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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Tanya Lunina
Tanya Lunina
Tanya Lunina

Tanya Lunina

Country: Russia/United States
Birth: 1973

Tanya Lunina (b. 1973, Russia) is a fine art photographer based in the Chicagoland area where she settled in 2006. Lunina's work is related to both the urban and its neighboring waterfront space in the city of Chicago. She always looks for a personal interpretation of a place and photographically strives to achieve order and balance in her works. Lunina's photographs have been exhibited at several galleries in Illinois, United States. Her work has been published in three juried publications by LensWork Publishing. She also was the first- place winner of the 13th & 14th International Julia Margaret Cameron Awards in the cityscape and landscape/seascape categories.

Statement:
Lake Michigan, Chicago... Although it is only a few steps from downtown, the city and its noise have been left behind.

Located on the foot of Chicago, the lake is heavily affected by man; concrete and metal objects interrupt its shoreline. The altered urban lakefront seems imbalanced with the vast view of water and sky. But, in a big city, the interaction of man and nature is inevitable.

These images convey quietness, yet the evidence of urban life. The content of the works binds together simple forms, created by man and nature itself, and gives a sense of presence on the Chicago lakefront.
 

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More Great Photographers To Discover

Steeve Luncker
Switzerland
1969
Born in 1969 in Switzerland, Steeve Iuncker lives and works in Geneva. He studied at the Photography School in Vevey and is Agence VU' member since 2000.“Press photographer (he works part-time for a daily newspaper), Steeve Iunker tirelessly questions the role(s) of photography and of the image in the fields of information and documentary today in a radical and political way…[his work] aims to get close to the taboos relating to the body, to death and to the standard social conception of big issues that affect human thought. Either he stays with an Aids patient in the terminal phase, he represents the professional life of an old prostitute, he confronts himself with the crisis in Gaza, he stores images of celebrities adorned with diamonds at Cannes Festival, discovers the backstage area of a fashion show, follows the police while investigating on crimes, or reveals the astounding world of plastic surgery, Steeve Iunker doesn’t chase icons. He shows. In a realistic, free and salutary way. Even if it might seem provocative or shocking. He only wants us to agree to see. To be responsible and clear-sighted.”Christian Caujolle.He has recently finished the first phase of a project dealing with the subject of death. He wishes to expose to Geneva the realities that its police department, University Institute of Legal Medicine and the Murith Funeral Services must face regularly. The second ongoing phase of the project consists of photographing the places and traces behind individual deaths in order to reveal an often unknown reality that is tossed into the realm of fiction by Hollywood movies. Source: Agence VU
Harry Fisch
There is of course a personal and direct involvement in the places that I later represent but (and), my artistic practice includes onsite photography and documentation, historical records research, as my own encounters and finding testimonials from other visitors as well as narratives. De-constructing whatever is called reality in order to build another new reality that is more closely related to my non- photographic memories. -Harry Fisch- Harry Fisch has been a photographer for more years than he cares to remember. He is the founder and leader of Nomad Photo Expeditions, a travel company that organizes unique photo tours and photographic expeditions all over the world. He designs his trips looking for stories, cultural events, and experiences of human interest and photographic value, all which is enriched through his previous on-site experiences, new explorations of special locations, previous works of travelers, historians and documentary makers. Winner of the 2012 World National Geographic Photo Contest (places), and later disqualified (due to deleting a plastic bag), his work –travel photography and fine art- has deserved many awards: 2020 finalist at the professional IPA (International Photography Awards) and two honorable mentions as well. 2020 Bronze at the professional MIFA (Moscow International Foto Awards). 2019 two IPA Professional Awards of Merit. 2019 finalist, Travel Photographer of the Year. 2014 Grand Prix de la Découverte, 2012 finalist in the Sony World Photo Awards, 2010 Photoespaña in the section “Discoveries”. A writer in different international photography publications, his interest in the photography of localities and cultural realities has seen him travel through all over the world. Interested in Asian and African cultures, the more he sees and experiences the more curious he has become. He endeavors to build relationships with the people of a place, sharing as far as possible their daily existence, listening to the ups and downs of their lives. He plans the expeditions from this perspective, looking for different locations-sometimes a nearby residence or attending an event, or accepting an invitation that can make that contact more real and personal.
Marilyn Silverstone
United States
1929 | † 1999
Marilyn Silverstone, who has died of cancer in Kathmandu aged 70, was one of only five women members of the Magnum Photos co-operative. Yet after more than 20 years of freelancing for publications such as Life and Paris Match, she gave up the glamour of photo-journalism to become a Buddhist nun in Nepal.Source: The Guardian Marilyn Rita Silverstone (9 March 1929 – 28 September 1999) was the eldest daughter of Murray and Dorothy Silverstone was born in London. Her father, the son of Polish immigrants to America, rose to become managing director, and president, international, respectively, of United Artists and 20th-Century Fox, working with Charlie Chaplin and other early film stars in London. The family returned to America just before the outbreak of the Second World War in Europe. Silverstone grew up in Scarsdale, New York. After graduating from Wellesley College, she became an associate editor for Art News, Industrial Design and Interiors in the early 1950s. She moved to Italy to make documentary art films. Marilyn Silverstone became a working photojournalist in 1955, traveling and capturing the range of images that her vision led her to find in Europe, Africa and the Middle East. In 1956, she travelled to India on an assignment to photograph Ravi Shankar. She returned to the subcontinent in 1959; what was intended to be a short trip became the beginning of a fascination with India which lasted for the rest of her life. Her photographs of the arrival in India of the Dalai Lama, who was escaping from the Chinese invasion of Tibet, made the lead in Life. In that period, she met and fell in love with the journalist Frank Moraes. Moraes was then editor of The Indian Express. The couple lived together in New Delhi until 1973, socializing with politicians, journalists and intellectuals, and diplomats. A number of Moraes' editorials had earned the ire of Prime Minister Indira Gandhi and the situation deteriorated to the point that a retreat to London became the best course. Over the years, Silverstone's reputation as a photographer grew. In 1967, she joined Magnum Photos, in which she was only one of five women members. Silverstone's work for Magnum included photographing subjects ranging from Albert Schweitzer to the coronation of the Shah of Iran. Silverstone's conversion to Buddhist nun was said to have begun when she was a teenager suffering from the mumps. She later explained that during this conventional childhood illness, she read Secret Tibet by Fosco Maraini and she said the book provided a key she long carried in her subconscious. In the late 1960s, Marilyn Silverstone had worked on a photography assignment about a Tibetan Buddhist lama in Sikkim named Khanpo Rinpoche and, when the lama came to London for medical treatment in the 1970s, Rinpoche stayed with the couple. At this point, Silverstone decided to learn Tibetan in order to study Buddhism with him. After Moraes's death in 1974, Silverstone decided to join the entourage of another celebrated lama, Khentse Rinpoche, who left London for a remote monastery in Nepal. In 1977, she took vows as a Buddhist nun. Her Buddhist name was Bhikshuni Ngawang Chödrön, or Ani Marilyn to her close friends. In her new life in Kathmandu, she researched the vanishing customs of Rajasthan and the Himalayan kingdoms. In 1999, Ngawang Chödrön returned to the United States for cancer treatment and she learned that she was terminally ill. She was clear that she wanted to die in Nepal, her home for the past 25 years. However, no airline would carry a passenger in her fragile condition. She resolved the impasse by persuading a doctor on vacation to accompany her on the return to Kathmandu. The journey was fraught with difficulties. She was barely conscious during the trip and a stopover was necessary in Vienna. She died in 1999 in a Buddhist monastery near Katmandu where she had worked to establish and maintain. At the time of Silverstone's death, the preparation of an exhibition at the Scottish National Portrait Gallery featuring her work and that of other Magnum photographers was nearing completion. The University of St Andrews hosted a seminar in conjunction with this exhibition, and as Silverstone had just recently died, the seminar became an opportunity for her peers to celebrate her life and career. Source: Wikipedia Born in London in 1929, Marilyn Silverstone graduated from Wellesley College in Massachusetts, then worked as an associate editor for Art News, Industrial Design, and Interiors during the 1950s. She also served as an associate producer and historical researcher for an Academy Award-winning series of films on painters. In 1955 she began to photograph professionally as a freelancer with the Nancy Palmer Agency, New York, working in Asia, Africa, Europe, Central America and the Soviet Union. In 1959, she was sent on a three-month assignment to India, but ended up moving to New Delhi and was based there until 1973. During that time she produced the books Bala Child of India (1962) and Ghurkas and Ghosts (1964), and later The Black Hat Dances (1987), and Ocean of Life (1985), a journey of discovery that aims to take the reader to the heart of a complex and compassionate Buddhist culture. Kashmir in Winter, a film made from her photographs, won an award at the London Film Festival in 1971. Silverstone became an associate member of Magnum in 1964, a full member in 1967, and a contributor in 1975. Marilyn Silverstone, whose photographs have appeared in many major magazines, including Newsweek, Life, Look, Vogue and National Geographic, became an ordained Buddhist nun in 1977. She lived in Kathmandu, Nepal, where she practiced Buddhism and researched the vanishing customs of the Rajasthani and Himalayan kingdoms. She died in October 1999 at the Shechen monastery, near Kathmandu, which she had helped to finance. Silverstone’s photographic estate is managed by Magnum Photos under the direction of James A. Fox, a former Magnum Editor-in-Chief, and present Curator.Source: Magnum Photos
Da Miane
Georgia
1995
Da Miane (Nika Pailodze) is a Georgian street photographer based in Tbilisi. Born in 1995, he has been captivated by visual storytelling from an early age. Even when 0.3-megapixel phone cameras were standard, he began experimenting with photography, initially capturing nature before turning his lens toward the human and urban landscape around him. With an academic background in literary studies, Da Miane brings a nuanced narrative approach to his photography. This foundation has sharpened his eye for storytelling, composition, and emotional depth. He sees the world as a stage, where fleeting moments become lasting impressions through his camera. Since 2014, Da Miane has documented the streets of Tbilisi almost daily. His work focuses on spontaneous human interactions, environmental contrasts, and the often-overlooked poetry of everyday life. Favoring observation over orchestration, he rarely works on commercial assignments or structured projects. Instead, his approach is intuitive, shaped by constant movement and awareness of his surroundings. While not centered around formal series, his body of work includes standout projects such as Highland Adjara, in which his street photography sensibilities guided him to document remote communities with empathy and instinct rather than direction. His ability to connect with strangers and earn their trust has become a hallmark of his visual language. The people in Da Miane’s photographs are anonymous yet deeply familiar—sellers, buyers, passersby—captured repeatedly over the years as they shift through the same streets. He doesn’t seek to know their names or stories; what matters is the impression they leave in a split second, preserved forever through his lens. He works primarily in color but is equally drawn to black and white when it serves the emotional weight of an image. For Da Miane, color is not just aesthetic—it is a carrier of information, mood, and narrative clarity. Da Miane has participated in numerous photography competitions, receiving recognition both locally and internationally. His work is driven not by the pursuit of uniqueness, but by a personal connection to the scenes he witnesses. Influenced by cinema, literature, and music, he views photography not as documentation but as a way to express the subtle drama of the everyday. Awarded Photographer of the Week - Week 23
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Latest Interviews

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