I was born in 1969 in Tarsus/Turkey. I graduated from Çukurova University, Department of Mathematics. In 1995, I started working as a Research Assistant at Marmara University. After 25 years, I resigned and moved to England. I am currently working as a Senior Researcher at the Oxford Center of Technology and Development.
In photography, I try to produce Documentary Photography, which I think is in the middle of life. Recently, I produced projects named "Obscure", "Kakava - Behind the Scene" and "I Can't Breathe". As of October 2020, my book titled "Unsuzler", which includes street portraits I produced in the previous years has been published.
I am currently a member of RPS (Royal Photographic Society), OPS (Oxford Photographic Society) and IFSAK.
In May 2020, in Minneapolis, the brutal murder of George Floyd by the police was recorded by people before and after the murder, and since similar problems were experienced in almost every country in the world, especially in the USA, after being recorded on social media. Despite the pandemic and quarantine measures, people went out to the streets and protested and somehow asked for an account. In general, it is possible to say that the main reasons for all civil movements are based on social justice, human rights demands, anti-racism, freedom, equality, welfare and similar reasons. The demonstrations that started as the protest of Floyd's murder and spread all over the world have evolved into a struggle of honour, global public solidarity against despotic rulers.
Similar protests recently in Turkey, Bolivia, Chile, Colombia, France, Hong Kong, India, Iran, Iraq, Lebanon, Malaysia, Pakistan and possible to see that take place in many countries. Beginning with the destruction of the statues of colonists in continental Europe, especially in England; Afterwards, effective anti-colonial protests took place in the organization of the BLM (Black Lives Matter) movement. Throwing the statue of the slave-dealer Edward Colston into the river in Bristol, the removal of Robert Milligan's statues by the Municipality in London, and especially Cecil Rhodes, the founder of the Rhodes Foundation, which has significant funds at the University of Oxford, but was the leading actor in the enslavement of Africa. The removal of his statue by Oriel College can be seen as a relatively important achievement. This book consists of the protests that took place in Oxford and London in August and are a tribute to the people who lost their lives against racism, injustice and discrimination around the world. Hope to meet you in peaceful days.
Photography has long played a crucial role in the art market, bridging fine art and contemporary culture while attracting a diverse range of collectors. With digital platforms reshaping how art is discovered, collected, and valued, Artsy has emerged as a key player in making photography more accessible.
In this exclusive interview, Casey Lesser, Artsy's Director of Content and Editorial, shares insights into the current photography market, emerging trends, and how digital tools are shaping the way collectors engage with the medium. From the growing demand for portraiture to the impact of price transparency, Lesser offers a behind-the-scenes look at the evolving landscape of photography collecting.
Currently on view at the Norton Museum of Art, certain silence marks artist Fabiola Menchelli’s first solo museum exhibition in the United States. Running through March 23, 2025, the show offers an immersive exploration of photography’s materiality, challenging conventional notions of perception and image-making.
Comprising more than 20 works—including previously unseen pieces—Menchelli’s ethereal compositions unfold through a meticulous process of folding, exposing, and developing light-sensitive materials. Created without a camera or negatives, her works blur the boundaries between control and chance, revealing intricate layers of abstraction and poetry. Through this interplay of light and form, certain silence invites viewers into a meditative space where perception itself becomes the subject of inquiry.
Art, Activism, Policy, and Power is an educational framework offering resources and opportunities for high school students to engage with artist-activists. The program focuses on various justice topics, utilizing the MoCP’s exhibitions, visiting artists, and collections as teaching tools. Students explore how artists incorporate research into their work to amplify urgent social issues, while also gaining insight into the power of the arts in advancing activism.
Jaume Llorens, born in Porqueres, near Girona, has been passionate about photography since his teenage years. Though he began exhibiting his work later in life, his artistic journey has quickly gained recognition on the international stage. His work is characterized by a deep, contemplative connection with nature, where silence and observation shape his artistic vision.
His poetic project Gaia, inspired by this reflective approach, earned him the December 2023 Solo Exhibition.
We asked him a few questions about his life and work.
Asiya Al Sharabi is a Yemeni-American visual artist whose work has been recognized both nationally and internationally. She began her career as a journalist and photographer before shifting her focus to artistic photography, using her lens to explore the complexities of identity, culture, and migration. Now based in the U.S., her work is deeply rooted in the experiences of Middle Eastern women, young adults, and immigrants—themes that continue to shape her creative vision.
Círculo Collective is a photography group dedicated to fostering unity and shared humanity during these challenging times. This exclusive collective brings together photographers from five countries: India, Tanzania, Iran, Brazil, and Poland.
In a world increasingly defined by division and conflict, the mission of Círculo Collective holds profound significance. Through their work, they seek to remind us of the connections that bind us and the power of community in overcoming adversity.
We reached out to them with a few questions to gain deeper insights into their project.
Manuela Federl is a journalist and documentary filmmaker with over 15 years of experience. She studied languages, economics, and cultural studies, focusing on the Mapuche people in Chile, which became the subject of her published thesis. In 2016, she founded her company, bergjournalisten, and has since created award-winning documentaries like 100 Hours of Lesbos and THE GAME. Gambling Between Life and Death. For the past two years, she has traveled extensively, documenting social issues through photography and storytelling. Her series The Roma Princesses earned her the January 2024 Solo Exhibition.
Black Box, a memoir by award-winning American photographer Dona Ann McAdams, combines fifty years of black and white photography with the photographer’s own short lyric texts she calls “ditties.” The book brings together McAdams’ striking historical images with personal reflections that read like prose-poems. Her photographs, taken between 1974 and 2024, document astonishing moments and people across decades of American life.
Grace Weston’s staged photography transforms miniature vignettes into powerful narratives that explore psychological themes with a playful yet profound touch. Her meticulously crafted scenes invite viewers to delve into stories of power, identity, and human complexity. Weston’s innovative work has earned international recognition, including winning the November 2023 Solo Exhibition. We asked her a few questions about her life and work.
