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Fabrizio Bonifazi
Fabrizio Bonifazi
Fabrizio Bonifazi

Fabrizio Bonifazi

Country: Italy
Birth: 1984

Fabrizio was born in Rome in 1984.
He joined the photographic association La Compagnia della Foto in 2014 where, with the other members, he deals with photography courses, workshops, photographic trips and exhibitions.
He is a self-taught photographer, he appreciates photography in its entirety, but he loves black and white street photography.
Up to now his photographs have been published on various Italian and international realities, both on web platforms and in print.
He has exhibited in various locations in Rome, including the Oriental Festival and the Museum of Civilizations.
He collaborates with the YouTube channel Biblioteca Fotografica, where he interviews photographers, journalists and photo editors.
 

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Sandrine Hermand-Grisel
Sandrine Hermand-Grisel grew up in Paris, France and in London, UK. She studied International Law before deciding to dedicate her life to photography in 1997. Influenced by her late mother's sculptures and her husbands paintings and films, she worked on several personal projects before her series Nocturnes was recognized in 2005 by Harry Gruyaert, Bertrand Despres and John Batho for the Prix Kodak de la Critique Photographique. In 2006 she moved with her family to the United States and began experimenting landscape photography with her series Somewhere and On the road. Despite the diversity of her projects she has a unique, very intimate, relationship with her subjects. Photography provides her with a way to express her feelings, like in the series ''Nocturnes'' where she photographed only close friends and family members peacefully abandoning themselves in front of her camera. ''Somewhere'' is her dream of America, a road trip through her adopted country. And ''Waterlilies'' is full of joy and love for her two children as she watched them jumping and playing in pools over and over again. Sandrine Hermand-Grisel not only photographs what she loves, she breaks free from her own reality in her poetic vision of the world. In 2013, she created the acclaimed website All About Photo and now spends most of her time discovering new talents while still working on personal projects. All about Sea Sketches Since I was a little girl my parents insisted that my brother and I accompany them almost every weekend to see an exhibition, a museum or an historic house. What was excruciating at first slowly became a real pleasure. Thanks to them, I had the privilege to see incredible exhibitions both in Paris and London where I grew up. Depending on my age and moods at the time, I favored a century, a movement, a painter... It was love at first sight when I discovered "Wanderer above the Sea of Fog" by Caspar David Friedrich. In the foreground, a young man stands upon a rocky precipice with his back to the viewer. He overlooks a landscape covered in a thick sea of fog. I was overwhelmed by the beauty of nature, the subtle colors, the calm and yet the movement that came from the wind. I perceived the character as content and in harmony with nature and I wondered if one day I would find my perfect place... and many years later, I did. On the west coast of Florida lies Anna Maria, a quaint barrier island nestled in the Gulf of Mexico. The water is warm and turquoise, the sand is white. Well preserved, the birds and turtles come here to nest while the respectful tourists lie on the sand every night to witness the incredible sunsets. Time is suspended. With the romantic painters Turner and Friedrich in mind, I captured a glimpse of Anna Maria, its light, its beaches, its movement, its unleashed elements... I hope you will immerse yourself in my Sea Sketches "paintings" and escape with me, even for the length of a sigh, from the harsh realities of life and share my happy place.
Ralph Steiner
United States
1899 | † 1986
Ralph Steiner was an American photographer, pioneer documentarian and a key figure among avant-garde filmmakers in the 1930s. Born in Cleveland, Steiner studied chemistry at Dartmouth, but in 1921 entered the Clarence H. White School of Modern Photography. White helped Steiner in finding a job at the Manhattan Photogravure Company, and Steiner worked on making photogravure plates of scenes from Robert Flaherty's 1922 Nanook of the North. Not long after, Steiner's work as a freelance photographer in New York began, working mostly in advertising and for publications like Ladies' Home Journal. With fellow graduate Anton Bruehl (1900–1982), in 1925, they opened a studio on 47th Street, producing a narrative series of amusing table-top shots of three cut‑out figures dressed in suits for The New Yorker magazine; advertisements for Weber and Heilbroner menswear in a running weekly series. Their client was wiped out in the Wall Street Crash. Through the encouragement of fellow photographer Paul Strand, Steiner joined the left-of-center Film and Photo League around 1927. He was also to influence the photography of Walker Evans, giving him guidance, technical assistance, and one of his view cameras. Steiner's still photographs are notable for their odd angles, abstraction and sometimes bizarre subject matter; the 1944 image Gypsy Rose Lee and Her Girls is sometimes mistaken for Weegee. His experimental films, however, are considered central to the literature of early American avant-garde cinema, and the influence of Ralph Steiner's visual style continues to assert itself; for example, contemporary avant-garde filmmaker Timoleon Wilkins cites Steiner as an inspiration. In his appreciation of Steiner, author Scott McDonald expands that list to include Dorsky, Andrew Noren, Larry Gottheim and Peter Hutton. The links between the first generation of American avant-garde filmmakers such as Steiner with the second – exemplified by Maya Deren, Stan Brakhage and others – are few, but Steiner is among those who managed to bridge the gap.Source: Wikipedia At the end of the 1960s Steiner relocated to Vermont. After making three more films he devoted himself to photographing clouds for nearly twenty years, primarily on the coast of Maine and in Oaxaca, Mexico. Clouds have been of longstanding interest to painters throughout the history of art. In photography, the subject is often associated with Alfred Stieglitz, who made photographs of clouds entitled Equivalents, believing them to appeal directly to the subconscious mind. Steiner similarly saw the evocative potential in cloud formations, although he felt the meaning of any given image was far more mercurial than his predecessor. Leaving his works deliberately untitled, he invites viewers to use their imaginations and provide their own titles, which, in his estimation, becomes a process of testing out different descriptions and metaphors. In 1985, shortly before his death, Steiner published a book of these studies, In Pursuit of Clouds.Source: MoCP
Gregory Spaid
United States
1946
Gregory Spaid (born, 1946) is an American artist who works in many modes and styles of photography, which are linked by a common thread of illuminating the commonplace. Whether it is the daily movement of pedestrians on the streets of New York City or the leaves that fall in his yard in rural Ohio, it is photography’s potential to transform our common experiences to reveal meaning and beauty that is the hallmark of his work. Spaid’s recent work includes a photography project that explores the importance trees play in our lives and for the health of the planet titled Reading Trees. His work on trees includes Cliché Verre photographs that incorporate actual leaves and other materials on negatives he makes by hand. For this project he traveled throughout the United States and has been awarded artist residencies at the Brush Creek Foundation in Wyoming, Mesa Verde National Park in Colorado, Congaree National Park in South Carolina and the Sonoran Arts Residency in Ajo, Arizona. During the Covid-19 pandemic, he focused on the natural world much closer to home, within footsteps of where he lives, to produce a series of videos to share with friends, titled The Machine in the Garden, that take a close look at nature for the beauty and inspiration still to be found there. Since 2009, Spaid has photographed the dance-like movement of people on the street of New York City for a series of abstract images titled Pedestrians. His photography on the changing landscape of rural America was included in a major group exhibition at The J. Paul Getty Museum in Los Angeles titled Where We Live. As well as the Getty Museum, his work is in other major collections including the Museum of Modern Art, the International Museum of Photography at the George Eastman House, and the Smithsonian American Art Museum. He received a Fulbright Research Fellowship to Italy and is the recipient of eight grants from the Ohio Art Council. Spaid has published two monographs: Grace: Photograph of Rural America and On Nantucket. In 2010, the Getty Museum published his work in an historical survey titled The Tree in Photography. Spaid taught studio art at Kenyon College where he served for nine years in academic administration including six years as the college’s provost. About Leaf Cutting Series "Leaves occur in such abundance where I live in rural Ohio as to seem worthless, and yet each one is astoundingly complex and beautiful both in its form and function. I think of the leaves in this series as visual representations of wildness, while the alterations I make to them -- the cutting -- is a form of rational human intervention. These images from my leaf cutting series are camera-less photographs made from negatives I make by hand -- a process known by the French term Cliché Verre. Cliché Verre is one of the earliest uses of light-sensitive, photographic materials. In the mid-19th century, it was used by a few French landscape painters, including Corot, Delacroix, Millet and Rousseau, to reproduce drawings they made on glass plates. My process is a hybrid one and an experimental contemporary version of that early process. After making a negative by hand, I scan it, process it digitally, and then print it as an archival ink jet print. Because there is no right or wrong way to make Cliché Verre images, I invent my technique as I work and let chance and discovery shape my approach. The subject of this work is leaves that I collect, make translucent, cut in unique shapes, and then combine with other materials (including maple syrup, blueberry juice, glue, India ink) to make hand-made 'negatives.'” -- Gregory Spaid
David Seymour (Chim)
United States
1911 | † 1956
David Seymour, also known as Chim, was a Polish-born photographer who is best known for his work as a member of the photographic cooperative Magnum Photos. He was born in 1911 in Warsaw, Poland and spent his early years studying in Germany before moving to France in 1933. Seymour's interest in photography began at a young age, and he quickly became skilled in the art of photography. He began his professional career as a photographer in Paris, working for various newspapers and magazines. In 1936, he joined the photographic cooperative Magnum Photos, which was founded by photographers Robert Capa, Henri Cartier-Bresson, and George Rodger. Chim told me not to follow too closely the advice of Capa, and Capa told me not to take any notice of Henri’s advice. So I was a bit mixed up and went to see George Rodger... and he said, “Don’t listen to any of them, only to me.” -- Marc Riboud, on joining the Magnum photo agency in 1953 As a member of Magnum Photos, David Seymour traveled extensively, capturing powerful images of people and events from around the world. He covered a wide range of subjects, including politics, war, and social issues. He was particularly known for his ability to capture the humanity of his subjects, and his images often conveyed a sense of empathy and compassion. Seymour's work as a war photographer began during World War II, when he covered the Spanish Civil War and the Second World War. He was one of the first photographers to document the horrors of the Holocaust, and his images of concentration camps and Jewish ghettos are among his most powerful and moving works. In 1948, David Seymour traveled to Palestine to cover the Arab-Israeli conflict, and his images of the fighting and the suffering of the Palestinian people helped to raise awareness of the issue around the world. He also covered the Korean War, the Suez Crisis, and the Hungarian Revolution, and his images of these conflicts were widely published in newspapers and magazines. In addition to his work as a war photographer, Seymour also documented social issues and political events. He covered the civil rights movement in the United States, and his images of the struggles of African Americans helped to raise awareness of the issue. He also covered the Cuban Revolution and the rise of Fidel Castro, and his images of the revolution and its aftermath helped to shape the way that the world viewed Cuba and its leader. Seymour's work as a photographer was widely recognized and respected during his lifetime, and he received numerous awards and honors for his contributions to the field of photography. He was a member of the French Legion of Honor, and in 1957 he was awarded the prestigious Robert Capa Gold Medal for his contributions to photojournalism. Despite his success as a photographer, Seymour's life was cut short when he was killed in 1956 while covering the Suez Crisis in Egypt. He was only 45 years old at the time of his death, but his legacy as a photographer lives on through his powerful images and his influence on the field of photojournalism. Today, Seymour's work continues to be widely admired and studied, and his images are considered to be some of the most powerful and important photographs of the 20th century. His work has been featured in numerous exhibitions and publications, and his images continue to inspire and influence photographers around the world. David Seymour Chim was a remarkable photographer who was able to capture the essence of humanity and the complexities of human nature. His photographs are moving and powerful, and his ability to document the world's most significant events and moments in history is a testament to his skill and dedication to his craft. His legacy as a photographer lives on, and his work will continue to be appreciated for generations to come.
Castro Frank
United States
Castro Frank is a Los Angeles based visual artist who has translated his personal experiences of growing up in the San Fernando Valley into a signature journalistic and candid approach to photography. Through captured moments that reveal the overlooked details of everyday life, to double exposures that force a viewer to question their perceptions, and now diving into the realm of abstraction to evoke deep seeded emotions, Castro's work defies the limitations of the photographic medium. Even his portraiture takes on a new life by not only capturing the raw essence of his subjects but the vitality of the city they inhabit. As a growing multidisciplinary artist, incorporating painting and other mediums into his work, Castro continually discovers new ways to envelope the viewer in the experiences encapsulated within his work. ​Castro's work has been exhibited in numerous solo and group exhibitions across California with institutions including South Grand, Rvcc Gallery, Communion Gallery, and Embed Gallery. The popularity of his work led to commissions from musicians as well as television networks utilizing his work in their stage design. His work has also been featured in large public installations and charity campaigns with nonprofit organizations, such as INCLUSIVACTION, to benefit the Los Angeles community. Additionally, works by Castro is featured in the Jumex Museum's founder, Eugenio Lopez's, private collection. His work received praise in prominent publications such as The Huffington Post and Los Angeles Times. Castro's work continues to evolve into new mediums, methods, and subjects. Through the development of his practice, he is excited to find new ways to capture the everyday. As he journeys on to create astounding imagery he hopes that his work will inspire youth to pursue their dreams. Exclusive Interview with Castro Frank
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