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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Yas Crawford
Yas Crawford
Yas Crawford

Yas Crawford

Country: United Kingdom
Birth: 1961

Yas Crawford was born in Pembrokeshire in Wales where the geological landscape and biological make-up have subliminally influenced her work. Yas has had a career in geology, microbiology and life sciences, only later finding her way into photography. She now works in the 'Grey Space' between disciplines, connecting them via internal and external human landscapes often revealing micro and macro environments intertwined. She attempts to explain the emotion, not necessarily the science. She examines the point where science falls short and art steps in. Using digital and analogue photography, Yas's work has naturally developed in a fine art form because this is how she imagines the condition or the situation.

Her multidisciplinary background enables her to explore abstraction, recognise areas of ambiguity often through topographical and geometrical shape. The repetitive nature of Yas's images reveals her scientific thinking: the constant production of sets of images produced as if they are a scientific experiment, carefully catalogued for success or failure and reflected in the images' numbering.

The abstraction in her images gently removes the objectivity, however, and leaves her imagery open to everyone for interpretation, making it a safe place for her audience to absorb the information. Yas's work has been exhibited internationally, won several awards for her work and a finalist at the RPS Science Photographer of the Year 2019 with 'Oxygen Ib'

A Biological Journey
Biology defines us, it's almost rule-less unlike physics and chemistry, which are laden with laws, regulation and procedure, a necessity but limited. The path of the cycle of life remains in the 'Grey Space' that space in-between disciplines and is challenging. The Holocene Epoch; a journey of geological creation, the first life on earth, adapting genetics, human behaviour and interaction, environmental change and viral contamination remains a biological mystery undefined, ambiguous, unknown and often uncontrolled by humankind. Working within the 'Grey Space' I anticipate a journey tracing time, stimulating our senses, finding consciousness in the subconscious and allowing us to live, for a moment, in the present.
 

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More Great Photographers To Discover

Pol Viladoms
Spain
1981
As an artist, his work is based on the documentation of the territory in its broadest sense. Showing a special interest in the representation of landscape and architecture as symbols of territorial and cultural identity, his photographs show a delicate attention to the desolate and inhospitable space. Peripheries, forgotten and obsolete places, ruins... all of them testimony and memory of human activity. His work, halfway between the past and the present, tries to reformulate the intentions of the documentary image, trying to balance form and content. Through a personal approach, he shows the relationship between human beings and nature in a world with a disturbing and uncertain future. In 2010 he self-published the book of photographs “Home” exhibited at the Centro de Arte Reina Sofía in Madrid, and which is currently part of its Library. The government of the Canary Islands awarded him the first prize in the Septenio International photographic competition “El suelo” (2012). Between 2014 and 2024 he has been awarded 6 LUX prizes from the AFP (Association of Professional Photographers of Spain). His work on Casa Bloc was exhibited at the Fundació Miró (2016) and he participated in the group exhibition “El Gran Tour” (Finalist at Joan Casablancas Award 2017). In 2018 he received the second prize in the photographic contest “Paisajes cuotidianos” of the Urban Landscape Institute of Catalonia. Among others, he has participated in the art fairs Art Fair Cologne and Affordable Art Fair Amsterdam (2019). In 2020 he was a finalist for the Vila Casas Photography Award. In 2021 he was awarded in the Photography Exhibition of the XV Spanish Biennial of Architecture and Urbanism as well as finalist of the ENAIRE Foundation Award. In 2022 he was finalist of the International Photography Award ECA Espai d’Art Contemporani in Riba-Roja de Túria. He has participated in several collective and individual art exhibitions in Spain as well as in France and the USA (New York and Detroit).
Claude Cahun
France
1894 | † 1954
Claude Cahun (25 October 1894 - 8 December 1954), born Lucy Renee Mathilde Schwob, was a French Surrealist photographer, sculptor and writer. Schwob adopted the pseudonym Claude Cahun in 1914 and is best known for their self-portraits, in which they assume a variety of personae. Cahun's work was both political and personal, and often undermined traditional concepts of static gender roles. In their autobiography, Disavowals, they explained their rejection of gender, "Masculine? Feminine? It depends on the situation. Neuter is the only gender that always suits me." This declaration is an important consideration when analysing Cahun's photography as they intentionally play with and subvert the viewers' understanding of gender. This quote, together with their unconventional appearance and their gender-ambiguous pseudonym, means that it is not infrequent to see the pronoun 'they' used nowadays in critical studies on Cahun. There is no evidence that they ever adopted 'they' as their preferred pronoun, but one should take into account the cultural and historical context behind this. Given that French pronouns were extremely binary and the use of gender neutral pronouns for nonbinary individuals wasn't common in the European interwar period, it isn't unreasonable to imagine Cahun would have used gender neutral pronouns had it not been for their environment. In any case, the use of the gender neutral pronouns in reference to Cahun is less of an attempt to apply contemporary norms to a historical figure, but rather a way for their gender to remain an open question in academia. During WWII, Cahun was also active as a resistance worker and propagandist. Source: Wikipedia
Cristina García Rodero
Cristina García Rodero (born 14 October 1949) is a Spanish photographer and member of Magnum Photos and Agence Vu photo agencies. García Rodero was born in Puertollano, Spain, in 1949, and studied painting at Complutense University of Madrid. She has worked as a teacher. Rodero photographs the persistence of rural traditions in modern times, such as religious rites and festivals in Spain. In Spain she is among the most celebrated documentary photographers. García Rodero joined Magnum Photos in 2005 and became a full member in 2009. The city of Puertollano, where she was born, inaugurated the Cristina García Rodero Museum in 2018. A large part of the photographer's work is exhibited there. The Cristina García Rodero Museum is located in the old municipal museum of Puertollano. There are more than 2,100 square meters distributed over three floors in which are displayed about 200 photographs of the artist.Source: Wikipedia Cristina García Rodero was born in Puertollano, Spain. She studied painting at the School of Fine Arts at the University of Madrid, before taking up photography. She then qualified as a teacher and worked full-time in education. For the next 16 years, she also dedicated her time to researching and photographing popular and traditional festivities – religious and pagan – principally in Spain but also across Mediterranean Europe. This project culminated in her book España Oculta published in 1989, which won the “Book of the Year Award” at the Arles Festival of Photography. The same year, García Rodero also won the prestigious W. Eugene Smith Foundation Prize. The documentary and ethnological value of her work are considerable, but the aesthetic quality of her photography makes it more than a simple visual record. In recent years, Cristina García Rodero has traveled around the world in search of other cultures with particular traditions. Over a period of four years, she went several times to Haiti, where she has documented voodoo rituals, producing a series of expressive portraits and moving scenes flanked by engaging documentary observations. Rituals in Haiti was shown for the first time in the 2001 Venice Biennale. Cristina García Rodero has received many prizes, including the Premio Nacional de Fotografía in 1996 in Spain. Her work has been widely published and exhibited internationally. She has published several books and has been a member of the Vu agency for more than 15 years. García Rodero joined Magnum in 2005 and became a full member in 2009.Source: Magnum Photos
Steve Toole
United States
1957
"I have enjoyed photography and art since I was young. I was fortunate to have traveled with my family throughout the United States as I was growing up. Taking pictures during those trips was an exciting and rewarding experience. Being semi-retired from teaching, I now have more time to rekindle my artistic pursuits. Much of my work depicts life outdoors, because that is where I spend a significant amount of my time. Capturing moments through photography, whether magnificent or understated, is more fulfilling now than ever. My wife Kim and I live in Ashton, Illinois where we foster rescued dogs, volunteer, teach part time, and enjoy small town life." About Back Roads: "There is a sense of timelessness when I travel the back roads of America. Two-lane blacktops and meandering gravel roads are the capillaries that carry me to those places that modernity has mostly ignored. For me, in these places, the sky is bigger, the earth is closer, and the air smells fresher. A feeling of tranquility exists there. Whether a bucolic scene, a sylvan setting or an alpine view, I am transported to a time and place that previous generations might have experienced. Black and white images contribute to that feeling of timelessness, whether depicting a leafless tree, a grazing horse, or an abandoned pick-up truck in a pasture. I hope my photos transport the viewer, even for a few moments, to these out-of-the-way places – sometimes beautiful, sometimes gritty, sometimes simple, sometimes unique, but always real." Awarded Photographer of the Week - Week 14
Matthew Pillsbury
United States / France
1973
Matthew Pillsbury is a French-born American photographer, living in New York City. The Screen Lives series, inspired by Sugimoto's movie theater photos, features black and white, long-exposure photographs of family and friends sitting in their apartments interacting with their computer and television screens. In 2004 The New York Times Magazine commissioned him to do a portfolio of photos of New York museums after hours. One such photo was taken at the Guggenheim Museum: An installation in progress in the Ronald O. Perelman Rotunda (Oct. 1, 2004.) In addition to New York, he continued to shoot within museums in both London and Paris, including the Musée du Louvre. At the Louvre he photographed the Mona Lisa. The New York Times and the Aperture Foundation published New York Times Photographs in the fall of 2011, featuring one of his photos of the American Museum of Natural History's Rose Center For Earth and Space. In the Dec 11, 2011 issue of New York Magazine, Pillsbury's works were published as part of their "Reasons to Love New York 2011" feature. The photos included four shots from City Stages, which included Occupy Wall Street protesters in Zuccotti Park, as well as Jing Fong dim sum, Fausto in Washington Square Park and High Line. His series, City Stages initially ran from February 23, 2012 to April 28, 2012 at the Bonni Bunrubi Gallery in New York City. The exhibition opened in Atlanta, GA on September 13, 2012 and ran until November 17, 2012 at The Jackson Fine Art gallery. In September 2013, the Aperture Foundation published a monograph that includes a retrospective of his works, titled, City Stages. The New York Times Magazine published one of Pillsbury's City Stages photos as part of their Manhattanhenge feature in July 2013. Art Relish conducted an interview in October 2012 with him discussing his City Stages works. In the Oct 1, 2012 edition of Time Magazine, High Line photo, featuring a park in Manhattan constructed of abandoned train tracks, was highlighted as part of his exhibit at the Jackson Fine Art gallery. The Screen Lives series, inspired by Sugimoto's movie theater photos, features black and white, long-exposure photographs of family and friends sitting in their apartments interacting with their computer and television screens. On the CNN Photos Blog, Pillsbury's Screen Lives series was featured in a post about the School of Visual Arts "Myths & Realities" show, which took at the Visual Arts Gallery in New York, Aug 29-Sept 29, 2012. On November 27, 2011, New York Times Magazine featured two of Pillsbury's photos of Jane's Carousel from "City Stages." In April 2014, Pillsbury was one of 11 photographers awarded with the John Simon Guggenheim Memorial Foundation Fellowship. Approximately 200 Fellowships are awarded each year through two annual competitions that receive between 3,500 and 4,000 applications. Guggenheim Fellowships are grants awarded to "advanced professionals in mid-career" who have demonstrated exceptional ability by publishing a significant body of work within the fields of natural sciences, social sciences, humanities and the creative arts, excluding the performing arts. In 2014, Pillsbury photographed various cities in Japan, with the focus being in and around Tokyo. Recent photographs from his work in Tokyo were revealed in a photo essay published on July 18, 2014 in The New York Times Magazine and include images from Tokyo Disneyland, Robot Restaurant and the CupNoodles Museum in Yokohama. In April 2014, The New York Times Magazine first ran a photo essay of Pillsbury's work that centered around the hanami parties that occur during the week when the cherry blossoms are at peak bloom. An exhibition of His new Tokyo work opened Sept 10, 2014 and closed November 15, 2014 in New York City at Benrubi Gallery. A portfolio of Pillsbury's new images was featured in The New Yorker in September 2015, and showcased locations that include the High Line, the American Museum of Natural History, Astoria Park Pool and the Coney Island Boardwalk. He has also widened the project's focus to include locations outside of Manhattan, after a move to Brooklyn in January 2015 that inspired him to shoot urban life in the outer boroughs. In a redesign and relaunch in the February 22, 2015 issue, The New York Times Magazine published a photograph Of his on its cover. The long exposure image featured an illuminated spinning globe, which he took in his basement. He is represented exclusively by Edwynn Houk Gallery in New York.Source: Wikipedia
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