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Umberto Verdoliva
Umberto Verdoliva
Umberto Verdoliva

Umberto Verdoliva

Country: Italy
Birth: 1961

I was born in 1961 in Castellammare di Stabia near to Naples.
I live in Treviso (Italy).
I immediately loved street photography, this awareness over time has pushed me to investigate my "daily" in depth, constantly seeking poetry and beauty in the humanity around me.
From 2010 to 2017, I was a member of the international collective "ViVo" and in 2013 I founded "SPONTANEA" an Italian collective dedicated to street photography dissolved in 2019
I like to convey my passion by curating workshops, exhibitions, portfolio readings, presentations, writing articles and insights on photography.
Many of my photos and photographic projects have been published in the main Italian and international photography magazines.
 

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Savas Onur Sen
Turkey
1978
Savaş Onur Şen is a Turkish photographer based in Van. He has graduated from Ankara University Faculty of Communication, Department of Journalism. He has taken his master's degree in photography and a Ph.D. degree in photojournalism. Now he is working at Van Yuzuncu Yil University as an Assistant Professor. Savaş Onur Şen is trying to use photography to tell stories. These days he focused on the stories of the animals who live in the urban lifestyle. Precarious If certain lives do not qualify as lives or are, from the start, not conceivable as lives within certain epistemological frames, then these lives are never lived nor lost in the full sense. Judith Butler Current laws and regulations do not adequately protect the animals in Turkey. Violence, especially against stray animals, is increasing due to the lack of an animal rights law demanded by animal lovers and sensible groups. It is possible to see the traces of the rising vio-lence in mainstream and social media. Almost every day, we come across news of rape, torture, violence, and abuse, especially against stray animals. This situation also causes conflicts between people who are sensitive to the issue and are against feeding stray animals. It is said that there are over 20 thousand stray dogs in the city where I live. Although I don't have the chance to reach all of them, I have been feeding several stray dogs for many years and trying to find solutions to their problems. While doing this, I have also been taking photos of them for the last two years. "Precarious" is the first significant part of my work on stray dogs. This work aims to present an epistemological framework for the lives of stray dogs.
Ferit Kuyas
Turkey
1955
Living and working near Zurich, Switzerland, Ferit Kuyas fully committed himself to photography in the eighties after graduating from law school. Working mainly on personal projects, he published several books. After visiting Shanghai for commissioned work, Ferit's travels brought him often back to China. His most recent book publication is City of Ambition with large cityscapes from the megalopolis Chongqing, China, which got published in October 2009. 2011 he started working on Aurora, a project with cityscapes and portraits in Guatemala City. Ferit's photographs have been shown in museums, galleries and festivals in Europe, America and Asia. His work is represented in private, corporate and public collections in the United States, England, Belgium, Switzerland, Germany and Turkey. He received a number of awards, among them the Kodak Photobook-Award and the Hasselblad Masters. "Amidst the thousands of images we see, there are some that impact on a deep personal level. It’s like they enter your body in some way and reveal themselves to you in-dreams or come to you at moments in the day when you should be concentrating on the finances, or driving the car. Ferit’s images affected me in this way. From the first time I saw them, their sheer audacity delighted me. I can meditate on it and take myself on a journey. Even if photography did die, it would never die inside me – people like Ferit have filled me up with images forever." - Rhonda Wilson, Rhubarb, Rhubarb, Birmingham UK.Source: www.feritkuyas.net Ferit Kuyas (1955) was born in Istanbul, Turkey. He studied architecture and law in Zurich, Switzerland and graduated 1982 in jurisprudence from the University of Zurich. Working mainly on personal projects, he published several books. After visiting Shanghai for commissioned work, Ferit’s travels brought him often back to China. His most recent body of work is City of Ambition with large cityscapes from the megalopolis Chongqing, China, which got published in October 2009. Ferit’s photographs have been shown in museums, galleries and festivals in Europe, America and Asia. His work is represented in private, corporate and public collections in the United States, England, Belgium, Switzerland, Germany and Turkey. He received a number of awards, among them the Kodak Photobook-Award, the Guatephoto Award and the Hasselblad Masters.Source: Stephen Cohen Gallery
Aaron Siskind
United States
1903 | † 1991
Aaron Siskind was born on December 4, 1903 in New York. He was the son of Russian Jewish immigrants and the fifth of six children. After receiving his Bachelor of Social Science degree from the College of the City of New York in 1926, he went on to teach high school English in the New York public school system for 21 years. His first loves were music and poetry, but he took an interest in photography after his 1929 wedding, when he received his first camera as a honeymoon present. He began his career in photography as a documentarian in the New York Photo League in 1932. From 1936 to 1940, he oversaw the League’s Feature Group as they created documentary photo essays of political importance, fueled by a desire for social change.On the invitation of Harry Callahan, Siskind joined the faculty of the Institute of Design in Chicago in 1951, taking over as head of the photography program in 1961, when Callahan left. Siskind and Callahan, famous for their synergy as teachers and photographers, reunited in 1971 when SIskind left the Institute of Design for the Rhode Island School of Design where Callahan then taught. Siskind continued to teach at RISD until his retirement in 1976. He traveled broadly, making multiple trips to Mexico and Italy, including a stint in Rome, funded by his 1966 John Simon Guggenheim Memorial Fellowship.Siskind died at age 87 in Providence, Rhode Island. The Aaron Siskind Centennial Celebration took place in 2003 and 2004, with exhibitions at more than a dozen institutions across the country, each devoted to a different period or theme of his life and work.
João Coelho
Angola/Portugal
1964
I was born in Angola, but the upheavals that preceded and followed the country's independence process forced my family to emigrate to Portugal, where I lived until about 15 years ago. My passion for photography was born in his teenage years, with a focus on landscapes and portraits. When I returned to Angola to work on social development projects, I had to live with people and scenes in very precarious conditions on a daily basis, which radically changed the way I was and how he saw the world. Gradually, I developed a strong desire to visually tell the stories of these people's survival, to give them a voice they had lost in society, and to try to arouse emotions and an awareness that something must be done to change the world for the better. Documentary photography came naturally to me as a tool to study the human condition, especially the enormous resilience of people in the face of the fragility of their lives and the greatest adversities they can face. My photography always aims to denounce the injustices that asymmetries and inequalities cause in societies. Currently, my work focuses more on projects, as they allow him to build more structured and solid narratives that can have a more transformative power in society. Artist Statement: I have always been fascinated by the human condition and its study has been a major driving force in my work. More than an aesthetic purpose, I want my photography to evoke feelings, emotions, and convey messages by telling stories that depict suffering or joy, despair or mutual aid, strength or disappointment, or simply resilience in the face of adversity and uncertainty about the future. AAP Competitions: All About Photo Awards 2025
David Goldblatt
South Africa
1930 | † 2018
David Goldblatt was born in 1930 in Randfontein, South Africa. He has photographed the structures, people and landscapes of his country since 1948. In 1989, Goldblatt founded the Market Photography Workshop in Johannesburg. In 1998 he was the first South African to be given a solo exhibition at the Museum of Modern Art in New York. In 2001, a retrospective of his work, David Goldblatt Fifty-One Years began a tour of galleries and museums. He was one of the few South African artists to exhibit at Documenta 11 (2002) and Documenta 12 (2007) in Kassel, Germany. He has held solo exhibitions at the Jewish Museum and the New Museum, both in New York. His work was included in the exhibition ILLUMInations at the 54th Venice Biennale in 2011, and has featured on shows at the San Francisco Museum of Modern Art and Barbican Centre in London and in 2018, a major retrospective at the Centre Pompidou in Paris. Goldblatt is the recipient of the 2006 Hasselblad award, the 2009 Henri Cartier-Bresson Award, the 2013 ICP Infinity Award and in 2016, he was awarded the Commandeur des Arts et des Lettres by the Ministry of Culture of France.Source: Goodman Gallery He shot mostly in black-and-white for much of his career. In 1998 the Museum of Modern Art in New York gave him a solo exhibition. Its 40 photographs were all black-and-white because, he explained, "color seemed too sweet a medium to express the anger, disgust and fear that apartheid inspired." But in the 1990s Mr. Goldblatt began working in color, adapting to the digital age. "I’ve found the venture into color quite exciting," he said in 2011, "largely because new technology has enabled me to work with color on the computer as I have done with black and white in the darkroom."Source: The New York Times David Goldblatt was South African photographer known for his uncompromising images of his country during apartheid and afterward. “I was very interested in the events that were taking place in the country as a citizen but, as a photographer, I’m not particularly interested, and I wasn’t then, in photographing the moment that something happens. I’m interested in the conditions that give rise to events,” he once explained. Born on November 29, 1930 in Randfontein, South Africa, he began photographing at an early age but his father’s illness required Goldblatt to run his family business while studying at Witwatersrand University in Johannesburg. After selling the company in 1963, Goldblatt focused entirely on a career in photography. His involvement with various artistic circles in Johannesburg granted him access to a broad range of ethnic and socioeconomic groups. Though he refused to belong to any political organization and argued that his photographs should not be used for propaganda purposes, his works were presented in an exhibition organized by an anti-apartheid photographer’s collective in 1990. In 1998, Goldblatt became the first South African artist to have a solo exhibition at The Museum of Modern Art in New York. The artist died on June 25, 2018 in Johannesburg, South Africa. Today, his photographs are held in the collections of the South African National Gallery in Cape Town, the Victoria and Albert Museum in London, and the Fotomuseum Winterthur in Switzerland, among others.Source: Artnet
Roger Grasas
Spain
1970
Roger Grasas (Barcelona, 1970) begins his professional career as a photographer in 1998 documenting cooperation projects for national and international foundations and NGOs as well as for UNESCO. Since then, traveling becomes the core of his artistic work, translating his experiences and reflections into visual arts. Between 2005 and 2009 he is the director of the BisouFoto communication studio and co-founder of the phototroupe Studio agency. In both projects he is in charge of the commissions related to travel photography, editorial portrait and social report. Regular contributor to several Spanish and international publications. In 2009 he moves to Riyadh (Saudi Arabia) where he leads the foundation of the photography department at Imagine Communication, a high end quality agency for social photography and events. During his stay in Saudi Arabia and later on until 2016 he develops the project 'Inshallah', a personal project about the extreme transformation of Middle eastern societies through the urban contemporary landscape in countries such as Saudi Arabia, Bahrain, Qatar, Emirates, Oman etc. His body of work approaches the role and importance that technology reveals within the post-modern digital society, the state of strangeness and confusion that human being suffers in the contemporary landscape and the increasingly connections between art and science. Sociopolitical issues such as globalization and philosophical concepts such as the 'difference', 'hyperreality' and 'alienation' generated by the postcapitalist society and the accelerated implementation of new technologies are also common places of their work. Since 1997 he has combined his professional activity with teaching in photography. Between 1997 and 2004 he teaches Photography and Landscape Production courses at the UPC's Image and Multimedia Technology Center. He also works as an academic at the Groc School of Plastic Arts (Barcelona), at the Communication Faculty of the National Autonomous University of Mexico and at the Mamori Art Lab Foundation in Brazil. He has also given various workshops and seminars related to travel anthropology and contemporary society such as "The Art of Travel: Photography and Travel" and "Why Travel? Ethics and Aesthetics of Leisure and Tourism". His His works have been exhibited on galleries of Spain, France, Netherlands, Germany, U.S.A., El Salvador, Saudi Arabia and Mexico. About 'Min Turab' In the space of a few decades, the landscapes of the Arab Gulf region have undergone a wholesale mutation driven by increased income from the oil, globalization and mass tourism. These countries have seen so a huge transformation, moving from the nomadic lifestyle of the bedouin tribes to a hi-tech urban society. The work takes the title from an arabic expression meaning “from the land”, and is an observation of this process oscillation between these two poles: an austere, traditional civilization on one extreme, and a postmodern culture under the powerful influence of capitalism and consumerism on the other. Founded on the idea of travel as an artistic method, these photographs hold up a mirror to the dyad of nature and technology in a place where the old and the new come together and the lines between them blur. This tension is evident both in the vast desert landscapes and in the images of cities, where the past and the future are compressed into the close quarters of the present. These representations of the landscapes of Saudi Arabia, Oman, Bahrain, Kuwait, United Arab Emirates and Qatar throw into sharp relief the binary opposition of the natural and the constructed. This sense of dislocation feeds into this idea of travel as an artistic dérive, drifting with no particular destination in mind, in search of new situations and experiences. In these dreamlike images, the author reflects on the concepts of the real and the unreal, with viewers left uncertain as to what is really going on. Almost completely lacking in human presence, these photographs show the mark left upon the landscape by consumer society at the same time as they seek out the beauty in strangeness. With a dry wit, the artist focuses his gaze on the idea of the simulacrum. The visual and conceptual glimpses of this world documents the colonization of contemporary landscapes by technology and the alienation of human beings in the digital societies of the Arabian Gulf countries. These images of silent architecture do not offer viewers any conclusions, but rather invite them to reflect and leave the way clear for a multiplicity of interpretations that connect with viewers' own imaginary.
Thomas Annan
Scotland
1829 | † 1887
Thomas Annan was a Scottish photographer, notable for being the first to record the bad housing conditions of the poor. Born in Dairsie, Fife he was one of seven children of John Annan, a flax spinner. After his initial apprenticeship as a lithographic writer and engraver at the Fife Herald in Cupar, he moved to Glasgow in 1849 and worked as a lithographer and engraver for Joseph Swan until 1855. He set up business with George Berwick at 40 Woodlands Road, Glasgow, listing in the 1855 - 56 Glasgow post office directory as calotypists, practitioners of this early form of photography. In 1855, he photographed the ship RMS Persia, under construction on the Clyde, which was probably a commission by engineer, Robert Napier. This photograph was part of a group of images sent to the Photographic Exhibition in connection with the British Association. After dissolving his previous partnership, he established himself in a photographic studio at 116 Sauchiehall Street during 1857. In 1859, the business moved to 200 Hope Street and he was also able to establish a printing works in Hamilton in 1863. First interested largely in architectural photography and then portraits, as well as photographing artworks and maps, in 1866 Annan photographed slum areas of the city. These images were used by Glasgow City Improvement Trust to document the overcrowded, unhygienic conditions ahead of extensive redevelopments. It was this series of photographs, created between 1868 and 1871, entitled Old Closes and Streets of Glasgow, that ensured his posterity. In 1869, Annan purchased the contents of Rock House, which belonged David Octavius Hill, which included many of Hill's photographs and negatives. These were eventually exhibited by Thomas' son, James Craig Annan, and reproduced in photogravure in Alfred Stieglitz's journal Camera Work. Annan's photographs of the Loch Katrine Waterworks were praised in the British Journal of Photography: "The views by Mr. Annan could scarcely fail to be attractive, for in a country so beautiful a clever artist is bound to produce results in keeping with the nature of the subject, and this Mr. Annan has done." Indeed, Annan's work was often praised not only for its aesthetics, but also for its technical virtuosity. Twenty years later, Annan's studio would be singled out by Baden Pritchard for its accomplishments in carbon printing and "beautiful pictures of exteriors and interiors of Scotch strongholds." Thomas Annan purchased the rights to the photogravure process in Britain from Karel Klíč of Vienna in 1883 after visiting the city with his second son, James Craig Annan. James was a noted photogravurist and associated with late nineteenth-century art photography continued in his father's profession, receiving a Royal Warrant as Photographers and Photographic Engravers to Her Majesty in Glasgow. Thomas Annan died on 14 December 1887 at his home in Lenzie. Before his death by suicide, he had experienced a month-long period of "mental aberration". The family business survives to the present day in the form of the Annan Fine Art Gallery, located on Woodlands Road in the West End of Glasgow. A selection of prints from the Glasgow Improvements act 1868 series were displayed in the Scottish National Portrait Gallery from 2011 to 2012. In 2017, the J. Paul Getty Museum curated an exhibition entitled Thomas Annan: Photographer of Glasgow, the first to survey his career and legacy as photographer and printer.Source: Wikipedia
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