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Alex Webb
Alex Webb

Alex Webb

Country: United States
Birth: 1952

Alex Webb (born May 5, 1952) is a photographer known for his vibrant and complex color photographs. He has been a member of Magnum Photos since 1979. He's authored 16 books, including Hot Light/Half-Made Worlds (1986), Under a Grudging Sun (1989) From The Sunshine State (1996), Amazon (1997) Crossings (2003), Istanbul (2007), The Suffering of Light (2011), La Calle (2016), as well as five books with photographer Rebecca Norris Webb, his wife and creative partner—Violet Isle (2009), Memory City (2014), Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image (2014), Slant Rhymes (2017), and Brooklyn: The City Within (2019).

He has exhibited at museums worldwide, including the Whitney Museum of Art, NYC, the Metropolitan Museum, NYC, and the High Museum of Art in Atlanta, Georgia. He was awarded a Guggenheim Fellowship in 2007. He has contributed to Geo, TIME Magazine, National Geographic, and The New York Times Magazine among others.

Born in San Francisco, Webb was raised in New England. Webb first became interested in photography as a high school student and in 1972 attended the Apeiron Workshops in Millerton, New York, where he met Magnum photographers Bruce Davidson and Charles Harbutt. He went on to study history and literature at Harvard University (graduating in 1974), but also studied photography at the Carpenter Center for the Visual Arts. By 1974 he was working as a photojournalist and in 1976 he became an associate member of Magnum Photos. During this time he documented small-town life in the American South. He also did some work in the Caribbean and Mexico, which led him, in 1978, to begin working in color, which he has continued to do.

Webb's work has been exhibited around the world, including at the Walker Art Center, the Museum of Photographic Arts, the International Center of Photography, the High Museum of Art, the Museum of Contemporary Art in San Diego, and the Whitney Museum of American Art. His work is in numerous collections. He has received commissions from the High Museum of Art as well as the Banesto Foundation in Spain.

Webb now lives and works in Brooklyn, New York with his wife, Rebecca Norris Webb, who is also a photographer, and they have collaborated on a number of books.

Source: Wikipedia


Alex Webb is best known for his complex and vibrant color photographs of serendipitous or enigmatic moments, often in places with socio-political tensions. Over the past 45 years, Webb has worked in places as varied as the U.S.-Mexico border, Haiti, Istanbul, and, most recently, a number of U.S. cities. “My work is questioning and exploratory,” he says. “I believe in photographs that convey a certain level of ambiguity, that ask questions rather than provide answers.”

In 1974, the 22-year-old Webb, a Magnum Photos nominee, began working as a professional photojournalist, going on to work for the New York Times Magazine, Geo, Life, National Geographic, among other magazines. Alex became a full member of Magnum Photos in 1979.

Working mostly in Latin America and the Caribbean, he credits those cultures with inspiring his interest in color, when he transitioned from black-and-white photography in 1979. Webb has published 16 photography books, including The Suffering of Light, a survey of 30 years of his color photographs, and Memory City (with poet and photographer Rebecca Norris Webb, his wife and creative partner), a meditation about film, time, and the city of Rochester, NY, itself, the long-time home of Kodak, in the year following the company’s bankruptcy. His most recent books include La Calle: Photographs from Mexico and the collaboration Slant Rhymes with Rebecca. In fall 2019, Aperture will publish his seventeenth book—and fifth collaboration with Rebecca—Brooklyn: The City Within.

He has received numerous awards and grants including a Hasselblad Foundation Grant in 1998, a Guggenheim Fellowship in 2007, a National Endowment for the Arts Fellowship in 1990, and the Leica Medal of Excellence in 2000.

Source: Magnum Photos


 

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Hiroji Kubota (born 2 August 1939) is a Japanese photographer, a member of Magnum Photos who has specialized in photographing the far east. Born in Kanda (Tokyo), Kubota studied politics at Waseda University, graduating in 1962. In 1961 he met the Magnum photographers René Burri, Elliott Erwitt, and Burt Glinn. He then studied journalism and international politics at the University of Chicago, and became an assistant to Erwitt and Cornell Capa, in 1965, a freelance photographer. Kubota photographed the 1968 US presidential election and then Ryūkyū islands before their return to Japan in 1972. He then photographed Saigon in 1975, North Korea in 1978, and China in 1979–85, and the USA in 1988–92, resulting in books and exhibitions. Kubota won the Mainichi Art Prize in 1980,[2] and the Annual Award of the Photographic Society of Japan in 1981. Three of his publications won him the first Kodansha Publishing Culture Award in 1970: "Black People", and essays on Calcutta and the Ryūkyū islands.Source: Wikipedia Hiroji Kubota sounds a little over-the-top when he insists his "life is meaningless" without photography. But a glance at his latest and 19th book will convince you he is absolutely right, given how his life has been intertwined with some of Magnum's legendary photographers, like René Burri, Burt Glinn and my father, Elliott Erwitt. He started out working with some of them as a fixer and translator, even though he refused payment at first. "I was brought up comfortably and didn't need it," he said. He did, however, accept a beat-up Leica M3 from Burri. His life changed when he got the first edition of Henri Cartier-Bresson's The Decisive Moment a month later. "When I opened it, I said, 'My gosh, what is this?" he recalled. "That motivated me. That's when I became serious." His fate was sealed when Burri showed him a Swiss magazine that featured his Gaucho pictures. "It shocked me like crazy," he said. "I knew then I wanted to be a photographer." The results of those personally decisive moments are evident in Aperture's Hiroji Kubota Photographer a retrospective covering 50 years of his work. I met Hiroji almost that long ago, because my father, Elliott Erwitt, sponsored him when he first came to America, even picking him up at the TWA terminal at Kennedy Airport. They had met when Hiroji worked as a fixer on one of my father's early trips to Japan, in 1962, to illustrate Robert Donovan's book PT 109, about John F. Kennedy's World War II exploits. Hiroji was my father's translator when he photographed the captain and crew of the destroyer that famously cut Kennedy's boat in two. That kind of work led to his meeting other influential photographers who would encourage him, eventually bringing him to New York, where he became a familiar figure at the Magnum offices. Back then, the agency was a small, international and slightly dysfunctional family that was accessible if you met the right people, which he did. Cornell Capa, a Magnum photographer, "adopted me literally, not legally," he said. "He had no children, so he needed a son, a fairly well-behaved son who could cook for him." Capa, who entertained "big shots" at his Fifth Avenue apartment, helped Hiroji make a few extra dollars by having him cook. Burt Glinn also hired Hiroji as an assistant to help him get by. Hiroji showed similar ingenuity when he spent the better part of a year photographing in Chicago, where he ran an ad hoc Japanese catering business every other weekend to help pay the bills. By 1967, he was a successful photographer firmly ensconced at Magnum, and it was time to return to Japan. He has proved to be a remarkably tenacious photographer who immerses himself in a story and returns to it until he is satisfied. He has managed to get to places others can't - like his unlimited access on many trips to China, when travel within the country was still limited. He would talk government officials into allowing him the time and access he needed to achieve his purpose. Same with North Korea; he has made countless visits - at its invitation - at a time when it was essentially a closed country. -- By Misha ErwittSource: The New York Times During a visit by Magnum members to Japan in 1961, Hiroji Kubota came to know René Burri, Burt Glinn and Elliott Erwitt. After graduating in political science from Tokyo’s University of Waseda in 1962, Kubota moved to the US, settling in Chicago, where he continued photographing while supporting himself by working in a Japanese catering business. He became a freelance photographer in 1965, and his first assignment for the UK newspaper The Times was to Jackson Pollock’s grave in East Hampton. In 1968, Kubota returned to live in Japan, where his work was recognized with a Publishing Culture Award from Kodansha in 1970. The next year he became a Magnum associate. Kubota witnessed the fall of Saigon in 1975, refocusing his attention on Asia. It took him several years to get permission to photograph in China. Finally, between 1979 and 1984, Kubota embarked on a 1,000-day tour, during which he made more than 200,000 photographs. The book and exhibit, China, appeared in 1985. Kubota’s awards in Japan include the Nendo Sho (Annual Award) of the Japanese Photographic Society (1982), and the Mainichi Art Prize (1983). He has photographed most of the Asian continent for his book Out of the East, published in 1997, which led to a two-year project, in turn resulting in the book Can We Feed Ourselves? Kubota has had solo shows in Tokyo, Osaka, Beijing, New York, Washington, Rome, London, Vienna, Paris and many other cities. He has just completed Japan, a book on his homeland and the country where he continues to be based.Source: Magnum Photos
Marijn Fidder
Netherlands
1997
Thomas Crauwels
Switzerland
1983
I live at the service of these impetuous guardians of the eternal snows. Watching their light, vibrating to the rhythm of their beauty has become second nature. I like to live these moments of contemplation of panoramas both frozen and changing, which feed me with their greatness. In these moments, I taste peace and melt into the landscape. When the clouds are absent, when my gaze goes on forever and I can let my inspiration flow freely. Without any particular goal. Just to live. To let myself be carried. At other times, I become a truth hunter. I look for the ephemeral moments. The coming storm. The elements colliding. The wind, the air, the rock, creating a chaos that engulfs me in intense and intoxicating sensations. These minutes where I hold my breath so much they are nimbered of a perfection which exceeds me and carries me in a different space. A space that my eye and its accomplice, my camera, know how to capture. Suddenly, everything calms down. Just after the fin of the world, the revelation of another world arrives. Before my amazed gaze, my senses on the alert, the clouds are torn apart like the curtain rises on a new show. The highest summits are adorned with another light, a new contrast. Nature creates before my eyes. Trembling with an inner joy, I try to capture impermanence. It is like a miracle always renewed. Just after the storm, when the first rays of sunlight illuminate the peaks with their royal light. My daily life is punctuated by the study of weather forecasts. Detecting the approach of the forces of nature. A subtle alliance between intuition and the rational study of the elements. I am at one with nature, who is the chief creative artist...and I the humble craftsman. Mixture of experience and naivety, dancing alchemy of summits and elements, fusion between nature and the human being that I am. Who am I in front of all this? A stardust, present, vibrating, panting in the heart of the mystery of life. I aspire to the mastery of the moment which however escapes... In the end, should I really try to control the moment? When I have everything in place with rigor and yet failure looms, I let my heart speak. And then, sometimes, the miracle happens. This miracle that floods me with joy. I am happy to share with you some of the nuggets I brought back from these journeys to the end of my dreams... My quest for an ever-renewed perfection, nature has offered it to me so that I can offer it to you in turn. I hope you will have as much pleasure in dreaming in front of these photos as I had in looking for the perfect moment, the right moment.
Buck Holzemer
United States
Buck Holzemer's photography career began at the young age of eight when he climbed onto a garage roof to capture images of his friends playing basketball below. This experience sparked a lifelong fascination with the magic little window of the camera. After an multi-year detour to study the unseen world through physics and mathematics, he returned to the “magic little window” in his late twenties and began a career in photography and soon expanded into filmmaking. Throughout his career, Buck has received numerous accolades, including the prestigious Clio award for television commercials, recognition in the Communication Arts Photography Annual, awards from Print magazine, and the Grand Prize for fine art work from PDN magazine. In 2013, he won a Best of Show award from the International Photography Awards, and in 2019, he received the People's Choice Award from National Geographic. Buck's versatility as an image maker is evident in his work across various photographic genres and his filmmaking projects in Minneapolis, Los Angeles, New York, Milan, and Guatemala. For the past decade, he has collaborated with producer Patti Petrich to create media for Common Hope, a St. Paul based non-profit organization that supports education for children in Guatemala. Through this partnership, he has produced numerous videos and portraits of over 800 Guatemalan children. In recent years, Buck has dedicated his time primarily to personal photographic projects. Awarded Photographer of the Week - Week 05
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Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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AAP Magazine #55 Women
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