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Dimitris Lambridis
Dimitris Lambridis
Dimitris Lambridis

Dimitris Lambridis

Country: Greece

Dimitris Lambridis was born in Athens, Greece. He has studied photography at the NewYork Film Academy and Film Production at the University for The Creative Arts, in Farnham, UK. He works as a photographer and cinematographer between London and Athens, while creating personal projects in the medium of photography. These projects focus mostly on stories that involve themes such as loss, the margins, community and irreversibility.

Red Willow:
"Red Willow" is the name of the Native American tribe of Pueblo Indians residing in the Taos Pueblo, in the city of Taos, New Mexico. The Red Willow tribe operates as an independent sovereign state, with its own hospital, school system and governing body.

The Taos Pueblo was probably built between 1000 and 1450, making it one of the oldest continuously inhabited communities in the United States. It is also said that the Red Willow tribe is one of the first forms of society in the US - prior to the arrival of the Spanish in 1598 and other colonizers who played a definitive role in the history of the country and the fate of all Native Americans.

A really important establishment introduced to the Natives was Christianity, which fit within the already highly spiritual culture, without pushing their spiritual practices away. It fit, and was accepted as it functioned in a different layer.

Faith plays a large role in Native American art and other forms of expression.

The history of relations between the US government and the Native American Indians has been a difficult one. Increasingly, today's Native American groups are sovereign within their own territory but continue to have close connections with the US federal government. Access to higher education for Native Americans is limited as the opportunities afforded them are not broad.

The people's attitude in conjunction with the endless desert, allowed for a clarity of mind, which was almost taking me by the hand and pointing the camera towards the things that really did matter. The earth, the mountain, and the deepest bond that will never be taken away from Red Willow - their connection to their land.

Photographic approach
As soon as I was granted access to photograph within the pueblo in Taos, New Mexico.

I started thinking about the form in which the narrative would be best preserved. The magnitude of this culture in relation to the history that comes after they encountered the colonizers, is one to be deeply respected. Appropriately, I thought that the clean strong image of a medium format camera, will function also as an update to Ansel Adams' documentation of the tribe- made in the 1930's- yet with elements of our times, such as the colour film and the inevitably modern landscape within and around the Pueblo, such as cars, clothing and establishments.

Approaching the Pueblo in relation to the outside environment of the town of Taos, was something that I wanted to establish after I witnessed a certain codependence, which might not be preferred by the tribal members, but seems necessary.
 

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Vytenis Jankūnas
United States
1961
Vytenis Jankūnas is a Lithuanian-American artist who in his latest work uses mostly photography as a medium for his artistic projects, which include books, photo and video installations. He has shown in numerous group and solo exhibitions nationally and internationally. Recent exhibits include one-man shows at Contemporary Art Centre, Vilnius (Lithuania) (his second solo show in CAC Vilnius), Tallinn Art Hall Gallery, (Estonia), Undercurrent Gallery, New York City (USA) and Prospekto Gallery, Vilnius (Lithuania). He won the 1st place in Self Published Books category of the IPA - int'l photography awards, has been a recipient of the Fellowship award from the New York Foundation for the Arts, New York City (USA) and was awarded a residency at Nordic Arts Centre (HIAP), Helsinki (Finland). Vytenis Jankūnas lives and works in New York City, USA. Urban Portraits - NYC Edition My latest photography project is called ''Urban Portraits - NYC Edition.'' I have lived in New York City for over 25 years and always been asking myself: what keeps me here for so long? Is it cultural richness, or the career opportunities this city can offer, or maybe the ability to experience most of what the world can offer without leaving the city? I guess everything at once, but one thing became certain to me: I fell in love with the people, the way they look, the way they dress, the way they talk. It is hard to find another city in the world with such, or similar diversity within its population. This is what my project is about, just walking the streets and capturing people with my camera religiously. The result is something in between street photography and portraits of people in the vulnerable state of everyday life. It is still an ongoing project
Nanci Milton
United States
1957
Nanci Milton is a primarily self-taught photographic artist. Her experience with the camera, film and image making began at an early age with the gift f an Instamatic from her father for whom photography was his passion though not his profession. Subsequent Christmas gifts of cameras followed, as well as access to his own various cameras. She was smitten. As the only child of artistic parents, both teachers as well, she was continually exposed to writing, image making, art viewing and inquiring into the creative process. As an only child of older parents, she also was included in many adult events, dinners, lectures, visits with artists of many arenas and backgrounds and absorbed the many layers of inspiration and process they possessed. She found it a gift to be an only child as it allowed her the access to a larger world early on and also left her to her own devices to imagine and make without the comparison or competition with a sibling. Everything was available and potent. The ''legacy'' of artists can be heavy though, and even as she continued to make images and write, she struggled to find a form that was her own. That form led to a detour into the performing arts, modern dance and theater which were her university studies. Ultimately, these fell short of what she had been immured in all her life, and the turn back o the photographic arts and writing was undeniable. The detour however undeniably informs her work with a sense of narrative and staging, in addition to a conceptual approach that pushes the images beyond the static. In a world that is in such flux, Milton is attracted to empty, vacated or in some way, disrupted spaces and how our intimately personal or common and archetypal experience layer on and stain that space, be it exterior or interior; she finds a landscape of both body and mind to reveal. There is redemption in that effort and the rescuing of the lost, and in both the symmetry and the chaos found there. Methodology and materials are less important and she utilizes any and all that will support the idea. Milton has been included in domestic and international exhibits at Praxis gallery, LA Noble Gallery, A Smith Gallery, The 9th Annual Koblenzanalog portfolio and exhibit, and was an Honorable Mention in the Fine Art category for the 17th Julia Margaret Cameron Awards.
Giacomo Brunelli
Giacomo Brunelli (b. Perugia, Italy, 1977) graduated with a degree in International Communications in 2002. His work has been exhibited at The Photographers’Gallery (Uk), The New Art Gallery Walsall (Uk), The Barbican Centre (Uk), BlueSky Gallery, Portland (Usa), Format Festival, Derby (Uk), Triennial of Photography Hamburg (Germany), Nordic Light Festival (Norway), Noorderlicht Photofestival (The Netherlands), StreetLevel Glasgow (Uk), Photofusion, London (Uk), Delhi PhotoFestival (India), Fotofestiwal Lodz (Poland), Athens Photo Festival (Greece), Daegu PhotoBiennal (South Korea), Angkor PhotoFestival (Cambodia), Tabernacle (London, Uk), Griffin Museum (Boston, Usa) and at commercial galleries such as Peter Fetterman Gallery (Santa Monica, Usa), Robert Morat Galerie (Berlin, Germany), Galerie Camera Obscura, (Paris, France), Arden & Anstruther (Petworth, Uk), Galleria Belvedere (Milan, Italy). He has won the Sony World Photography Award, the Gran Prix Lodz, Poland and the Magenta Foundation “Flash Forward 2009”. He has also been featured widely in the art and photography press including BBC (Uk), The Guardian (Uk), The Telegraph (Uk), Eyemazing (Holland), European Photography (Germany), B&W Magazine (Usa), Creative Review (Uk), Foto+Video (Russia). His work is in the collection of the Museum of Fine Arts Houston (Usa), The New Art Gallery Walsall, Uk Kiyosato Museum of Photographic Arts (Japan) and Portland Art Museum (Usa). Brunelli has published “The Animals” (2008) and “Eternal London” (2014) by Dewi Lewis Publishing, “Self Portraits” (2017) and "Hamburg" (2021) by Editions Bessard, “New York” (2020) by Skinnerboox and "Venice" has been self-published by TantoPress in 2022. In 2012, he was commissioned by The Photographers’Gallery to do the “Eternal London” series and in 2015 by the Deichtorhallen to produce “Hamburg". Interview with Giacomo Brunelli: All About Photo: When did you realize you wanted to be a photographer? I remember when more that 10 years ago, I found my father's camera in a drawer and immediately wanted to be able to use it. Did't know exactly to do what but since then I have been using it to shoot my ideas." Where did you study photography? "I graduated in Communications in 2002 and attended a six month course in photojournalism in Rome." Do you remember your first shot? What was it? "I don't remember my first shot but I started shooting people, lanscapes and animals since the beginning. I have been soon fascinated by the idea of being outside taking pictures of what you like." What or who inspires you? I take inspiration from exhibitions, books, walks, stories and music." How could you describe your style? Street Photography." What kind of gear do you use? Camera, lens, digital, film? "Since the very beginning, I have been using a Miranda Sensomat 35mm, a japanese film camera from the '60. Although I have tried the 28mm and 135mm when I started, I use the 50mm lens only and 1.8 1/500 as combination diaphragm/shutter speed. For a recent commission I got from The Photographers'Gallery two years ago on London, I started using 1/1000 also. Regarding the film, I like Kodak Tri-x 400 and I print the images myself in my darkroom on Agfa Fiber Based paper." Do you spend a lot of time editing your images? For what purpose? "Editing is crucial and I love spending time looking at my images as a body of work and select the ones I feel are the strongest to communicate my vision." AFavorite(s) photographer(s)? "I grew up looking at the great masters such as Lartigue, Muybridge, Giacomelli, Frank, Klein and Winogrand so I think I have been deeply influenced by the way they managed to express their own ideas through photography." What advice would you give a young photographer? "Developing a coherent body of work takes time and energy; I would say just be prepared to work hard." What mistake should a young photographer avoid? "Not to be patient." Your best memory as a photographer? Publishing "The Animals" (Dewi Lewis Publishing, 2008) has been great, seeing your pictures taking the form of a book is fantastic." Your worst souvenir as a photographer? "In 2005 I left my camera and my own things in a taxi in Bratislava."
Artur Nikodem
Austria
1870 | † 1940
Artur Nikodem (1870-1940) was born in Trent, Austria. As a young man, Nikodem studied at the Academy of Fine Arts in Munich, Milan and Florence. He then served in the Austrian Navy before settling briefly in Paris, where he was strongly influenced by the works of Monet and Cezanne. Awestruck by the ability of pigment to rearrange and restructure life on canvas, Nikodem began his endeavors as a painter. His burgeoning artistic career was delayed by military service during World War I. After the war, Nikodem returned to his home in Innsbruck where he began work as a freelance artist. He agreed to test cameras and film for a friend who sold photographic supplies, privately pursuing this means of artistic expression. The modest size and intimate subject matter of these photographs provides a window into the artist's life and mind. After a series of successful international exhibitions, Nikodem emerged as a spokesman for Tyrolean artists. As Nikodem grew older, the changing political climate resulted in his paintings being outlawed in Germany and part of the collection in Nuremberg was destroyed. Unable to secure a teaching position at the Viennese Academy, Nikodem withdrew from public life and lived in seclusion with his wife, Barbara Hoyer, until his death in 1940. Nikodem's photographs were not exhibited or discussed outside of the studio until after his death. Although he worked as a painter for the bulk of his artistic career, he was also a prolific photographer, documenting the small towns and pastoral beauty of the Austrian countryside as well as the women in his life. Nikodem captures these women, his models and lovers, including Gunda Wiese - who died of tuberculosis - and his wife Barbara Hoyer. These sensual portraits portray the erotic tension between the older artist and his much younger subjects. Artur Nikodem's portraits have invited comparison to the paintings of Egon Schiele and the series of photographs by Alfred Stieglitz of Georgia O'Keefe, similarly characterized by both playful experimentation and somber meditation. Source: Robert Mann Gallery
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