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Timurtaş Onan
Timurtaş Onan
Timurtaş Onan

Timurtaş Onan

Country: Turkey

Timurtaş Onan was born and brought up in Istanbul. He became involved in photography in 1980 and from that time to the present day he has participated in a wide range of photographic activities both organizing and participating in them. This has included taking part in and holding solo exhibitions of his work at home in Turkey and abroad and also acting as a jury member for national and international photographic competitions.

His many activities in the field of photography have involved him in international photographic projects and the creation of documentary films particularly those on socially relevant issues. He is particularly recognized and appreciated for his distinctive photographic projects about Istanbul.

His work is to be found in very many public and private collections in Turkey and abroad and at the present time he is holding photographic workshops; curating various exhibitions and working on new photographic projects.

Istanbul: A City of Strange and Curious Moments
 

Timurtaş Onan's Video

Selected Books

Inspiring Portfolios

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More Great Photographers To Discover

Prescott Lassman
United States
1963
"I am an attorney by day and amateur photographer in my free time. Based in Washington, D.C., I focus mainly on black-and-white photography — somewhere between street and documentary with a strong dose of minimalism for good measure. I have a background in philosophy and try to incorporate it into my photography. One of my favorite philosophers, the psychoanalyst Carl Jung, has influenced me deeply. In fact, I view my photography as a Jungian exercise in synchronicity. Using an intuitive approach, I search for images that resonate, for moments of synchronicity in everyday life. Because this approach relies on unconscious triggers, my photographs are often richly symbolic, though their meaning is not immediately clear (at least not to me). For me, this is the essence of photography: capturing an image that resonates and then, over the course of months or years, figuring out why." Statement Domesticated Animals is a multi-year project that explores the domestication that lies at the heart of domestic life. It started with a question that simply would not go away: "How did I become such a domesticated beast?" And then the natural follow up: "Is the domesticated life worth it?" These photographs are my attempt to answer these questions and make sense of my predicament — everyone’s predicament — by providing an unpolished glimpse of the myths we accept, the masks we are taught to wear, the roles we are forced to play, the needs and desires we sublimate (and sometimes don’t), and the tremendous pressures we face to conform in order to sustain our comfortable, domestic lives. AAP Competitions: AAP Magazine 23 Women AAP Magazine 25 B&W AAP Magazine 31 Portrait AAP Magazine 36 Street AAP Magazine 37 Travels All About Photo Awards 2024 AAP Magazine 40 Portrait AAP Magazine 45 Travels AAP Magazine 49 B&W AAP Magazine 53 Travels
Peter Harlow
Australia
1948
Peter was born and educated to first degree standard in the UK. He gained a private pilot license in 1970. His career spans aerial photography, corporate communication and management development. After emigrating to Australia in 2001 he ran his own company providing small light aircraft to farmers, flying schools and private clients. Recently he took up commercial drone flying – which combines his love of photography and views from the sky. He currently lives in Melbourne with his artist partner. As a photographer, I have always been fascinated by the interplay of light, shadows and shapes that exist in both the natural and human-made world. For many years, as a pilot I saw the landscape from a small aeroplane. With the advent of drone technology, which enables the camera platform to remain static and fly much closer to the surface, I can now explore the landscape from new angles and perspectives, capturing images that were impossible from an aeroplane. Artist statement: One of the key elements of abstract art is the process of abstraction, where artists take familiar objects and break them down into their essential components. Similarly, my photographs capture landscapes from above, abstracting the natural world into a series of shapes, colours and textures that are sometimes quite different from their original form. By removing the context of the wider landscape, I want to encourage the viewer to see the world in a new light, as a collection of abstract forms that are both beautiful and intriguing. In abstracting the landscape, my aim is to create a body of work that challenges your perceptions and invites you to see the beauty and charm that exists all around us.
Ayumi Tanaka
Fran Forman
United States
Fran's photo paintings have been exhibited widely, both locally and internationally, and are in many private collections as well the permanent collections of the Museum of Fine Arts Boston, the Smithsonian National Air and Space Museum (Washington, DC), the Museum of Fine Arts, Houston, The Grace Museum (Texas), the Sunnhordland Museum (Norway), Western Carolina University Fine Art Museum, the Comer Collection at the University of Texas, and the County Down Museum (Northern Ireland). Fran's 2nd major monograph, The Rest Between Two Notes, with 100 color plates and 224 pages is published by Unicorn Publishing and available March 2020. Escape Artist: The Art of Fran Forman was published by SchifferBooks and was selected as one of the Best PhotoBooks of 2014 by Elizabeth Avedon and won First Place in an international competition. Monographs of Fran's solo exhibitions were published by Pucker Gallery in 2018, 2016, and 2014. Fran is also featured in Contemporary Cape Cod Artists: People and Places, 2014, Photoshop Masking and Compositing, 2012, and Internationales Magazin fur Sinnliche Fotografie (Fine Art Photo), 2014, The Hand Magazine, 2016, Blur Magazine (2016), two Pucker Gallery publications, and Shadow and Light, 2015 and 2018. She was Artist in Residence at Holsnoy Kloster, Norway, in 2016 and at The Studios of Key West in 2015. Additionally, she is often asked to juror and curate photo exhibitions. Most recently, Fran has mounted solo exhibitions at The Fox Talbot Museum, Lacock Abbey, England, The Massachusetts State House (The Griffin Museum of Photography), AfterImage Gallery (Dallas), the University of North Dakota, Galeria Photo/Graphica (Mexico), and the Pucker Gallery (Boston), as well as numerous group shows. In the past decade, Fran has won numerous significant awards and prizes; most recently, first place from the Julia Margaret Cameron awards and three awards (First Place, Gold and Silver) from PX3 Prix de la Photographie, Paris. In 2011, she exhibited at the 2nd Biennial International Exhibition, Lishui, China (one of only thirty Americans); she also won the second prize from the World Photography Gala Award (out of over 8000 entries) in People and Portraits; in 2010, she won 1st place in Collage for the Lucie Foundation's International Photo Awards (IPA). She was also a finalist for four straight years in PhotoLucida's Critical Mass. She is represented by Pucker Gallery (Boston), AfterImage Gallery (Dallas), SusanSpiritus Gallery (California), and Galeria Photo/Graphica (Mexico). She is an Affiliated Scholar at the Women's Studies Research Center at Brandeis University, a recipient of several grants and Artist Residencies, and teaches advanced photo-collage internationally. Fran studied art and sociology at Brandeis University, received an MSW in psychiatric social work, and then an MFA from Boston University. She resides in the New England area.
Mark Power
United Kingdom
1959
Mark Power is a British photographer. He is a member of Magnum Photos and Professor of Photography in The Faculty of Arts and Architecture at the University of Brighton. Power has been awarded the Terence Donovan Award and an Honorary Fellowship from the Royal Photographic Society. Power was born in Harpenden, England, in 1959. He studied Fine Art at Brighton Polytechnic (1978–1981), and then travelled extensively, discovering a love for photography along the way. Upon his return, he worked as a freelance for several UK publications and charities. Power happened to be in Berlin on 9 November 1989 and photographed the fall of the Berlin Wall. He later published the photographs in the book Die Mauer ist Weg! (2014). Between 1992 and 1996, he embarked on The Shipping Forecast — a project that involved travelling to and photographing all 31 areas covered by the Shipping Forecast broadcast on BBC Radio 4. This project was published as a book and was a touring exhibition across the UK and France. He used a Volkswagen campervan as his mode of transport for the project, echoing the late Tony Ray-Jones, whose work has similarities in style and meaning to Power's. Between 1997 and 2000, Power was commissioned to document the Millennium Dome in London, a project that resulted in another touring exhibition and the accompanying book, Superstructure. Around this time his technical methods changed and he began to use colour film and a large format camera. This was followed by The Treasury Project, published in 2002, which recorded the renovation of the UK government's treasury building on Whitehall, London. In 2003, he undertook another personal project, using the London A–Z map as inspiration. The work, titled 26 Different Endings, is a collection of images examining the areas on the outer boundaries of the map. The project was exhibited at the Centre of Visual Art at the University of Brighton, and was published as a book in 2007. Between 1988 and 2002 Power was a member of Network Photographers. In 2002 he became a nominee of Magnum Photos, an associate in 2005 and a full member in 2007. Between 1992 and 2004 he was Senior Lecturer in Photography at the University of Brighton, becoming Professor of Photography in 2004, until the present. From 2004, he spent five years working on The Sound of Two Songs, on Poland's first five years as a member of the European Union. Between 2006 and 2010 Mark Power collaborated with poet Daniel Cockrill to document the rise in English nationalism. The pair undertook a series of road trips around England, culminating in the book Destroying the Laboratory for the Sake of the Experiment. In 2011 he undertook a commission from Multistory to make work that explored the social landscape of the Black Country through photography and film. He made urban landscapes; a series of photographs of elegant footwear; and a series of short films made in beauty salons, tattoo parlours and nightclubs. In 2014 Power began a self-publishing imprint, Globtik Books, with the publication of his book Die Mauer ist Weg!. Power primarily uses a digital medium format view camera, after he worked with large format film for many years. More recently he diversified into short film making.Source: Wikipedia As a child, Mark Power discovered his father's home-made enlarger in the family attic, a contraption consisting of an upturned flowerpot, a domestic light bulb and a simple camera lens. His interest in photography probably began at this moment, though he later went to art college to study life-drawing and painting instead. After graduating, he travelled for two years around South-East Asia and Australia. To support himself Power tried a number jobs (he was an English teacher, a television actor and a fish farm attendant in Hong Kong; he painted cinema murals in Bangkok; produced large numbers of identical paintings for others to sell as their own in the Australian outback (very questionable, this one!) and ended up running the camera department of a large chemist in Bankstown, in the Western Suburbs of Sydney). While travelling Power began to realise he enjoyed using a camera more than a pencil and decided to 'become a photographer' on his return to England, two years later, in 1983.Source: www.markpower.co.uk
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Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes