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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
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Angelika Kollin
Angelika Kollin
Angelika Kollin

Angelika Kollin

Country: Estonia
Birth: 1976

Angelika Kollin (b. 1976) is an Estonian fine art and documentary photographer based in Tampa, Florida. Her work is rooted in a lifelong desire to understand human experience: the search for belonging, the weight of faith, the quiet strength that lives inside ordinary people.

She works primarily in portraiture and long-term documentary projects, drawn to relationships with her subjects that unfold slowly and demand patience. Over eight years living in Ghana, Namibia, and South Africa, her practice deepened through daily encounters with people who carried both hardship and grace with equal measure, and her work since has been an attempt to bring that presence through to the viewer. She enters the creative space intuitively, without armor and without a fixed destination, allowing what is true to surface.

Her ongoing bodies of work include Song of Psalms, Parenthood, Mary's Children, and Maps of Grief, among others. Her photography has been recognized by the Sony Photography Award (2024), CPOY 78, the Julia Margaret Cameron Award (2024), LensCulture, and FMoPA, and has appeared in CNN, The Guardian, The Washington Post, Scientific American, and F-Stop Magazine. Her work has been exhibited internationally at the Helsinki Foto Festival, Photo London, FotoNostrum in Barcelona, the OFF Foto Festival in Bratislava, and in New York, Seoul, Berlin, Tallinn, and Cape Town.

Statement:
My main project for the year 2020 became You are my Mother that subsequently expanded into You are my Father. As the covid pandemic rolled over the world, many of us found ourself going back to basics and spending more times with our families. I started photographing my project in April, while we were still in complete lockdown in Cape Town,South Africa. Initially I only wanted to document an act of acceptance and joining I witnessed between a mother and her adult daughter. Afterwards I continued to explore same "story" in other mother/child connections, examining the impact it has on my own family life and on my audience. There is no groundbreaking story occurring in my project, and yet, at least for myself, I am learning to understand the significance and value of connection to our family and how it shapes us for the rest of our life.
 

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More Great Photographers To Discover

Margaret Bourke-White
United States
1904 | † 1971
Margaret Bourke-White studied at the University of Michigan and then at Cornell University where she first discovered photography in 1927. She started taking pictures of buildings and engines. Henri Luce who created the magazine Fortune was very impressed with her work and decided to hire her as editor-in-chief in 1930. In November 1936 her picture of the Fort Peck dam makes the cover of Life magazine. It was the beginning of a long collaboration (1931-1971) and the real beginning of her career. She traveled to USSR in 1931 and then worked with E. Caldwell on the subject of poverty in the US (1937). She is then a photographer for the US Air Force and travels to Moscow, Germany, India, South Africa, and Korea. At the same time, she works for advertising agencies. At the end of the 50s, she has to stop working because of Parkinson disease.Source: Wikipedia Photography is a very subtle thing. You must let the camera take you by the hand, as it were, and lead you into your subject. -- Margaret Bourke-White Margaret Bourke-White, original name Margaret White, American photographer known for her contributions to photojournalism. Margaret White was the daughter of an engineer-designer in the printing industry. She attended Columbia University (1922–23), the University of Michigan (1923–25), Western Reserve University (now Case Western Reserve University), and Cornell University (A.B., 1927). During this period she took up photography, first as a hobby and then, after leaving Cornell and moving to New York City, on a professional freelance basis. She combined her own last name with her mother’s maiden name (Bourke) to create her hyphenated professional name. Beginning her career in 1927 as an industrial and architectural photographer, she soon gained a reputation for originality, and in 1929 the publisher Henry Luce hired her for his new Fortune magazine. In 1930 Fortune sent Bourke-White to photograph the Krupp Iron Works in Germany, and she continued on her own to photograph the First Five-Year Plan in the Soviet Union. She became one of the first four staff photographers for Life magazine when it began publication in 1936, and her series of photographs of Fort Peck Dam was featured on the cover and as part of the feature story of the first issue. Throughout the 1930s Bourke-White went on assignments to create photo-essays in Germany, the Soviet Union, and the Dust Bowl in the American Midwest. These experiences allowed her to refine the dramatic style she had used in industrial and architectural subjects. These projects also introduced people and social issues as subject matter into her oeuvre, and she developed a compassionate, humanitarian approach to such photos. In 1935 Bourke-White met the Southern novelist Erskine Caldwell, to whom she was married from 1939 to 1942. The couple collaborated on three illustrated books: You Have Seen Their Faces (1937), about Southern sharecroppers; North of the Danube (1939), about life in Czechoslovakia before the Nazi takeover; and Say, Is This the U.S.A. (1941), about the industrialization of the United States. Bourke-White covered World War II for Life and was the first woman photographer attached to the U.S. armed forces. While crossing the Atlantic to North Africa her transport ship was torpedoed and sunk, but Bourke-White survived to cover the bitter daily struggle of the Allied infantrymen in the Italian campaign. She then covered the siege of Moscow and, toward the end of the war, she crossed the Rhine River into Germany with General George Patton’s Third Army troops. Her photographs of the emaciated inmates of concentration camps and of the corpses in gas chambers stunned the world. After World War II, Bourke-White traveled to India to photograph Mahatma Gandhi and record the mass migration caused by the division of the Indian subcontinent into Hindu India and Muslim Pakistan. During the Korean War she worked as a war correspondent and traveled with South Korean troops. Stricken with Parkinson disease in 1952, Bourke-White continued to photograph and write. She retired from Life magazine in 1969.Source: Encyclopaedia Britannica The beauty of the past belongs to the past. -- Margaret Bourke-White
Zaharia Cusnir
Moldova
1912 | † 1993
Zaharia Cuşnir (1912-1993) was an amateur photographer born in Rosietici village, Floresti region, Moldova. He was photographing people within 1955-1973, and left a collection of negative films 6x6 cm, from which 3751 were discovered in his abandoned house in 2016. The photographs portray groups, landscapes, scenes from everyday life: work in the kolkhoz, weddings, funerals, national celebrations. Life Zaharia Cuşnir was born as the last child in the family of 16 children in Rosietici village, Soroca district. His father was a Moldovan businessman (born 1870), and his mother was of German origins (born in approx. 1870). Zaharia was born in Bessarabia, at that time part of the Russian Empire, educated in Romania (Iasi city), and after WW-II, became a USSR citizen. He went to school to the neighbouring Rogojeni village and later attended the pedagogical lyceum in Iasi, Romania. He began teaching in Rogojeni, then though he worked in kolhoz, performing works as carrying stones, digging the frozen ground, carrying loam, destroying fences, herding cows. Villagers also remember him as a blacksmith. He also built a family of 4 children with his wife, Daria. Zaharia learned photography from his nephew, who returned from the army. The nephew was living in another village, so they decided to split the territory for the photographic activities. So, Zaharia stayed responsible for the surrounding villages: Caşunca, Rogojeni, Țâra, Ghindeşti, Roşietici, and Cenuşa. The first pictures were taken in 1955. Zaharia was photographing mainly portraits of neighbours and then he was selling the photos. He had a bicycle, which he was usually lending to people for a photograph, as well he had a black blanket, which he was using as a background when he was taking portraits. Up to 1973, he had taken around 4000 pictures of the medium format 6x6 cm. In 1993, after he died, the house was abandoned and the pictures were stocked in a suitcase and placed in the attic. Discovery In spring 2016, Victor Galuşca, being a student at the Academy of Arts in Chisinau, Moldova, arrived in Rosietici village to film his documentary film for the bachelor's degree exam. He entered the abandoned house and found several negative films scattered through the trash all around the floor. Victor inquired from the villagers whose house was it and found the daughter of Zaharia Cusnir, living in the neighbourhood. With her permission, within several days, he picked all of them, and together with his photography professor, Nicolae Pojoga started the cleaning and indexing process of the archive. Among all, there were found old documents, among which was an edited request for admission to the school, adjusted to a stilted language used at the time. There was also found a table of exercises written in Russian Cyrillic script, as well as elementary calculus tests designed for primary school. Other documents and archival remnants reveal a struggle between life and death for the majority of the population; these include bread allowances and checks listing debts. Further Development The archive has a high resonance and was appreciated within several exhibitions: at the Museum of Art of Moldova (curated by Cervinscaia Nadejda) and the Romanian Peasant Museum in Romania in 2018, and at the Ethnographic Museum of Transilvania, the Subway Gallery of the House of Arts in Timisoara, Romania and at the Museum of Ethnography and Folklore MARAMUREş from Baia Mare, Romania in 2019. In 2017 a Moldovan Publishing house Cartier published a photo album "Lumea lui Zaharia" ("Zaharia's World"). At the beginning of 2020, was launched the website and facebook page, aiming to give open access to the usage of the Zaharia Cusnir archive. The team is working on few coming exhibitions in Europe in 2020.
Matt Black
United States
1970
Matt Black is from California’s Central Valley, a rural, agricultural area in the heart of the state. He started photography working at his hometown newspaper. He was nominated to Magnum Photos in 2015. Since 2015, he has travelled over 100,000 miles across 46 states for his project American Geography. Other works include The Dry Land, about the impact of drought on California’s agricultural communities, and The Monster in the Mountains, about the disappearance of 43 students in the southern Mexican state of Guerrero. Both these projects, accompanied by short films, were published by The New Yorker. His work has appeared regularly in TIME Magazine, The New Yorker, The California Sunday Magazine, and other publications. He has been honored three times by the Robert F. Kennedy Memorial Prize, including their top honor for journalism. In 2015, he received the W. Eugene Smith Memorial Award for Humanistic Photography, and was named a senior fellow at the Emerson Collective. He lives in Exeter, a small town in the Central Valley.Source: Magnum Photos Matt Black, an artist from California’s Central Valley, produces enigmatic narrative works in his native region and in related places that are deeply grounded in societal and environmental concerns. Since 2014, Black has traveled over 100,000 miles across 46 states for his project American Geography, a personal portrait of an increasingly divided and unequal America. Black’s gripping images of some of the most marginalized communities in America are as visually captivating as they are brutally honest and human. A member of Magnum Photos, Matt Black creates work that while rooted in the documentary tradition, is also noted for its deeply personal approach, its emotional engagement, and visual intensity. Excerpts from American Geography have been widely published and exhibited in the United States and internationally. A book of the project will be published in 2021 by Thames and Hudson, to accompany a traveling exhibition that opened at the Deichtorhallen Hamburg in 2020. Other bodies of work include The Dry Land, about the impact of drought on California’s agricultural communities, and The Monster in the Mountains, about the disappearance of 43 students in the southern Mexican state of Guerrero in 2014. Both of these projects, accompanied by short films, were published by The New Yorker. In addition to the New Yorker, portfolios of Black’s work have appeared in TIME Magazine, The California Sunday Magazine, as well as many international publications such as Le Monde, France and Internazionale, Italy. Black’s Instagram feed The Geography of Poverty, where he experiments conceptually with GeoTagging and other digital documentary approaches, has over 233,000 followers and earned him TIME’s Instagram Photographer of the Year in 2014. He has been honored three times by the Robert F. Kennedy Memorial Prize, has been named a senior fellow at the Emerson Collective, and was the recipient of the W. Eugene Smith Memorial Award in 2015 for Humanistic Photography.Source: Robert Koch Gallery
Joseph Szabo
United States
1944
What strikes us first in the photographs of Joseph Szabo is a quiet shock of recognition. His poignant images of the life of American teens present a nostalgic portrait of those tumultuous years between childhood and adulthood. We remember our own high school years - first loves, classic rock, hanging out. We see ourselves in his photographs. Born in Toledo, Ohio, Joseph Szabo discovered his passion for photography as a student at New York's Pratt Institute. By the early 1970s, he was teaching art and photography at Malverne High School in a working-class neighborhood on Long Island. As he struggled to connect with his students, Szabo began using his camera to bridge the gap between teacher and student. In the classroom or on school grounds, and with the neutral eye of a documentary photographer, Szabo depicted his subjects as they were - preening and posing, showing off and goofing around, kissing, smoking - without judgment. What emerges is a dignified, compassionate, and tender view of teenage life rarely seen by adults. Although Szabo's portrait of adolescence in America is specific to suburban Long Island in the 1970s and 1980s, the images are universal and timeless. They capture the bravado and vulnerability, the joy and exuberance, the angst and fear, and the blossoming self-confidence and emerging sexuality of those complex years at the cusp of adulthood. Describes as a "chronicler of teenage life," Szabo's work actually comprises several distinct series - adolescents, Rolling Stones fans, Jones Beach and hometowns - that share a common aesthetic. Wether his camera is focused on his students, the "melting pot of humanity" at Jones Beach, fans at a rock 'n' roll concert, or the suburban streets of the East Coast and Ohio, Szabo's interest is in capturing quintessential American experiences, familiar to all of us, no matter where we grew up. He taught at the International Centre of Photography (ICP). Szabo is the recipient of a National Endowment for the Arts Fellowship and his work resides in the permanent collections of the Metropolitan Museum of Art, International Center of Photography and the Bibliothèque Nationale de France in Paris. Szabo is most notable for his photographs of American youth taken during the 1970s and collected in the books Almost Grown and Teenage. His photograph Priscilla was featured as the cover of alternative rock band Dinosaur Jr's 1991 album Green Mind. Szabo made a body of work on Rolling Stones Fans photographed at a concert in Philadelphia in 1978. Joseph Szabo currently lives in Amityville, New York with his wife Nancy.Source: Wikipedia Joseph Szabo is a teacher, photographer and author. He taught photography and art at Malverne High School on Long Island for 27 years and for over 20 years at the International Center of Photography in Manhattan. His 1978 book, Almost Grown, featured many of his students and was acclaimed as one of the “Best Books of the Year” by the American Library Association. In the book’s forward, legendary photojournalist and Founder of the International Center of Photography Cornell Capa, wrote that “…in Szabo’s hands, the camera is magically there, the light is always available, the moment is perceived, seen, and caught.” Throughout the 80s and 90s, Almost Grown attained cult classic status in the fashion world, prompting Vogue editor Grace Coddington to notice that “all the young fashion photographers were looking at Joe’s photographs as their bible.” In 2003, Szabo released Teenage his more complete view of adolescents coming of age. His most recent book Jones Beach captures his forty year exploration of summer at New York’s most popular beach. Szabo’s evocative black and white images have won him worldwide recognition and admiration, from photographers including Bruce Weber and filmmakers Cameron Crowe and Sofia Coppola. He is the recipient of a photography fellowship from the National Endowment for the Arts and his images reside in the collections of the Bibliothèque Nationale de France in Paris, the George Eastman House museum in Rochester, the Museum of Modern Art in New York, and the San Francisco Museum of Modern Art, among many others. His photographs have been published in The New York Times, the Los Angeles Times, The Times, French Vogue, Women’s Wear Daily and exhibited at galleries in Paris, London, Japan, New York, Atlanta and Los Angeles.Source: josephszabophotos.com Galleries Jackson Fine Art Michael Hoppen Gallery Gitterman Gallery M+B Gallery
Jock Sturges
United States
1947
Jock Sturges, born in New York City in 1947, is an American photographer whose work has stirred both acclaim and controversy. After serving in the United States Navy as a Russian linguist from 1966 to 1970, Sturges pursued his passion for photography, earning a BFA in Perceptual Psychology and Photography from Marlboro College. He further honed his craft by obtaining an MFA in photography from the San Francisco Art Institute. Sturges is renowned for his captivating images of nude adolescents and their families, often captured at communes in Northern California and the naturist resort CHM Montalivet in Vendays-Montalivet. His photographs, characterized by their intimate portrayal of human vulnerability, frequently feature Misty Dawn, a California resident whom he photographed from childhood into her twenties. Working primarily with a large 8x10-inch-format view camera, Sturges has also experimented with digital photography but maintains a preference for traditional prints. My work is, in fact, neutral. In fact, its very neutrality is one of the things that worries me about it sometimes. There’s sometimes not a lot of emotive passion in the work. Because I shoot long shutter speeds, people are necessarily very still, and the work is very, very plain and... neutral. That neutrality isn’t sexual by nature. My subjects are just there. So if you read sexuality into my pictures, beyond what’s inherent to a human being, then the work is acting as a Rorschach, and you’re evincing sexual immaturity or sexual malaise in your own life. I have to tell you, I am sometimes deeply suspicious of the sexual mental health of some of the people who point their wavering fingers at the morality, the art, of others. – Jock Sturges Despite the acclaim garnered by his work, Sturges has faced controversy throughout his career. In 1990, his San Francisco studio was raided by FBI officers, and his equipment was seized. However, a subsequent grand jury declined to bring charges against him. In 1998, his books "The Last Day of Summer" and "Radiant Identities" were targeted as potential child pornography in Arkansas and Louisiana, sparking legal battles and protests. Despite these challenges, Sturges has continued to create thought-provoking imagery that challenges societal norms and perceptions. Sturges's photographs have also found their way into various forms of media and art. They have graced the covers of novels by authors such as Jennifer McMahon and Karl Ove Knausgård, adding depth and intrigue to literary works. Additionally, his images have been featured in music releases by the band Ride, further highlighting their versatility and impact across different artistic mediums. Throughout his career, Sturges has remained committed to his artistic vision, using his lens to explore themes of innocence, identity, and the passage of time. Despite the controversies surrounding his work, he continues to push the boundaries of conventional photography, challenging viewers to confront their preconceptions and delve deeper into the complexities of the human experience. Jock Sturges's legacy as a photographer is a testament to the power of art to provoke thought, spark dialogue, and inspire change.
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