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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
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Réhahn
Réhahn
Réhahn

Réhahn

Country: France
Birth: 1979

Referred to as someone who "captures the souls of his models", (Wanderlust Travel Magazine, 2018) Réhahn is more than just a man behind a camera. Behind each click is a story. Whether the photograph shows a child with startling blue eyes, a woman pulling a needle through indigo fabric or a man walking alone down a brightly painted street, these are more than just images to Réhahn. They are the culmination of an experience. The stories of his subjects as well as his passion to learn more about their culture, diversity and changing traditions are what drives Réhahn's work.

Réhahn's unique combination of fine art photography and documentary styles results in images that both inform and mesmerize. His portraits of Vietnam, Cuba, and India are particularly well-known for exactly this reason. They take the viewer along on the voyage to catch a glimpse of authentic interactions with people, their smiles, their wisdom, their daily lives. For Réhahn, photography is a way to approach people, to document what is happening in the present while also learning about the traditions and heritage of their past.

Réhahn visited over 35 countries before making Hoi An, Vietnam his home in 2011. His first book Vietnam, Mosaic of Contrasts has been a bestseller since 2014. He followed this success with four subsequent books: Vietnam, Mosaic of Contrasts, Volume ll in 2015; The Collection, Réhahn - 10 Years of Photography in 2017; 100 Iconic Portraits in 2019; and Vietnam Mosaic of Contrasts, Volume III in 2020.

In 2016, for International Women's day, Réhahn's portrait of Madam Xong was placed in the permanent collection at the Hanoi Women's museum. The resulting media coverage amassed more than 80 articles and 10 television interviews. Now just over two years later, Réhahn has been featured in international media totaling more than 500 articles and interviews and over 50 television appearances.

One memorable career moment took place in 2018. Réhahn was honored during an official ceremony, which was organized to celebrate 45 years of friendship between France and Vietnam. Vietnam's Secretary of the Party, Nguyen Phu Trong, who has since become the President of Vietnam, gifted Réhahn's portrait Madam Xong to French President Emmanuel Macron.

In addition to his four COULEURS BY RÉHAHN galleries, Réhahn opened the PRECIOUS HERITAGE museum located in the UNESCO World Heritage site of Hoi An ancient town in 2017 to showcase his portraits of Vietnam's diverse ethnic groups, their traditional costumes, stories, music, and artifacts. The museum is free to the public.
 

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More Great Photographers To Discover

Albert Watson
Scotland
1942
Albert Watson (born 1942) is a Scottish photographer well known for his fashion, celebrity and art photography, and whose work is featured in galleries and museums worldwide. He has shot over 200 covers of Vogue around the world and 40 covers of Rolling Stone magazine since the mid-1970s. Photo District News named Watson one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others. Watson has won numerous honors, including a Lucie Award, a Grammy Award, the Hasselblad Masters Award and three ANDY Awards,. He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2010. He was born in Edinburgh, Scotland, the son of a physical education teacher and a boxer. He grew up in Penicuik, Midlothian, and attended the Rudolf Steiner School in Edinburgh and Lasswade High School, followed study at the Duncan of Jordonstone College of Art in Dundee and the Royal College of Art in London. Watson studied graphic design at the Duncan of Jordanstone College of Art and Design, and film and television at the Royal College of Art. Though blind in one eye since birth, Watson also studied photography as part of his curriculum. In 1970, he moved to the United States with his wife, Elizabeth, who got a job as an elementary school teacher in Los Angeles, where Watson began shooting photos, mostly as a hobby. Later that year, Watson was introduced to an art director at Max Factor, who offered him his first test session, from which the company purchased two images. Watson’s distinctive style garnered the attention of American and European fashion magazines such as Mademoiselle, GQ and Harper’s Bazaar, and he began commuting between Los Angeles and New York. Albert photographed his first celebrity in 1973, a portrait of Alfred Hitchcock holding a dead goose with a ribbon around its neck, for that year's Harper's Bazaar's Christmas issue. The image has become one of Watson's most famous portraits on a list that now includes hundreds of well-known iconic photographs of movie stars, rock stars, rappers, supermodels, even President Clinton and Queen Elizabeth II. In 1975, Watson won a Grammy Award for the photography on the cover of the Mason Proffit album “Come and Gone,” and in 1976, he landed his first job for Vogue. With his move to New York that same year, his career took off. In addition to photography for the world's top magazines, Watson has created the images for hundreds of successful advertising campaigns for major corporations, such as the Gap, Levi’s, Revlon and Chanel, and he has directed more than 500 TV commercials and photographed dozens of posters for major Hollywood movies, such as "Kill Bill," "Memoirs of a Geisha," and "The Da Vinci Code.". All the while, Watson has spent much of his time working on personal projects, taking photographs from his travels and interests, from Marrakech to Las Vegas to the Orkney Islands. Much of this work, along with his well-known portraits and fashion photographs, has been featured in museum and gallery shows around the world, and Watson's limited-edition prints have become highly sought after by collectors. In 2007, a large-format Watson print of a Kate Moss photograph taken in 1993 sold at Christie's in London for $108,000, five times the low pre-sale estimate. Since 2004, Watson has had solo shows at the Museum of Modern Art in Milan, Italy; the KunstHausWien in Vienna, Austria; the City Art Centre in Edinburgh; the FotoMuseum in Antwerp, Belgium; and the NRW Forum in Düsseldorf, Germany. Watson’s photographs have also been featured in many group shows at museums, including the National Portrait Gallery in London, the Metropolitan Museum of Art in New York, the Pushkin Museum of Fine Arts in Moscow, the International Center of Photography in New York, and the Deichtorhallen in Hamburg, Germany. His photographs are included in the permanent collections at the National Portrait Gallery and the Metropolitan Museum of Art. Watson has published several books, including Cyclops (1994), Maroc (1998)., and "Albert Watson" (2007). Two books were released in the fall of 2010: "UFO: Unified Fashion Objectives," a look at 40 years of selected Watson fashion photographs, and "Strip Search," a two-volume set of hundreds of photographs Watson took in Las Vegas. In addition, many catalogs of Watson’s photographs have been published in conjunction with shows, including "The Vienna Album" (2005). Watson received a Ph.D from the University of Dundee in 1995 and was inducted into the Scottish Fashion Awards Hall of Fame in 2006. His first exhibition in his homeland, Frozen, was held at the City Art Centre of Edinburgh in 2006.Source: Wikipedia
Peter Hujar
United States
1934 | † 1987
Peter Hujar was an American photographer best known for his black and white portraits. He has been recognized posthumously as "one of the major American photographers of the late twentieth century" and "among the greatest American photographers." Hujar was born October 11, 1934, in Trenton, New Jersey, to Rose Murphy, a waitress abandoned by her husband during her pregnancy. He was raised by his Ukrainian grandparents on their farm, where he spoke only Ukrainian until he started school. He remained on the farm with his grandparents until his grandmother's death in 1946. He moved to New York City to live with his mother and her second husband. The household was abusive, and in 1950, when Hujar was 16, he left home and began to live independently. Hujar received his first camera in 1947 and in 1953 entered the School of Industrial Art where he expressed interest in being a photographer. He was fortunate to encounter an encouraging teacher, the poet Daisy Aldan (1923–2001), and following her advice, he became a commercial photography apprentice. Apart from classes in photography during high school, Hujar's photographic education and technical mastery were acquired in commercial photo studios. By 1957, when he was 23 years old, he was making photographs now considered to be of museum quality. Early in 1967, he was one of a select group of young photographers in a master class taught by Richard Avedon and Marvin Israel, where he met Alexey Brodovitch and Diane Arbus. In 1958, Hujar accompanied the artist Joseph Raffael on a Fulbright to Italy. In 1963, he secured his own Fulbright and returned to Italy with Paul Thek, where they explored and photographed the Capuchin Catacombs of Palermo, classic images featured in his 1975 book Portraits in Life and Death. In 1964, Hujar returned to America and became a chief assistant in the studio of the commercial photographer Harold Krieger. Around this time, he also met Andy Warhol, posed for four of Warhol's three-minute "screen tests," and was included in the compilation film The Thirteen Most Beautiful Boys. In 1967, Hujar quit his job in commercial photography, and at a great financial sacrifice, began to pursue primarily his own work. What followed was a dramatic expansion of his output. In 1969, with his lover the political activist Jim Fouratt, he witnessed the Stonewall riots in the West Village. In 1973, he moved into a loft above The Eden Theater at 189 2nd Avenue, where he lived for the rest of his life. In the 1970s and early 1980s, he inhabited the small bohemian art world in downtown New York City and made portraits of people such as drag queen and actor Divine, writers Susan Sontag, William Burroughs, Fran Lebowitz, and Vince Aletti. He visited "extremely serious, very heavy S&M bars" and the abandoned West Side Hudson River piers where men cruised for sex. In 1975, Hujar published Portraits in Life and Death, with an introduction by Sontag. After a tepid reception, the book became a classic in American photography. The rest of the 1970s was a period of prolific work. In early 1981, Hujar met the writer, filmmaker, and artist David Wojnarowicz, and after a brief period as Hujar's lover, Wojnarowicz became a protégé linked to Hujar for the remainder of the photographer's life. Hujar remained instrumental in all phases of Wojnarowicz's emergence as an important young artist. Hujar's work received only marginal public recognition during his lifetime. In January 1987, Hujar was diagnosed with AIDS. He died 10 months later at the age of 53 on November 25 at Cabrini Medical Center in New York. His funeral was held at Church of St. Joseph in Greenwich Village and he was buried at Gate of Heaven Cemetery in Valhalla, New York. Hujar willed his estate to his friend Stephen Koch. Source: Wikipedia Peter Hujar (born 1934) died of AIDS in 1987, leaving behind a complex and profound body of photographs. Hujar was a leading figure in the group of artists, musicians, writers, and performers at the forefront of the cultural scene in downtown New York in the 1970s and early 80s, and he was enormously admired for his completely uncompromising attitude towards work and life. He was a consummate technician, and his portraits of people, animals, and landscapes, with their exquisite black-and-white tonalities, were extremely influential. Highly emotional yet stripped of excess, Hujar’s photographs are always beautiful, although rarely in a conventional way. His extraordinary first book, Portraits in Life and Death, with an introduction by Susan Sontag, was published in 1976, but his “difficult” personality and refusal to pander to the marketplace ensured that it was one of the last publications during his lifetime.Source: The Peter Hujar Archive Peter Hujar, who died of aids-related pneumonia in 1987, at the age of fifty-three, was among the greatest of all American photographers and has had, by far, the most confusing reputation. A dazzling retrospective, curated by Joel Smith at the Morgan Library & Museum, of a hundred and sixty-four pictures affirms Hujar’s excellence while, if anything, complicating his history. The works range across the genres of portraiture, nudes, cityscape, and still-life—the stillest of all from the catacombs of Palermo, Italy, shot in 1963, when he was there with his lover at the time, the artist Paul Thek. The finest are portraits, not only of people. Some memorialize the existence of cows, sheep, and—one of my favorites—an individual goose, with an eagerly confiding mien. The quality of Hujar’s hand-done prints, tending to sumptuous blacks and simmering grays, transfixes. He was a darkroom master, maintaining technical standards for which he got scant credit except among certain cognoscenti. He never hatched a signature look to rival those of more celebrated elders who influenced him, such as Richard Avedon and Diane Arbus, or those of Robert Mapplethorpe and Nan Goldin, younger peers who learned from him. His pictures share, in place of a style, an unfailing rigor that can only be experienced, not described. Hujar needed no introduction to the low. He never met his father, who abandoned his mother, a diner waitress, before his birth, in 1934, in Trenton. She left his raising to her Ukrainian-speaking Polish parents in semirural surroundings in Ewing Township, New Jersey, until, when he was eleven, she took him to live with her and a new husband in a one-room apartment in Manhattan. The home wasn’t happy. Hujar moved out at sixteen, at first sleeping on the couch of a mentoring English teacher at the School of Industrial Arts (now the High School of Art and Design): the fine poet, editor, and translator Daisy Aldan, a free-spirited lesbian who is portrayed in the earliest of his works in the Morgan show, from 1955.Source: The New Yorker
Beatrix Jourdan
Beatrix Jourdan (Bea Mészöly) was born in Budapest, attended The Hungarian University of Fine Arts, and is both a freelance graphic designer and photographer. Photography has been exhibited in solo and group shows in Luxembourg, Belgium/Brussels, London, Hungary, Italy, Kuala Lumpur, Senegal/Dakar Argentina and the USA. She is currently based in Dakar, Senegal. "Being a professional graphic designer I worked with photos shot by others, making art catalogues and book covers, designing magazines and advertising. Sometimes when I had not enough photos for creative process, I started to shoot for my work and found myself deeply involved in the process. Fine art photography inherits means of expression like the use of light, composition, shape, line, rhythm, colour, etc. from painting and drawing. But what is most important for me it suggests principle of duality, originality through lack of originality, reflection, illusion, intricacy, which confuses people who want to see in the photo a phenomenon of objectivity, simplicity and straightness – all these I try to keep in my mind and share in my works. I believe that the concept of photography is not only a faithful reproduction of reality, but also a way of showing emotions, human relations, and that it is also a form of communication between a photograph and the viewer. Thus, the camera is only a tool for the technical execution of the art form, and a catalyst for developing and displaying feelings." Interview with Beatrix Jourdan All About Photo: When did you realize you wanted to be a photographer? Beatrix Jourdan: I started working as a graphic designer, and choosing the right photo to work on was not so simple: sometimes I felt upset as it was very difficult to create a "communication-bridge" between the message and the composition that was in my hands. Then I started to take photos on my own: I perfectly knew what was in my mind, and the only thing I could do was taking photos, in order to translate my thoughts into reality. AAP: Where did you study photography? BJ: I was the "teacher of myself", as I began to spend a lot of time in the dark room, where - making a lot of mistakes, obviously! - at the end I understood how to manipulate and develop photos. AAP: Do you have a mentor or role model? BJ: No, I don't. I can admire other photographers' work, but I never wanted to have a mentor. AAP: How long have you been a photographer? BJ: 2005 can be considered the turning point of my professional life, as I abandoned my work as a graphic designer in order to become a photographer. AAP: Do you remember your first shot? What was it? BJ: Uh... what a difficult question! I can't say for sure but my dog could probably be my first subject. AAP: What or who inspires you? BJ: Everything around... The world that surrounds me everlastingly inspires me in my shots. Bodies, houses, situations... there are so many things that can be shot that sometimes I run the risk to lose myself in my own passion... AAP: How could you describe your style? BJ: Honestly, I really do not know. The "subjects" always influence my style... I love to help the observer, guiding his attention on a particular aspect, the same that caught my attention. AAP: Do you spend a lot of time editing your images? For what purpose? BJ: Yes. I always edit my photos. The photos are the way I like the most to begin to "paint", in order to translate into reality what I feel and "need" to show. AAP: What advice would you give a young photographer? BJ: Never try to copy any style from other photographers: just look deep inside and find yourself in the reality you shoot. AAP: Your best memory as a photographer? BJ: Every shot is deeply connected to a person or to a situation... The time I spend with someone always becomes my best memory. AAP: The compliment that touched you most? BJ: Every compliment touches me!! AAP: If you were someone else who would it be? BJ: ...even if I deeply love a photo which is not mine, I never say "I would have shot it". That's because a photo is part of the photographer that takes it. A photo is not only a "clic", it is a powerful mix of technique, feelings, emotions, background and thoughts. I cannot have the same "mix" as another photographer, so when I look at a photo I love, I prefer to feel the love the photographer has put into it. AAP: Anything else you would like to share? BJ: Not very original but: Shoot when you need to shoot, as time never goes back.
Stéphan Gladieu
Stéphan Gladieu was born in 1969 and lives in Boulogne-Billancourt. He is represented by Olivier Castaing of the School Gallery in Paris and Artco Gallery in Germany, Cape Town and Joshua Tree. He began his career in 1989, covering war & social issues, travelling across Europe,Central Asia, the Middle East (Afghanistan, Iran, Iraq, Israel, Egypt, Pakistan) and Asia (India, Nepal, Vietnam, China, etc). Going back to his beginnings, he very quickly enriched his photographic writing by using portraiture to bear witness to the human condition in the world. His main focus is on his personal and artistic work through series of portraits in which DNA is colour and the play of contrast between subject and background in natural settings. Stéphan Gladieu plays on the iconic character of the frontal image and on the frontier between the real and the unreal. His portraiture has included covering the Saudi Princes, Princesses in Nepal, actors & directors behind the scenes at Cannes Film Festival, politicians, intellectuals, but also everyday people the world over. Stephan still realize international features and portraits series, for international magazines but he is mainly focused on is personal work: human story through colorful portrait collection. On the side of his journalist activity, Stephan is working with private company (LVMH, Danone, TOTAL…) and International institutions (World Bank, UNICEF) to work on their visual identity. Nowadays, Stephan Gladieu’s work is published in leading publications in France and internationally.Source: www.stephangladieu.fr Exclusive Interview with Stephan Gladieu
George Zimbel
United States / Canada
1929
George S. Zimbel (born July 15, 1929) is an American-Canadian documentary photographer. He has worked professionally since the late 1940s, mainly as a freelancer. He was part of the Photo League and is one of its last surviving members. Born in Massachusetts, he settled in Canada about 1971. His works have been shown with increasing frequency since 2000, and examples of his work are part of several permanent collections including the Museum of Modern Art and the Montreal Museum of Fine Arts. George Zimbel has been described as a humanist. He has published several books of his photographs and in 2016 was the subject of a documentary retrospective film co-directed by his son Matt Zimbel and distributed by the National Film Board of Canada. Born George Sydney Zimbel in Woburn, Massachusetts, son of a dry goods store owner, he attended Woburn High School and was the school's yearbook photographer. He later studied at the Photo League under John Ebstel. George Zimbel then enrolled in Columbia University in New York where he became the school's news photographer. There he met art student Garry Winogrand and introduced Winogrand to photography. They used the school's darkroom late at night to avoid crowding at other times of the day, and they called themselves the "Midnight to Dawn Club". Both Zimbel and Winogrand later both studied under Alexey Brodovitch at the New School for Social Research on scholarships in 1951. He next met Edward Steichen, the then curator of the Museum of Modern Art who showed Zimbel original prints by early masters of photography, and this sealed his decision to take up photography as a career. On Steichen's advice, he had a stint as a photographer with the US Army and spent 2 years in Europe during the restoration period following World War II. On his return to America, he became a freelance photographer. One of his early opportunities was the famous Marilyn Monroe shoot on Lexington Avenue in 1954 to promote her film The Seven Year Itch, at which Monroe wore her famous white dress. Zimbel never sold any of these images and packed them away until 1976, whereupon he printed them and began to show them in solo exhibitions. He was married to Elaine Sernovitz in 1955. A professional writer, she has collaborated with George Zimbel on travelogues and other works. George and Elaine Zimbel had four children including jazz musician Matt Zimbel, founder of Manteca. Matt Zimbel co-produced and co-directed (with Jean-Francois Gratton) a documentary film about his father called Zimbelism, released in 2016. In 1971, Zimbel and his family moved to the small community of Argyle Shore, Queens County, Prince Edward Island where they raised animals for the next 10 years at a farm they called "Bona Fide Farm". After their children moved away, he and his wife relocated to Montreal, where they still reside. Though he was widely published in publications such as the New York Times, Look, Redbook and Architectural Digest in the 1950s and 60s, he did not become widely recognized until a retrospective exhibition of his work was mounted at the Institut Valencià d'Art Modern in Spain in 2000. Since then he has had several major shows around the world.Source: Wikipedia The American-Canadian humanist photographer George S. Zimbel is one of the last elders of photography faithful to the legacy of the Photo League, who in the fifties imbued their pictures with a personal commitment towards the people and the social landscapes they documented. Zimbel’s work is collected by major museums internationally, he has published numerous books and in 2016 he was the subject of an award winning feature documentary on his work called Zimbelism. George’s collection is now managed by his children. The collection consisting of prints printed by George, negatives and colour slides is in the process of being cataloged. Cataloging of the prints has been completed. The thousands of colour slides, and hundred of thousand negatives will be an on going project. In an era of increased manipulation of the photographic image by computer technology, Zimbel’s commitment to the “straight” photograph has become stronger. He sees the early 21st century as a period in which classic photography will have it’s last flowering. "My work begins with recording an image, but it is not finished until I have made a fine print. That is my photograph. A lot goes into a finished documentary photograph: a very personal view of life, a knowledge of technique, and of course, information. It is the information that grabs the viewer, but it is the photographer’s art that holds them." – George S. ZimbelSource: georgezimbel.com
Dan Budnik
United States
1933 | † 2020
Dan Budnik (b.1933, Long Island, NY) studied painting at the Art Students’ League of New York. After being drafted, he started photographing the New York school of Abstracts Expressionist and Pop Artists in the mid-fifties, making it a primary focus for several decades. He made major photo-essays on Willem de Kooning and David Smith, among many other artists. It was his teacher Charles Alston at the Art Students’ League of New York, the first African American to teach at the League, who inspired his interest in documentary photography and the budding Civil Rights Movement. In 1957 he started working at Magnum Photos, New York, assisting several photographers, notably Cornell Capa, Burt Glinn, Eve Arnold, Ernst Haas, Eric Hartmann and Elliott Erwitt. In March 1958 Budnik travelled to live with the underground in Havana for 6 weeks during the Cuban revolution. Budnik continued to work with Magnum for half of his time, until joining as an associate member in 1963. In 1964 he left Magnum and continued specializing in essays for leading national and international magazines, focussing on civil and human rights, ecological issues and artists. Since 1970 Budnik has worked with the Hopi and Navaho traditional people of northern Arizona, and received for this work a National Endowment for the Arts Grant in 1973 and a Polaroid Foundation Grant in 1980. In 1998 he was the recipient of the Honor Roll Award of the American Society of Media Photographers. He lives and works in Tucson and Flagstaff, Arizona. Source: danbudnik.com
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