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FINAL CALL TO ENTER AAP MAGAZINE SHAPES: PUBLICATION AND $1,000 CASH PRIZES
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Tanya Lunina
Tanya Lunina
Tanya Lunina

Tanya Lunina

Country: Russia/United States
Birth: 1973

Tanya Lunina (b. 1973, Russia) is a fine art photographer based in the Chicagoland area where she settled in 2006. Lunina's work is related to both the urban and its neighboring waterfront space in the city of Chicago. She always looks for a personal interpretation of a place and photographically strives to achieve order and balance in her works. Lunina's photographs have been exhibited at several galleries in Illinois, United States. Her work has been published in three juried publications by LensWork Publishing. She also was the first- place winner of the 13th & 14th International Julia Margaret Cameron Awards in the cityscape and landscape/seascape categories.

Statement:
Lake Michigan, Chicago... Although it is only a few steps from downtown, the city and its noise have been left behind.

Located on the foot of Chicago, the lake is heavily affected by man; concrete and metal objects interrupt its shoreline. The altered urban lakefront seems imbalanced with the vast view of water and sky. But, in a big city, the interaction of man and nature is inevitable.

These images convey quietness, yet the evidence of urban life. The content of the works binds together simple forms, created by man and nature itself, and gives a sense of presence on the Chicago lakefront.
 

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More Great Photographers To Discover

Jaclyn Cori
United States
1968
Cori is a lens-based storyteller. With a B.A. in English and an M.F.A. in Photography she combines the two specializations to create visual narratives. Fact, fiction and poetry intermix to address the evolving nature of self and family. Dreams and nightmares coexist. As the participant observer she balances on the tightrope between seeing and being. Living and working in Savannah, Georgia, she is the mother of fraternal twin daughters and a Professor of Photography at The Savannah College of Art and Design. Cori teaches Lightroom, Darkroom, Portfolio Building and Book Making. She is included in Who's Who Among American Teachers and quoted in ''Teaching Photography: Tools for the Imaging Educator''. Selected publications include ''The View Project'', F-Stop magazine, Art Ascent, Art Square New York, and ''Eye Mama: Poetic Truths of Home and Motherhood''. Born on the Same Day Born on the Same Day reflects the separation and interdependence of fraternal twin girls. By the taking on and discarding of roles, it is the discovery of their world through free play and fantasy. They embrace the life-long process of understanding themselves and each other. Every morning they open their eyes and there is ''the other one'', their twin, their castmate. Everything around them began the same, yet they are entirely unique. Snow White, draped in Rapunzel's hair, cascades down the stairs. The other child, who refuses to wear clothes, sits on a stool examining a wounded knee. Snow White, donning a veil like Mother Teresa's, twirls towards her twin to get a glance. Her gesture, the transition of separateness to closeness is her own, but also an empathic gift to her sister, and a serendipitous moment for her mother photographer. They weave a tale of drama, comedy, and tragedy. They dance together, push apart, run away and always return to dance together again. One moment they hate each other and the next they are giggling behind a closed bedroom door. Their story began with me soothing their booboos, providing costumes, and always being the safe haven. As princess costumes turned into gymnastics competitions and pointe shoes, simply kissed wounds have been replaced with the joys and sorrows of fantasy falling away. They sob, they scream, they triumph and fail, creating a space in a bigger world and turning to each other to be understood and accepted. Sometimes I cry. Often, I laugh. I console. I advise. I feel their suffering and strength, working to lessen the former and develop the latter. And all the while I make photographs, having also become the archivist of their childhood, creating a lyrical, vivid family album as unique as each twin.
Joris Hermans
Belgium
1983
Joris Hermans is a freelance documentary and travel photographer based in Belgium. In February of 2018, after winning a Nikon Press Photo Award in his country, he decided to leave his home behind and travel the world indefinitely. He tries to capture countries and people inbox ways no traveler does and documents everything on THE WORLD AHEAD OF US. He's still accepting freelance assignments. Joris' work has been featured on LifeFramer, Don't Take Pictures, PDN, Booooooom, Aint-Bad Magazine, Positive Magazine, GUP Magazine and Fotoroom Magazine. He was a finalist for the Renaissance Photography Prize and selected for the Kontinent Awards. He was a category winner of PDN World in Focus in 2015 and Nikon Press Photo Awards in 2016/2017. People Being pretty disappointed by today's travel photography, I decided to try and make a change. For me, traveling is not about selfies and "Instagrammable" places but about the people, stories and experiences. People make a country interesting and since I left to travel indefinitely more than one year ago, I've been focusing on the people in every country. Regular people I meet and who share me their story or with whom I have a quick chat in the streets are the stars in my portrait photos. it doesn't matter. They're all special. I try to take my medium format camera everywhere I go because I know an interesting person might pop up any where, any time. I hope one day, I can create a book with all these interesting faces and their stories. This is Varanasi In 2018, I spent two months traveling across India. It's become one of my favourite countries in the world. The history, culture and people inspired me every day I was there. Then, I arrived in Varanasi and it was the highlight of my time in India. Varanasi or Benares is the Holy Grail of India according to many travelers. It's one of the oldest cities in the world sitting on the banks of the river Ganges and that's exactly why it's so important to Indians. Everybody wants to die in Varanasi and/or be cremated on the banks of the holy river. After the cremation, the ashes are being sprinkled in the river and that's when the deceased reaches Nirvana. From all over India people travel to Varanasi; to die or to bring the dead, sometimes even with the corpse on ice in the trunk of a car... Life and death are not that far apart in India... The Ghats that lead up to the river is what I wanted to see. That's where the locals are and where they play cards and cricket or just relax in the evening. And that's exactly what we did too every evening when the sun started to set; just relax at the ghats of Varanasi. The light turned into a magical glow again like everywhere in India went the sun goes down and as a photographer it's an awesome few hours to be out...
Joël Tettamanti
Switzerland
1977
Joël Tettamanti was born in 1977 in Efok, Cameroon, and grew up in Lesotho and Switzerland. He studied photography at ECAL, Lausanne, where his teachers were Pierre Fantys and Nicolas Faure. Following his studies, he worked as an assistant to the photographer Guido Mocafico in Paris. Tettamanti is established as a commercial and media photographer for clients such as Wallpaper*, Kvadrat, and international architects. His work has been featured in solo and group exhibitions in Europe, and has been the subject of several monographs, including Local Studies (2007) and Davos (2009). He lives in Lausanne. The Swiss photographer Tettamanti creates works that focus on the impact of human settlement on the landscape, from Asia to the Arctic Circle. The images are often without people, examining instead the contradiction of human frailty and resilience, and the relationships people form with the land. His work is a vast archive of the structures, villages, and cities people create, and of the landforms and climates that shape them. Like many photographers who have been drawn to archive the world, Tettamanti’s interest lies beyond collecting artifacts of the human imprint on the land. The questions he asks of a place – why things look the way they do, and how they came about – lead to profoundly social narratives about the people who are uplifted and sometimes defeated by the land they inhabit. Tettamanti gravitates toward inhospitable environments where these relationships play out in spectacle: the juxtaposition of sublime natural beauty and buildings of startling banality, or ingenuity, or of land seemingly without limit and the meager architecture put upon it. The story can be one of use and misuse, where urban sprawl or industrial incursions have degraded the land and corrupted its beauty, as well as one of human adaptability and resourcefulness. The land is shaped by people as much as it shapes them. His quest as an artist recalls the expeditionary photography of the American West in the nineteenth century, when territories previously unexplored by Americans were opened to visual imagination by the camera. Today, when technology and globalization make distant cultures accessible, there is still a sense of revelation in Tettamanti’s work. For this artist, much like the nineteenth-century pioneers of the medium, photography remains a means of understanding the world, and retains the power to astonish with images of places that exist beyond the imagination. Source: MIT Museum
Arthur Tress
United States
1940
Arthur Tress (born November 24, 1940) is an American photographer. He is known for his staged surrealism and exposition of the human body. Tress was born in Brooklyn, New York. The youngest of four children in a divorced family, Tress spent time in his early life with both his father, who remarried and lived in an upper-class neighborhood, and his mother, who remained single after the divorce and whose life was not nearly so luxurious. At age 12 he began to photograph circus freaks and dilapidated buildings around Coney Island in New York City, where he grew up. Tress studied at Abraham Lincoln High School in Coney Island, and gained a Bachelor of Fine Arts at Bard College in Annandale-on-Hudson, New York. After graduating from Bard College in 1962, Tress moved to Paris, France to attend film school. While living in France, he traveled to Japan, Africa, Mexico, and throughout Europe. He observed many secluded tribes and cultures and was fascinated by the roles played by the shaman of the different groups of people. The cultures to which he was introduced would play a role in his later work. Tress spent the spring and summer of 1964 in San Francisco, documenting the Republican Convention that nominated Barry Goldwater, civil rights demonstrations at segregated car dealerships on Van Ness Avenue, and the Beatles launching their 1964 tour. Tress took over 900 photographs that were put away and re-discovered in 2009, and featured in a show at San Francisco's deYoung Museum. He currently resides in San Francisco, California. Source: Wikipedia Arthur Tress began his first camera work as a teenager in the surreal neighborhood of Coney Island where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mostly in Asia and Africa, he developed an interest in ethnographical photography that eventually led him to his first professional assignment as a U.S. government photographer recording the endangered folk cultures of Appalachia. Seeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children's dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach. Beginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York's Welfare Island. This led to a smaller scale exploration of narrative still life within a children's toy theater and a portable nineteenth-century aquarium. Around 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist's sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers. Source: www.arthurtress.com
Davide Bertuccio
Davide was born in Messina in 1991. He is a photojournalist based in Milan. He graduated with honors in 2016 at IED (Istituto Europeo di Design) at the school of visual arts in photography. Since the end of 2016, he focused on the theme of globalization, looking for stories that would give voice to the small realities crushed by that indefatigable desire for equality. In 2019 He decided to follow his passion for science and environmental problems with the realization of a work about the problem of plastic pollution in the Mediterranean Sea. Davide, inserted in 2014 among the 10 best under 25 Italian talents and nominated in 2019 by 6X6 World Press Photo Global Talent Program, has been published by National Geographic USA, National Geographic Italia, Il Reportage and his works received national and international awards. Accross the River's Flow Saxons are a community with German roots. Since XI century, together with Hungarians and Romanians, they’ve been living in the green heart of Romania. From this very land, a major migration is now taking place which marks the decline of centuries of history. Saxons are disappearing and their culture, their tongue and traditions along with them. “Across the river’s flow” aims to be a work about the disappearing of ethnic minorities, overwhelmed by the pace of modern life and by an ever-growing globalization. Saxons are an example of how authenticity is wiped out to make room for a fictitious daily routine and how entire ethnic groups and populations must surrender to outside forces such as racism.
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