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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Norm Diamond
Norm and Doug
Norm Diamond
Norm Diamond

Norm Diamond

Country: United States
Birth: 1948

Norm Diamond spent thirty years as an interventional radiologist in Dallas, Texas. Treating severely ill and injured patients on a daily basis had a profound effect on him, which he came to fully understand when he retired and began his second career as a fine art photographer. Mentored by Cig Harvey since 2013, he began making work focused on themes of memory, loss, and isolation. In his first major project, What Is Left Behind - Stories from Estate Sales, he visited several hundred estate sales searching for and photographing objects left by one generation for the next. Daylight Books published this work as a monograph in 2017.

In his next series, Doug's Gym, he chronicled the last six months of a dilapidated, yet beautiful old gym in downtown Dallas. It was owned by 87-year-old Doug Eidd, who had run the gym since 1962. Both he and the gym came from a bygone era never to be seen again. Kehrer Verlag published Doug's Gym in 2020.

Diamond has now returned to an old project, Dark Planet. It reflects his worldview drawn from his experiences as a physician, his family background, and current events. The images reflect the same themes he has photographed for his two previous projects, but they are not tethered to specific locations or settings.

Diamond was named a finalist in the Photolucida Critical Mass competitions of 2015, 2016, 2018, 2019, and 2020. The Afterimage Gallery in Dallas and the Cumberland Gallery in Nashville have hosted solo shows of his work. His prints are in the hands of private collectors and have also been shown in multiple galleries and museums including Ogden Museum of Southern Art, Griffin Museum of Photography, Masur Museum of Art, Houston Center for Photography, Center for Fine Art Photography, and Center for Photographic Art.

Doug's Gym: The Last of Its Kind By Norm Diamond
Doug's Gym: The Last of Its Kind
Norm Diamond What Is Left Behind: Stories From Estate Sales
 

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More Great Photographers To Discover

Vladimir Nosalskiy (Lenin)
Russia Federation
1973
I was born in USSR on June 10-th 1973. My pseudonyms in arts is Lenin. Back there our country was far from being open towards new ways of self-expression such as modern art, creative photography or so. For a long time everything people could percept from art and culture has been gray and monotonous. My childhood passed in criminal district. However, both of my parents are self-educated artists. I am sure that my ability to see beauty in ordinary, routine things originates from my family. Photography itself appeared in my life when I was 10.With my father's camera Zenith; I discovered all the nearby corners of my district, all the parks and squares. When I was teenager, the only way to make surrounding world more beautiful was to go studying as a tailor, which was the only creative profession in our town back there. During Perestroika Russia moved from cultural aspects of governmental policy into market economy, which made a life of an artist hard. I built into the system by creating decorations and shows for governmental and business events. However, I always missed the camera, it was my companion everywhere. I took pictures of the art plans, events, nature, city and travel. However, my comeback to real inspirational photoshoots happened several years ago. "Contemplate, create, enjoy" - has become my moto since I was young. I had several personal exhibitions art & photo: 1999, "26 steps", Moscow, Russia, 2000, "Cocoon-2000", Moscow, Russia. And several group exhibitions 1999, "Kazantip", "Kazantip-2" The exhibition of young artists "Lenin i Deti", Moscow, Russia, 2016, "Planet Moscow 2016" , Moscow, Russia. My inspiration in photography and arts are: Alexander Rodchenko, Auguste Rodin, Billy Monk, Claude Monet, Francisco Josè de Goya, Hieronymus Bosch, Ivan Bilibin, Jackson Pollock, Jean-Michel Basquiat, Leonardo da Vinci, René Magritte, Vladimir Tatlin, Wassily Kandinsky.
Mark Citret
United States
1949
Mark Citret was born in 1949 in Buffalo, New York, and grew up in San Francisco. He began photographing seriously in 1968 and received both his BA and MA in Art from San Francisco State University. Most of Citret's work is not specific to any locale or subject matter. Still, he has worked on many photographic projects over the course of his career and continues to do so. From 1973 to 1975 he lived in and photographed Halcott Center, a farming valley in New York's Catskill Mountains. In the mid to late 1980s, he produced a large body of work with the working title of "Unnatural Wonders", which is his personal survey of architecture in the national parks. He spent four years, 1990 to 1993, photographing "Coastside Plant", a massive construction site in the southwest corner of San Francisco. Since he moved to his current home in 1986, he has been photographing the ever-changing play of ocean and sky from the cliff behind his house. Currently, he is in the midst of a multi-year commission from the University of California San Francisco, photographing the construction of their 43 acre Mission Bay life-sciences campus. He has taught photography at the University of California Berkeley Extension since 1982 and the University of California Santa Cruz Extension since 1988, and for organizations such as the Center for Photography at Woodstock, the Ansel Adams Gallery, and Santa Fe Workshops. His work is represented by prominent photography galleries in the United States, and is in many museums, corporate, and private collections, including the San Francisco Museum of Modern Art, the Los Angeles County Museum of Art, the New Orleans Museum of Art, the Santa Barbara Museum of Art, the University of Arizona's Center for Creative Photography, and the Monterey Museum of Art. A monograph of his photographs, Along the Way, was published by Custom & Limited Editions, San Francisco, in 1999. He lives in Daly City, California. About Parallel Landscapes
Bob Newman
United States
1950
Bob began photographing on a regular basis after retiring as a physician. His images document the challenges and culture within marginalized communities, which are often similar to the underprivileged patients he enjoyed serving. After retirement, photography came to occupy much of this time. Initially his forays were associated with photo trips or workshops. When he first saw images of the Irish Travellers in 2015, he became intrigued. Photographing their culture and lives became his first long-term project. In the last five years, he has returned to visit the Travellers thirteen times, averaging 2-3 visits per year. To date he has visited 30 sites. Returning on multiple occasions has provided an opportunity to take a deep dive into their history and traditions. Statement The Irish Travellers is a long-term photographic project that began in 2016. Often referred to as Pavees, they number about 40,000 in Ireland and are ethnically separate from Romani/Gypsies. No longer nomadic, they now live in extended family roadside camps or halting sites. They are predominantly Irish Roman Catholic, endogamous, and traditional marriages are the norm. The women spend their time with their families, sometimes raising as many as 16 – 18 children. Girls are taught to act and dress provocatively as toddlers. It is exceedingly difficult for Traveller men to find jobs. The unemployment rate is 84%. Most live on a dole from the Irish Government. With time on their hands, horses and dogs play a major role in their lives. They face discrimination and racism because of their differences from the Settled Irish. Despite this, they are a remarkably resilient group who highly prize their culture, traditions and family life. This series focuses on Traveller children.
Gregory Heisler
United States
1954
Gregory Heisler is a professional photographer known for his evocative portrait work often found on the cover of magazines, such as Time, for which he has produced a number of Man, Person, and People of the Year covers. Heisler once had his White House photographer privileges revoked after taking a photograph of President George H.W. Bush for Time magazine in which Heisler used in-camera techniques of double exposure to show what the cover labeled the two faces of Bush. The president was unaware of this photographic technique being used at the time of the shot. Bush press secretary Marlin Fitzwater later wrote about his own anger over this incident in his memoir Call the Briefing! Heisler's trade group protested the ban because it was based on an editorial opinion that was expressed. Heisler has since taken photographs of President George W. Bush. Among the awards, Heisler has received are: 1986 ASMP Corporate Photographer of the Year, 1988 Leica Medal of Excellence, 1991 World Image Award, 2000 Alfred Eisenstaedt Award. In September 2009 Gregory Heisler took a position as Artist-in-Residence at the Hallmark Institute of Photography in Turners Falls, Massachusetts. He acted as a teacher and liaison between the students and world of professional photography, expanding their present curriculum, and providing the students with necessary skills and techniques the school did not previously teach. Heisler has now joined the Multimedia Photography & Design program at the S.I. Newhouse School of Public Communications at Syracuse University as a distinguished professor of photography, according to an announcement by the NPPA on April 25, 2014.
Arthur Tress
United States
1940
Arthur Tress (born November 24, 1940) is an American photographer. He is known for his staged surrealism and exposition of the human body. Tress was born in Brooklyn, New York. The youngest of four children in a divorced family, Tress spent time in his early life with both his father, who remarried and lived in an upper-class neighborhood, and his mother, who remained single after the divorce and whose life was not nearly so luxurious. At age 12 he began to photograph circus freaks and dilapidated buildings around Coney Island in New York City, where he grew up. Tress studied at Abraham Lincoln High School in Coney Island, and gained a Bachelor of Fine Arts at Bard College in Annandale-on-Hudson, New York. After graduating from Bard College in 1962, Tress moved to Paris, France to attend film school. While living in France, he traveled to Japan, Africa, Mexico, and throughout Europe. He observed many secluded tribes and cultures and was fascinated by the roles played by the shaman of the different groups of people. The cultures to which he was introduced would play a role in his later work. Tress spent the spring and summer of 1964 in San Francisco, documenting the Republican Convention that nominated Barry Goldwater, civil rights demonstrations at segregated car dealerships on Van Ness Avenue, and the Beatles launching their 1964 tour. Tress took over 900 photographs that were put away and re-discovered in 2009, and featured in a show at San Francisco's deYoung Museum. He currently resides in San Francisco, California. Source: Wikipedia Arthur Tress began his first camera work as a teenager in the surreal neighborhood of Coney Island where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mostly in Asia and Africa, he developed an interest in ethnographical photography that eventually led him to his first professional assignment as a U.S. government photographer recording the endangered folk cultures of Appalachia. Seeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children's dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach. Beginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York's Welfare Island. This led to a smaller scale exploration of narrative still life within a children's toy theater and a portable nineteenth-century aquarium. Around 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist's sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers. Source: www.arthurtress.com
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All About Photo Awards 2026
Win a Solo Exhibition in February
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry