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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Fabrizio Bonifazi
Fabrizio Bonifazi
Fabrizio Bonifazi

Fabrizio Bonifazi

Country: Italy
Birth: 1984

Fabrizio was born in Rome in 1984.
He joined the photographic association La Compagnia della Foto in 2014 where, with the other members, he deals with photography courses, workshops, photographic trips and exhibitions.
He is a self-taught photographer, he appreciates photography in its entirety, but he loves black and white street photography.
Up to now his photographs have been published on various Italian and international realities, both on web platforms and in print.
He has exhibited in various locations in Rome, including the Oriental Festival and the Museum of Civilizations.
He collaborates with the YouTube channel Biblioteca Fotografica, where he interviews photographers, journalists and photo editors.
 

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More Great Photographers To Discover

Nicolas Dhervillers
Nicolas Dhervillers is a French artist who works in the field of photography. After multimedia and photography studies, he made a name for himself after an historic commission from the Centre Pompidou in Metz. Inspired by cinematic, theatrical and pictorial writing, Nicolas Dhervillers's approach decompartmentalizes the photographic medium.He works with French Galleries, collaborates with Art Centers and International Museums. He was invited to show his work in many countries like Switzerland, Germany, Korea, China, Netherlands, Usa and to Paris Photo for the past 5 years.In 2014 and 2015 he will have a solo exhibition at the Helmond Gemeente Museum (NL) then he will be in Australia for an International Festival and in Belgium for the "triennale de Photographie et d’architecture".All about Nicolas Dhervillers:AAP: Where did you study photography?I studied cinema first, then theater, and then I came to Paris to make a master in Photography and mixed media. I studied with Mr Jean Claude Moineau, my "chief" in terms of theory.AAP:Do you have a mentor or role model?No, but Jeff Wall influence me off course. AAP: How long have you been a photographer?10 years, but not a Photographer, maybe an artist is more correct, in a way.AAP: What or who inspires you?History of art in generalAAP: How could you describe your style?It is a mix between the painting spirit (about the white page), the cinematographic light and the pose of theater.AAP: What are your projects?Retrospective exhibition in Netherlands.
Marc Riboud
France
1923 | † 2016
Marc Riboud was a French photographer best known for his extensive reports on the Far East, including The Three Banners of China, Face of North Vietnam, Visions of China, and In China. Photography cannot change the world, but it can show the world as it changes. -- Marc Riboud Riboud was born in Saint-Genis-Laval and attended Lyon's lycée. He photographed his first picture in 1937, using his father's Vest Pocket Kodak camera. From 1943 to 1945, he was a member of the French Resistance as a young man during WWII. From 1945 to 1948, he studied engineering at the École Centrale de Lyon after the war. Marc Riboud worked as an engineer in Lyon factories until 1951, when he took a week-long photography vacation that inspired him to become a photographer. He relocated to Paris, where he met the founders of Magnum Photos, Henri Cartier-Bresson, Robert Capa, and David Seymour. He was a member of the organization by 1953. His ability to capture fleeting moments in life through powerful compositions was already apparent, and he would use this skill for decades to come. Eiffel Tower Painter, Paris, 1953© Marc Riboud Riboud traveled around the world for the next several decades. He was one of the first European photographers to visit China in 1957, and he documented North Vietnam in 1968, 1972, and 1976. Later in life, he traveled extensively throughout the world, primarily in Asia, Africa, the United States, and Japan. Marc Riboud has witnessed war atrocities (photographing from both the Vietnamese and American sides of the Vietnam War) as well as the apparent degeneration of a culture suppressed from within (China during Chairman Mao Zedong's Cultural Revolution). In contrast, he has captured the graces of everyday life in sun-drenched corners of the world (Fès, Angkor, Acapulco, Niger, Bénarès, Shaanxi), as well as the lyricism of child's play in everyday Paris. In 1976 he becomes president of Magnum and resigns three years later. Riboud's photographs have appeared in a variety of publications, including Life, Geo, National Geographic, Paris Match, and Stern. He has received the Overseas Press Club Award twice, the Sony World Photography Awards Lifetime Achievement Award in 2009, and major retrospective exhibitions at the Musée d'Art Moderne de la Ville de Paris and the International Center of Photography in New York. In 1998, Marc Riboud was named an Honorary Fellow of the Royal Photographic Society. The eye is made to see and not to think.... A good photograph is a surprise. How could we plan and foresee a surprise? We just have to be ready. -- Marc Riboud Eiffel Tower Painter, taken in Paris in 1953, is one of Riboud's most well-known photographs. It depicts a man painting the tower, posing like a dancer and perched between the tower's metal armature. Paris emerges from the photographic haze beneath him. Riboud's images frequently feature lone figures. In Ankara, a central figure is silhouetted against an industrial backdrop, whereas a man lies in a field in France. The vertical composition emphasizes the landscape, the trees, the sky, the water, and the blowing grass, which all surround but do not overpower the human element. The Ultimate Confrontation: The Flower and the Bayonet, Washington D. C, 21 Octobre 1967© Marc Riboud Riboud's photograph, The Ultimate Confrontation: The Flower and the Bayonet, taken on October 21, 1967, is one of the most famous anti-war images. The photograph was taken in Washington, D.C., where thousands of anti-war activists had gathered in front of the Pentagon to protest America's involvement in Vietnam. It shows a young girl, Jan Rose Kasmir, holding a flower and looking out at several rifle-wielding soldiers stationed to block the protesters. Marc Riboud stated about the photograph, "She was just talking, trying to catch the eye of the soldiers, maybe trying to have a dialogue with them. I had the feeling the soldiers were more afraid of her than she was of the bayonets." In contrast to the images in his photo essay A Journey to North Vietnam (1969), Riboud says in an accompanying interview, "My impression is that the country's leaders will not allow the slightest relaxation of the population at large [...] it is almost as if [...] they are anxious to forestall the great unknown - peace." He expanded on his observations of life in North Vietnam in the same Newsweek article: "I was astonished, for example, at the decidedly gay atmosphere in Hanoi's Reunification Park on a Sunday afternoon [...] I honestly did not have the impression they were discussing socialism or the 'American aggressors' [...] I saw quite a few patriotic posters crudely 'improved' with erotic graffiti and sketches." Vietnam, 1976© Marc Riboud There is a gap between what is photographed (or published) and what Riboud said in his interview. The author Geoffrey Wolff commented on this in 1970: "Riboud's photographs illustrate the proposition. The French photographer has been to North Vietnam twice [...] and he is most friendly, on the evidence of his pictures, to the people and the institutions he found there. His photographs are of happy faces,[...] An Air Force ace illustrates how he shot the American 'air pirates' from the sky [...] Who knows the truth about these places?" Rage Against the Machine, an American revolutionary political Rap Metal band, used two of Riboud's photographs for their second single Bullet in the Head. Both images convey strong political and social messages, but they are very different. The front cover depicts American schoolchildren pledging allegiance to the 'flag' (Stars and Stripes) in a classroom; the back cover depicts a young (probably Vietnamese) boy pointing a pistol, with soldiers on parade in the background. It's unclear who or what the boy is aiming at, or if the gun is real or a toy. Since the 1980’s Marc Riboud keeps travelling at his own tempo. He published many books, among which the most famous are The three banners of China, Journal, Huang Shan, Capital of Heaven , Angkor, the serenity of Buddhism, Marc Riboud in China. Riboud married the American sculptor Barbara Chase, who was living in Paris at the time, in 1961. They had two kids. Sally Hemings (1979), her debut novel, received critical acclaim and went on to become a best-seller. They divorced prior to 1981. He later married journalist and author Catherine Chaine. Riboud died on August 30, 2016, at the age of 93, in Paris. In 2004 his retrospective is exhibited at the Maison Européenne de la Photographie in Paris and visited by 100 000 people. Numerous museums trough Europe, as well as United States, China and Japan regularly show his work. He received many awards, among which two Overseas Press Club, the Time-Life Achievement, the Lucie Award and the ICP Infinity Award.
Fran Forman
United States
Fran's photo paintings have been exhibited widely, both locally and internationally, and are in many private collections as well the permanent collections of the Museum of Fine Arts Boston, the Smithsonian National Air and Space Museum (Washington, DC), the Museum of Fine Arts, Houston, The Grace Museum (Texas), the Sunnhordland Museum (Norway), Western Carolina University Fine Art Museum, the Comer Collection at the University of Texas, and the County Down Museum (Northern Ireland). Fran's 2nd major monograph, The Rest Between Two Notes, with 100 color plates and 224 pages is published by Unicorn Publishing and available March 2020. Escape Artist: The Art of Fran Forman was published by SchifferBooks and was selected as one of the Best PhotoBooks of 2014 by Elizabeth Avedon and won First Place in an international competition. Monographs of Fran's solo exhibitions were published by Pucker Gallery in 2018, 2016, and 2014. Fran is also featured in Contemporary Cape Cod Artists: People and Places, 2014, Photoshop Masking and Compositing, 2012, and Internationales Magazin fur Sinnliche Fotografie (Fine Art Photo), 2014, The Hand Magazine, 2016, Blur Magazine (2016), two Pucker Gallery publications, and Shadow and Light, 2015 and 2018. She was Artist in Residence at Holsnoy Kloster, Norway, in 2016 and at The Studios of Key West in 2015. Additionally, she is often asked to juror and curate photo exhibitions. Most recently, Fran has mounted solo exhibitions at The Fox Talbot Museum, Lacock Abbey, England, The Massachusetts State House (The Griffin Museum of Photography), AfterImage Gallery (Dallas), the University of North Dakota, Galeria Photo/Graphica (Mexico), and the Pucker Gallery (Boston), as well as numerous group shows. In the past decade, Fran has won numerous significant awards and prizes; most recently, first place from the Julia Margaret Cameron awards and three awards (First Place, Gold and Silver) from PX3 Prix de la Photographie, Paris. In 2011, she exhibited at the 2nd Biennial International Exhibition, Lishui, China (one of only thirty Americans); she also won the second prize from the World Photography Gala Award (out of over 8000 entries) in People and Portraits; in 2010, she won 1st place in Collage for the Lucie Foundation's International Photo Awards (IPA). She was also a finalist for four straight years in PhotoLucida's Critical Mass. She is represented by Pucker Gallery (Boston), AfterImage Gallery (Dallas), SusanSpiritus Gallery (California), and Galeria Photo/Graphica (Mexico). She is an Affiliated Scholar at the Women's Studies Research Center at Brandeis University, a recipient of several grants and Artist Residencies, and teaches advanced photo-collage internationally. Fran studied art and sociology at Brandeis University, received an MSW in psychiatric social work, and then an MFA from Boston University. She resides in the New England area.
Patrick Zachmann
Patrick Zachmann, born on November 21, 1955, is a renowned French photographer and filmmaker acclaimed for his insightful documentation of cultural and social issues. With a career spanning decades, he has become synonymous with the Magnum Photos agency, a prestigious cooperative of photographers. Zachmann's journey into photography began in the 1970s. He initially pursued studies in cinema at the University of Paris, but it was during a trip to New York in 1976 that he discovered his passion for still imagery. Captivated by the bustling streets and diverse communities, he decided to shift his focus to photography. In 1982, Patrick Zachmann joined Magnum Photos, a cooperative founded by legendary photographers like Robert Capa and Henri Cartier-Bresson. This association marked a turning point in his career, providing a platform for his distinctive visual storytelling. I became a photographer because I have no memory. Photography allows me to reconstruct the family albums I never had, the missing images becoming the engine of my research. My contact sheets are my personal diary. – Patrick Zachmann A significant chapter in Zachmann's portfolio is his work on the Chinese diaspora. In the 1980s, he embarked on an extensive project documenting the lives of the Chinese community in various countries, exploring themes of identity, migration, and cultural adaptation. His empathetic lens captured the struggles and triumphs of individuals within this global diaspora, resulting in a powerful body of work. One of Zachmann's notable projects is Wén, a documentary that delves into the life of a Chinese family living in France. This intimate portrayal earned him widespread acclaim for his ability to navigate complex narratives with sensitivity and depth. The project exemplifies Zachmann's commitment to shedding light on marginalized stories and fostering cross-cultural understanding. Throughout his career, Zachmann has covered significant historical events. He documented the fall of the Berlin Wall in 1989, capturing the emotions and reactions of individuals on both sides of this momentous divide. His work during the Tiananmen Square protests in 1989 further solidified his reputation as a photojournalist with an acute sense of social responsibility. Beyond his photojournalistic endeavors, Patrick Zachmann has explored personal and introspective themes. His project My Father's Testimony is a poignant reflection on his own family history, incorporating photographs, letters, and personal artifacts to create a visual narrative that transcends individual experiences to resonate on a universal level. In addition to his photographic pursuits, Zachmann has ventured into filmmaking. His documentary China, the Empire of Art? offers a nuanced exploration of China's contemporary art scene, reflecting his multifaceted approach to storytelling. Patrick Zachmann's contributions to photography have earned him numerous accolades, including the prestigious Nadar Award in 1993 and the World Press Photo Award in 1994. His work has been exhibited in major galleries and museums worldwide, solidifying his place as a respected documentarian and storyteller. As he continues to explore new facets of visual storytelling, Patrick Zachmann's enduring commitment to capturing the human experience with authenticity and empathy underscores the timeless relevance of his work in the realm of documentary photography and filmmaking.
Aurore Valade
France
1981
Aurore Valade is a French photographer born in 1981. She creates images that play with the iconic register of scenography. In these elaborate stagings, we are often confronted with clichés, meaningful reflections of a social, economic, or cultural situation in contemporary life. In 2008, she won the HSBC Prize for Photography for a series in which she photographs people who perform their own roles, in their interiors. From there, his work evolved into a political approach to the image. In 2015, she was an artist member of the Casa de Velázquez (Académie de France in Madrid), where she initiated research on indignation which gave rise to the Digo yo and Se manifester series, for which she obtained the Photo Folio Prize. Review of the Rencontres d'Arles1 Festival in 2017. Very elaborate, the staging of his photographs can be considered as "significant reflections of a social, economic or cultural situation of our time but also certain values ​​which question the limits of privacy."Source: Wikipedia It has been said that intimacy is connected to the art of talking about life. That art is precisely what Aurore Valade’s project summons. Her starting point is the art of conversation: con-verse means to go with another, to walk along the same road together, and that is what gives rise to the collaboration between the artist and those she photographs. Aurore Valade explores an “intimacy liberated” by the desire to share the voice and listen to other voices of those who recognize that every life is exceptional, for, each time, that life is always the only one that can be lived. Each of these photographs shows a shared space that concentrates and exudes that irreducible, excessive vitality. That is why Aurore Valade wanted to explore the specific space in which there is a constant tension between the intimate and the political, where its liberation is always transgressive and inhabits the very heart of revolt.Source: Arles - Les Rencontres de la Photographie
Yelena Zhavoronkova
United States
1956
Josephine Sacabo
United States
1944
Artist Statement: "I believe in Art as a means of transcendence and connection. My images are simply what I’ve made from what I have been given. I hope they have done justice to their sources and that they will, for a moment, ‘stay the shadows of contentment too short lived.’” Sacabo divides her time between New Orleans and Mexico. Both places inform her work, resulting in imagery that is as dreamlike, surreal, and romantic as the places that she calls home. Born in Laredo, Texas, in 1944, she was educated at Bard College in New York. Prior to coming to New Orleans, Sacabo lived and worked extensively in France and England. Her earlier work was in the photo-journalistic tradition and influenced by Robert Frank, Josef Koudelka, and Henri Cartier-Bresson. She now works in a very subjective, introspective style, using poetry as the genesis for her work. Her many portfolios are visual manifestations of the written word, and she lists poets as her most important influences, including Rilke, Baudelaire, Pedro Salinas, Vincente Huiobro, and Juan Rulfo, Mallarmé, and Sor Juana Ines de la Cruz. Her images transfer the viewer into a world of constructed beauty. During her 36 year career her work has been featured in over 40 gallery and museum exhibitions in the U.S., Europe and Mexico. She has been the recipient of multiple awards and is included in the permanent collections of the George Eastman House, the International Center of Photography, the Metropolitan Museum of Art and la Bibliothèque Nationale, Paris, France. Source: josephinesacabo.com
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AAP Magazine #56 Shadows
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