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Tanya Lunina
Tanya Lunina
Tanya Lunina

Tanya Lunina

Country: Russia/United States
Birth: 1973

Tanya Lunina (b. 1973, Russia) is a fine art photographer based in the Chicagoland area where she settled in 2006. Lunina's work is related to both the urban and its neighboring waterfront space in the city of Chicago. She always looks for a personal interpretation of a place and photographically strives to achieve order and balance in her works. Lunina's photographs have been exhibited at several galleries in Illinois, United States. Her work has been published in three juried publications by LensWork Publishing. She also was the first- place winner of the 13th & 14th International Julia Margaret Cameron Awards in the cityscape and landscape/seascape categories.

Statement:
Lake Michigan, Chicago... Although it is only a few steps from downtown, the city and its noise have been left behind.

Located on the foot of Chicago, the lake is heavily affected by man; concrete and metal objects interrupt its shoreline. The altered urban lakefront seems imbalanced with the vast view of water and sky. But, in a big city, the interaction of man and nature is inevitable.

These images convey quietness, yet the evidence of urban life. The content of the works binds together simple forms, created by man and nature itself, and gives a sense of presence on the Chicago lakefront.

Websites

tanyalunina.com

@tanya.lunina

 

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More Great Photographers To Discover

Oliver Curtis
Oliver Curtis
United Kingdom
1963
Brought up in the Cotswolds, Curtis began his photographic education studying photography at the renowned course at Filton Technical College in Bristol. He went on to study film and television at the London College of Printing and has been balancing work in stills and moving image ever since. Curtis continues to produce stills portraiture for major broadcasters as well as generating his own projects for exhibition and publication. He sites as key influences William Eggleston, Saul Leiter and Paul Graham. He continues to plough a distinctly idiosyncratic path as Director of Photography on feature films as diverse as Clare Kilner's The Wedding Date, Frank Oz's Death At A Funeral and Joanna Hogg's Unrelated as well as experimental gallery-based installations such as Gideon Koppel's Borth. He remains in great demand worldwide shooting commercials for high profile clients such as Pantene, L'Oreal, La Perla, Ferragamo, Palmolive, Rimmel, Coca Cola, Sony, Guinness, Canon and Cadbury's. About Volte-Face: On visiting the Pyramids of Giza in Cairo in 2012, Oliver Curtis turned away and looked back in the direction he had come from. What he saw fascinated him so much that he has since made a point of turning his back on some of world's most photographed monuments and historic sites, looking at their counter-views and forgotten faces. Taken over a period of four years, Volte-face is an invitation to turn around and see a new aspect of the over-photographed sites of the world - to send our gaze elsewhere and to favour the incidental over the monumental... Curtis feels that despite the landmark not being present in the photograph, the images are still suffused with the aura of the construction. The camera lens effectively acts as a nodal point and, by giving the photograph the title of the unseen partner, this duality becomes a virtue. Volte-face will be published by Dewi Lewis featuring an essay by Geoff Dyer: https://www.dewilewis.com/collections/new-titles/products/volte-face The first exhibition of the Volte-face project was held at the Royal Geographical Society in London, Sept 2016. The collection has received a great deal of acclaim worldwide and has featured in the Financial Times Magazine (UK), NPR Radio New Hampshire (USA), Liberation (France) Wired.com and BBC World Update amongst many others.
Russ Rowland
Russ Rowland
United States
1957
Russ Rowland never aspired to be a photographer and now it’s his 24-7 life. Coming to photography later in life, he’s now award-wining professional photographer who’s specialties include corporate and life events, theater, interiors, portraits and creative projects. His images have appeared in a wide variety of publications including the New York Times, Wall Street Journal, Newsweek, People and many more. His personal work has been showcased in numerous juried shows and exhibitions at venues across the U.S. and abroad, including: Griffin Museum of Photography (solo show), The Museum of The City of New York, ICP Museum , The Katonah Museum, Center for Fine Art Photography, SOHO Photo Gallery, New York Center for Photographic Arts, Photoplace Gallery, and more. AAP Magazine: AAP Magazine 49: B&W
William Gottlieb
William Gottlieb
United States
1917 | † 2006
William Paul Gottlieb was an American photographer and newspaper columnist who is best known for his classic photographs of the leading performers of the Golden Age of American jazz in the 1930s and 1940s. Gottlieb's photographs are among the best-known and widely reproduced images of this era of jazz. Gottlieb made portraits of hundreds of prominent jazz musicians and personalities, typically while they were playing or singing at well-known New York City jazz clubs. William Gottlieb's subjects included Louis Armstrong, Duke Ellington, Charlie Parker, Billie Holiday, Dizzy Gillespie, Earl Hines, Jo Stafford, Thelonious Monk, Stan Kenton, Ray McKinley, Benny Goodman, Coleman Hawkins, Louis Jordan, Ella Fitzgerald, Toots Thielemans, and Benny Carter. Gottlieb was born on January 28, 1917, in the Canarsie neighborhood of Brooklyn, and grew up in Bound Brook, New Jersey, where his father was in the building and lumber business. He graduated from Lehigh University in 1938 with a degree in economics. While at Lehigh, Gottlieb wrote for the weekly campus newspaper and became editor-in-chief of The Lehigh Review. In his last year of college, he began writing a weekly jazz column for the Washington Post. While writing for the Post, Gottlieb taught economics at the University of Maryland. After the Post determined that it would not pay a photographer to accompany Gottlieb's visits to jazz clubs, Gottlieb borrowed a press camera and began taking pictures for his column. William P. Gottlieb was drafted into the Army Air Corps in 1943 and served as a photography and classifications officer. After World War II, Gottlieb moved to New York City to pursue a career in journalism. He worked as a writer-photographer for Down Beat magazine, and his work also appeared frequently in Record Changer, the Saturday Review, and Collier's. In 1948, Gottlieb retired from jazz journalism in order to spend more time with his wife, Delia, and children. After Gottlieb left Down Beat, he began working at Curriculum Films, an educational filmstrip company. He founded his own filmstrip company, which was later bought by McGraw Hill. Many of his filmstrips won awards from the Canadian Film Board and the Educational Film Librarians Association. Gottlieb also wrote and illustrated children's books, including several Golden Books such as The Four Seasons, Tigers Adventure, and Laddie the Superdog. He also wrote educational books such as Science Facts You Won't Believe and Space Flight. Apart from his photography career, William Gottlieb also played amateur tennis. Gottlieb and his son Steven were often ranked the number one father-and-son ream on the East Coast and were twice ranked among the top ten teams in the US. Gottlieb married the former Delia Potofsky, daughter of Jacob Potofsky. They had four children, Barbara, Steven, Richard, and Edward. Gottlieb died of complications of a stroke on April 23, 2006, in Great Neck, New York. In accord with Gottlieb's wishes, his photographs were placed in the public domain. Many of his pictures are used in Wikipedia and other public domain or freely licensed venues.Source: Wikipedia It was the love of music that brought the superlative photography of William P. Gottlieb to the world’s attention. Originally a writer and jazz columnist, William figured that columns accompanied with photographs might give him a better chance to be published. During the late 30’s he began photographing jazz musicians to illustrate articles he wrote for the Washington Post. His weekly feature “Swing Sessions” was probably the first jazz column in a major newspaper. He simultaneously had radio programs on WRC/NBC and on a local station WINX. At the age of 22 he was Washington’s “Mr.Jazz”. After WWII, he became the assistant editor of “Downbeat” where, again, he took photos to augment his writing. At both The Post and Downbeat he was only paid just for writing, not for pictures. In 1948, he left the jazz field for a career in publishing with Britannica and McGraw Hill and it wasn’t until his retirement that he resurrected his old jazz photos and in 1979, published The Golden Age of Jazz, now in its 12th edition of printing. In a review of the book, The New Yorker wrote, “Gottlieb stopped photographing jazz musicians in 1948… No one has surpassed him yet.” Today he is still regarded as one of the top jazz photographers of all time. Although he never resumed taking jazz photos, his photographs have become our most widely reproduced jazz illustrations, having four US postage stamps, 250 record album covers, and having appeared in over 160 exhibitions around the world. He is represented in the National Portrait Gallery, and his photos were an essential part of the PBS Jazz series by Ken Burns. In 1995, The Library of Congress purchased 1,600 of his jazz photos “for posterity” and in 1997 he became the first and only photographer to receive the Downbeat Lifetime Achievement award.Source: Gallery 270
Tebani Slade
Tebani Slade
Australia
1966
Tebani Slade is a fine art, street and documentary photographer based between Australia and Barcelona. Her approach to photography involves storytelling and seeking the truth in her observations. She prefers to venture to unfamiliar destinations with an open mind, devoid of preconceived notions or generic perspectives. Armed only with her camera, Tebani allows events to unfold naturally, following the path that each location leads her on. A former graduate of the Queensland College of Art, Australia she also holds a Master of Distinction with the NZIPP (New Zealand Institute of Professional Photography). She has received recognition and awards for her photography, which has been exhibited both nationally and internationally. Her work has been showcased in group exhibitions such as Women Street Photographers in Kuala Lumpur and the Indian Photo Festival, as well as the Women Street Photographers annual exhibition in New York and the MIA Photo Fair in Milan. She was a finalist in the Australian Head On Photo Awards 2021 and 2022 and took first place in the 2022 Australian Mono Awards. In 2023 she was a finalist in the Mullins Conceptual Photography Prize and was awarded Australian Documentary Photography of the Year with the NZIPP. Her work has been featured in numerous publications including Australian Photography Magazine, Aust Capture Magazine, Aust Commercial Photography, Black & White Photography (UK edition), B&W (US edition), Nikon UK, The Guardian Australia, Loud & Luminous Book 2020 (a Celebration of Australian Women Photographers).
Vicky Martin
Vicky Martin
United Kingdom
Vicky Martin is an award winning fine art photographer based in the UK. Although she studied art and photography in the 1990s it was not until 2008 when she was awarded a prestigious Rhubarb Bursary that she was able to pursue photography full time. Since then Vicky has had her work published and exhibited nationally and internationally: from Europe to the USA in solo and group shows. Her work continues to garner many awards and nominations, including Winner of Single Image in the Professional Fine Art Category at the 2018 12th Julia Margaret Cameron Awards, Directors Choice Award in the Portrait Exhibition at Praxis Gallery, Winner of the Professional Fine Art Category in the 2016 Fine Art Photography Awards, nominations and honorable mentions in the Julia Margaret Cameron Awards, IPA ,TIFA, IPOTY, PX3 Color Red, Neutral Density Awards, CHROMATIC International Color Photography Awards, La Grande Photo Awards, International Color Awards, Siena International Photo Awards, Photography Grant Award, the Aesthetica Art Prize and 1st place winner AAP Magazine Colors. Throughout Vicky's practice she explores her fascination with identity and the emotions that are created by considered scenarios that are based in both fantasy and reality. Her work explores identity through staging and creating realities for characters who often display conflicting emotions with situations. Vicky seeks to encourage the viewer to ask questions of her work to which ultimately the answers depend on the viewer's own personal identity and perceptions. Discover Vicky Martin's Interview
Peter Sekaer
Peter Sekaer
Denmark
1901 | † 1950
Peter Sekaer was a Danish photographer and artist. Born in Copenhagen, Denmark, Sekaer came to New York in 1918 to seek freedom and opportunity. By 1922 he had a reputation as a master sign painter and had his own successful business producing posters. Several years later he began to take classes at The Art Student's League. Sekaer soon became acquainted with Ben Shahn, who may have been the one to introduce him to photography and who later introduced him to Walker Evans. After 1933, he devoted himself exclusively to photography, studying with Berenice Abbott at the New School for Social Research, and assisting Walker Evans on the project of photographing the Museum of Modern Art's African sculpture collection. In 1936 Sekaer accompanied Evans, who was hired by the Resettlement Administration (RA, later to become the FSA) on a photographic journey throughout the South, often shooting the same subject. Like many of his contemporaries, Sekaer sought to capture the real world with photographs that combined artistic expression with a personal commitment to social change. From 1936 to 1942 Sekaer became a professional photographer and was hired by the federal government agency, the Rural Electrification Administration (REA), and later became the head of the REA's graphic department. In 1938 the REA sent Sekaer to the United States Housing Authority (USHA). The photographs Sekaer made for the USHA, an agency primarily concerned with the removal of city slums and sponsorship of public urban housing, reveal his continued interest in the richness of human experience and environment. Transferred again in 1940 Sekaer photographed Navajo and Pueblo Indians for the Office of Indian Affairs. That same year, he worked as photographic researcher and still photographer for the REA film Power and the Land. After 1942 he continued working for other federal agencies photographing briefly for the Office of War Information (OWI), and the American Red Cross-agencies whose agendas conflicted with his own, and limited his freedom in artistic expression. Continually frustrated by this, Sekaer left Washington, DC for New York where he freelanced for several years, doing fashion and editorial assignments until he died of a heart attack at the age of 49 in 1950. Although Sekaer's photographs were widely published and exhibited during his lifetime, his work largely became forgotten after his death until an exhibition held in 1980 at the Witkin Gallery in New York and later in 1990 at the Royal Library in Copenhagen for which a catalog was published. Many of Sekaer's photographic prints can be seen in the public collection of the Royal Library in Copenhagen. The High Museum of Art in Atlanta acquired a trove of more than seventy rare vintage prints by Sekaer, the largest holding of its kind in any American art museum. Many of these works have never been on public view. From June 2010 until January 2011, the museum staged an exhibition of Sekaer's work titled Signs of Life.Source: Wikipedia
Mária Švarbová
Mária Švarbová
Slovakia
1988
Mária Švarbová was born in 1988; she currently lives in Slovakia. Despite studying restoration and archeology, her preferred artistic medium is photography. From 2010 to the present, the immediacy of Maria's photographic instinct continues to garner international acclaim and is setting new precedents in photographic expression. The recipient of several prestigious awards, her solo and group exhibitions have placed her among the vanguard of her contemporaries, attracting features in Vogue, Forbes, The Guardian, and publications around the world; her work is frequently in the limelight of social media. Maria's reputation also earned her a commission for a billboard-sized promotion on the massive Taipei 101 tower, in Taiwan. Maria's distinctive style departs from traditional portraiture and focuses on experimentation with space, colour, and atmosphere. Taking an interest in Socialist era architecture and public spaces, Maria transforms each scene with a modern freshness that highlights the depth and range of her creative palette. The human body throughout her oeuvre is more or less a peripheral afterthought, often portrayed as aloof and demure rather than substantive. Carefully composed figures create thematic, dream-like scenes with ordinary objects. Her images hold a silent tension that hints at emergent possibilities under the lilt of clean and smooth surfaces. There is often a sense of cool detachment and liminality in Maria's work. Routine actions such as exercise, doctor appointments, and domestic tasks are reframed with a visual purity that is soothing and symmetrical and at times reverberant with an ethereal stillness. The overall effect evokes a contemplative silence in an extended moment of promise and awareness—a quality difficult to achieve in the rapid pace of modern life. Maria's postmodern vision boldly articulates a dialog that compels the viewer to respond to the mystery, loneliness, and isolation of the human experience. Nevertheless, deeply embedded within the aqueous pastels, Maria's compositions hold to a celebratory elegance that transforms the viewer's gaze into an enduring reverence for life's simple beauty. Hasselblad Master 2018 Forbes 30 under 30 Winner of International Photography Awards 2016 Swimming Pool In the Swimming Pool is Maria's largest series yet, originating in 2014 and continuing to develop to date. Sparked by a hunt for interesting location, her fascination with the space of public swimming pools contributed to developing her visual style. Sterile, geometric beauty of old pools set the tone for these photographs. Each of them pictures a different pool, usually built in the Socialist Era, in various locations in Slovakia. There is almost cinematographic quality to the highly controlled sceneries that Maria captures. The figures are mid-movement, but there is no joyful playfulness to them. Frozen in the composition, the swimmers are as smooth and cold as the pools tiles. The colours softly vibrate in a dream-like atmosphere. Despite the retro setting, the pictures somehow evoke a futuristic feeling as well, as if they were taken somewhere completely alien. There is no disturbing emotion, there is no individuality in their stillness. The artificial detachment, created by Maria's visual vision, allows unique visual pleasure, unattainable in real life.
Radana Kuchařová
Radana Kuchařová
Czech Republic
Radana Kuchařová was born in Czechoslovakia, graduated from the Czech Technical University and then worked as an engineer and designer. When the borders opened after the "Velvet Revolution", she began to get to know previously inaccessible regions with great joy, like many Czechs. She always carried a camera with her on her travels and recorded foreign countries. In addition to buildings and architecture, I became interested in people, their lives and customs. I also visited regions quite far from my homeland, especially in Asia, and tried to capture moments from the lives of people living a different way of life. People and the human story is what interests me the most in life and their depiction in photography. Recently, when I have been photographing more intensively, I have participated in various international photography competitions, in which I have also won awards and medals. I have participated in several joint exhibitions of Czech photographers and I have also had solo exhibitions in the Czech Republic.
Nicolas Thomas Moreno
Nicolas Thomas Moreno
France
1986
Born in 1986 in Suresnes, I moved all over France during my youth as I followed my father's professional transfers. Middle School in Languedoc, part of High School in Jura and the rest in Besancon. Back in Paris in 2010 after being accepted at the Icart School of Photography (in Levallois Perret), I obtained my diploma in 2013, finishing second with my series "Architectura". Since then, I had several internships with architectural photographers and I keep assisting others while still working on my personal projects. I started working on "Topography of Remembrance" a year ago and it allowed me to travel to more than 60 different locations from which I kept 152 images. I'm now working on a project called Brutalism.
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Latest Interviews

Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
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Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
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Exclusive Interview with Henk Kosche
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Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Marijn Fidder
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
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Exclusive Interview with Josh S. Rose
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Interview with Maureen Ruddy Burkhart
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Exclusive Interview with Peter Ydeen
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Exclusive Interview with Julie Wang
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Call for Entries
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