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LAST CALL: Win a Solo Exhibition in June 2026 + An Exclusive Interview!
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Savas Onur Sen
Savas Onur Sen
Savas Onur Sen

Savas Onur Sen

Country: Turkey
Birth: 1978

Savaş Onur Şen is a Turkish photographer based in Van. He has graduated from Ankara University Faculty of Communication, Department of Journalism. He has taken his master's degree in photography and a Ph.D. degree in photojournalism. Now he is working at Van Yuzuncu Yil University as an Assistant Professor. Savaş Onur Şen is trying to use photography to tell stories. These days he focused on the stories of the animals who live in the urban lifestyle.

Precarious
If certain lives do not qualify as lives or are,
from the start, not conceivable as lives within
certain epistemological frames,
then these lives are never lived nor lost
in the full sense.

Judith Butler

Current laws and regulations do not adequately protect the animals in Turkey. Violence, especially against stray animals, is increasing due to the lack of an animal rights law demanded by animal lovers and sensible groups. It is possible to see the traces of the rising vio-lence in mainstream and social media. Almost every day, we come across news of rape, torture, violence, and abuse, especially against stray animals. This situation also causes conflicts between people who are sensitive to the issue and are against feeding stray animals.

It is said that there are over 20 thousand stray dogs in the city where I live. Although I don't have the chance to reach all of them, I have been feeding several stray dogs for many years and trying to find solutions to their problems. While doing this, I have also been taking photos of them for the last two years.

"Precarious" is the first significant part of my work on stray dogs. This work aims to present an epistemological framework for the lives of stray dogs.
 

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Eddy Verloes
Belgium
1959
Eddy Verloes, a Belgian photographer, has won numerous awards for his literary symbolic photography. He skillfully weaves visual narratives that blend realism and surrealism, capturing the essence of interiors, landscapes, and urban life. Verloes’ spontaneous approach allows him to seize fleeting moments of everyday life, infusing his work with a sense of wonder and mystery. His fascination with literature and philosophy drives him to explore the profound and the poetic, leaving viewers with a profound sense of awe and contemplation. He shoots with his soul, not with the camera. Eddy Verloes is Master of Linguistics and Literary Studies (magna cum laude) at the University of Louvain, Belgium. Studies in photography at the Louvain CVO, Belgium. 2015-2024: exhibitions in different galleries or special locations (solo or with other photographers, painters, poets, sculptors, musicians, composers, video artists, mixed media artists) in the USA, United Kingdom, Canada, United Arab Emirates, Brasil, Mexico, Russia, Germany, Greece, Crete, Malta, Hungary, Spain, Italy, Serbia, Austria, France, The Netherlands and Belgium. Photo books No time to Verloes (2015), Cuba libre (2016), Zeezuchten/Seasighs (2020), Buiten zinnen/Losing Our MInds (2021), Aardelingen/Earthlings (2022). Most important awards in 2020-2024 Selected as one of the best contemporary photographers worldwide by the American site All-About-Photo | Winner Life Framer Photo Contest 2020 (Theme: "Civilization") judged by Tate Modern's Curator of Intern. Art & Photography Emma Lewis | Travel Photographer of the Year 2020 (cat. People of the world) | Winner Pangea Prize Siena Creative Photo Awards 2021 (cat. Open Theme) | Winner Malta International Photo Travel Award 2020/2021 | 2nd Place MonoVisions Awards 2021 (Photojournalism), London (UK) | Finalist FOCUS Photo L.A. 2021, Los Angeles (USA) | Winner Siena International Photography Awards 2021 (Fascinating faces and characters) with my "Remarkable Artwork" | Winner 16th Annual Black & White Spider Awards 2021, Beverly Hills (California) | Winner of the Union of Lights 2021 World Photography Contest ("Street & Lifestyle") | 3rd Place Winner (Photojournalism) Monochrome Photography Awards 2021, London (UK) | Winner 17th Pollux Awards 2021 (Open Theme - series), Barcelona (Spain) | Winner of The Chelsea International Photography Competition 2021/2022, New York (USA), Exhibition @ Agora Gallery, NY, 2023, Jan 4-17 | Winner Fine Art Photography Awards 2021/2022 (Photojournalism), 8th edition, London (UK) | Gold Winner Muse Photography Award 2022 (Fine Art Photography - People) with my series 'Losing Our Minds', NY, (USA) | Gold Winner London Photography Awards 2022 (Black & White Photography - Religious) with my series 'Losing Our Minds', London (UK) | Gold Winner London Photography Awards 2022 (People Photography - Religious) with my series 'Losing Our Minds', London (UK) | Bronze Medal Paris International Street Photo Awards 2021- Category Black & White | Winner of the Intern. Black & White Photography Awards 2022 with my series 'Losing Our Minds', also awarded with a 'Special Mention' (Paris) | Overall Contest Winner @ the reFocus 'One Shot Contest' Awards 2022, honoring the most extraordinary photographers of our time | Photographer of the Year Winner (Amateur) with an 'Outstanding Achievement' @ the 17th B&W Spider Awards 2022, Beverly Hills (USA) | Silver Winner in Portfolio/Fine Art @ Budapest International Foto Awards 2022 with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - Editorial Photography/Religious with my series 'Losing Our Minds' | Silver Winner NY Photography Awards 2022 - People Photography/Religious with my series 'Losing Our Minds' | Inductee to the Influx Gallery's Hall of Fame (London) - Merit of Excellence - 2023, January | Finalist Life Framer Humans of the World Competition (USA) - 2023, January | Winner of the 1st Salamander International Art Prize + exhibition @ Monteoliveto Gallery Paris (France) - 2023, February 23-28 | Gold Winner Muse Photography Award 2023 (People Photography - Couple) with my series 'Get connected', NY, (USA) | Silver Winner in Portraiture/Culture @ PX3 Prix de la Photographie Paris 2023 with my series 'Losing Our Minds' | Winner 1st Budapest Intern. Art Show artBIAS 2023, organized by Teravarna Art Gallery Los Angeles (USA) and Golden Duck Gallery Budapest | Grand Prize Winner of the Great Photo Awards 2023/ Black & White World Photo Competition, Athens (Greece) with 'Losing Our Minds' | Finalist Travel Photographer of the Year 2023 | Selected for the Xposure International Photography Festival @ Expo Center Sharjah, United Arab Emirates, 2024, Feb. 28 - March 5 | Platium, Gold & Silver Winner @ 2024 MUSE Photography Awards, New York | Bronze Winner in Architecture @ PX3 Prix de la Photographie Paris 2024 with my series 'The coal mine' | Finalist Travel Photographer of the Year 2024 | Winner of the 1ste edition of The B&W FotoNostrum Choice Awards Barcelona (Spain) + exhibition @ FotoNostrum Gallery Feb. 2025 | Winner and 'Discovery of the Year' + 'People's Vote Award' @ 2024 World Photo Annual Refocus Award (Cat. Film/Analog) | Grand Winner Paris International Street Photo Awards 2024 (Cat. Elder People Street) with my series ‘Cuba libre' Awarded Photographer of the Week - Week 52
Stanley Greene
United States
1949 | † 2017
During the early years of his career, Stanley Greene (USA, 1949-2017) produced The Western Front, a unique documentation of the San Francisco’s punk scene in the 1970s and 80s. An encounter with W. Eugene Smith turned his energies to photojournalism. Stanley began photographing for magazines, and worked as temporary staff photographer for the New York Newsday. In 1986, he moved to Paris and began covering events across the globe. By chance, he was on hand to record the fall of the Berlin Wall. The changing political winds in Eastern Europe and Russia brought Greene to a different kind of photojournalism. He soon found himself photographing the myriad aspects of the decline of communism and the break-up of the Soviet Union. Stanley was a member of the Paris-based photo agency Agence VU from 1991 to 2007. Beginning in 1993, he was based in Moscow working for Liberation, Paris Match, Time, The New York Times Magazine, Newsweek, Le Nouvel Observateur, as well as other international news magazines. In October 1993, Stanley was trapped and almost killed in the White House in Moscow during a coup attempt against Boris Yeltsin. He was the only western journalist inside to cover it. Two of his resulting pictures won World Press Photo awards. In the early 1990s, Stanley went to Southern Sudan to document the war and famine there for Globe Hebdo (France). He traveled to Bhopal, India, again for Globe Hebdo, to report on the aftermath of the Union Carbide gas poisoning. From 1994 to 2001, Stanley covered the conflict in Chechnya between rebels and Russian armed forces. His in-depth coverage was published in the monograph Open Wound: Chechnya 1994-2003 (Trolley 2003) and in the 1995 publication Dans Les Montagnes Où Vivent Les Aigles (Actes Sud). The work also appeared in Anna Politkovskaya’s book, A Dirty War: A Russian Reporter in Chechnya (2001). In 1994, Stanley was invited by Médecins sans Frontières to document their emergency relief operations during the cholera epidemic in Rwanda and Zaire. He has covered conflict and aftermath in Nagorno-Karabakh, Iraq, Sudan, Darfur, Afghanistan, Kashmir, and Lebanon. Stanley was awarded a Katrina Media Fellowship from the Open Society Institute in 2006. In 2010, to mark the fifth commemoration of Hurricane Katrina - together with Dutch photographer Kadir van Lohuizen - Stanley made “Those who fell through the cracks”, a collaborative project documenting Katrina's effects on Gulf coast residents. The same year, Stanley’s book Black Passport was published (Schilt). In 2012, Stanley was the guest of honor of Tbilisi Photo Festival and began his project on e-waste traveling to Nigeria, India, China and Pakistan. Stanley has received numerous grants and recognitions including - the Lifetime Achievement Visa d’Or Award (2016), the Aftermath Project Grant (2013), the Prix International Planète Albert Kahn (2011), W. Eugene Smith Award (2004), the Alicia Patterson Fellowship (1998) and five World Press Photo awards. Stanley presented the Sem Presser keynote lecture at the 2017 World Press Photo Award Festival. Stanley Greene is a founding member of NOOR. Stanley passed away in Paris, France on May 19th, 2017. Source: NOOR Greene was born to middle class parents in Brooklyn. Both his parents were actors. His father, who was born in Harlem, was a union organizer, one of the first African Americans elected as an officer in the Screen Actors Guild, and belonged to the Harlem Renaissance movement. Greene's father was blacklisted as a Communist in the 1950s and forced to take uncredited parts in movies. Greene's parents gave him his first camera when he was eleven years old. Greene began his art career as a painter, but started taking photos as a means of cataloging material for his paintings. In 1971, when Greene was a member of the anti-war movement and the Black Panthers, his friend, photographer W. Eugene Smith offered him space in his studio and encouraged him to study photography at the School of Visual Arts in New York and the San Francisco Art Institute. Greene held various jobs as a photographer, including taking pictures of rock bands and working at Newsday. In 1986, he shot fashion in Paris. He called himself a "dilettante, sitting in cafes, taking pictures of girls and doing heroin". After a friend died of AIDS, Greene kicked his drug habit and began to seriously pursue a photography career. He began photojournalism in 1989, when his image ("Kisses to All, Berlin Wall") of a tutu-clad girl with a champagne bottle became a symbol of the fall of the Berlin Wall. While working for the Paris-based photo agency Agence Vu in October 1993, Greene was trapped and almost killed in the White House in Moscow during a coup attempt against President Boris Yeltsin. He has covered the war-torn countries Azerbaijan, Georgia, Iraq, Somalia, Croatia, Kashmir, and Lebanon. He has taken pictures of the genocide in Rwanda in 1994 and the US Gulf Coast in the aftermath of Hurricane Katrina in 2005. Since 1994, Greene is best known for his documentation of the conflict in Chechnya, between rebels and the Russian armed forces, which was compiled in his 2004 book, Open Wound. These photos have drawn attention to the "suffering that has marked the latest surge in Chechnya's centuries-long struggle for independence from Russia". In 2008, Greene revealed that he had hepatitis C, which he believed he had contracted from a contaminated razor while working in Chad in 2007. After controlling the disease with medication, he traveled to Afghanistan and shot a story about "the crisis of drug abuse and infectious disease". Greene has lived and worked in Paris since 1986. He said: "My wife has left me but instead of becoming an alcoholic, I would go and shoot war." Source: Wikipedia Wars and Victims February 18, 2008 "It remains essential for journalists to scour the ground, unimpeded, using the only weapons we know. Our cameras, notebooks and voices make us the unwelcome pests of aggressors around the world. Witnesses are inconvenient. Yet as most of my colleagues will agree, countries such as Irak, Chad, The Caucasus, and Chechnya, are becoming harder to cover. In the world of spot news, publications don't want to pay for long engagements in complicated zones because its getting much harder to afford it. Authorities block access. And the lack of access, infrastructure and personal security makes logistics a nightmare. Despite the odds, sometimes the effort can make a difference, and those rare moments never cease to satisfy in a profession that is otherwise lonely, demanding and thankless. Journalism rewards you with long days and even longer nights. There is no such thing as taking pictures from a place of safety, and you often pack your feelings in a suitcase until you can return to ‘reality.’ Some colleagues living in this perpetual emotional yo-yo are able to maintain a relationship, money in the bank, and perhaps even their sanity. If you're like the rest of us not born under that star, you never stop trying to find it. For the last fifteen years I have bore witness to long histories of invasions, mass migrations, conflicts, wars and destructions. This group of images is to provide a body of work that is about war and victims but also, it's about photojournalism and the importance of those photo-correspondents that are passionate about shining the light in dark places. The resultant series of black and white and color photographs are more than a mere documentation of the darkness which exists in the world. Journalists today are like disaster tourists going from one hot place to the next. It has never been my intention to be such a photographer. I think it is better to build a full body of work which demonstrates the longevity of a working photojournalist, today and yesterday. I think that this should be taken into consideration when looking at this work. It is a fragment, taken from longer and larger photo-essays." -- Stanley Greene (Sometimes We Need Tragedies) Source: fragments.nl
Lucas Barioulet
France
1996
Lucas Barioulet, born in Angers, France in 1996, is a french freelance photojournalist based in Paris, focusing on islamic republics. He graduate from Ecole de Journaliste de Tours and San Diego State University. The same yearn he began working in between the United States and Mexico in 2016 and 2017 as a correspondent for french newspaper, following the presidential elections and the migrant crisis. He then came in France and worked for the daily french newspaper Le Parisien as a staff photographer for one year. In march 2018, he began working as a stringer photographer for the world news agency Agence France Presse, covering the world cup, the yellow vests movements and daily news in France. During the Covid-19 crisis, he extensively covered the situation in France, from intensive care units to funerals parlors. He also contributes regularly to french newspaper Le Monde and magazine GEO. Since 2018, he works on a long term project on islamic republics, starting with Mauritania and then Pakistan exploring the different aspects and the young generations of these misunderstood countries. His last serie "The Long and Difficult Path of the Mauritanian National Women's Football" won the 2nd place in the "Sport" Category at the Sony World Photography Award 2020. "Camera is the best passport to my eyes. To not be a tourist, but a traveler. To not be only a photographer, but also a journalist. Trying to understand be fore judging, Watching and listening so that other can also see, go where the others cannot go for putting light on shadows areas. Take the time necessary to do photography, when the all industry is rushing. Build human connections that goes over the simple photographer - subject relationship. "
Erberto Zani
Italy
1978
Erberto Zani (Parma, Italy, 1978) is a journalist and documentary photographer who specializes in human rights issues. Graduate at school of applied Arts Paolo Toschi in graphic design, after the studies in History of Art at University of Parma he worked as a photographer in advertisement sector (1998-2004). Journalist and photographer for the newspaper Gazzetta di Parma (2004-2007) and editor in chief for some local magazines, he becomes freelance in 2008. During these years he documented the destruction created by the earthquake in Haiti, the climate crises in Sahel, the Maha Kumbh Mela in India, the daily life inside the ship breaking yards in Bangladesh, the exodus of Rohingya from Myanmar, the refugee camps in Lebanon, Greece and Uganda, the effects of the war in Marawi city / Philippines. Actually, Zani is working on two long term documentary projects, both around the world: Dark World, about the illegal mineral's extraction, and Survivors, about acid attack victims. Awarded in several international contests, his images are published on several books and dozens of international magazines. He lives in Basel, Switzerland. Books Urban Visions (ed. Blurb, 2021), Elemental Fashion (ed. Blurb,2019), Exodus (ed. Blurb, 2018), Kied Pologo (ed. Stamperia, 2017), Aftermath (ed. Stamperia, 2016), Black World (ed. Stamperia, 2015), Maha Kumbh Mela (ed. Stamperia, 2014), Tsiry (ed. Stamperia, 2014), Babanagar-Colombia (ed. Stamperia, 2013), Sahel (ed. Stamperia, 2012), Hope (ed. Stamperia, 2011), Haiti, fragments (ed. Stamperia, 2010), Drops of Life (ed. Stamperia, 2010), Da Borgo San Donnino al Passo della Cisa (ed. Publiprint, 2006). Publications WHO (World Health Organization), UNESCO (United Nations Educational Scientific and Cultural Organization), USAID (United States Agency for International Development), AMURT Global Network, John Hopkins Bloomberg School of Public Health, Development Gateway, Id21 (Institute of Development Studies University of Sussex), Planeta Salud, ICF Macro, GTZ (Deutsche Gesellschaft für Technische Zusammenarbeit), UNIPID (Finnish University Partnership for International Development), March (Maternal Reproductive & Child Health), The Appalachian Voice, AIP (Journal of Chemical Physics), Gazzetta di Parma, L'Informazione di Parma, Diario, Africa, Nigrizia, Popoli, Redattore Sociale, Repubblica.it, Treatment Action Campaign, CORE Group, Solidarietà e Cooperazione CIPSI, Witness Journal, Tsiry Parma Onlus, E gli Altri? Onlus, Solidarietà Muungano Onlus, Dodho Magazine, Phosmag, Terra Nuova, L'Espresso, Rex Shutterstock agency, Associated Press agency, Fotodom agency, Sipa agency, Scanpix agency, Puzzlepix agency, Le Journal du Dimanche, DeStandaard, Enough Project, Life Force Magazine, LesEchos.fr, vdi-nachtrichten.com, 20 minutes.fr, stimmenafrikas.de, wisdom wander.pl, Loveless, Illume Oy, Global Witness, QCode magazine, Street Art United States, Art Works Projects, Libéma Fun Factory, TheJournal.ie, MSN.com, Fotopolis.com, Mymodernmet.com, Traveller24.com, The Telegraph, Metro.se, All About Photo, Click Magazine, Musagetes Foundation, Vogue Italia, Alamy.com, DeAbyDay, Rai3 Tg3 Mondo, FotoNostrum, Camilo Egas Museum - MuNa, DocuMagazine, Korper magazine. Awards All About Photo: 2nd place Portrait, 2021 Art Limited: 3rd place in Reportage & Press Awards, 2021 Umbra International Photography Awards: Main category "People" winner, 2020 Smithsonian Photo Contest: Finalist, 2020 Art Limited Awards: 1st place in Reportage & Press Awards 2019 Chromatic Photography Awards: 1st place in Wildlife / Animal and 2nd place in Portrait, 2019 PX3 - Prix de la Photographie Paris: 1st place in Advertising / Book cover and 1st place in Book / People categories, 2019 Moscow Photography Awards: Gold medal in "Book / People" category , 2018 Monochrome Photography Awards: 1st and 2nd place, category "Photojournalism", 2017 IPA - International Photography Awards: 2nd place, category Book Documentary, 2016 PX3 - Prix de la Photographie Paris: Gold medal in Professional Book Documentary and Bronze medal in Professional Book People category, 2016 Exhibitions 2021 Town Hall, Möhlin, Switzerland (30/04 - 30/06) 2020 Museo Camilo Egas - MuNa, Quito, Ecuador, 16/10 - 05/12 2019 MIPA - Malta International Photo Award exhibition, Malta Postal Museum 16/02 - 16/03 (Valletta, Malta) 2018 ImagOrbetello Festival, Sale di Piazza del Popolo, 25/08 - 08/09 Orbetello (Italy), 2018 PX3 - Paris Photography Prize winner’s exhibition at the Espace Beaurepaire (Paris, 10-14 July) 2017 ImagOrbetello Festival, Sala Imago, Piazza del Popolo, Orbetello (Italy) 2017 "Black World" book at Image Text Ithaca Symposium, Ithaca College Campus (June 30th)2017 "Black World" book at Reading room at MAGNUM Foundation, New York City (June 17th) 2017 "Black World" book at Carnegie Museum of Art, PGH Photo Fair, Pittsburgh (29-30 April) 2016 Photo "Finding coltan" for permanent collection at The Design Museum, Londo, UK 2014 IPA Best of Show, Thonglor - Roof top gallery, Bangkok, Thailand 2009 "Sguardi a Sud-Est", Sorbolo (PR, Italy) Centro Civico 2007 "Sguardi a Sud-Est", Fidenza (PR, Italy) Palazzo Orsoline.
Joel Sternfeld
United States
1944
Joel Sternfeld (born June 30, 1944) is an American fine-art color photographer. He is noted for his large-format documentary pictures of the United States and helping establish color photography as a respected artistic medium. Sternfeld's work is held in the collection of the Museum of Modern Art in New York. Sternfeld earned a BA from Dartmouth College and teaches photography at Sarah Lawrence College in New York. He began taking color photographs in 1970 after learning the color theory of Johannes Itten and Josef Albers. Color is an important element of his photographs. American Prospects (1987) is Sternfeld's most known book and explores the irony of human-altered landscapes in the United States. To make the book, Sternfeld photographed ordinary things, including unsuccessful towns and barren-looking landscapes. On This Site: Landscape in Memoriam (1997), is about violence in America. Sternfeld photographed sites of recent tragedies. Next to each photograph is text about the events that happened at that location. From 1991 to 1994 Sternfeld worked with Melinda Hunt to document New York City's public cemetery on Hart Island, resulting in the book Hart Island (1998). Sternfeld has also published books about social class and stereotypes in America: Stranger Passing (2001), an abandoned elevated railway in New York: Walking the High Line (2002), and Sweet Earth: Experimental Utopias in America (2006). When It Changed (2007) contains close-up portraits of delegates debating global warming at the 2005 United Nations Climate Change Conference in Montreal.Source: Wikipedia Joel Sternfeld is an artist-photographer whose work is concerned with utopic and dystopic possibilities of the American experience. Ever since the publication of his landmark study, American Prospects in 1987 his work has maintained conceptual and political aspects, while also being steeped in history, art history, landscape theory and attention to seasonal passage. It is a melancholic, spectacular, funny and profound portrait of America. The curator Kevin Moore has claimed that the work embodies the “synthetic culmination of so many photographic styles of the 1970s, incorporating the humor and social perspicacity of street photography with the detached restraint of New Topographics photographs and the pronounced formalism of works by so many late-decade colorists” (Kevin Moore, Starburst: Color Photography in America 1970-1980). On This Site (1996) examines violence in America while simultaneously raising significant epistemological questions about photographs as objects of knowledge. Sweet Earth: Experimental Utopias in America (2006) “can be seen as a generous respite from the traumatic history in On This Site... It is a survey of American human socialization, alternative ways of living, of hopeful being” (Elin O’Hara Slavik, 2018). All his subsequent work has sought to expand the narrative possibilities of still photography primarily through an authored text. All of his books and bodies of work converse with each other and may be read as a collective whole. His work represents a melding of time and place that serves to elucidate, honor, and warn. The images hold a certain urgency, as their histories survive solely through their photographic representation— they are an archive for the future. Sternfeld is the recipient of two Guggenheim Fellowships and spent a year in Italy on a Rome Prize. He teaches at Sarah Lawrence College, where he holds the Noble Foundation Chair in Art and Cultural History.Source: www.joelsternfeld.net Joel Sternfeld is well known for large-format color photographs that extend the tradition of chronicling roadside America initiated by Walker Evans in the 1930s. Sternfeld's projects have consistently explored the possibility of a collective American identity by documenting ordinary people and places throughout the country. Each project he embarks on is bound by a concept that imbues it with subtle irony, often through insightful visual juxtapositions or by pairing images with informational text. Another characteristic aspect of Sternfeld's work is that color is never arbitrary; it functions in highly sophisticated ways to connect elements and resonate emotion. Sternfeld earned a BA in Art from Dartmouth College in 1965. He began making color photographs in the 1970s after learning the color theory of Johannes Itten and Josef Albers. He initially made street photographs with small- and medium-format cameras, but by the time he produced what would become a seminal project, American Prospects (1987), he was working with an eight-by-ten-inch camera. This enabled him to achieve the crisp details his work is known for. Sternfeld's style-his careful attention to visual qualities combined with an insightful and often ironic view of his subjects was first articulated in American Prospects. One of his best-known images, for example, depicts a fireman shopping for a pumpkin as a house burns in the background. The pumpkins' vibrant oranges match the autumnal colors of the countryside, and ironically, the fire's flames.Source: The J. Paul Getty Museum
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For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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