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Angelika Kollin
Angelika Kollin
Angelika Kollin

Angelika Kollin

Country: Estonia
Birth: 1976

Angelika Kollin (b. 1976) is an Estonian fine art and documentary photographer based in Tampa, Florida. Her work is rooted in a lifelong desire to understand human experience: the search for belonging, the weight of faith, the quiet strength that lives inside ordinary people.

She works primarily in portraiture and long-term documentary projects, drawn to relationships with her subjects that unfold slowly and demand patience. Over eight years living in Ghana, Namibia, and South Africa, her practice deepened through daily encounters with people who carried both hardship and grace with equal measure, and her work since has been an attempt to bring that presence through to the viewer. She enters the creative space intuitively, without armor and without a fixed destination, allowing what is true to surface.

Her ongoing bodies of work include Song of Psalms, Parenthood, Mary's Children, and Maps of Grief, among others. Her photography has been recognized by the Sony Photography Award (2024), CPOY 78, the Julia Margaret Cameron Award (2024), LensCulture, and FMoPA, and has appeared in CNN, The Guardian, The Washington Post, Scientific American, and F-Stop Magazine. Her work has been exhibited internationally at the Helsinki Foto Festival, Photo London, FotoNostrum in Barcelona, the OFF Foto Festival in Bratislava, and in New York, Seoul, Berlin, Tallinn, and Cape Town.

Statement:
My main project for the year 2020 became You are my Mother that subsequently expanded into You are my Father. As the covid pandemic rolled over the world, many of us found ourself going back to basics and spending more times with our families. I started photographing my project in April, while we were still in complete lockdown in Cape Town,South Africa. Initially I only wanted to document an act of acceptance and joining I witnessed between a mother and her adult daughter. Afterwards I continued to explore same "story" in other mother/child connections, examining the impact it has on my own family life and on my audience. There is no groundbreaking story occurring in my project, and yet, at least for myself, I am learning to understand the significance and value of connection to our family and how it shapes us for the rest of our life.
 

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Norman Parkinson
United Kingdom
1913 | † 1990
Sir Norman Parkinson, CBE (21 April 1913 – 15 February 1990) was a celebrated English portrait and fashion photographer.Parkinson (birth name Ronald William Parkinson Smith) was born in London, and educated at Westminster School. He began his career in 1931 as an apprentice to the court photographers Speaight and Sons Ltd. In 1934 he opened his own studio together with Norman Kibblewhite. From 1935 to 1940 he worked for Harper's Bazaar and The Bystander magazines. During the Second World War he served as a reconnaissance photographer over France for the Royal Air Force. In 1947 he married the actress and model Wenda Rogerson. From 1945 to 1960 he was employed as a portrait and fashion photographer for Vogue. From 1960 to 1964 he was an Associate Contributing Editor of Queen magazine. In 1963 he moved to Tobago, although frequently returned to London, and from 1964 until his death he worked as a freelance photographer.Parkinson always maintained he was a craftsman and not an artist. From his early days as a photographer up to his death he remained one of the foremost British portrait and fashion photographers. His work, following the lead of Martin Munkacsi at Harper's Bazaar, revolutionised the world of British fashion photography in the '40s by bringing his models from the rigid studio environment into a far more dynamic outdoor setting. Humour played a central role in many of his photographs which often included himself. As well as magazine work he also created celebrated calendars featuring glamorous young women.(Source: en.wikipedia.org)
Jacob Aue Sobol
Denmark
1976
Jacob Aue Sobol (born 1976) is a Danish photographer. He has worked in East Greenland, Guatemala, Tokyo, Bangkok, Copenhagen, America and Russia. In 2007 Sobol became a nominee at Magnum Photos and a full member in 2012. Four monographs and many catalogues of his work have been published and widely exhibited including at Yossi Milo Gallery in New York and at the Diemar/Noble Photography Gallery in London. Born in Copenhagen, Sobol lived in Canada from 1994 to 1995. Back in Europe he first studied at the European Film College and from 1998 at Fatamorgana, the Danish School of Art Photography. In the autumn of 1999, he went to the remote East Greenland village of Tiniteqilaaq to photograph. The visit was only supposed to last a few weeks but after meeting a local girl, Sabine, he returned the following year and stayed there for the next two years, living the life of a fisherman and hunter. In 2004 Sobol published Sabine, which in photographs and narrative portrays Sabine and describes his encounter with Greenlandic culture. The pictures in the book express the photographic idiom he developed at Fatamorgana. In the summer of 2005, Sobol went with a film crew to Guatemala to make a documentary about a young Mayan girl's first trip to the ocean. The following year he returned to the mountains of Guatemala, this time by himself, to stay with an indigenous family for a month to document their everyday life. In 2006 he moved to Tokyo to spend 18 months photographing the city for his book I, Tokyo. Commenting on the book, Miranda Gavin appreciates how "the sensitivity of his approach shines through the work and sets him apart as one of a new generation of photographers with the ability to allow eroticism and danger to seep through his images without becoming sordid or clichéd." Sobol became a nominee of Magnum Photos in 2007 and a full member in 2012. In 2008, Sobol worked in Bangkok where he photographed children fighting for survival in the Sukhumvit slums, despite the country's growing economic prosperity. In 2009, he moved back to Copenhagen. Since then he has worked on projects at home as well as in America and Russia.Source: Wikipedia Following his time in Tokyo, Jacob worked extensively in Bangkok, resulting in the 2016 book By the River of Kings. In 2012 he began photographing along the Trans-Siberian Railroad and spent the next five winters photographing in the remote Russian province of Yakutia for his project Road of Bones. He has ongoing projects in Denmark (Home) and the United States (America).Source: www.jacobauesobol.com
Herb Ritts
United States
1952 | † 2002
Herb Ritts began his photographic career in the late 70's and gained a reputation as a master of art and commercial photography. In addition to producing portraits and editorial fashion for Vogue, Vanity Fair, Interview and Rolling Stone, Ritts also created successful advertising campaigns for Calvin Klein, Chanel, Donna Karan, Gap, Gianfranco Ferré, Gianni Versace, Giorgio Armani, Levi's, Pirelli, Polo Ralph Lauren, Valentino among others. Since 1988 he directed numerous influential and award winning music videos and commercials. His fine art photography has been the subject of exhibitions worldwide, with works residing in many significant public and private collections. In his life and work, Herb Ritts was drawn to clean lines and strong forms. This graphic simplicity allowed his images to be read and felt instantaneously. They often challenged conventional notions of gender or race. Social history and fantasy were both captured and created by his memorable photographs of noted individuals in film, fashion, music, politics and society. Ritts was committed to HIV/AIDS related causes, and contributed to many charitable organizations, among them amfAR, Elizabeth Taylor AIDS Foundation, Project Angel Food, Focus on AIDS, APLA, Best Buddies and Special Olympics . He was also a charter member on the Board of Directors for The Elton John Aids Foundation.Source: www.herbritts.com Born in Los Angeles, to a Jewish family, Ritts began his career working in the family furniture business. His father, Herb Ritts Sr., was a businessman, while his mother, Shirley Ritts, was an interior designer. He moved to the East Coast to attend Bard College in New York, where he majored in economics and art history, graduating in 1975. Later, while living in Los Angeles, he became interested in photography when he and friend Richard Gere, then an aspiring actor, decided to shoot some photographs in front of an old jacked-up Buick. The picture gained Ritts some coverage and he began to be more serious about photography. During the 1980s and 1990s, Ritts prominently photographed celebrities in various locales throughout California. Some of his subjects during this time included Cher, Tina Turner. Elizabeth Taylor, Vincent Price, Madonna, Denzel Washington, Johnny Depp, Ronald Reagan, David Bowie, Courtney Love, Liv Tyler, Matthew McConaughey, Britney Spears, Björk, Prince, Michael Jackson, Axl Rose, Slash, and Mariah Carey. He also took many fashion and nude photographs of fashion models Naomi Campbell, Stephanie Seymour, Tatjana Patitz, Christy Turlington, and Cindy Crawford, including "Tatjana, Veiled Head, Tight View, Joshua Tree, 1988." Ritts' work with those models ushered in the 1990s era of the supermodel and was consecrated by one of his most celebrated images, "Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, 1989" taken for Rolling Stone Magazine. He also worked for Interview, Esquire, Mademoiselle, Glamour, GQ, Newsweek, Harper's Bazaar, Rolling Stone, Time, Vogue, Allure, Vanity Fair, Details, and Elle. From 1996 to 1997 Ritts' work was displayed at the Museum of Fine Arts in Boston, attracting more than 250,000 people to the exhibit, and in 2003 a solo exhibition was held at the Daimaru Museum, in Kyoto, Japan. On December 26, 2002, Ritts died in Los Angeles of complications from pneumonia at the age of 50. Ritts was openly gay, and according to Ritts' publicist, "Herb was HIV-positive, but this particular pneumonia was not PCP (pneumocystis pneumonia), a common opportunistic infection of AIDS. But at the end of the day, his immune system was compromised."Source: Wikipedia
Leslie Gleim
United States
1955
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Nanci Milton
United States
1957
Nanci Milton is a primarily self-taught photographic artist. Her experience with the camera, film and image making began at an early age with the gift f an Instamatic from her father for whom photography was his passion though not his profession. Subsequent Christmas gifts of cameras followed, as well as access to his own various cameras. She was smitten. As the only child of artistic parents, both teachers as well, she was continually exposed to writing, image making, art viewing and inquiring into the creative process. As an only child of older parents, she also was included in many adult events, dinners, lectures, visits with artists of many arenas and backgrounds and absorbed the many layers of inspiration and process they possessed. She found it a gift to be an only child as it allowed her the access to a larger world early on and also left her to her own devices to imagine and make without the comparison or competition with a sibling. Everything was available and potent. The ''legacy'' of artists can be heavy though, and even as she continued to make images and write, she struggled to find a form that was her own. That form led to a detour into the performing arts, modern dance and theater which were her university studies. Ultimately, these fell short of what she had been immured in all her life, and the turn back o the photographic arts and writing was undeniable. The detour however undeniably informs her work with a sense of narrative and staging, in addition to a conceptual approach that pushes the images beyond the static. In a world that is in such flux, Milton is attracted to empty, vacated or in some way, disrupted spaces and how our intimately personal or common and archetypal experience layer on and stain that space, be it exterior or interior; she finds a landscape of both body and mind to reveal. There is redemption in that effort and the rescuing of the lost, and in both the symmetry and the chaos found there. Methodology and materials are less important and she utilizes any and all that will support the idea. Milton has been included in domestic and international exhibits at Praxis gallery, LA Noble Gallery, A Smith Gallery, The 9th Annual Koblenzanalog portfolio and exhibit, and was an Honorable Mention in the Fine Art category for the 17th Julia Margaret Cameron Awards.
Oliver Raschka
Germany
1975
Oliver Raschka is a self-taught photographer and holds a doctorate in behavioral economics. His focus is on the visual sociology of the everyday with an emphasis on trauma, identity, the family narrative, youthhood and adolescence. With more than 20 years of experience as an expert on behavioral issues in markets and organizations, he is able to capture the dynamics and peculiarities of social relationships in his photographs. This experience also helps him better understand the nature of psychological effects. For many years, the self-taught photographer has been exploring the theme of family and the search for identity in documentary form. A project that documented the everyday life of two brothers from childhood to adolescence over a total of fifteen years is the subject of two books. Oliver Raschka lives in Stuttgart, Germany. Sorrow Is All The Pain Of Love: Sorrow Is All The Pain Of Love is a visual diary exploring sorrow, trauma and identity. Oliver Raschka investigates how depression, personal traumas caused by drastic events, addiction issues in the family, and deep burnout manifest visually. It’s archival work with photographs from 2004-2025. By using photographs taken unintentionally and unconsciously, Oliver Raschka gains authentic and deep access to what really concerns. The confrontation with visual narratives through active trauma therapy enables alternative possibilities for action. The photographs often represent the symptoms or results of much deeper events that have shaped and preoccupied (unconsciously) a lifetime. The recontextualization of decontextualized photographs from the archive leads to a reawakened sensitivity for the original events. In essence, the work offers a deeper psychogram, showing how the unintentional and unconscious documentation of mental states in search of one's own identity are transformed into photographs in order to process these sensations. As dark as the photographs may appear, everything is ultimately infused with light, which promotes strength, inner power and clarity. The work is therefore about healing and growth and about strengthening mindfulness. Awarded Photographer of the Week - Week 28
Jesse Alexander
United States
1929 | † 2021
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Terry Richardson
United States
1965
Terry Richardson is an American fashion and portrait photographer. He was born in New York City, the son of Norma Kessler, an actress, and Bob Richardson, a fashion photographer who struggled with schizophrenia and drug abuse. Richardson's father was Irish Catholic and his mother is Jewish. Following the divorce of his parents, Richardson moved to Woodstock, New York, with his mother and stepfather, English guitarist Jackie Lomax. Richardson later moved to the Hollywood neighborhood of Los Angeles, where he attended Hollywood High School. He moved with his mother to Ojai, California, where he attended Nordhoff High School when he was 16. Richardson originally wanted to be a punk rock musician rather than a photographer. He played bass guitar in the punk rock band The Invisible Government for four years. Terrence Richardson played bass for a variety of other punk bands in Southern California including Signal Street Alcoholics, Doggy Style, Baby Fist, and Middle Finger. Richardson's mother reportedly gave him his first snapshot camera in 1982, which he used to document his life and the punk rock scene in Ojai. In 1992, Richardson quit music and moved to the East Village neighborhood of New York City, where he began photographing young people partying and other nightlife. It was in New York City that he had his first "big break." His first published fashion photos appeared in Vibe in 1994. His Vibe spread was shown at Paris' International Festival de la Mode later that year. Following the showing, Richardson shot an advertising campaign for fashion designer Katharine Hamnett's spring 1995 collection. The campaign was noted for images of young women wearing short skirts with their pubic hair showing. Throughout his career, Richardson has shot the campaigns of fashion brands and designers such as: Marc Jacobs, Aldo, Supreme, Sisley, Tom Ford, and Yves Saint Laurent. He has also worked for magazines such as Rolling Stone, GQ, Vogue, Vanity Fair, and Harper's Bazaar. Richardson has produced several campaigns for Diesel, including the 'Global Warming Ready' which won a Silver Lion for Print at Cannes Lions International Advertising Festival in 2007. He has produced several private portraits for the company's founder, Renzo Rosso. In September 2011, they hosted a mutual book launch together with fashion editor Carine Roitfeld, at Colette in Paris. In 2012 Richardson embarked on his first solo exhibition at Los Angeles's OHWOW Gallery, titled Terrywood. In May 2012, a video of model Kate Upton performing the Cat Daddy dance for Richardson in his studio went viral. In December 2012, Lady Gaga announced that Richardson was filming a documentary about her life. Proud Boys founder Gavin McInnes defended Richardson in 2004, saying his work was criticized by "first-year feminist" types. There are several repeating themes in Richardson's work, notably that of putting high-profile celebrities in mundane situations and photographing them using traditionally pedestrian methods, such as the use of an instant camera. His work also explores ideas of sexuality, with many of the pieces featured in his books Kibosh and Terryworld depicting full-frontal nudity and both simulated and actual sexual acts. Initially, many of Richardson's subjects would be shot before a white background but he eventually expanded to other backdrops. He is also known for posing with his subjects, often giving them his trademark glasses so they may "pretend to be him" or, in the case of actress Chloë Sevigny, posing them in makeup and costume so that they look like him. Richardson counts Larry Clark, Nan Goldin, Diane Arbus and Robert Frank as early influences on his artistic style. His work has been praised by Helmut Newton. Richardson described his style as, "Trying to capture those unpremeditated moments when people's sexualities come up to the surface." Richardson is also known for his nonsexual portraiture. He has taken portraits of a wide variety of celebrities and politicians. Since 2001, Richardson has been accused by multiple models of sexual misconduct. In 2017, brands and magazines that had worked with Richardson in the past began distancing themselves from him, and said they would no longer employ him. He has not actively worked as a photographer since 2018. Source: Wikipedia
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