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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Paul Brouns
Paul Brouns
Paul Brouns

Paul Brouns

Country: The Netherlands

I am a Dutch photographing artist that lives and works in Almere (near Amsterdam). I was born in 1967 in a small village in the South of the Netherlands. In 1990 I graduated from the Academy of Fine Arts in Tilburg (NL) in painting, drawing and photography. In the 1990's photography was still an analogue process and not having a darkroom of my own, in those early decades I was busy painting, because I wanted to work with colours and that was the most direct way to do this. However after the development of digital photography all of this started to change. By now my camera and the computer have gradually become my main tools for creation. Rhythm, color and geometry have always been important in my work and for this architecture has proven to be an ideal subject. As a photographer I am attracted by the abstract, rhythmic expression of buildings. It is my aim to captivate the viewers by feasts of dancing shadows, sunlit reflections or colour combinations. I hope that through my work they will learn to appreciate and enjoy the visual music that surrounds us.

The Music of Architecture
My motto "the music of architecture" stands for the artistic desire to communicate the abstract beauty of buildings. In the abstraction I see an important parallel with instrumental music. Terms like rhythm, composition, texture, scale and colour can be used to describe the feeling of my work, but it also can be applied to describe music. I try to visualise the sensation of a building as purely as possible: many images show façades that are completely frontal and fill the entire composition, so the rhythm and shallow depth of the building surface plays the main role. This ongoing series is called "Urban Tapestries".
In other works the perspective depth and its converging lines play an important role. A third element is using my photographic elements to create a new reality. What unites these different elements is my desire to express myself through images that are all about the fascination with colour and rhythm.
 

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More Great Photographers To Discover

Terry Richardson
United States
1965
Terry Richardson is an American fashion and portrait photographer. He was born in New York City, the son of Norma Kessler, an actress, and Bob Richardson, a fashion photographer who struggled with schizophrenia and drug abuse. Richardson's father was Irish Catholic and his mother is Jewish. Following the divorce of his parents, Richardson moved to Woodstock, New York, with his mother and stepfather, English guitarist Jackie Lomax. Richardson later moved to the Hollywood neighborhood of Los Angeles, where he attended Hollywood High School. He moved with his mother to Ojai, California, where he attended Nordhoff High School when he was 16. Richardson originally wanted to be a punk rock musician rather than a photographer. He played bass guitar in the punk rock band The Invisible Government for four years. Terrence Richardson played bass for a variety of other punk bands in Southern California including Signal Street Alcoholics, Doggy Style, Baby Fist, and Middle Finger. Richardson's mother reportedly gave him his first snapshot camera in 1982, which he used to document his life and the punk rock scene in Ojai. In 1992, Richardson quit music and moved to the East Village neighborhood of New York City, where he began photographing young people partying and other nightlife. It was in New York City that he had his first "big break." His first published fashion photos appeared in Vibe in 1994. His Vibe spread was shown at Paris' International Festival de la Mode later that year. Following the showing, Richardson shot an advertising campaign for fashion designer Katharine Hamnett's spring 1995 collection. The campaign was noted for images of young women wearing short skirts with their pubic hair showing. Throughout his career, Richardson has shot the campaigns of fashion brands and designers such as: Marc Jacobs, Aldo, Supreme, Sisley, Tom Ford, and Yves Saint Laurent. He has also worked for magazines such as Rolling Stone, GQ, Vogue, Vanity Fair, and Harper's Bazaar. Richardson has produced several campaigns for Diesel, including the 'Global Warming Ready' which won a Silver Lion for Print at Cannes Lions International Advertising Festival in 2007. He has produced several private portraits for the company's founder, Renzo Rosso. In September 2011, they hosted a mutual book launch together with fashion editor Carine Roitfeld, at Colette in Paris. In 2012 Richardson embarked on his first solo exhibition at Los Angeles's OHWOW Gallery, titled Terrywood. In May 2012, a video of model Kate Upton performing the Cat Daddy dance for Richardson in his studio went viral. In December 2012, Lady Gaga announced that Richardson was filming a documentary about her life. Proud Boys founder Gavin McInnes defended Richardson in 2004, saying his work was criticized by "first-year feminist" types. There are several repeating themes in Richardson's work, notably that of putting high-profile celebrities in mundane situations and photographing them using traditionally pedestrian methods, such as the use of an instant camera. His work also explores ideas of sexuality, with many of the pieces featured in his books Kibosh and Terryworld depicting full-frontal nudity and both simulated and actual sexual acts. Initially, many of Richardson's subjects would be shot before a white background but he eventually expanded to other backdrops. He is also known for posing with his subjects, often giving them his trademark glasses so they may "pretend to be him" or, in the case of actress Chloë Sevigny, posing them in makeup and costume so that they look like him. Richardson counts Larry Clark, Nan Goldin, Diane Arbus and Robert Frank as early influences on his artistic style. His work has been praised by Helmut Newton. Richardson described his style as, "Trying to capture those unpremeditated moments when people's sexualities come up to the surface." Richardson is also known for his nonsexual portraiture. He has taken portraits of a wide variety of celebrities and politicians. Since 2001, Richardson has been accused by multiple models of sexual misconduct. In 2017, brands and magazines that had worked with Richardson in the past began distancing themselves from him, and said they would no longer employ him. He has not actively worked as a photographer since 2018. Source: Wikipedia
Sandrine Hermand-Grisel
Sandrine Hermand-Grisel grew up in Paris, France and in London, UK. She studied International Law before deciding to dedicate her life to photography in 1997. Influenced by her late mother's sculptures and her husbands paintings and films, she worked on several personal projects before her series Nocturnes was recognized in 2005 by Harry Gruyaert, Bertrand Despres and John Batho for the Prix Kodak de la Critique Photographique. In 2006 she moved with her family to the United States and began experimenting landscape photography with her series Somewhere and On the road. Despite the diversity of her projects she has a unique, very intimate, relationship with her subjects. Photography provides her with a way to express her feelings, like in the series ''Nocturnes'' where she photographed only close friends and family members peacefully abandoning themselves in front of her camera. ''Somewhere'' is her dream of America, a road trip through her adopted country. And ''Waterlilies'' is full of joy and love for her two children as she watched them jumping and playing in pools over and over again. Sandrine Hermand-Grisel not only photographs what she loves, she breaks free from her own reality in her poetic vision of the world. In 2013, she created the acclaimed website All About Photo and now spends most of her time discovering new talents while still working on personal projects. All about Sea Sketches Since I was a little girl my parents insisted that my brother and I accompany them almost every weekend to see an exhibition, a museum or an historic house. What was excruciating at first slowly became a real pleasure. Thanks to them, I had the privilege to see incredible exhibitions both in Paris and London where I grew up. Depending on my age and moods at the time, I favored a century, a movement, a painter... It was love at first sight when I discovered "Wanderer above the Sea of Fog" by Caspar David Friedrich. In the foreground, a young man stands upon a rocky precipice with his back to the viewer. He overlooks a landscape covered in a thick sea of fog. I was overwhelmed by the beauty of nature, the subtle colors, the calm and yet the movement that came from the wind. I perceived the character as content and in harmony with nature and I wondered if one day I would find my perfect place... and many years later, I did. On the west coast of Florida lies Anna Maria, a quaint barrier island nestled in the Gulf of Mexico. The water is warm and turquoise, the sand is white. Well preserved, the birds and turtles come here to nest while the respectful tourists lie on the sand every night to witness the incredible sunsets. Time is suspended. With the romantic painters Turner and Friedrich in mind, I captured a glimpse of Anna Maria, its light, its beaches, its movement, its unleashed elements... I hope you will immerse yourself in my Sea Sketches "paintings" and escape with me, even for the length of a sigh, from the harsh realities of life and share my happy place.
Dmitry Ersler
Russia
1969
Dmitry Ersler is an award-winning fine art and advertising photographer with over two decades of experience. Born in Moscow, USSR and now based in Thailand, he began his artistic training under the guidance of his father. From 1976 to 1984, he studied at a Moscow public school, followed by public high school from 1984 to 1986. Between 1998 and 2004, he studied law at the Moscow Law University. Simultaneously, from 1999 to 2002, he pursued professional photography studies at the Moscow School of Art and Photography. Artist Statement: The artist's task is to awaken the viewer's imagination. My goal as a photographer is to evoke the viewer's imagination, trigger it, bring it to life. No one can create a picture better and brighter than the viewer's own imagination. It just needs a push, an impulse. My name is Dmitry, and I am a photographer. I create realistic-style photos depicting people in everyday life. However, most of my works are pictures with stories, with a narrative. The idea of creation such works is to photograph images with embedded stories and attempt to describe them using various techniques (interior details, clothing or props, lighting, model's pose, facial expressions, gestures, and so on). The people on these photographs are not just models; each of them is a participant in some events, a hero of their own story. And in each story, there was a past that happened just a moment before the viewer approached the photograph. There is also a present frozen while the viewer looks. And there is a future that will come as soon as the viewer steps away from the image. Each viewer has to examine the present himself, speculate about the past, and anticipate the future. What was in this imaginary past and what will be in the future entirely depends on the imagination of each viewer. The most important thing for me is that the viewer, flipping through a magazine or walking along the gallery wall, stops and looks at the image, freezes, and begins to ask themselves questions: What is happening here? Why is the protagonist of the picture doing this? What prompted him to do this? What will happen next? Making these questions arise is the essence of art.
Jean-Christophe Béchet
Born in 1964 in Marseille, Jean-Christophe Béchet lives and works in Paris since 1990. Mixing B&W and color, silver and digital prints, 24x36 and medium format, polaroids and photographic 'accidents', Jean-Christophe Béchet seeks the "right tool" for each project, the one that will allow him to obtain a meaningful dialogue between an interpretation of reality and the photographic material. Inheritor of "street photography", whether it be American, French or Japanese, he likes to refer to his photographs as INHABITED LANDSCAPES. His glance on the world is constructed book by book, the area provided by the printed page being his "natural" field of expression. His photographs belong to several private and public collections and they have been showcased in more than sixty exhibitions since 1999, including at the Rencontres d'Arles in 2006 ("Urban Policies" series) and in 2012 ("Accidents" series) and the 'Mois de la Photo' (Month of Photography) in Paris, in 2006, 2008 and 2017. He is also the author of more than 20 books. FRENCHTOWN Project created for the Festival L'Oeil Urbain at Corbeil Essonnes Wedged between several highways and the National Road 7, the City of Corbeil-Essonnes is located 40 km south of Paris. It is the last city in the Paris' belt. As soon as you cross its limits, you are in the middle of nature. Too far from Paris to benefit from its proximity, it's neither in the provinces. This "in-between" gives rise to a feeling of strangeness and uneasiness. In this city, I felt I was in a typical and genuine French city and at the same time in a detective film. I had the impression of being a foreign visitor, an investigator, who was exploring a "French Town" to solve a minor incident. My photos are the result of a year of observation. I worked as a visual writer. Far from hot topics and for a long period of time, I captured the small details of everyday life and built an authentic story. Without forgetting that photography never shows reality, or truth, but an idea of reality. And it's already a lot... JCB
Laurent Dequick
Laurent Dequick is a professional architect in his forties. His photographic work has been influenced by architecture, since it is primarily focused on ideas surrounding the contemporary city and more specifically, urban sprawl. The photographer’s message is to accurately convey the impression of freneticism stemming from population density and activity in urban zones: “As you walk down the street, the lights, noises, traffic, hustle and bustle, and mix of smells are so striking that no single shot could capture all of it. So do we have to make choices? I don’t think so and I don’t want to.” To convey in images this “congestion” of urban life, Laurent Dequick does not hesitate to juxtapose, superimpose, or imbricate his shots. He fits together photographs representing architectural complexes, highways, and people, all with the same intensity. He condenses the images like the city condenses the sum of the lives of all of its inhabitants. His style is reminiscent of cubism in its rendering, which verges on abstraction in its representation of constant motion. Source: Yellow Korner The passing of time is a fascinating concept which happens all around us, at every single moment of every single day. French photographer Laurent Dequick decided to capture these fleeting seconds in a series of photographs entitled Vibrations Urbaines. Each image is a collective sequence of multiple photographs, superimposed together to visually reflect the chaos and congestion of large urban areas. The series features colorful and energetic portraits of both New York and Berlin. Viewers might feel a bit hyper as they view the still photograph which so strongly convey the motion of cars zipping past and the life of people rushing by. Dequick says his work is “primarily a reflection on the contemporary city and more specifically the proliferation of modern urban space.” Through these compositions, the artist portrays the constant urban action and excitement that are generally challenging to communicate through just one still photograph. Source: My Modern Met
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