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Final Deadline Extended to Friday — Win a Solo Exhibition in February
Final Deadline Extended to Friday — Win a Solo Exhibition in February
Virginia Hines
Virginia Hines
Virginia Hines

Virginia Hines

Country: United States

Virginia Hines started photographing during high school, working part-time for the local newspaper where her parents were editors, and later studied photography with notable artists including Harvey Stein, Bruce Gilden, Alex Webb, and Geoff Winningham. She is a frequent contributor to Street Photography Magazine and their podcasts featured her in April 2021 and May 2022. She also wrote the introductory essay for Harvey Stein's latest book of street photography, Coney Island People: 50 Years. Her photographs have appeared in many print and digital publications and have been exhibited in group shows across the U.S. and in Europe. You can follow her progress on Instagram @vhines_photos and on her web site.

Statement
For me, photography is about making connections, most importantly, connections with other people. Even in brief interactions, there is a potential connection, a communication, that can create bonds with individuals from a variety of circumstances. Photography is an outlet for my enduring curiosity about people. There is also the challenge of making visual and conceptual connections within the confines of the frame. Photography provides a means of playing with the inescapable yet elusive dimension of time, which has fascinated me ever since I learned there was meaning to exactly how the hands were positioned on the face of a clock. I have been trying to “tell time” ever since. Finally, photography gives me a way to explore mysteries and discover order and beauty in everyday life. Often enough, life does not seem beautiful, but sometimes a photograph will bring to light qualities that lie beneath the surface. I treasure these small epiphanies and the tools photography provides for bringing them to light.
 

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All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
 
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More Great Photographers To Discover

Daido Moriyama
Daido Moriyama is a major photographer of the 20th century. Born in Osaka in Japan, he continues to work mostly in Tokyo. He studied graphic design before he learned photography with his first mentor Takeji Iwamiya. In 1961 he moved to Tokyo and became the assistant of Eikoh Hosoe and worked also with the writer Yukio Mishima on the series Ordeal by Roses. It is only in 1964 that he became an independent photographer. He gained recognition quickly with his first book Japan a Photo Theatre (1968) and later Farewell Photography (1972), Hunter (1972), Mayfly (1972), Another Country in New York (1974), Light and Shadow (1982), A Journey to Nakaji (1987), Lettre à St Lou (1990)... We will stop there as we cannot list his 200 books! In 1968 Daido Moriyama became a member of the Provoke movement. He describes his work as been "are, bure, boke". He gave birth to a new kind of street photography. His work was shown in 1974 at the MOMA in an exhibition called "New Japanese Photography". Since then we have seen his work all around the world in majors exhibitions and museums. In 2012 he won the ICP Infinity Award. After studying graphic design, Daido Moriyama first explored photography under Takeji Iwamiya. He moved to Tokyo in 1961 to become an assistant to the great Japanese photographer Eikoh Hosoe while he was working on his famous series Ordeal by Roses with the writer Yukio Mishima. Daido Moriyama began to work independently in 1964. His first monograph, Japan, a Photo Theater (1968), was immediately acclaimed by the artistic community and was followed by several books that became references in the history of photography, such as Farewell Photography (1972), Hunter (1972), Mayfly (1972), Another Country in New York (1974), Light and Shadow (1982), A Journey to Nakaji (1987) and Lettre à St.Loup (1990), to name only a few. Daido Moriyama has published over 180 books to date. As a member of the Provoke movement, which he joined in 1968 for the second issue of the eponymous magazine, Daido Moriyama delivers rich, dense and versatile photographs. His work, often described as raw, blurried and troubled (or, in Japanese, the "are, bure, boke" aesthetics), gave birth to a new street photography practice in which the artist roams the street, confronting and being confronted by public spaces. Daido Moriyama started manipulating silkscreen printing in the seventies, using the technique for his books as well as his exhibition pieces. The Japanese artist also organized interactive events and installations as a way to adapt his discourse to different spaces and situations. Through several autobiographical texts, such as Memories of a Dog (1984 and 1997), he explains how his artistic practice is inspired by the heritage left by the likes of Eugène Atget, Jack Kerouac, William Klein, Nicéphore Niépce, Shomei Tomatsu, Andy Warhol, Weegee, and Garry Winogrand. Daido Moriyama's work has had a radical impact on the artistic communities both in Japan and abroad. In 1974, the MoMA in New York presented his work as part of the first Western exhibition focused on Japanese Photography. His pieces have since been showcased in many major exhibitions: at the TATE in London (William Klein + Daido Moriyam, 2012); at SFMoMa in San Francisco and at the Metropolitan Museum in New York (Stray Dog, 1999); at the National Art Museum in Osaka (On the Road, 2011);l at the Fondation Cartier pour l'Art Contemporain (Paris, 2003); at FOAM in Amsterdam (2006); and, more recently, at the Rencontres Internationales de la Photographie d'Arles (Labyrinth + Monochrome, 2013).Source: Polka Galerie Articles: Book Review: Quartet
Soumya Sankar Bose
I am a documentary photographer based in India. I did my Post graduate diploma in photography from Pathshala South Asian Media Institute.Born in 1990 Midnapore - Lives and works in KolkataAwards and Fellowships: The Toto-Tasveer Emerging Photographer of the Year. India foundation for the Arts grant for the Project "Let's Sing an Old Song". Magnum Foundation's Photography and Social Justice Fellowship for the Project "Full Moon in a Dark night"Publications: The Telegraph, The Indian Express , Better Photography, Kindle Magazine, Mint Lounge, The Caravan, Wired, A’int-Bad Magazine, Platform, Harmony . As well as online portals such as Scroll.in, The Huffington Post, BBC Online, Gallery Carte Blanche, F-Stop Magazine, Galli Magazine, Fltr , Medium and etc. AAP: Do you have a mentor or role model? Yes, Shahidul Alam who is the principal of Pathshala .And Morten Krogvold was one of my mentor during Chobimela VII .AAP: Do you remember your first shot? What was it?I don't remember my first shot exactly but when I was 7-8 years old, I got a Kodak KB10 from my mother and then I started to capture each and everything around me.AAP: What or who inspires you?My Parents ,Friends, Barnali But mostly my Grand father whose photographs inspire me to become a photographer in my childhood.AAP: How could you describe your style?Once one of my mentor Hasib Zakaria told me that my work is about hyper real. "Hyper reality is seen as a condition in which what is real and what is fiction are seamlessly blended together so that there is no clear distinction between where one ends and the other begins."AAP: What kind of gear do you use? Camera, lens, digital, film?I like to shoot only on 35mm Prime lens in Film and Digital both.AAP: Do you spend a lot of time editing your images? For what purpose?I don't spend lot of time in editing my pictures but what I keep in mind during my editing is that I should not off-tracked.AAP: Favorite(s) photographer(s)?Alec Soth, Stfan bladh, Graciela Iturbide, Diane Arbus, Dayanita Singh and so on.AAP: What advice would you give a young photographer?I am also a young Photographer.AAP: What are your projects?My project documents retired Jatra artists (Jatra is four hundred years old Bengali folk theater which is disappearing day by day) or who have been working in Jatra for more than 25-30 years.AAP: Your favorite photo book?Calcutta Ladies by Dayanita Singh, Fauna and Flora by Dietmar Busse and so on.
Sean Gallagher
United Kingdom
1979
Sean Gallagher is a British photographer and filmmaker, who has been in Asia for over 15 years. Based out of Beijing, China, he specialises in covering issues surrounding the climate crisis and other global environmental issues for some of the world's leading news outlets. He creates innovative photographic, video and multimedia projects that highlight individual's stories from communities that are affected by issues such as climate change, biodiversity loss, pollution, desertification and deforestation. He is a 8-time recipient of the Pulitzer Center on Crisis Reporting travel grant, his images are represented by the National Geographic Image Collection and he is a Fellow of the UK Royal Geographical Society. He graduated in Zoology from university in the United Kingdom and it is his background in science that has led to much of his work being focused on communicating environmental issues through visual storytelling. His selected awards include; Environmental Photographer of the Year - Changing Environments Prize (2019), Resilience Science Journalism Fellow - Craig Newmark Graduate School of Journalism at City University New York (2019), Woods Hole Oceanographic Institute Science Journalism Fellow (2017), Environmental Film of the Year - Winner - 'The Toxic Price of Leather', Environmental Photographer of the Year Competition (2014), Published 'Meltdown', a multimedia eBook documenting China's environmental crises in the early 21st Century (2013). Photography and Climate Change Awareness
Matthew Pillsbury
United States / France
1973
Matthew Pillsbury is a French-born American photographer, living in New York City. The Screen Lives series, inspired by Sugimoto's movie theater photos, features black and white, long-exposure photographs of family and friends sitting in their apartments interacting with their computer and television screens. In 2004 The New York Times Magazine commissioned him to do a portfolio of photos of New York museums after hours. One such photo was taken at the Guggenheim Museum: An installation in progress in the Ronald O. Perelman Rotunda (Oct. 1, 2004.) In addition to New York, he continued to shoot within museums in both London and Paris, including the Musée du Louvre. At the Louvre he photographed the Mona Lisa. The New York Times and the Aperture Foundation published New York Times Photographs in the fall of 2011, featuring one of his photos of the American Museum of Natural History's Rose Center For Earth and Space. In the Dec 11, 2011 issue of New York Magazine, Pillsbury's works were published as part of their "Reasons to Love New York 2011" feature. The photos included four shots from City Stages, which included Occupy Wall Street protesters in Zuccotti Park, as well as Jing Fong dim sum, Fausto in Washington Square Park and High Line. His series, City Stages initially ran from February 23, 2012 to April 28, 2012 at the Bonni Bunrubi Gallery in New York City. The exhibition opened in Atlanta, GA on September 13, 2012 and ran until November 17, 2012 at The Jackson Fine Art gallery. In September 2013, the Aperture Foundation published a monograph that includes a retrospective of his works, titled, City Stages. The New York Times Magazine published one of Pillsbury's City Stages photos as part of their Manhattanhenge feature in July 2013. Art Relish conducted an interview in October 2012 with him discussing his City Stages works. In the Oct 1, 2012 edition of Time Magazine, High Line photo, featuring a park in Manhattan constructed of abandoned train tracks, was highlighted as part of his exhibit at the Jackson Fine Art gallery. The Screen Lives series, inspired by Sugimoto's movie theater photos, features black and white, long-exposure photographs of family and friends sitting in their apartments interacting with their computer and television screens. On the CNN Photos Blog, Pillsbury's Screen Lives series was featured in a post about the School of Visual Arts "Myths & Realities" show, which took at the Visual Arts Gallery in New York, Aug 29-Sept 29, 2012. On November 27, 2011, New York Times Magazine featured two of Pillsbury's photos of Jane's Carousel from "City Stages." In April 2014, Pillsbury was one of 11 photographers awarded with the John Simon Guggenheim Memorial Foundation Fellowship. Approximately 200 Fellowships are awarded each year through two annual competitions that receive between 3,500 and 4,000 applications. Guggenheim Fellowships are grants awarded to "advanced professionals in mid-career" who have demonstrated exceptional ability by publishing a significant body of work within the fields of natural sciences, social sciences, humanities and the creative arts, excluding the performing arts. In 2014, Pillsbury photographed various cities in Japan, with the focus being in and around Tokyo. Recent photographs from his work in Tokyo were revealed in a photo essay published on July 18, 2014 in The New York Times Magazine and include images from Tokyo Disneyland, Robot Restaurant and the CupNoodles Museum in Yokohama. In April 2014, The New York Times Magazine first ran a photo essay of Pillsbury's work that centered around the hanami parties that occur during the week when the cherry blossoms are at peak bloom. An exhibition of His new Tokyo work opened Sept 10, 2014 and closed November 15, 2014 in New York City at Benrubi Gallery. A portfolio of Pillsbury's new images was featured in The New Yorker in September 2015, and showcased locations that include the High Line, the American Museum of Natural History, Astoria Park Pool and the Coney Island Boardwalk. He has also widened the project's focus to include locations outside of Manhattan, after a move to Brooklyn in January 2015 that inspired him to shoot urban life in the outer boroughs. In a redesign and relaunch in the February 22, 2015 issue, The New York Times Magazine published a photograph Of his on its cover. The long exposure image featured an illuminated spinning globe, which he took in his basement. He is represented exclusively by Edwynn Houk Gallery in New York.Source: Wikipedia
Patricia McElroy
United States
Patricia McElroy was born in Philadelphia and raised in Ireland, a duality that continues to shape both her life and work. After graduating from the National College of Art & Design in Dublin, she returned to the U.S., where she and her husband built a successful design business. While her career has moved fluidly between art, design, and entrepreneurship, photography has remained her most personal and enduring form of expression—a way to explore themes of memory, place, identity, and belonging. Between Then & Now Six years ago, McElroy’s 94-year-old mother came from Ireland for what was meant to be a short visit. Her deteriorating eyesight and dementia made it clear she could no longer live on her own and a new chapter quietly began for them both. At first, McElroy picked up her camera as a way to hold onto the mother she knew, but what started as a gesture of preservation soon became something more—a quiet reflection on how memory drifts, resurfaces, and reshapes itself over time. In many ways, her mother exists in both places even now—her memories drifting between both lands, echoing the family’s own migration story. McElroy realized that migration doesn’t just alter geography—it reshapes how we remember and where we feel we belong. Distance doesn’t erase the past, but reframes it, softening some details and sharpening others. This led McElroy to examine her own immigrant experience, using her mother’s life and their shared generational story as a lens to explore the complexities of memory, migration, cultural identity, family, and home. In doing so, she recognized that her past and present photographic work had long been rooted in these themes. Her growing archive—both personal and inherited—became part of the exploration, revealing a continuity in her artistic voice that had always been quietly present. For McElroy, immigration has never been a single moment, but a rhythm—an ongoing dance between two places, two cultures, and two selves. Her family has long carried two homes in their hearts, navigating the layered contradictions of belonging. Ireland is where their roots run deep, where legacy is woven into the land; America is where reinvention lives, where possibility expands. Over time, the boundary between the two became less defined—not a point of conflict, but a quiet acceptance of a life shaped by both. McElroy captures the fragile space where cultural and emotional threads bind past to present. Her images speak to love, loss, resilience, and the ways migration and remembrance shape who we are and where we feel we belong. In telling her own family’s story, she’s also telling a more universal story—of beauty found, and life lived fully in the journey Between Then & Now.
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All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry