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Francesco Cremonese
Francesco Cremonese
Francesco Cremonese

Francesco Cremonese

Country: Italy
Birth: 1995

Amateur photographer born in 1995 and based in Treviso (Italy), mostly committed to street, documentary and architecture photography. The passion for photography was inherited from his father, also fond of it, while his formation is mostly based on the father's teachings along with selflearning and personal researches, but also on workshops, two under the guidance of the photo-reporter Giulio di Meo, along with seminars and webinars as well. His works were displayed in the "Capture the Moment" exhibition in Budapest, the "Isolation, Living Apart" exhibition in Rome then during the 3 rd CIP festival, and published in the F-STOP magazine and in the anthology book "Trieste, passato, presente, futuro".
 

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Brandon Stanton
United States
1984
Brandon Stanton is an American author, photographer, and blogger. He is the author of Humans of New York, a photoblog and book. He was named to Time's "30 Under 30 People Changing The World" list. Since 2010, Stanton has taken hundreds of portraits of people living and working primarily in New York City, accompanied by bits of conversations about their lives. He has also traveled outside of the United States, capturing people and their lives in more than 20 countries, including Iran, Iraq, Uganda, Democratic Republic of the Congo, Ukraine, Vietnam, and Mexico. Stanton grew up in Marietta, Georgia, a suburb of Atlanta, where he completed his schooling at The Walker School in 2002. He majored in history at the University of Georgia. In 2010, he bought a camera while working as a bond trader in Chicago, and started taking photographs in downtown Chicago on the weekends. When he lost his job a short time later, he decided to pursue photography full-time. Moving to New York City, he set out to photograph 10,000 New Yorkers and plot their portraits on a map of the city, surviving on unemployment checks to "almost pay rent" and borrowing money from friends and family. Eventually, he moved his photographs to the Humans of New York Facebook page, which he started in November 2010. After posting a photo of a woman including a quote from her, he soon began adding captions and quotes to his photographs, which eventually evolved into full interviews. His Humans of New York book was published in October 2013. It received positive reviews and sold 30,000 copies as preorders. The book reached the number 1 position on the New York Times Non-Fiction Best Sellers of 2013 for the week beginning November 3, 2013. The book remained on the list for 26 weeks, again reaching the number one position on December 21, 2014. In August 2014, Stanton traveled to the Middle East to photograph people as part of a 50-day trip through 10 countries in the region under the auspices of the United Nations. In July 2015 he traveled to Pakistan and again to Iran to do the same. At the conclusion of his trip to Pakistan, Stanton crowd funded $2.3 million to help end bonded labor in Pakistan. In January 2015, Stanton was invited to the Oval Office to interview President Barack Obama. The trip concluded a two-week crowdfunding campaign on Humans of New York in which $1.4 million was raised. In March 2016, Stanton opposed Donald Trump's presidential campaign, criticizing Trump on social media for hateful speech, such as delayed disavowing "white supremacy" and defending those who commit violence at his rallies. A day after his Facebook post, it had over 1.6 million likes and was shared nearly 1 million times. Stanton has posted stories and photos from the Pediatrics Department of Memorial Sloan Kettering Cancer Center in New York City. As he did for his other projects, Stanton created a fundraising campaign, and raised over $3.8 million for pediatric cancer research.
Graciela Iturbide
Graciela Iturbide was born in 1942 in Mexico City. In 1969 she enrolled at the age of 27 at the film school Centro de Estudios Cinematográficos at the Universidad Nacional Autónama de México to become a film director. However she was soon drawn to the art of still photography as practiced by the Mexican modernist master Manuel Alvarez Bravo who was teaching at the University. From 1970-71 she worked as Bravo's assistant accompanying him on his various photographic journeys throughout Mexico. In the early half of the 1970s, Iturbide traveled widely across Latin America in particular to Cuba and several trips to Panama. In 1978 Graciela Iturbide was commissioned by the Ethnographic Archive of the National Indigenous Institute of Mexico to photograph Mexico's indigenous population. Iturbide decided to document and record the way of life of the Seri Indians, a group of fisherman living a nomadic lifestyle in the Sonora desert in the north west of Mexico, along the border with Arizona, US. In 1979 she was invited by the artist Francisco Toledo to photograph the Juchitán people who form part of the Zapotec culture native to Oaxaca in southern Mexico. Iturbide's series that started in 1979 and runs through to 1988 resulted in the publication of her book Juchitán de las Mujeres in 1989. Between 1980 and 2000, Iturbide was variously invited to work in Cuba, East Germany, India, Madagascar, Hungary, Paris and the US, producing a number of important bodies of work. She has enjoyed solo exhibitions at the Centre Pompidou (1982), San Francisco Museum of Modern Art (1990), Philadelphia Museum of Art (1997), The J. Paul Getty Museum (2007), MAPFRE Foudation, Madrid (2009), Photography Museum Winterthur (2009), and Barbican Art Gallery (2012), between others. Iturbide is the recipient of the W. Eugene Smith Memorial Foundation Award, 1987; the Grand Prize Mois de la Photo, Paris, 1988; a Guggenheim Fellowship for the project 'Fiesta y Muerte', 1988; the Hugo Erfurth Award, Leverkusen, Germany, 1989; the International Grand Prize, Hokkaido, Japan, 1990; the Rencontres Internationales de la Photographie Award, Arles, 1991; the Hasselblad Award, 2008; the National Prize of Sciences and Arts in Mexico City in 2008; an Honorary Degree in photography from the Columbia College Chicago in 2008; and an Honorary Doctorate of Arts from the San Francisco Art Institute in 2009.Source: www.gracielaiturbide.org Graciela Iturbide photographs everyday life, almost entirely in black-and-white, following her curiosity and photographing when she sees what she likes. She was inspired by the photography of Josef Koudelka, Henri Cartier-Bresson, Sebastiao Salgado and Manuel Álvarez Bravo. Her self-portraits especially reflect and showcase Bravo's influence and play with innovation and attention to detail. Iturbide eschews labels and calls herself complicit with her subjects. With her way of relating to those she is photographing, she is said to allow her subjects to come to life, producing poetic portraits. She became interested in the daily life of Mexico's indigenous cultures and people (the Zapotec, Mixtec, and Seri) and has photographed life in Mexico City, Juchitán, Oaxaca and on the Mexican/American border (La Frontera). With focus on identity, sexuality, festivals, rituals, daily life, death, and roles of women, Iturbide's photographs share visual stories of cultures in constant transitional periods. There's also juxtaposition within her images between urban versus rural life, and indigenous versus modern life. Iturbide's main concern has been the exploration and investigation of her own cultural environment. She uses photography as a way of understanding Mexico; combining indigenous practices, assimilated Catholic practices and foreign economic trade under one scope. Art critic, Oscar C. Nates, has describes Iturbide's work as "anthropoetic." Iturbide has also photographed Mexican-Americans in the White Fence (street gang) barrio of Eastside Los Angeles as part of the documentary book A Day in the Life of America (1987). She has worked in Argentina (in 1996), India (where she made her well-known photo, "Perros Perdidos" (Lost Dogs)), and the United States (an untitled collection of photos shot in Texas). One of the major concerns in her work has been "to explore and articulate the ways in which a vocable such as 'Mexico' is meaningful only when understood as an intricate combination of histories and practices." She is a founding member of the Mexican Council of Photography. She continues to live and work in Coyoacán, Mexico. In awarding her the 2008 Hasselblad Award, the Hasselblad Foundation said: "Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades. Her photography is of the highest visual strength and beauty. Graciela Iturbide has developed a photographic style based on her strong interest in culture, ritual and everyday life in her native Mexico and other countries. Iturbide has extended the concept of documentary photography, to explore the relationships between man and nature, the individual and the cultural, the real and the psychological. She continues to inspire a younger generation of photographers in Latin America and beyond." Some of Iturbide's recent work documents refugees and migrants. In her work Refugiados (2015), offers a stark contrast between love and family and danger and violence showing a smiling mother holding her child in front of a hand-painted mural of Mexico dotted with safety and danger zones. The largest institutional collection of Iturbide's photographs in the United States is preserved at the Wittliff collections, Texas State University, San Marcos, TX.Source: Wikipedia
Tianhu Yuan
China
1986
Tianhu Yuan (Tales Yuan) is a self-taught Chinese visual artist based in Chengdu and Chongqing. He has a long-standing interest in ACG-related generalized Nijigen subcultural community, and aims to build a dialogue between mainstream society and subculture through his work. He also focuses on the progress of society to explore the relationship between current technology and future developments. His work has been exhibited at China 29th National Photographic Art Exhibition, RPS IPE165, Galerie Huit Arles, PHOTO IS:RAEL International Photo Festival, Jakarta International Photo Festival, PhEST Festival, Head On Photo Festival and Lishui Art Museum. He was also awarded or shortlisted from Sony World Photography Awards, Fine Art Photography Awards, BJP OpenWalls Arles, BJP Portrait of Humanity, Lucie Foundation Scholarships, PhMuseum Photography Grant, the Meitar Award for Excellence in photography and Head On Photo Awards. Self Iterating of Chongqing A traditional neighbourhood is demolished to make way for bustling shopping districts. People are digging tunnels and building bridges to build railways, leaving behind the mountains and rivers that once defined the city's character. Citizens cope with the extremes of summer in the city known as the furnace of China. It is a city of tradition, but it is also a city looking to the future. In choosing to develop, human beings leave something behind and gain something new. People believe in moving towards a better future at the moment of choice. By capturing these moments of transition and transformation, I aim to highlight the complexities of urban development and the challenges that societies face when balancing progress with environmental preservation. I try to contemplate the role of human beings in shaping our cities and the environment, and to consider the choices we make as we look towards the future. AAP Competitions All About Photo Awards 2025
Randall Romano
Canada
1957
Randall has been making photographs for over 45 years, initially in the nature/landscape genre, eventually evolving to run a commercial photography business focused on interior and exterior architectural clients. Since 2015, after closing the business, he focused solely on photographing subjects and projects that are of personal interest. These consist largely of street and documentary subjects. He has also been active in lecturing about photography, to a wide variety of Ontario camera groups. These presentations sought to stir up and challenge traditional notions on photography, bringing to light the work and importance of master photographers. A recent book publication: Reaching a Higher Level in Photography (2023) has come out of these presentations. I believe the camera’s strength is its ability to capture fleeting moments, to stop time and create a sense of curiosity in the viewer. If a still image is to be successful it has to illustrate something missed and something fleeting. Chasing this fleeting moment of uniqueness allows me to better saviour life. A father of four children, Randall and his wife Catherine live on a rural property near Peterborough, Ontario, Canada. Statement Photography represents much more to me than only exploring the world. It is the ability to capture a moment of time, to rip a unique page from the book of life. Photographs at their best tell a story or reveal a penetrating statement, not only through an individual picture but also through groups of photographs. The camera provides a means to document and freeze a passing juncture, perhaps capturing an important instant, a blink of vision that without the camera would be gone forever. The simple act of making a photograph encourages the photographer to stop and carefully look at the complexity of life. This uncomplicated act opens up details of the world lost to others. At its true essence, the camera is a persistent companion documenting a unique view of the world and travelling along through our life journeys. The techniques I use to capture these moments of life and narratives are not based on technological prowess, because to me the camera is only a tool to be harnessed. Photographs reflect and document the real world and are a contemplation of things as they are. Technology is only a means to capture this reality. The ultimate success of the process is the strength and validity of the final product, and the need it creates in the viewer to linger and explore. Winner AAP Magazine #30 Shadows
Vicky Stromee
United States
1950
How I got interested in photography I was immersed in the arts from an early age. My father was an amateur photographer and my mother a painter and pianist. At 8, I got my first Brownie camera and began shooting everything I saw. Watching an image magically emerge from the developing tray in my dad's darkroom; spending afternoons lying under the baby grand piano with waves of sound resonating around and through me; texture, pattern, fluidity, and change - these were my earliest influences, and they continue to unfold in my work. Where I live and my work can be seen I am fortunate to call the Southwest - a place of incredible natural beauty - my home. I have lived in Tucson, AZ since 1975 when I moved here to pursue a master’s degree in Counseling at the University of Arizona. When I retired from a long career in mental health, I turned my attention full time to photography, ultimately finding my niche in photographing natural subjects. More recently I have begun to create photomontages incorporating these natural objects into both abstract images and scenes of imaginary realism. My work hangs in galleries, hospitals, and private and corporate collections throughout the US. It has been featured at the Griffin Museum of Photography, Boston; Waxlander Gallery, Santa Fe; PhotoPlace Gallery, Vermont; A Smith Gallery, Texas; Fotonostrum, Barcelona; and Afterimage Gallery in Dallas. Selected images have representation through Cynthia Byrnes Contemporary Art in New York. What captures my imagination and what I explore in my art I am interested in edges and intersections of transformation where one thing moves inexorably to become something else. When is the moment when love fades into anger and resentment; when disillusionment erupts into a violent uprising, when order descends into chaos? And when is the moment when war turns towards peace; unbearable grief shifts towards acceptance; or when pain gives way to relief? I feel the daily bombardment of stories about conflict and anger towards “otherness.” I’m disturbed by the disintegration of public discourse that has devolved into shouting tropes at one another and refusing to entertain differing points of view while using violence to subjugate and silence others. The cacophony of misinformation drives me into further retreat. I’ve always felt a kinship with Buddhist thought and the concept of nonduality - the belief that there is only one reality that is the summation of all experience. That there is no separation between subject and object; inner self and outer experience; self and other. We are drops in the ocean, interconnected manifestations of spirit. When I am engaged in the act of creation – no longer focused on trying to create, but simply being a conduit – time disappears. I’m following an intuitive process to listen for what comes next. The external chatter recedes, I feel a sense of calm, I feel connected to a deeper flow. Touching into these moments provides a respite and allows me to re-engage in the world with all its seemingly unresolvable conundrums. I make art as much for myself as for others; creating visual meditations is an end in and of itself.
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