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Réhahn
Réhahn
Réhahn

Réhahn

Country: France
Birth: 1979

Referred to as someone who "captures the souls of his models", (Wanderlust Travel Magazine, 2018) Réhahn is more than just a man behind a camera. Behind each click is a story. Whether the photograph shows a child with startling blue eyes, a woman pulling a needle through indigo fabric or a man walking alone down a brightly painted street, these are more than just images to Réhahn. They are the culmination of an experience. The stories of his subjects as well as his passion to learn more about their culture, diversity and changing traditions are what drives Réhahn's work.

Réhahn's unique combination of fine art photography and documentary styles results in images that both inform and mesmerize. His portraits of Vietnam, Cuba, and India are particularly well-known for exactly this reason. They take the viewer along on the voyage to catch a glimpse of authentic interactions with people, their smiles, their wisdom, their daily lives. For Réhahn, photography is a way to approach people, to document what is happening in the present while also learning about the traditions and heritage of their past.

Réhahn visited over 35 countries before making Hoi An, Vietnam his home in 2011. His first book Vietnam, Mosaic of Contrasts has been a bestseller since 2014. He followed this success with four subsequent books: Vietnam, Mosaic of Contrasts, Volume ll in 2015; The Collection, Réhahn - 10 Years of Photography in 2017; 100 Iconic Portraits in 2019; and Vietnam Mosaic of Contrasts, Volume III in 2020.

In 2016, for International Women's day, Réhahn's portrait of Madam Xong was placed in the permanent collection at the Hanoi Women's museum. The resulting media coverage amassed more than 80 articles and 10 television interviews. Now just over two years later, Réhahn has been featured in international media totaling more than 500 articles and interviews and over 50 television appearances.

One memorable career moment took place in 2018. Réhahn was honored during an official ceremony, which was organized to celebrate 45 years of friendship between France and Vietnam. Vietnam's Secretary of the Party, Nguyen Phu Trong, who has since become the President of Vietnam, gifted Réhahn's portrait Madam Xong to French President Emmanuel Macron.

In addition to his four COULEURS BY RÉHAHN galleries, Réhahn opened the PRECIOUS HERITAGE museum located in the UNESCO World Heritage site of Hoi An ancient town in 2017 to showcase his portraits of Vietnam's diverse ethnic groups, their traditional costumes, stories, music, and artifacts. The museum is free to the public.
 

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More Great Photographers To Discover

Devanshu Jha
India
2006
Devanshu Jha is an 18-year-old photographer based in Mumbai, India. He is currently pursuing a Bachelor’s in Engineering Physics at the Indian Institute of Technology Bombay while primarily focusing on street photography. His journey with photography began at the young age of 11, capturing some flowers on his parent's mobile phones. Over the years, Devanshu refined his craft, documenting the streets of India with a distinctive blend of visual storytelling and compositional aesthetics. With a keen eye for composition and lighting, his work goes beyond mere documentation, weaving entire narratives within a single frame. His images reflect the rich social fabric of India, capturing its immense diversity with an artistic and cinematic approach. Beyond photography, Devanshu has a diverse background in visual arts and storytelling, having studied both cinema and photographic theory extensively before gaining access to professional tools. This analytical approach has helped him craft images that not only capture reality but also shape it, finding beauty in fleeting moments and coincidences that often go unnoticed." Statement "Before university, I learned photography purely from a theoretical perspective—I didn’t have the tools or the freedom to practice it. Instead, I studied photographs, analyzed cinema, and tried to understand the essence of what makes an image truly powerful. When I finally got my hands on an old DSLR from a friend, I never looked back. Since that day, I’ve spent countless mornings waking up at 4 AM, wandering the streets of Mumbai, documenting the endless stories unfolding around me. Photography has become an adventure—sometimes, I am just an observer, and at other times, I become part of the story itself, capturing the small coincidences that make everyday life extraordinary." Awarded Photographer of the Week - Week 07
Trent Parke
Australia
1971
Trent Parke (born 1971) is an Australian photographer. He is the husband of Narelle Autio, with whom he often collaborates. He has created a number of photography books; won numerous national and international awards including four World Press Photo awards; and his photographs are held in numerous public and private collections. He is a member of Magnum Photos. Parke was born and brought up in Newcastle, New South Wales; he now lives in Adelaide, South Australia. He started photography when he was twelve. At age 13 he watched his mother die from an asthma attack. He has worked as a photojournalist for The Australian newspaper. Martin Parr and Gerry Badger say that Parke's first book Dream/Life is "as dynamic a set of street pictures as has been seen outside the United States or Japan". In 2003 he and his wife, the photographer Narelle Autio, made a 90,000 km trip around Australia, resulting in Parke's books Minutes to Midnight and The Black Rose. Parke became a member of the In-Public street photography collective in 2001. He became a Magnum Photos nominee in 2002 and a member in 2007; the first Australian invited to join.Source: Wikipedia Trent Parke, the first Australian to become a Full Member of the renowned Magnum Photo Agency, is considered one of the most innovative and challenging photographers of his generation. Moving beyond traditional documentary photography, Parke’s work sits between fiction and reality, offering an emotional and psychological portrait of family life and Australia that is poetic and often darkly humorous. In 2015, solo exhibition The Black Rose, premiered at the Art Gallery of South Australia. Featuring photographs, lightboxes, video, written texts, and books, the exhibition lead viewers through a vast, visual narrative that explored the meaning and transience of life from both personal and universal perspectives. Parke has received numerous awards and accolades. He was a Finalist, with collaborator Narelle Autio, in the 2016 Basil Sellars Art Prize and was Winner of the 2014 Photography Prudential Eye Award. Whilst working as a press photojournalist he won five Gold Lenses from the International Olympic Committee, and multiple World Press Photo Awards in 1999, 2000, and 2005. In 2003 he was awarded the prestigious W. Eugene Smith Grant in Humanistic Photography. Parke’s work has featured in exhibitions and art fairs across the globe and is held in major institutional collections, including the National Gallery of Australia, Museum of Contemporary Art, National Gallery of Victoria, Art Gallery of New South Wales, Art Gallery of South Australia, Artbank, Magnum London and Magnum Paris. In 2014, Steidl released two hardback monographs of Parke’s work, Minutes to Midnight and The Christmas Tree Bucket. The self-published book, Dream/Life, a collaboration with Narelle Autio, was awarded second place in the American Picture of the Year Award for Photography Books in 2000.Source: Stills Gallery
Marcin Owczarek
Poland
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My art has always been focusing on condition of our globe and the condition of man. My antiutopian, critical photography is based on the anthropological research. I focus on exploring and interpreting the impact of: new technologies, bio-science, unconscious, fears, morals, social situations, behaviors, habits, rituals, biological changes, the use of animals, depression in urban envi...ronments, destruction of the soil, overpopulation, deforestation, universal famine and - over human life. As a result, I create the image of the 21 century and the image of our current society. In this way, by commenting behaviour of human individuals I want to indicate that: Man is imperfect. Man is a savage, greedy rebel of Nature, living between the insanity and lunacy, away from his true nature. Man live in the play cage because he was captured by Illusions of this world: welfare tyranny, desire of possessing material things, consumption, jealousy, hate...what all in all led him to the broken relationship with the globe and other human beings. As a result I stress the present process of dehumanization, mechanization and standardization of human race, false norms and illusional values that was given for the truth to the society by religion, governments,laws,propaganda, false mirror of the television...etc. In my opinion, nowadays it is essential to articulate this kind of behavior, because the way which the present world run, might guide the human species: firstly- into a total slavery, then to new nuclear era, and finally to the total extinction...There is number of potential scenarios, but one of them is definitely Total Extinction... I admire the way of dadaism as well as surrealism. My spirit flies with counterculture and the idea of transgression. I regard my critical collages as the prediction of human degradation, and as a consequence - 'Apocalypse'....... Many wise people said that before but I will repeat: we are responsible for this world and for other human beings, and in our hands is decision: Do we want to live in coexistence or do want to reproduce another monsters to this world who will fight against each other in another nuclear war... What are the crucial implications of this? - The world's Future. "You pays your money and you takes your choice".Marcin Owczarek, Lier 2011
Martin Munkácsi
Hungary
1896 | † 1963
Martin Munkácsi (born Mermelstein Márton; Kolozsvár, Hungary, May 18, 1896; died July 13, 1963, New York, NY) was a Hungarian photographer who worked in Germany (1928–34) and the United States, where he was based in New York City. Munkácsi was a newspaper writer and photographer in Hungary, specializing in sports. At the time, sports action photography could only be done in bright light outdoors. Munkácsi's innovation was to make sports photographs as meticulously composed action photographs, which required both artistic and technical skill. Munkácsi's legendary big break was to happen upon a fatal brawl, which he photographed. Those photos affected the outcome of the trial of the accused killer, and gave Munkácsi considerable notoriety. That notoriety helped him get a job in Berlin in 1928, for the Berliner Illustrirte Zeitung, where his first published photo was a race car splashing its way through a puddle. He also worked for the fashion magazine Die Dame. More than just sports and fashion, he photographed Berliners, rich and poor, in all their activities. He traveled to Turkey, Sicily, Egypt, London, New York, and famously Liberia, for photo spreads in the Berliner Illustrirte Zeitung. The speed of the modern age and the excitement of new photographic viewpoints enthralled him, especially flying. There are aerial photographs; there are air-to-air photographs of a flying school for women; there are photographs from a Zeppelin, including the ones on his trip to Brazil, where he crosses over a boat whose passengers wave to the airship above. On March 21, 1933, he photographed the fateful Day of Potsdam, when the aged President Paul von Hindenburg handed Germany over to Adolf Hitler. On assignment for the Berliner Illustrirte Zeitung, he photographed Hitler's inner circle, although he was a Jewish foreigner. In 1934, the Nazis nationalized the Berliner Illustrirte Zeitung, fired its Jewish editor-in-chief, Kurt Korff, and replaced its innovative photography with pictures of German troops. Munkácsi left for New York, where he signed on, for a substantial $100,000, with Harper's Bazaar, a top fashion magazine. In a change from usual practice, he often left the studio to shoot outdoors, on the beach, on farms and fields, at an airport. He produced one of the first articles in a popular magazine to be illustrated with nude photographs. His portraits include Katharine Hepburn, Leslie Howard, Jean Harlow, Joan Crawford, Jane Russell, Louis Armstrong, and the definitive dance photograph of Fred Astaire. Munkácsi died in poverty and controversy. Several universities and museums declined to accept his archives, and they were scattered around the world. Berlin's Ullstein Archives and Hamburg's F. C. Gundlach collection are home to two of the largest collections of Munkácsi's work.Source: Wikipedia
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Dan Fenstermacher merges documentary storytelling, and street photography with both humor and activism. Fenstermacher was recently selected as the winner of the 2020 Miami Street Photography Festival International Series Contest and the 15th Annual Smithsonian Photo Contest for the American Experience category. Fenstermacher has photographic experience on four continents including a multi-media internship in Accra, Ghana, as a portrait photographer in Sydney, Australia, a Professor of Fine Arts at Xiangfan University in China, and as an artist-in-residence in San Ramon Costa Rica. His work about mental illness and stigma has been featured in The Huffington Post. He holds a Master of Fine Arts Degree in Photography from San Jose State University, is a member of the Bay Area Photographers Collective, Maverick Photographers, and teaches photography at West Valley Community College. About Food Chain Series Every day the fisherman from the seaside towns of Prampram, Cape Coast, and Ada, Ghana, head out to sea where they fish up to 40 kilometers offshore. For generations families of these communities have fished the Atlantic Ocean. What they catch will determine the livelihood of the community and their families. Rising early to push the canoes in the water and fight with the breaking waves, and after a pause for prayer; the 10-hour workday ensues. Back on land the selling, cleaning, and cooking of the fish is a lively affair. Working hand to mouth, the fish are sold and taken in baskets by families and prepared for frying in oil for the night’s dinner. Some days there are barely any fish from the day’s work. To make matters worse, due to overfishing by many big fleets from China there is a depleted supply of fish. Millions of dollars per year are reported to be taken from the Ghana economy by overfishing from foreign countries. Because of this the government of Ghana has implemented an annual one-month fishing ban on local fisherman. Many do not know how they will make a living for the length of this ban, and fish illegally risking fines in-order-to feed themselves. With supplies of fish dwindling and the broken food chain as a result, these communities have little to fall back on, and the future of the Ghanaian fishing occupation is in danger of being inundated.
Robert Adams
United States
1937
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through the book The New West (1974) and the exhibition New Topographics: Photographs of a Man-Altered Landscape (1975). He was a John Simon Guggenheim Memorial Foundation Fellow in photography in 1973 and 1980, and he received the MacArthur Foundation's MacArthur Fellowship in 1994. Robert Adams, son of Lois Hickman Adams and Ross Adams, was born on May 8, 1937 in Orange, New Jersey. In 1940 they moved to Madison, New Jersey where his younger sister Carolyn was born. Then in 1947 he moved to Madison, Wisconsin for five years, where he contracted polio at age 12 in 1949 in his back, left arm, and hand but was able to recover. Moving one last time in 1952 his family goes to Wheat Ridge, Colorado, a suburb of Denver, when his father secured a job in Denver. The final strength in really great photographs is that they suggest more than just what they show literally. -- Robert Adams His family moved to Colorado partly because of the chronic bronchial problems that he suffered from in Madison, New Jersey around age 5 as an attempt to help alleviate those problems. He continued to suffer from asthma and allergy problems. During his childhood, Adams often accompanied his father on walks and hikes through the woods on Sunday afternoons. He also enjoyed playing baseball in open fields and working with his father on carpentry projects. He was an active Boy Scout, and was also active with the Methodist church that his family attended. He and his father made several raft trips through Dinosaur National Monument, and during his adolescent years he worked at boys' camps at Rocky Mountain National Park in Colorado. He also took trips on pack horses and went mountain climbing. He and his sister began visiting the Denver Art Museum. Adams also learned to like reading and it soon became an enjoyment for him. In 1955, he hunted for the last time. Adams enrolled in the University of Colorado, Boulder in 1955, and attended it for his freshman year, but decided to transfer the next year to the University of Redlands in California where he received his B.A. in English from Redlands in 1959. He continued his graduate studies at the University of Southern California and he received his Ph.D. in English in 1965. In 1960 while at Redlands, he met and married Kerstin Mornestam, Swedish native, who shared the same interest in the arts and nature. Robert and Kerstin spent their first few summers together in Oregon along the coast, where they took long walks on the beach and spent their evenings reading. In 1962 they moved back to Colorado, and Adams began teaching English at Colorado College in Colorado Springs. In 1963, Adams bought a 35mm reflex camera and began to take pictures mostly of nature and architecture. He soon read complete sets of Camera Work and Aperture at the Colorado Springs Fine Arts Center. He learned photographic technique from Myron Wood, a professional photographer who lived in Colorado. While finishing his dissertation, he began to photograph in 1964. In 1967, he began to teach only part-time in order to have more time to photograph. He met John Szarkowski, then curator of photography at the Museum of Modern Art, on a trip to New York City in 1969. The museum later bought four of his prints. In 1970, he began working as a full-time photographer.Source: Wikipedia Nature photography… that acknowledges what is wrong, is admittedly sometimes hard to bear—it has to encompass our mistakes. Yet in the long run, it is important; in order to endure our age of apocalypse, we have to be reconciled not only to avalanche and hurricane, but to ourselves. -- Robert Adams Robert Adams is an American photographer best known for his images of the American West. Offering solemn meditations on the landscapes of California, Colorado, and Oregon, Adams’s black-and-white photos document the changes wrought by humans upon nature. “By Interstate 70: a dog skeleton, a vacuum cleaner, TV dinners, a doll, a pie, rolls of carpet. Later, next to the South Platte River: algae, broken concrete, jet contrails, the smell of crude oil,” he wrote. “What I hope to document, though not at the expense of surface detail, is the form that underlies this apparent chaos.” Born on May 8, 1937 in Orange, NJ, his family moved around the Midwest throughout his childhood, finally settling in Wheat Ridge, CO in 1952. Adams went on to study English at the University of Redlands and received his PhD in English from the University of Southern California in 1965. It wasn’t until the near completion of his dissertation for USC that Adams began to take photography seriously, learning techniques from professional photographer Myron Wood and reading Aperture magazine. In the 1970s, he was released the book The New West (1974), and a year later was included in the seminal exhibition New Topographics: Photographs of a Man-Altered Landscape. Adams has twice been the recipient of the Guggenheim Fellowship and once the recipient of a MacArthur Fellowship. Adams lives and works in Astoria, OR. Today, his works can be found in the collections of the Whitney Museum of American Art in New York, the National Gallery of Art in Washington, D.C., and the Los Angeles County Museum of Art, among others. Source: Artnet
Maxime Du Camp
France
1822 | † 1894
Maxime Du Camp was born on February 8, 1822, in Paris, France, into a prosperous family. His father, a successful surgeon, ensured that young Maxime received a thorough education, which was typical for children of the bourgeoisie. Du Camp's early years were marked by a strong inclination towards literature and the arts. He studied at the Collège Bourbon (now Lycée Condorcet), where he developed a keen interest in literature, history, and languages. His education extended beyond formal schooling; he was an avid reader, absorbing a wide array of subjects that later influenced his literary and journalistic career. In the early 1840s, Maxime Du Camp embarked on extensive travels that profoundly shaped his worldview and literary work. His first significant journey was to the Near East in 1844, where he visited Greece, Turkey, and Egypt. Traveling with a sense of adventure and a desire to document the cultures and landscapes he encountered, Du Camp honed his skills in photography, an emerging technology at the time, and became one of its early pioneers as a documentary tool. This journey had a substantial influence on Du Camp. The cultures, histories, and landscapes of the Near East provided rich material for his later writings. He published his travel experiences in "Souvenirs et paysages d'Orient" (1848), which combined vivid descriptions with keen observations of the places he visited. This work marked the beginning of his career as a travel writer and established his reputation in literary circles. One of the most significant relationships in Du Camp's life was his friendship with the famous French novelist Gustave Flaubert. The two met in 1843 and quickly formed a strong bond based on their mutual interests in literature and travel. In 1849, they embarked on a journey to the Middle East, which took them to Egypt, Palestine, Syria, and Turkey. This expedition was particularly important for Du Camp as it allowed him to combine his passion for travel with his budding interest in photography. During this trip, Du Camp took numerous photographs of ancient monuments, landscapes, and people. These images were later published in "Egypte, Nubie, Palestine and Syrie" (1852), one of the earliest photographic travel books. The collaboration with Flaubert during this journey also had a lasting impact on both men's work. Du Camp's photographs provided valuable visual documentation for Flaubert's future literary works, while Flaubert's meticulous approach to writing influenced Du Camp's style. Du Camp's literary career was diverse, encompassing travel writing, novels, poetry, and journalism. His early works, such as "Souvenirs et paysages d'Orient" and "Egypte, Nubie, Palestine et Syrie," were primarily travelogues that showcased his ability to capture the essence of distant lands through both words and images. In the 1850s, Du Camp turned his attention to fiction. His first novel, "Mémoires d'un suicidé" (1853), was a reflection on the social and moral issues of his time. Although not as commercially successful as his travel writings, this novel demonstrated his versatility as a writer and his willingness to explore different genres. Du Camp also made significant contributions to poetry. He published several collections, including "Les Chants modernes" (1855) and "Convictions" (1858), which were characterized by their reflection on contemporary society and politics. His poetic style was influenced by the Romantic movement, but he also incorporated elements of realism, a reflection of his broader literary interests. In addition to his literary pursuits, Du Camp was an active journalist. He contributed to various newspapers and magazines, including "La Revue des Deux Mondes" and "Le Constitutionnel." His journalistic work covered a wide range of topics, from politics to culture, showcasing his ability to engage with contemporary issues. Du Camp was also known for his critiques of French society, often addressing the tensions and contradictions of his time. Maxime Du Camp was not only a man of letters but also an engaged citizen. He was a staunch supporter of the Second French Empire under Napoleon III and was involved in the political discourse of his time. In 1851, he joined the ranks of the Saint-Simonians, a socialist group that advocated for social reform and the improvement of the working class's conditions. His political views were reflected in his writings, where he often addressed social justice and the need for societal progress. Du Camp's political engagement extended to his role as an editor. In 1862, he co-founded the influential literary magazine "Revue des Deux Mondes" with Charles Buloz. This publication became a significant platform for intellectual and literary debate in France, featuring contributions from leading writers and thinkers of the time. Despite his busy career, Du Camp continued to travel extensively throughout his life. His later travels took him to North Africa and Europe, where he continued to document his experiences through writing and photography. His later works, such as "Le Nil: Égypte et Nubie" (1877), reflected his ongoing fascination with the places he visited and his desire to share these experiences with a wider audience. Maxime Du Camp's contributions to literature, photography, and journalism have left a lasting legacy. His pioneering use of photography in travel writing helped establish the medium as a legitimate form of documentation and artistic expression. His travel books remain valuable records of the places and cultures he encountered, providing insights into the 19th-century world. Du Camp's literary works, though not as widely known today as those of his contemporaries like Flaubert, offer a rich exploration of the social and political issues of his time. His ability to blend personal reflection with broader societal commentary makes his writings relevant to contemporary readers. As a journalist, Du Camp's contributions to French intellectual life were significant. His engagement with political and cultural debates helped shape public discourse in 19th-century France. The "Revue des Deux Mondes," under his editorial guidance, became a cornerstone of French literary and cultural life. Maxime Du Camp passed away on February 8, 1894, on his 72nd birthday, leaving behind a diverse body of work that continues to be appreciated for its depth and breadth. His life was marked by a relentless curiosity and a desire to explore and understand the world, qualities reflected in his writings and photographs. Du Camp's legacy is that of a true Renaissance man, whose contributions spanned multiple fields and left an indelible mark on the cultural landscape of his time.
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