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Angelika Kollin
Angelika Kollin
Angelika Kollin

Angelika Kollin

Country: Estonia
Birth: 1976

Angelika Kollin is a 44 year old Estonian photographer currently based in Tampa, Florida.
She is self-taught and engages with her passion for photography and art as a tool of exploration of interhuman connections, intimacy, and/or the absence of such. Angelika has spent the last 8 years living in African countries (Ghana, Namibia, South Africa), where she explored the same topic in a variety of different cultures and economic conditions. More and more it strengthens her belief that despite many circumstances in life, the one thing that shapes us the most is our relationship with our parents. Through intense artistic evolution she has arrived at her current and ongoing project You Are My Mother/Father.

Statement:
My main project for the year 2020 became You are my Mother that subsequently expanded into You are my Father. As the covid pandemic rolled over the world, many of us found ourself going back to basics and spending more times with our families. I started photographing my project in April, while we were still in complete lockdown in Cape Town,South Africa. Initially I only wanted to document an act of acceptance and joining I witnessed between a mother and her adult daughter. Afterwards I continued to explore same "story" in other mother/child connections, examining the impact it has on my own family life and on my audience. There is no groundbreaking story occurring in my project, and yet, at least for myself, I am learning to understand the significance and value of connection to our family and how it shapes us for the rest of our life.
 

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More Great Photographers To Discover

Geir Tonnessen
Norway
1976
Geir Tønnessen (born in 1976) is a contemporary photographer currently based in Oslo, Norway. He studied photography by himself with some guidance from friends and the Internet. Some of his works have been exhibited in the following galleries: Cyan Studio (Oslo, Norway), Galleri MAP (Oslo, Norway), and Preus Museum (Horten, Norway). "Photography is to have fun and being smart at the same time, which for me is the perfect combination. With my creative fun shots I want to get other people to laugh and inspire them to shoot for them self. With my nature and city shots I want to create a special feeling that makes my viewers think and make them look at my shots for a long quiet time." Interview with Geir Tønnessen All About Photo: When did you realize you wanted to be a photographer? Geir Tønnessen: When i very young realized i had to release my creative urges, and since i am a shitty drawer/painter, photo was my thing! And since i also like to be playful and humorous every day, i had to get it out some way! AAP: Where did you study photography? GT: I studied photography all by myself, spending many hour every day on the net looking at others pictures, by having a father reading art books to me since i was born, by going to a lot go art exhibitions home i Oslo and when visiting other countries and cities all over the world. AAP: How long have you been a photographer? GT: I got my camera when i was about five years old to my birthday from my grandmother. Something i enjoyed very much that time! AAP: What or who inspires you? GT: Other artists that with a lot of creativity and great new ideas. I love to find shoots by others that look like something i never have seen before. AAP: How could you describe your style? GT: My style is not easy to describe but i like to take creative artsy portraits, calm pictures of nature and early morning shots of cities. AAP: What kind of gear do you use? Camera, lens, digital, film? GT: I shoot both digital and analog. When i shoot analog, i use my Hasselblad 500cm with the standard 85mm Carl Zeiss and my Pratica LTL with a 50mm. When i shoot digital i use my Nikon d800 with Nikon NIKKOR 85mm 1:1.4G lens. AAP: Do you spend a lot of time editing your images? GT: I don`t use much time to edit on my computer, i like that my shots can be taken directly from the camera. So i general i just edit the shots just a little bit. AAP: Favorite(s) photographer(s)? GT: My favotite is Martin Parr. AAP: What mistake should a young photographer avoid? GT: Don`t think to much of technique! Just shoot and try to be creative and original! AAP: If you could have taken the photographs of someone else who would it be? GT: Martin Parr AAP: Anything else you would like to share? GT: Shoot first and ask for permission afterwards.
Francesco Ridolfi
Francesco Ridolfi is an Italian portrait photographer who usually shoots for advertising and editorial projects. Born and raised in Bologna, Italy, he now splits his time between Brussels, Milan and Bologna, working for different clients and assignments in the editorial and commercial field. Some of his most recent clients includes: Rolling Stone Magazine, Auchan, Louis Vuitton and Tetra Pak. All about Francesco Ridolfi: AAP: When did you realize you wanted to be a photographer? The photography passion came to me long ago, since I was a child. But maybe I started to realize it could be turned into a profession around the 2006. How long have you been a photographer?Professionally speaking, since 2008. What or who inspires you? Well, maybe it could sounds expected, but for me inspiration is everywhere! I think that the process of developing an idea it's like connecting dots. More dots you have (experiences, visual references, interests,..) more chance to come out with something original and great! How could you describe your style? I'm pretty sure it could be described as clean and precise. And actually it's what I'm looking for in my photos. I prefer to take away instead of add something: less is more for me. Do you have a favorite photograph or series? Speaking of my work, for the efforts done, I surely like the Chess Portraits here presented. But from my previous works, I'm attached to a John Landis' portrait I took a couple of years ago and a series of black and white portraits I took in Cuba Cublanco Do you spend a lot of time editing your images? For what purpose? Actually not so much, I prefer to do as much as possible on camera. The editing process consists mainly in color correction and general cleaning of the photos. Favorite(s) photographer(s)? Erwin Olaf, Martin Schoeller, Richard Avedon. What advice would you give a young photographer? If I had to suggest something to a young or an aspirant photographer, for sure I will advice him of the importance of the profession's business side. It's something you have to take really seriously, if you want to survive out there.What mistake should a young photographer avoid?Think that to be a photographer (and making a living with it) it's enough just take good pictures. An idea, a sentence, a project you would like to share? Less is more. But also, try to convey an idea through your photos. An idea adds much more than technique and Photoshop. About "Room 322""The airy luminosity of an ethereal space, aseptic and suspended, contrasts with the stolidity of these bodies - less than perfect in their awkward and authentic humanness. Statically present, the hotel room preserves its non-connection to sundry turn-taking occupants: its stillness heightens the tension they feel inside, which rips itself free of these contentless surroundings. Thus, from the bottom of a bathtub, contrasting perceptions emerge: appearance and reality, restlessness holding itself still, past within present; authenticity within fiction."
Steve Schapiro
United States
1934 | † 2022
Steve Schapiro discovered photography at the age of nine at summer camp. Excited by the camera's potential, Schapiro spent the next decades prowling the streets of his native New York City trying to emulate the work of French photographer Henri Cartier Bresson, whom he greatly admired. His first formal education in photography came when he studied under the photojournalist W. Eugene Smith. Smith's influence on Schapiro was far-reaching. He taught him the technical skills he need to succeed as a photographer, but also informed his personal outlook and world-view. Schapiro's lifelong interest in social documentary, and his consistently empathetic portrayal of his subjects, is an outgrowth of his days spent with Smith and the development of a concerned humanistic approach to photography. Beginning in 1961, Schapiro worked as a freelance photojournalist. His photographs have appeared internationally in the pages and on the covers of magazines, including Life, Look, Time, Newsweek, Rolling Stone, Vanity Fair, Sports Illustrated, People and Paris Match. During the decade of the 1960s in America, called the "golden age in photojournalism," Schapiro produced photo-essays on subjects as varied as narcotics addition, Easter in Harlem, the Apollo Theater, Haight-Ashbury, political protest, the presidential campaign of Robert Kennedy, poodles and presidents. A particularly poignant story about the lives of migrant workers in Arkansas, produced in 1961 for Jubilee and picked up by the New York Times Magazine, both informed readers about the migrant workers' difficult living conditions and brought about tangible change-the installation of electricity in their camps. An activist as well as documentarian, Schapiro covered many stories related the Civil Rights movement, including the March on Washington for Jobs and Freedom, the push for voter registration and the Selma to Montgomery march. Called by Life to Memphis after Martin Luther King Jr.'s assassination, Schapiro produced some of the most iconic images of that tragic event. In the 1970s, as picture magazines like Life folded, Schapiro shifted attention to film. With major motion picture companies as his clients, Schapiro produced advertising materials, publicity stills and posters for films as varied as the Godfather, the Way We Were, Taxi Driver, Midnight Cowboy, Rambo, Risky Business and Billy Madison. He also collaborated on projects with musicians, such as Barbra Streisand and David Bowie, for record covers and related art. Schapiro's photographs have been widely reproduced in magazines and books related to American cultural history from the 1960s forward, civil rights, and motion picture film. Monographs of Schapiro's work include American Edge (2000); a book about the spirit of the turbulent decade of the 1960s in America, and Schapiro's Heroes (2007), which offers long intimate profiles of ten iconic figures: Muhammad Ali, Andy Warhol, Martin Luther King Jr., Robert Kennedy, Ray Charles, Jacqueline Kennedy Onassis, James Baldwin, Samuel Beckett, Barbra Streisand and Truman Capote. Schapiro's Heroes was the winner of an Art Directors Club Cube Award. Taschen released The Godfather Family Album: Photographs by Steve Schapiro in 2008, followed by Taxi Driver (2010), both initially in signed limited editions. This was followed by Then And Now (2012), Bliss, about the changing Hippie Generation (2015), BOWIE (2016), Mercicordia (20126) an amazing facility for people with developmental problems, and in 2017 books about Muhammad Ali and Taschen's The Fire Next Time with James Baldwin's text and Schapiro's Civil Rights photos from 1963 to 1968. Since the Metropolitan Museum of Art's seminal 1969 exhibition, Harlem on my Mind, which included a number of his images, Schapiro's photographs have appeared in museum and gallery exhibitions world-wide. The High Museum of Art's Road to Freedom, which traveled widely in the United States, includes numerous of his photographs from the civil rights movement and Martin Luther King Jr. Recent one-man shows have been mounted in Los Angeles, London, Santa Fe, Amsterdam, Paris. And Berlin. Steve has had large museum retrospective exhibitions in the United States, Spain, Russia, and Germany. Schapiro continues to work in a documentary vein. His recent series' of photographs have been about India, Music Festivals, and Black Lives Matter. Schapiro's work is represented in many private and public collections, including the Smithsonian Museum, the High Museum of Art, the New York Metropolitan Museum and the Getty Museum. He has just Received the James Joyce Award and fellowship to University College in Dublin/ Previous recipients included Bishop Tutu, Jesse Jackson and J.K. Rowling Discover Steve Schapiro's Interview
Thomas Struth
Germany
1954
Thomas Struth was born 1954 in Geldern, Germany and currently lives and works in Berlin. He is best known for his genre-defying photographs, though he began originally with painting before he enrolled at the Kunstakademie, Düsseldorf in 1973. Struth has developed his individual photographic practice, often penetrating places of the human imagination in order to scrutinize the landscape of invention, technology, and beyond (as in his recent CERN and Animal images). Celebrated for his diverse body of work-Unconscious Places, Familienleben (Family Life), Museum Photographs, New Pictures from Paradise and Nature & Politics-Struth continues to advance his vocabulary with each new series, while maintaining the same principles core to his practice. Recent comprehensive exhibitions of Struth's work include the major touring exhibition Thomas Struth: Nature & Politics exhibited at the Museum Folkwang, Essen, Germany; the Martin-Gropius-Bau, Berlin, Germany, the High Museum, Atlanta, Georgia; the Moody Center for the Arts, Houston, Texas; the St. Louis Museum of Art, Missouri and the MAST Foundation Bolgna, Italy (2016-2019) as well as Figure Ground which opened at the Haus der Kunst, Munich, Germany and traveled to the Guggenheim Museum, Bilbao, Spain (2017-2019). Other recent exhibitions have been shown at: Hilti Art Foundation, Vaduz, Lichtenstein (2019); Aspen Museum of Art, Colorado (2018); the Metropolitan Museum of Art, New York (2014); and a major traveling retrospective which traveled from the Museu Serralves, Portugal to the K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, the Whitechapel Gallery, London, and the Kunsthaus Zurich, Switzerland (2010-2012). In 2018 Struth received the Honorary Magister Artium Gandensis from the Royal Academy of Fine Arts (KASK), Ghent, Belgium. In 2016 he was elected Foreign Honorary Member of the American Academy of Arts and Letters and received the Centenary Medal and Honorary Membership from The Royal Photographic Society, London. In 2014 he was awarded an Honorary Fellowship by the Royal Institute of British Architects. He is the winner of the Spectrum-International Prize for Photography of the Foundation of Lower Saxony (1997) and the Werner Mantz Prize for Photography, The Netherlands (1992). He has participated in numerous international group exhibitions including Common Ground, Venice Architecture Biennale (2012), Future Dimension, the Venice Biennial (1990) and Documenta IX (1992). Source: Marian Goodman Gallery
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