Sergio Larrain was born in 1931 in Santiago de Chile. He studied music before taking up photography in 1949, from which year until 1953 he studied forestry at the University of California at Berkeley. He then attended the University of Michigan at Ann Arbor before setting off to travel throughout Europe and the Middle East. Thus began Larrain's work as a freelance photographer. He became a staff photographer for the Brazilian magazine O Cruzeiro and in 1956, the Museum of Modern Art in New York bought two of his pictures.
In 1958, Larrain was given a grant from the British Council that allowed him to produce a series of photographs of London. The same year Henri Cartier-Bresson saw his photographs of street children and suggested that he work for Magnum. Larrain spent two years in Paris, where he worked for international press titles.
Larrain became a Magnum associate in 1959 and a full member in 1961. He returned to Chile in 1961 when the poet Pablo Neruda invited him to photograph his house.
In 1968, he came into contact with Bolivian guru Óscar Ichazo and virtually gave up photography to pursue his study of Eastern culture and mysticism, adopting a lifestyle in keeping with his ideals. He has devoted himself to spreading knowledge of yoga, writing, painting in oils and occasionally taking the odd photograph.
Sergio Larrain: Valparaíso invites readers to wander the winding hills and salted air of a city that breathes paradox — a place at once crumbling and magical, melancholic and alive. This first English-language edition brings together a deeply personal photographic journey by Larrain, the celebrated Chilean photographer, whose devotion to Valparaíso stretches from his early years to the final decades of his life. Across 120 images — far more than the original book — he retraces alleys, stairways, shuttered ports and faint glimmers of human presence, casting a poetic light on a city in quiet decline.
Returning in the early 1960s after working around the world as a member of Magnum, Larrain found in Valparaíso a city steeped in contradictions. Once a bustling hub, its harbors had lost importance; the roaring ships were replaced by whispered rumors of what once was. Yet in decay he perceived something profound — the crumbling facades, the steep stairs, the sweeping Pacific horizon and distant Andes mountains offered a melancholic grandeur, reminiscent of ancient coastal towns at the end of an era.
This new volume blends Larrain’s images with personal touches: handwritten notes, reflections, annotations — traces of his gaze and memory beside the photographs. A text by the great poet Pablo Neruda, originally written for the first edition, deepens the emotional resonance, offering words that echo with salt wind and longing, while an essay by scholar and curator Agnès Sire sheds light on Larrain’s method, his obsessions, his love for chiaroscuro and atmosphere.
Beyond simple documentation, the book becomes a meditation on impermanence and identity, on how places — like people — age, shift and survive on memory and imagination. Valparaíso as seen by Larrain is haunted, intimate, alive — a collage of stairs, windows, light and shadow that speaks of beauty in decline and dignity in neglect. In these pages, the seaport is not just captured, but remembered, mourned and loved.
Sergio Larrain: Valparaíso stands not only as a tribute to a city, but as one of photography’s most sensitive portraits of place — a love letter to a world caught between waters, hills, history and dream, suspended in light and time.
In this new edition of London, including previously unpublished photographs and visual references, Sergio Larrain presents a powerful portrait of a city on the brink of a new era.
In the winter of 1958, Sergio Larrain traveled to London. He spent just a few months there, photographing subjects that interested him and embracing the shadows of the city. In the cold and damp, his images captured a tangible darkness in which he could 'materialize that world of phantoms.' A few years later, he joined Magnum Photos and set off around the world, before retiring to the Chilean countryside and leaving photography behind.
The book also features a text by the late Chilean writer Roberto Bolaño - written in 1999 specifically to accompany these images - as well as a new essay by Agnès Sire, artistic director of Fondation Henri Cartier-Bresson, detailing Larrain's stay in London.
A notoriously reclusive artist, Sergio Larrain had a photographic career that was relatively short before he retreated to the Chilean countryside in the late 1960s to study meditation. Nevertheless, he is widely celebrated for his experimental process and the raw imagery he produced throughout Europe and Latin America.
His most well-known project, Valparaiso, began in 1957 while he was traveling with poet Pablo Neruda for Du magazine. When the photographs were first published in 1991, Larrain informed the publishers that he had made his own facsimile of the book, reflecting how he would have constructed the layout, and now this facsimile is beautifully produced for the first time in book form. Including text by the celebrated Pablo Neruda as well as correspondence between Larrain and Henri Cartier-Bresson, Valparaíso presents the long-awaited return of this rare and renowned body of work.
A notoriously reclusive artist, Sergio Larrain (1931-2012) has nonetheless become a touchstone for those who have come to know and love his work, including authors Roberto Bolaño and Julio Cortázar.
Celebrated by Henri Cartier-Bresson, his contemporary and a co-founder of Magnum, Larrain's experimental process yielded images that transformed the fixed nature of the medium. His images have left generations of viewers in awe of the simultaneous serenity and spontaneity that a camera can capture--when placed, that is, in the hands of an artist with such rare meditative passion. "A good image is born from a state of grace," the artist once explained.
Sergio Larrain, a selection of more than 200 images, rectifies Larrain's omission from the canon of significant twentieth-century photographers, and combines his work in Latin America with photographs taken in Europe.
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed.
Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection.
We asked her a few questions about her life and work.
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed.
His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic.
We asked him a few questions about his life and work.
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth.
We asked him a few questions about his life and work.
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems.
Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action.
In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
