, and coal mines. His photographs captured the stark beauty and melancholy atmosphere of these abandoned spaces, conveying the human impact of industrial decline and its toll on communities. Plowden's work was not limited to photography. He was a successful author, having written a number of books that combined his stunning images with thoughtful narratives. His books, such as "Vanishing Point: Fifty Years of Photography," provided an extensive visual record of his lifelong investigation of disappearing landscapes. Plowden's work received critical acclaim and was shown in prestigious galleries and museums around the world throughout his career. He received numerous honors for his contributions to photography, including a Guggenheim Fellowship. David Plowden's photographs are a visual testament to the importance of preserving our common history and America's vanishing landscapes. His photographs convey a sense of loss, prompting viewers to consider the impact of progress and the fragility of our built environment. The legacy of Plowden as a master photographer lives on, inspiring future generations to document and appreciate the landscapes and structures that define our collective memory.
Stéphan Gladieu
Stéphan Gladieu was born in 1969 and lives in Boulogne-Billancourt. He is represented by Olivier Castaing of the School Gallery in Paris and Artco Gallery in Germany, Cape Town and Joshua Tree. He began his career in 1989, covering war & social issues, travelling across Europe,Central Asia, the Middle East (Afghanistan, Iran, Iraq, Israel, Egypt, Pakistan) and Asia (India, Nepal, Vietnam, China, etc). Going back to his beginnings, he very quickly enriched his photographic writing by using portraiture to bear witness to the human condition in the world. His main focus is on his personal and artistic work through series of portraits in which DNA is colour and the play of contrast between subject and background in natural settings. Stéphan Gladieu plays on the iconic character of the frontal image and on the frontier between the real and the unreal. His portraiture has included covering the Saudi Princes, Princesses in Nepal, actors & directors behind the scenes at Cannes Film Festival, politicians, intellectuals, but also everyday people the world over. Stephan still realize international features and portraits series, for international magazines but he is mainly focused on is personal work: human story through colorful portrait collection. On the side of his journalist activity, Stephan is working with private company (LVMH, Danone, TOTAL…) and International institutions (World Bank, UNICEF) to work on their visual identity. Nowadays, Stephan Gladieu’s work is published in leading publications in France and internationally.Source: www.stephangladieu.fr Exclusive Interview with Stephan Gladieu
Margaret Watkins
Canada
1884 | † 1969
Margaret Watkins (1884-1969) was born in Canada. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Her working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Watkins established a studio in Greenwich Village and in 1920 she accepted the position of editor of the annual publication Pictorial Photography in America. Clarence White asked Watkins to join the faculty of his school, where Watkins met other notable photographers, including Alfred Stieglitz and Paul Strand. She worked for Macy's department stores and for the J. Walter Thompson advertising agency, capturing simple domestic objects with a clarity of modernist vision rare in commercial photography at the time. Her landscapes, portraits, nudes, still lifes, and abstractions received praise and attracted controversy. Exhibitions were held in the United States and in Europe. In 1928, Watkins decided to visit her four elderly aunts in Glasgow, Scotland. She traveled throughout Europe, photographing extensively and producing a body of work documenting post-revolution Russia. Her aunts began to take ill, and Watkins remained in Glasgow to help care for them. She drifted from the spotlight of public recognition, and few photographs or negatives exist from this time. Watkins lived in Scotland in seclusion until her death in 1969.
Alamsyah Rauf
Indonesia
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Alamsyah Rauf was born in a small district in south sulawesi precisely in Kab.Sinjai, maybe that's why this photographer is less known among photographers in Indonesia but his work has won dozens of world-class photo contest. After graduating high school, this man married in 2001 on the will of his parents, this makes him unable to continue college. After married Alamsyah worked in his parents' photo studio. Alamsyah Learning DSLR cameras just look at the camera manual and learn self-taught to techniques of composition, tone, and lighting via internet. In 2004 Alamsyah Rauf set up his own Photo Studio and hire 3 photographers. As a freelance photographer, Alamsyah takes part in various photography communities, photo exhibitions and participate in various national and international photo contest. Awards: 2nd Place (Best of Show) 2012 Photoshare Photo Contest (Baltimore USA) 2nd Price Sony WPO 2013 category National Award Best in Action at Australian Art Sales (Australia) FIAP GOLD MEDAL in Photo Salon Soul 2013 (Macedonia) FIAP Silver Medal 4th International Photo Exhibition Photo Focus 2013 (Russia) PAM Gold Medal at 2nd International exhibition of art photography SOUL 2014 (Macedonia) Second Winner General category HIPA 2014 Dubai 1st Place Portrait at 7th Annual Masters Cup 2014 (Beverly Hills USA) 1st Place (Portrait category) the 7th Annual International Color Awards 2014 FIAP Gold Medal at 38th EX HIBITION OF PHOTOGRAPHY "CHILD 2014" Serbia SALON praise 38th EXHIBITION OF PHOTOGRAPHY "CHILD 2014" Serbia FIAP Gold medal, FIAP Silver medal, PSA Gold Medal, PSA Ribbon in 2nd Cairo Int. Photographic Art Exhibition - CIPAE 2014 Awards (Cairo, Egypt) Ozone zone Gold Medal (Happiness), FIAP Ribbon (monochrome) Ozone zone International Photo Contest 2014 (Canada) RPS Gold Medal, 2nd Photovivo Singapore International Photography Award (PIPA) 2014 FIAP Silver Medal (Open Color) 1St GIFSAD INTERNATIONAL PHOTO CONTEST 2014 (TURKEY) Champaign 1 colorful alfaink photo contest nusantara 2015. "Grand Prize" Winner at The Shutterview International Photography Competition 2015 (Australia ) 2nd Place (people category) Fine Art Photography Award 2015 Grand Winner Xposure International photo contest 2016 (Sharjah UAE) First Place Proify Annual International Photography Awards 2016 Merit Medal Recipient "THE CHALLENGE" HIPA 2017 UAE 5th Place All About Photo Awards 2018
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Canada
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Yousuf Karsh is the most renowned portrait photographer of our time. He has perceptively photographed the statesmen, artists, and literary and scientific figures that have shaped our lives in the 20th century. Known for his ability to transform "the human face into legend," many of the portraits that he created have become virtually the image of the great man or woman they portray, whether Winston Churchill, Ernest Hemingway, Albert Einstein, Georgia O'Keefe or Helen Keller. In other words, "to experience a Karsh photograph is to feel in the presence of history itself." His photographs are in major private and public collections throughout the world, the Museum of Fine Arts in Boston holding the largest collection in the US.Source: Weston Gallery Yousuf Karsh was an Armenian-Canadian photographer and one of the most famous and accomplished portrait photographers of all time. ousuf or Josuf (his given Armenian name was Hovsep)[citation needed] Karsh was born in Mardin, a city in the eastern Ottoman Empire (present Turkey). He grew up during the Armenian Genocide where he wrote, "I saw relatives massacred; my sister died of starvation as we were driven from village to village." At the age of 16, his parents sent Yousuf to live with his uncle George Nakash, a photographer in Sherbrooke, Quebec, Canada. Karsh briefly attended school there and assisted in his uncle’s studio. Nakash saw great potential in his nephew and in 1928 arranged for Karsh to apprentice with portrait photographer John Garo in Boston, Massachusetts, United States. 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The image of Churchill brought Karsh international prominence and is claimed to be the most reproduced photographic portrait in history. In 1967, he was made an Officer of the Order of Canada and in 1990 was promoted to Companion. Of the 100 most notable people of the century, named by the International Who's Who [2000], Karsh had photographed 51. Karsh was also the only Canadian to make the list. Karsh was a master of studio lights. One of Karsh's distinctive practices was lighting the subject's hands separately. He photographed many of the great and celebrated personalities of his generation. Throughout most of his career he used the 8×10 bellows Calumet (1997.0319) camera, made circa 1940 in Chicago. Journalist George Perry wrote in the British paper The Sunday Timesthat "when the famous start thinking of immortality, they call for Karsh of Ottawa." Karsh had a gift for capturing the essence of his subject in the instant of his portrait. As Karsh wrote of his own work in Karsh Portfolio in 1967, "Within every man and woman a secret is hidden, and as a photographer, it is my task to reveal it if I can. The revelation, if it comes at all, will come in a small fraction of a second with an unconscious gesture, a gleam of the eye, a brief lifting of the mask that all humans wear to conceal their innermost selves from the world. In that fleeting interval of opportunity the photographer must act or lose his prize." Karsh said "My chief joy is to photograph the great in heart, in mind, and in spirit, whether they be famous or humble." His work is in permanent collections of the National Gallery of Canada, New York's Museum of Modern Art and Metropolitan Museum of Art, George Eastman House International Museum of Photography and Film, Bibliothèque Nationale de France, the National Portrait Gallery in London, the National Portrait Gallery of Australia and many others. Library and Archives Canada holds his complete collection, including negatives, prints and documents. His photographic equipment was donated to the Canada Science and Technology Museum in Ottawa. Karsh published 15 books of his photographs, which include brief descriptions of the sessions, during which he would ask questions and talk with his subjects to relax them as he composed the portrait. Some famous subjects photographed by Karsh were Field Marshal Lord Alanbrooke, Muhammad Ali, Marian Anderson, W. H. Auden, Joan Baez, Zulfiqar Ali Bhutto, Humphrey Bogart, Alexander Calder, Pablo Casals, Fidel Castro, Madame Chiang Kai-Shek, Joan Crawford, Ruth Draper, Albert Einstein, Dwight Eisenhower, Princess Elizabeth, Robert Frost, Clark Gable, Indira Gandhi, Grey Owl, Ernest Hemingway, Audrey Hepburn, Pope John Paul II, Chuck Jones, Carl Jung, Helen Keller and Polly Thompson, Grace Kelly, Jacqueline Kennedy, John F. Kennedy, Peter Lorre, Pandit Nehru, Georgia O'Keeffe, Laurence Olivier, General Pershing, Pablo Picasso, Pope Pius XII, Prince Rainier of Monaco, Paul Robeson, the rock band Rush, Albert Schweitzer, George Bernard Shaw, Jean Sibelius, Pierre Elliott Trudeau, Andy Warhol, Frank Lloyd Wright, and, arguably his most famous portrait subject, Winston Churchill. The story is often told of how Karsh created his famous portrait of Churchill during the early years of World War II. Churchill, the British prime minister, had just addressed the Canadian Parliament and Karsh was there to record one of the century's great leaders. "He was in no mood for portraiture and two minutes were all that he would allow me as he passed from the House of Commons chamber to an anteroom," Karsh wrote in Faces of Our Time. "Two niggardly minutes in which I must try to put on film a man who had already written or inspired a library of books, baffled all his biographers, filled the world with his fame, and me, on this occasion, with dread." Churchill marched into the room scowling, "regarding my camera as he might regard the German enemy." His expression suited Karsh perfectly, but the cigar stuck between his teeth seemed incompatible with such a solemn and formal occasion. "Instinctively, I removed the cigar. At this the Churchillian scowl deepened, the head was thrust forward belligerently, and the hand placed on the hip in an attitude of anger." The image captured Churchill and the Britain of the time perfectly — defiant and unconquerable. Churchill later said to him, "You can even make a roaring lion stand still to be photographed." As such, Karsh titled the photograph, The Roaring Lion. However, Karsh's favourite photograph was the one taken immediately after this one where Churchill's mood had lightened considerably and is shown much in the same pose, but smiling. In the late 1990s Karsh moved to Boston and on July 13, 2002, aged 93, he died at Boston's Brigham and Women's Hospital after complications following surgery. He was interred in Notre Dame Cemetery in Ottawa. Source: Wikipedia
Wayne Miller
United States
1918 | † 2013
Wayne Forest Miller (September 19, 1918 – May 22, 2013) was an American photographer known for his series of photographs The Way of Life of the Northern Negro. Active as a photographer from 1942 until 1975, he was a contributor to Magnum Photos beginning in 1958. Miller was born in Chicago, Illinois, the son of a doctor and a nurse, who gave him a camera as a high school graduation present. He went on to study banking at the University of Illinois Urbana-Champaign, while also working on the side as a photographer. From 1941 to 1942 he studied at the Art Centre School of Los Angeles. He then served as a lieutenant in the U.S. Navy where he was assigned to Edward Steichen's World War II Naval Aviation Photographic Unit. He was among the first Western photographers to document the destruction at Hiroshima. After the war he resettled in Chicago. He won two consecutive Guggenheim Fellowships in 1946-1948, with which he worked on The Way of Life of the Northern Negro. These images were published in his book Chicago's South Side 1946-1948,. This project documented the wartime migration of African Americans northward, specifically looking at the black community on the south side of Chicago, covering all the emotions in daily life. The people depicted are mostly ordinary people, but some celebrities appear, such as Lena Horne, Ella Fitzgerald, Duke Ellington and Paul Robeson. Wayne Miller taught at the Institute of Design in Chicago before commissioning a Modernist house for their growing family from architect Mario Corbett in Orinda, California in 1953. He was freelancing for Life and with his wife Joan also worked with Edward Steichen as an associate curator for The Family of Man exhibition and accompanying book which opened at New York City's Museum of Modern Art in 1955. Steichen selected eight of Miller's photographs, including two of the birth of the photographer's son, for the show which traveled the world and was seen by more than 9 million visitors. Miller died on May 22, 2013, at his home in Orinda, California, age 94, survived by his wife of 70 years, the former Joan Baker (January 21, 1921 – March 7, 2014), and children Jeanette Miller, David Miller, Dana Blencowe, and Peter Miller. The Wayne Miller Archive is held at the Center for Creative Photography (University of Arizona). Source: Wikipedia Born in Chicago, Wayne F. Miller studied banking at the University of Illinois, Urbana, while working part-time as a photographer. He went on to study photography at the Art Center School of Los Angeles from 1941 to 1942. Miller served in the United States Navy, where he was assigned to Edward Steichen’s Naval Aviation Unit. After the war he settled in Chicago and worked as a freelancer. In 1946-48, he won two consecutive Guggenheim Fellowships and photographed African-Americans in the northern states. Wayne Miller taught photography at the Institute of Design in Chicago, then in 1949 moved to Orinda, California, and worked for LIFE until 1953. For the next two years he was Edward Steichen’s assistant on the Museum of Modern Art’s historic exhibit, The Family of Man. A long-time member of the American Society of Magazine Photographers, he was named its chairman in the summer of 1954. He became a member of Magnum Photos in 1958, and served as its president from 1962 to 1966. His ambition throughout this period was, in his words, to “photograph mankind and explain man to man”. Having been active in environmental causes since the 1960s, Miller then went to work with the National Park Service. He joined the Corporation of Public Broadcasting as executive director of the Public Broadcasting Environmental Center in 1970. After he retired from professional photography in 1975, he devoted himself to protection of California’s forests. Along the way, Miller co-authored A Baby's First Year with Dr Benjamin Spock, and wrote his own book, The World is Young.Source: Magnum Photos
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