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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Olivier Jarry-Lacombe
Olivier Jarry-Lacombe
Olivier Jarry-Lacombe

Olivier Jarry-Lacombe

Country: France
Birth: 1981

My name is Olivier Jarry-Lacombe. I'm a self-taught photographer and committed globetrotter, a lover of freedom and wide open spaces.

After a career in finance for over 15 years, I decided one fine morning to change my life and put my family and my passions for travel and photography at the center of my life. This decision, and the desire to return with exceptional and committed images, quickly led me to undertake numerous long-distance independent trips, in a van, throughout Europe. These experiences transformed me. They profoundly changed my perception of the world and altered the priorities and direction I wanted to give to my life.

My photos are regularly published in daily newspapers and the specialized press in France and abroad, and I am fortunate to have seen my work recognized in some of the most prestigious national and international competitions. I invite you, through my photos, to take a look at my photographic work which, I hope, will please you and invite you to travel and experience thrills.
 

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More Great Photographers To Discover

Lynn Gilbert
United States
1938
As a photographer, my mission is to document unrecorded areas of society, shining a light on the lives and stories of those often overlooked. This work is not just a passion, but a significant contribution to our understanding of the world. In the 1970s, I took environmental portraits of children from more than a hundred families in New York City from different socioeconomic backgrounds, shedding light on the diversity of urban life. My portrait of Louise Nevelson in 1976, one of the most influential artists of the 20th century, inspired my first book. Particular Passions: Talks with Women Who Have Shaped Our Time, 1981, includes portraits of the trailblazers who transformed the American Landscape. Ruth Bader Ginsburg, Billie Jean King, Julie Child, Gloria Steinem, and 42 other women share their inspiring stories in their own words. For almost a decade, I documented the interiors of the Traditional houses of Turkey to preserve a disappearing way of life. The municipal government in towns and villages across the country helped select these houses, a significant part of the country's cultural heritage. My book The Silk Road: Then and Now, 2017, includes images from this series. For four years, I documented the changing seasons of a world-class garden. It grew into a documentary about a multi-generational family of 30, which revolves around this garden. My work has been widely published and appeared on over 1,000 media platforms, including Netflix, Nvidia, Intel, National Geographic, MoMA, the British Museum, and The Washington Post. My portraits are in the Smithsonian, the National Portrait Gallery, the Smithsonian, and the New York Historical Society. Recently, I started photographing and interviewing 1970s kids from different socioeconomic backgrounds to document what happened to their lives. At 86, I'm still working as fast as I can. There's so much more I want to accomplish, and I'm determined to keep pushing the boundaries of my art. Artist Statement What is a Portrait? According to the dictionary it can be a painting, photograph, drawing, or even a description. A successful portrait is achieving an image that is a timeless representation of the subject. Even with inanimate things or portraits of spaces, the goal for me is the same, to capture its soul. I've photographed hundreds of people. I have a series of NYC children and another Women of Wisdom. Getting beyond that awkwardness is not easy. The clock is ticking. Even children are uncomfortable, under the scrutiny of a prying eye. As a photographer, I'm always nervous, ''will I get that one image.'' What works for me is to keep the conversation flowing. Eventually the awkwardness fades. When photographing children there are endless things to talk about, however it is not as simple with adults. If the person is well-known then I do a lot or research about them. As the conversation progresses, I keep the camera clicking. The first pictures never work but they are important part of the process. The subjects get used to the clicking and the images get better. After about an hour I find a person relaxes. That is the moment, I can capture my subject. Real character is revealed. The tilt of the head, the shoulders go soft, the fingers relax, the legs are at ease and the eyes are unguarded. That final image happens in a split second. Decades later the portrait must still work.
Paul Outerbridge
United States
1896 | † 1958
Paul Outerbridge, Jr. was an American photographer prominent for his early use and experiments in color photography. Outerbridge was a fashion and commercial photographer, an early pioneer and teacher of color photography, and an artist who created erotic nudes photographs that could not be exhibited in his lifetime. Paul Outerbridge, while still in his teens, worked as an illustrator and theatrical designer creating stage settings and lighting schemes. After an accident caused his discharge from the Royal Canadian Naval Air Service, in 1917, he enlisted in the U.S. Army where he produced his first photographic work. In 1921, Outerbridge enrolled in the Clarence H. White school of photography at Columbia University. Within a year his work began being published in Vanity Fair and Vogue magazine. In London, in 1925, the Royal Photographic Society invited Outerbridge to exhibit in a one-man show. Outerbridge then traveled to Paris and became friends with the artists and photographers Man Ray, Marcel Duchamp, and Berenice Abbott. In Paris he produced a layout for the French Vogue magazine, met and worked with Edward Steichen, and built the largest, most completely equipped advertising photography studio of the times. In 1929, 12 of Outerbridge's photographs were included in the prestigious, German Film und Foto exhibition. Returning to New York in 1929, Outerbridge opened a studio producing commercial and artistic work, and began writing a monthly column on color photography for the U.S. Camera Magazine. Outerbridge became known for the high quality of his color illustrations, which were done in those years by means of an extremely complex tri-color carbro process. In 1937, Outerbridge's photographs were included in an exhibit at the Museum of Modern Art and, in 1940, Outerbridge published his seminal book, Photographing in Color, using high quality illustrations to explain his techniques. Outerbridge's vivid color nude studies included early fetish photos and were too indecent under contemporary standards to find general public acceptance. A scandal over his erotic photography led to Outerbridge retiring as a commercial photographer and moving to Hollywood in 1943. Despite the controversy, Outerbridge continued to contribute photo stories to magazines and write his monthly column. In 1945, he married fashion designer Lois Weir and worked in their joint fashion company, Lois-Paul Originals. He died of lung cancer in 1958. One year after his death, the Smithsonian Institution staged a one-man show of Outerbridge's photographs. Although his reputation has faded, revivals of Outerbridge's photography in the 1970s and 1990s has periodically brought him into the public's awareness. Source: Wikipedia
Dave Jordano
United States
1948
Dave Jordano was born in Detroit, Michigan in 1948. He received a BFA in photography from the College for Creative Studies in 1974. In 1977 he established a successful commercial photography studio in Chicago, IL, shooting major print campaigns for national advertising agencies. Since 2000, Jordano has concentrated on and established himself as an awarding winning mid-career fine art documentary photographer. He was awarded an honorable mention in the Houston Center for Photography’s Long Term Fellowship Project in 2003, and received the Curator’s Choice Award the following year for his documentary work on Small African American Storefront churches on the south side of Chicago. In 2006, 2008, 2013, and 2016 Jordano has been selected as a top 20 finalist in Photolucida's "Critical Mass" International Photography Competition. He was also selected for inclusion in "One Hundred Portfolios", a compilation featuring the work of 100 leading photographers from around the world and sponsored by Wright State University, Dayton, OH. A major exhibition of his work from the "Articles of Faith" project was held at the Chicago Cultural Center, Chicago, Illinois in 2009. In 2014-15 he was a finalist in the LensCulture Exposure Awards for his documentary work on Detroit and was also included in the highly competitive Outwin Boochever Portrait Competition at the National Portrait Gallery in Washington DC. Most notably, Jordano won the prestigious Canadian AIAMI / AGO Photography prize for 2015, which included a $50,000 prize and a six week, fully paid residency anywhere in Canada which he fulfilled by documenting the northern arctic town of Iqaluit, Nunavut, Canada. Jordano has exhibited both nationally and internationally and his work is included in several private, corporate, and museum collections. Most notably the Library of Congress, Prints and Photographs Division, Washington DC, the Museum of Contemporary Photography, Chicago, IL, The Museum of Fine Arts Boston, The Museum of Fine Arts Houston, The Detroit Institute of Arts, The Mary & Leigh Block Museum of Art at Northwestern University, Evanston, IL, the Harris Bank Collection, and the Federal Reserve Bank. His second book, published by the Center for American Places at Columbia College, Chicago titled, "Articles of Faith, Small African American Community Churches of Chicago", released in April 2009. His most recent publication, "Detroit - Unbroken Down" documents the cultural and societal changes of his home town of Detroit and was published in the fall of 2015 by PowerHouse Books, Brooklyn, NY. His fourth coming publication "A Detroit Nocturne" with an essay by Karen Irvine, Co-Director of the Museum of Contemporary Photography, Chicago, will also be published by PowerHouse Books and has a launch date scheduled for April 2018. Dave Jordano currently lives in Chicago, Illinois.
Sid Grossman
United States
1913 | † 1955
Sid Grossman was an American photographer, teacher, and social activist. He was the younger son of Morris and Ethel Grossman. Grossman attended the City College of New York and worked on a WPA street crew. In 1934, he started what would become the Photo League with co-founder Sol Libsohn. Grossman played numerous roles throughout the Photo League's existence (1936–1951) including educator, administrator, reviewer, editor of Photo Notes and founder of Chelsea Document (1938-1940), an indictment of obsolete buildings and substandard living conditions in a New York neighborhood. He enlisted on March 6, 1943 and served in the Sixth Army in Panama during World War II. Grossman's 1940 photographs of labor union activity led to FBI investigations and the blacklisting of the Photo League as a communist front in 1947. In 1949, he opened a photography school in Provincetown, Massachusetts, although he continued to live and teach in NYC part of every year. Grossman was married twice: to Marion Hille and then to Miriam Grossman. Grossman conducted workshops at the Photo League, the Henry St. Settlement, the Harlem Art Center, and privately in NYC and Provincetown, for almost twenty years. The photographers he taught were many – including Lou Bernstein, Lisette Model, Walter Rosenblum, Louis Stettner, Helen Gee, Arthur Leipzig (who is on record as calling Grossman “probably the most fantastic teacher I ever knew”) and Leon Levinstein. Yet Grossman himself said, “I am not an instructor in any classical sense.” He insisted that his students take on the responsibility for making something of themselves. According to Jewish Museum curator Mason Klein, “Grossman increasingly insisted on the idea of being in the world in a particular manner, engaging with a certain consciousness as a photographer, and connecting to the camera in ways that made photographers question who they were.” One had to “live for photography,” in effect transforming and liberating oneself – in order to become a good photographer. One description of Grossman's “impassioned, often aggressive workshop critiques” has been provided by one of his students, N. Jay Jaffee, who studied with him in 1948. On the one hand, “He was almost contemptuous; each of us got a taste of his anger and hostility during the course.” Yet, “His genius was in expounding a philosophy of photography that was unique. I had never heard anyone speak on a subject with such depth and enthusiasm. I still recall a phrase he repeated several times: 'The world is a picture.' This simple statement was a profound insight into the method and meaning of photography.” “To Sid, photography was serious, not sacred.” Grossman's first wife, Marion Hille, remarked that he “encouraged his students 'to enjoy themselves right away, to get a feel of taking pictures without technique getting in the way.'” Jaffee reflected that, “Perhaps, if Sid had lived long enough, he would have also mellowed. Hopefully, he would have received the honor and respect for his brilliance and his work that he so justly deserves.” Today, almost all of the important photographers and educators he influenced and who continued his legacy are also deceased. All that is left are the photographs he and they made – a considerable contribution.Source: Wikipedia An influential teacher and activist, Grossman was a founding member of the Photo League, a group of socially-minded photographers that used documentary photography to call attention to poverty and injustice in New York. Showing three ragtag kids, two of whom present their modest toys to the photographer, this image exemplifies Grossman’s humanistic artistic vision, which often testified to the endurance and survival of his subjects. Due to his participation in the Communist Party, the U.S. Government blacklisted Grossman and monitored his activities for several years.Source: The Met
Zev Hoover
United States
1999
Zev Hoover, from Natick, Massachusetts, goes by the Flickr username Fiddle Oak, a play on 'little folk', which adequately describes the incredible images that make up his 'miniature world'. In his fantastical photos in which people are digitally shrunken, acorns make excellent seats, Popsicle sticks are the ideal size for building rafts, and paper airplanes are viable modes of transport. Zev told Today.com that while he takes the photos with his own camera, his older sister Nell, 18, was the brains behind the original tiny people concept. "She is sort of my partner in crime," he said, adding that she is "more of a writer". While Nell may have come up with the idea, Zev executes the images beautifully, and his unique work has attracted the attention of professional photographers and designers. The 14-year-old, who also writes a blog, explained the complicated process of how he creates his dreamlike images, many of which feature him as the main subject. The process involves capturing the background image first, shrinking photos of people in similar lighting, manipulating the images in Photoshop and editing the color scheme so that it all matches. 'It takes a long time,' he said of the resulting images, which are so otherworldly that they almost look like drawings. One image shows a boy constructing a house of playing cards, his body the same size as the cards. In another image, a 'miniature' boy and girl sit upon a raft made of Popsicle sticks, the sail of which is a single leaf. Many of Zev's images explore nature, including one in which a boy perches inside the shell of an acorn. Another nature-themed photo, which plays with and distorts size ratio, shows a miniscule-looking boy sitting on the edge of a rock, a violin in his hand. Photography and design websites have picked up on Zev's work, lauding him for being so talented and creative at such a young age.Source: www.dailymail.co.uk
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Latest Interviews

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Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes