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Susan  Borowitz
Susan  Borowitz
Susan  Borowitz

Susan Borowitz

Country: United States
Birth: 1959

After a successful career writing for American television comedies, Susan Borowitz embarked on a study of the practice of photography in 2011 and discovered a new medium by which to tell stories. Classes at New York City's International Center for Photography led to creative self-portraiture and ultimately fine art photography, specifically staged narratives, where she expresses reflections of psychological journeys. She has won several awards for images in her series Locked-In, most notably Pollux Awards, LifeFramer, One Eyeland, and Chromatic Awards, and has been the subject of several artist interviews/profiles for online and print publications. Exhibition venues include New York, Ohio, Berlin and Barcelona.

Locked-In
The series “Locked-In” explores the phenomenon of feeling stuck and the accompanying sense of failure to control the forces that seem to dictate our lives. Using metaphor and imagery that suggest the inability to move on, the series evokes the absence of agency and a perceived futility of each waking day. The choice to use self-portraiture reflects not only a personal journey, but also a common experience of women who feel consciously aware of what they should pursue or speak up about but feel impotent in the face of a dominant power: unequal relationships, demons residing in the subconscious, societal expectations and especially the disappearance of relevancy with encroaching age.
 

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Gueorgui Pinkhassov
France / Russia
1953
Gueorgui Pinkhassov is a photographer, born in Moscow in 1953. He is a member of Magnum Photos. Pinkhassov began his interest in photography in his teens, and enrolled at the Moscow Institute of Cinematography (VGIK) in 1969. Following college and two years in the army, he joined the film crew at Mosfilm. Continuing his interest in still photography he became a set photographer at the studio. His work was noticed by the film director Andrei Tarkovsky, who invited Pinkhassov to work on the set of his film Stalker. Being awarded independent artist status by the Moscow Union of Graphic Arts in 1978 allowed Pinkhassov far more freedom to travel, allowing him to exhibit his work internationally. In 1979 his work was noticed outside of Russia for the first time, in a group exhibition of Soviet photographers held in Paris. Previously, his work had mainly been seen in a number of Russian magazines, including L'artiste Sovietique. His acceptance by the Magnum Photos agency in 1988 opened up his work to a wider audience. He worked for the international media covering major events in Lithuania, Mongolia, Indonesia, and Africa. Returning to Moscow to cover the 1991 Coup, for the New York Times. In 1995, he received a photographic scholarship from the city, and in 1998, he published the book Sightwalk, photographs of Japan. Pinkhassov is now a French citizen, living in Paris.Source: Wikipedia Gueorgui Pinkhassov is known for his vivid art-reportage, which elevates the everyday to the extraordinary. His richly-colored images are absorbing, complex and poetic—sometimes bordering on an abstraction which embraces the visual complexity of contemporary life. As well as his global documentary work, Pinkhassov has photographed iconic cultural events from Cannes Film Festival to backstage at Paris Fashion Week. “It is foolish to change the vector of chaos. You shouldn’t try to control it, but fall into it” he says of his approach. Born in Moscow in 1952, Pinkhassov’s interest in photography began while he was still at school. After studying cinematography at the VGIK (The Moscow Institute of Cinematography), he went on to work at the Mosfilm studio as a cameraman and then as an on-set photographer. He joined the Moscow Union of Graphic Artists in 1978, which allowed him more freedom to travel and exhibit internationally. His work was soon noticed by the prominent Russian filmmaker Andrei Tarkovsky, who invited him to make a reportage about his film Stalker (1979). Recent work includes his study of Blackpool Illuminations in 2018, an ongoing series of city portraits illuminating places as varied as Beirut, Lisbon, Venice, Moscow and Nancy, and his coverage of the clashes between Anti-government protesters and police in the Ukrainian capital, Kyiv in 2014. Today, he works regularly for the international press, particularly for Geo, Actuel and The New York Times Magazine. He joined Magnum Photos in 1988.Source: Magnum Photos
Bruce Weber
United States
1946
Bruce Weber (born March 29, 1946) is an American fashion photographer and occasional filmmaker. He is most widely known for his ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, as well as his work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines. Weber was born in Greensburg, Pennsylvania, to a Jewish family. His fashion photography first appeared in the late 1970s in GQ magazine, where he had frequent cover photos. Nan Bush, his longtime companion and agent, was able to secure a contract with Federated Department Stores to shoot the 1978 Bloomingdales mail catalog. He came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein, and his portrait of the then young actor Richard Gere. His straightforward black-and-white shots, featuring an unclothed heterosexual couple on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted him into the national spotlight. His photograph for Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image. He photographed the winter 2006 Ralph Lauren Collection. Some of Weber's other earliest fashion photography appeared in the SoHo Weekly News and featured a spread of men wearing only their underwear. The photos became the center of controversy and Weber was told by some that he would never find work as a fashion photographer again. This reputation stuck with him, as he says: "I don't really work editorially in a large number of magazines because a lot of magazines don't want my kind of photographs. It's too risky for them". After doing photo shoots for and of famous people (many of whom were featured in Andy Warhol's Interview magazine), Weber made short films of teenage boxers (Broken Noses), his beloved pet dogs, and later, a longer film entitled Chop Suey. He directed Let's Get Lost, a 1988 documentary about jazz trumpeter Chet Baker. Weber's photographs are occasionally in color; however, most are in black and white or toned shades. They are gathered in limited edition books, including A House is Not a Home and Bear Pond, an early work that shows Eric Nies from MTV's The Real World series, among other models. Weber began collaborating with crooner Chris Isaak in the mid-1980s, photographing Isaak in 1986 for his second album, Chris Isaak. In 1988, Weber photographed a shirtless Isaak in bed for a fashion spread in Rolling Stone. Isaak appeared in Let's Get Lost and Weber has directed a music video for Isaak. Weber photographed Harry Connick, Jr. for his 1991 album Blue Light, Red Light. In 1993, Weber photographed singer-songwriter Jackson Browne for his 1993 album I'm Alive.Source: Wikipedia
Ralph Gibson
United States
1939
Ralph Gibson is an American art photographer best known for his photographic books. His images often incorporate fragments with erotic and mysterious undertones, building narrative meaning through contextualization and surreal juxtaposition. Ralph Gibson studied photography while in the US Navy and then at the San Francisco Art Institute. He began his professional career as an assistant to Dorothea Lange and went on to work with Robert Frank on two films. Gibson has maintained a lifelong fascination with books and book-making. Since the appearance in 1970 of The Somnambulist, his work has been steadily impelled towards the printed page. To date he has produced over 40 monographs, his most current projects being State of the Axe published by Yale University Press in Fall of 2008 and Nude by Taschen (2009). His photographs are included in over one hundred and fifty museum collections around the world, and have appeared in hundreds of exhibitions. Gibson has received fellowships from the National Endowment for the Arts (1973, 1975, 1986), a Deutscher Akademischer Austauschdienst (D.A.A.D.) Exchange, Berlin (1977), a New York State Council of the Arts (C.A.P.S.) fellowship (1977), and the John Simon Guggenheim Memorial Foundation (1985). The Rencontres d'Arles festival presented his work in 1975, 1976, 1977, 1979, 1989 and 1994. I embrace the abstract in photography and exist on a few bits of order extracted from the chaos of reality. -- Ralph Gibson His book Syntax received a mention for the Rencontres d'Arles Book Award in 1983. He was decorated as an Officier de L'Ordre des Arts et des Lettres (1986) and appointed, Commandeur de L'Ordre des Arts et des Lettres (2005) by the French government. His awards include: Leica Medal of Excellence Award (1988), "150 Years of Photography" Award, Photographic Society of Japan (1989), a Grande Medaille de la Ville d'Arles (1994) and the Lucie Award for lifetime achievement (2008). Gibson also received an honorary doctorate of Fine Arts from the University of Maryland (1991), and a second honorary doctorate from the Ohio Wesleyan University (1998). He has worked exclusively with Leica for almost 50 years. Gibson currently lives in New York and travels frequently to Europe and Brazil.Source: Wikipedia Having begun his acclaimed photographic career as an apprentice to the great documentarians Dorothea Lange and Robert Frank, Ralph Gibson is known for his highly distinctive vision in still photography. By intensifying contrast and emphasizing the grain of the film in his prints, Gibson concentrates on the minute details: the edge of a café table, the arc of a hip, the glint of a fork. Gibson’s works are both formally vigorous and eternally evocative. His photographs are in major private and public collections worldwide, including the Metropolitan Museum of Art, the Museum of Modern Art, and the Bibliothèque Nationale de France.Source: Weston Gallery I’m interested in producing truncated shapes in proportion to the frame and composition, shapes that are preferably luminous. I’m not interested in the full-figure. I want to abstract forms. -- Ralph Gibson
Rajan Dosaj
United States
1958
Born and raised in the United States, I spent nearly 20 years in the theater world, first as a dancer and singer in Broadway musicals and later as an actor and director. Upon my retirement from theater, I settled into the business world but it wouldn't be long before I was in need of a creative outlet and the Sebastiao Salgado documentary, The Salt of the Earth, rekindled my brief high school interest in photography. Soon, the books of Alec Soth, Nancy Rexroth, Sally Mann, Joshua Jackson, and many more were on my selves and with a newly purchased camera in hand, I started out on my latest adventure. Naturally, I started with dance portraits and found it incredibly exciting and fulfilling but soon I ventured into other genres to improve my work. Whether it was wildlife, street, architecture, portrait, or fine art photography, I was either taking a class or teaching myself about the genre in order to become a better photographer. In my short time behind the camera, I have been fortunate enough to have some of my images appear in galleries across the country, including Photo Place Gallery, A Smith Gallery, Praxis Gallery, Black Box Gallery, SE Center for Photography, and the Decode Gallery. With my background in theater, I know that photography can be a frustrating art form where most of the time I end up kicking myself for the mistakes that I continuously make over and over. But every once in a while, those rare moments come along when my eyes through a camera are able to see and capture an extraordinary moment.
Harry Benson
Scotland
1929
Scottish born photojournalist Harry Benson arrived in America with the Beatles in 1964. Harry has photographed every U.S. president from Eisenhower to Barack H. Obama; was just feet away from Bobby Kennedy the night he was assassinated; in the room with Richard Nixon when he resigned; on the Meredith march with Martin Luther King, Jr., next to Coretta Scott King at her husband's funeral; on maneuvers with the IRA; was there when the Berlin Wall went up and when it came down; and covered the aftermath of Katrina in New Orleans. In 2013 Harry received an Honorary Doctor of Letters from The University of St. Andrews, Scotland. On January 1, 2009, Harry was appointed a Commander of the Order of the British Empire by Her Majesty Queen Elizabeth II and received his honor at Buckingham Palace in March. In London in November 2009 Harry received an Honorary Fellowship in the Royal Photographic Society. Harry was honored with a Doctor of Letters from the Glasgow School of Art and Glasgow University in 2007. Twice named NPPA Magazine Photographer of the Year, Harry received the 2005 LUCIE Award for Lifetime Achievement in Portrait Photography; the 2005 AMERICAN PHOTO Magazine Award for Achievement in Photography; the 2006 Lifetime Achievement Award from the Scottish Press Photographers Association; and has twice received the Leica Medal of Excellence. He has had 40 gallery solo exhibitions and fourteen books of his photographs have been published. His photographs are in the permanent collection of the Scottish National Portrait Gallery in Edinburgh, and the Smithsonian National Portrait Gallery in Washington, DC, both museums hosted his Harry Benson: Being There exhibition (2006-7). A major retrospective exhibition of Harry's photographs was at Kelvingrove Museum in Glasgow from June to September, 2008. Harry was under contract to LIFE Magazine from 1970 to 2000. His photographs appear in major magazines including Vanity Fair, Town & Country, Architectural Digest, Time, Newsweek, Vice, Paris Match, and The London Sunday Times Magazine. Harry lives in Wellington, Florida with his wife, Gigi, who works with him on his book and exhibit
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