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David LaChapelle
David LaChapelle

David LaChapelle

Country: United States
Birth: 1963

David LaChapelle (born March 11, 1963) is an American commercial photographer, fine-art photographer, music video director, and film director.

He is best known for his photography, which often references art history and sometimes conveys social messages. His photographic style has been described as "hyper-real and slyly subversive" and as "kitsch pop surrealism". Once called the Fellini of photography, LaChapelle has worked for international publications and has had his work exhibited in commercial galleries and institutions around the world.

David LaChapelle was born in Hartford, Connecticut to Philip and Helga LaChapelle; he has a sister Sonja and a brother Philip. His mother was a refugee from Lithuania who arrived at Ellis Island in the late 1960s. His family lived in Hartford until he was 9. He has said to have loved the public schools in Connecticut and thrived in their art program as a child and teenager, although he struggled with bullying growing up. Then he moved to Raleigh, North Carolina, with his family, where they lived until he was 14, before moving back to Fairfield, Connecticut. He was bullied in his North Carolina school for his sexuality. When he was 15, he ran away from home to become a busboy at Studio 54 in New York City. Eventually, he returned to North Carolina to enroll in the North Carolina School of the Arts.

His first photograph was of his mother Helga on a family vacation in Puerto Rico. LaChapelle credits his mother for influencing his art direction in the way she set up scenes for family photos in his youth.

LaChapelle was affiliated in the 1980s with 303 Gallery which also exhibited artists such as Doug Ait. After people from Interview magazine saw his work exhibited, LaChapelle was offered work with the magazine. When LaChapelle was 17 years old, he met Andy Warhol, who hired him as a photographer for Interview Magazine. Warhol reportedly told LaChapelle "Do whatever you want. Just make sure everybody looks good." LaChapelle's images subsequently appeared on the covers and pages of magazines such as Details, GQ, i-D, The New York Times Magazine, Rolling Stone, The Face, Vanity Fair, Vogue Italia, and Vogue Paris.

LaChapelle's work has been called "meticulously created in a high-gloss, color-popping, hyper-realistic style", and his photos are known to, "crackle with subversive – or at least hilarious – ideas, rude energy and laughter. They are full of juicy life." In 1995 David LaChapelle shot the famous 'kissing sailors' advertisement for Diesel. It was staged at the peace celebration of World War II and became one of the first public advertisements showing a gay or lesbian couple kissing. Much of its controversy was due it being published at the height of the Don't ask, Don't tell debates in United States, which had led to the U.S. Government to bar openly gay, lesbian, or bisexual persons from military service. In a long article published by Frieze in 1996, the advertisement was credited for its "overarching tone of heavy-handed humor and sarcasm". In September 2011 when the Don't ask, Don't tell law was finally removed by President Barack Obama, Renzo Rosso, the founder and president of Diesel, who originally had approved and pushed for the advertisement, said "16 years ago people wouldn't stop complaining about this ad. Now it's finally accepted legally."

Themes in LaChapelle's art photography, which he has developed in his Maui home, include salvation, redemption, paradise, and consumerism. It is clear that LaChapelle's moving in this, "new direction highlights his interest and understanding of both contemporary practice and art history".

LaChapelle's images "both bizarre and gorgeous have forged a singular style that is unique, original, and perfectly unmistakeable." His photographs have been collected in a number of books. LaChapelle Land (1996) was selected as one of 101 "Seminal Photographic Books of the Twentieth Century" and is "highly valued by collectors". His second book, Hotel LaChapelle (1999), was described as a "garish, sexy, enchanting trip". Heaven to Hell (2006) featured "almost twice as many images as its predecessors", and "is an explosive compilation of new work by the visionary photographer." LaChapelle, Artists and Prostitutes (2006), a limited-edition, signed, numbered book contains 688 pages of photographs taken between 1985 and 2005. Artists and Prostitutes was published by Taschen and includes a photograph of the publisher Benedikt Taschen in a sadomasochism scene.

Source: Wikipedia


David LaChapelle is a celebrated American photographer and video artist. He is perhaps best known for his commercial fashion portraits of celebrities and models, including photos of Amanda Lepore and Angelina Jolie. LaChapelle’s signature blend of colorful, conceptual imagery bears the influence of both Surrealism and Pop Art. Often humorous or provocative, his use of full or partial nudity in numerous advertisements and editorial shoots prompted Helmut Newton to remark, “A lot of the nudity is just gratuitous. But someone who makes me laugh is David LaChapelle. I think he's very bright, very funny, and good.” An avid consumer of pop culture, LaChapelle is also inspired by the breadth of art history, frequently evoking the compositions or poses of Renaissance paintings. Born on March 11, 1963 in Fairfield, CT, LaChapelle’s early work was noticed by Andy Warhol, who then offered him a job at Interview Magazine in the 1980s. His photographs are included in the collections of the Los Angeles County Museum of Art, the National Portrait Gallery in London, and the Tel Aviv Museum of Art, among others. He currently lives and works in New York, NY.

Source: Artnet


 

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More Great Photographers To Discover

Maxime Du Camp
France
1822 | † 1894
Maxime Du Camp was born on February 8, 1822, in Paris, France, into a prosperous family. His father, a successful surgeon, ensured that young Maxime received a thorough education, which was typical for children of the bourgeoisie. Du Camp's early years were marked by a strong inclination towards literature and the arts. He studied at the Collège Bourbon (now Lycée Condorcet), where he developed a keen interest in literature, history, and languages. His education extended beyond formal schooling; he was an avid reader, absorbing a wide array of subjects that later influenced his literary and journalistic career. In the early 1840s, Maxime Du Camp embarked on extensive travels that profoundly shaped his worldview and literary work. His first significant journey was to the Near East in 1844, where he visited Greece, Turkey, and Egypt. Traveling with a sense of adventure and a desire to document the cultures and landscapes he encountered, Du Camp honed his skills in photography, an emerging technology at the time, and became one of its early pioneers as a documentary tool. This journey had a substantial influence on Du Camp. The cultures, histories, and landscapes of the Near East provided rich material for his later writings. He published his travel experiences in "Souvenirs et paysages d'Orient" (1848), which combined vivid descriptions with keen observations of the places he visited. This work marked the beginning of his career as a travel writer and established his reputation in literary circles. One of the most significant relationships in Du Camp's life was his friendship with the famous French novelist Gustave Flaubert. The two met in 1843 and quickly formed a strong bond based on their mutual interests in literature and travel. In 1849, they embarked on a journey to the Middle East, which took them to Egypt, Palestine, Syria, and Turkey. This expedition was particularly important for Du Camp as it allowed him to combine his passion for travel with his budding interest in photography. During this trip, Du Camp took numerous photographs of ancient monuments, landscapes, and people. These images were later published in "Egypte, Nubie, Palestine and Syrie" (1852), one of the earliest photographic travel books. The collaboration with Flaubert during this journey also had a lasting impact on both men's work. Du Camp's photographs provided valuable visual documentation for Flaubert's future literary works, while Flaubert's meticulous approach to writing influenced Du Camp's style. Du Camp's literary career was diverse, encompassing travel writing, novels, poetry, and journalism. His early works, such as "Souvenirs et paysages d'Orient" and "Egypte, Nubie, Palestine et Syrie," were primarily travelogues that showcased his ability to capture the essence of distant lands through both words and images. In the 1850s, Du Camp turned his attention to fiction. His first novel, "Mémoires d'un suicidé" (1853), was a reflection on the social and moral issues of his time. Although not as commercially successful as his travel writings, this novel demonstrated his versatility as a writer and his willingness to explore different genres. Du Camp also made significant contributions to poetry. He published several collections, including "Les Chants modernes" (1855) and "Convictions" (1858), which were characterized by their reflection on contemporary society and politics. His poetic style was influenced by the Romantic movement, but he also incorporated elements of realism, a reflection of his broader literary interests. In addition to his literary pursuits, Du Camp was an active journalist. He contributed to various newspapers and magazines, including "La Revue des Deux Mondes" and "Le Constitutionnel." His journalistic work covered a wide range of topics, from politics to culture, showcasing his ability to engage with contemporary issues. Du Camp was also known for his critiques of French society, often addressing the tensions and contradictions of his time. Maxime Du Camp was not only a man of letters but also an engaged citizen. He was a staunch supporter of the Second French Empire under Napoleon III and was involved in the political discourse of his time. In 1851, he joined the ranks of the Saint-Simonians, a socialist group that advocated for social reform and the improvement of the working class's conditions. His political views were reflected in his writings, where he often addressed social justice and the need for societal progress. Du Camp's political engagement extended to his role as an editor. In 1862, he co-founded the influential literary magazine "Revue des Deux Mondes" with Charles Buloz. This publication became a significant platform for intellectual and literary debate in France, featuring contributions from leading writers and thinkers of the time. Despite his busy career, Du Camp continued to travel extensively throughout his life. His later travels took him to North Africa and Europe, where he continued to document his experiences through writing and photography. His later works, such as "Le Nil: Égypte et Nubie" (1877), reflected his ongoing fascination with the places he visited and his desire to share these experiences with a wider audience. Maxime Du Camp's contributions to literature, photography, and journalism have left a lasting legacy. His pioneering use of photography in travel writing helped establish the medium as a legitimate form of documentation and artistic expression. His travel books remain valuable records of the places and cultures he encountered, providing insights into the 19th-century world. Du Camp's literary works, though not as widely known today as those of his contemporaries like Flaubert, offer a rich exploration of the social and political issues of his time. His ability to blend personal reflection with broader societal commentary makes his writings relevant to contemporary readers. As a journalist, Du Camp's contributions to French intellectual life were significant. His engagement with political and cultural debates helped shape public discourse in 19th-century France. The "Revue des Deux Mondes," under his editorial guidance, became a cornerstone of French literary and cultural life. Maxime Du Camp passed away on February 8, 1894, on his 72nd birthday, leaving behind a diverse body of work that continues to be appreciated for its depth and breadth. His life was marked by a relentless curiosity and a desire to explore and understand the world, qualities reflected in his writings and photographs. Du Camp's legacy is that of a true Renaissance man, whose contributions spanned multiple fields and left an indelible mark on the cultural landscape of his time.
Hilary Duffy
United States
Hilary began her photography career in news and travel for The Tico Times while she lived in Costa Rica in the 1990's. Over the course of seven years, she immersed herself in the culture of Costa Rica as an educator and honed her photography skills. In 2000, Hilary graduated from the International Center of Photography's Documentary/PJ Program and later assisted the Maine Photo Workshops in Havana, Cuba. Compelled to share photography with local youth, she developed a photo library and directed the Havana Youth Photo course in 2003—sharing her passion for photography and educating a younger generation. As a recipient of the ICP/Johnson & Johnson Fellowship in 2002 and 2004, Hilary completed assignments for Johnson & Johnson's corporate social responsibility at the U.S.-Mexico border, then India and Vietnam. This led to subsequent assignments for NGOs in the U.S., Asia, Latin America, the Caribbean and tsunami-affected regions. Hilary's international work and experience provided the opportunity to document the plight and rehabilitation of street children for Covenant House/Latin America. Her project Young Lives at Risk on the Streets was featured on Media Voices for Children, PhotoPhilanthropy and socialdocumentary.net. These collaborations have allowed Hilary to strengthen her passion as a socially concerned photographer and led to a permanent exhibit at Covenant House Headquarters in New York City. In addition, Hilary has exhibited in Costa Rica, Cuba, Guatemala and the U.S. And her stock photography has been represented in Aurora, Corbis and the National Geographic Image Collection. Hilary's curiosity, honesty, compassion and cultural sensitivity are reflected in her imagery.
Martin Parr
United Kingdom
1952 | † 2025
Martin Parr is a British photojournalist, documentary photographer, and collector of photobooks. He is renowned for his photography works that critically examine various facets of contemporary society, particularly English suburban and rural life. Since 1994, Martin Parr has been a member of Magnum Photos. Parr, who was born in Epsom, Surrey, intended to be a documentary photographer since he was fourteen, and credits his grandpa, an amateur photographer, as an early inspiration. He studied photography at Manchester Polytechnic from 1970 to 1973. In 1980, he married Susan Mitchell, and they have one child, Ellen Parr (born 1986). He has been a resident of Bristol since 1987. Spain. Benidorm. 1997Courtesy Magnum Photos / © Martin Parr Martin Parr began his career as a professional photographer and has taught photography on and off since the mid-1970s. He was first recognized in the north of England for his black-and-white photography, Bad Weather (1982) and A Fair Day (1984), but switched to color photography in 1984. Last Resort: Photographs of New Brighton, the resulting work, was published in 1986. Martin Parr has nearly 100 books published and has been featured in over 100 exhibitions worldwide, including one at the Barbican Arts Centre in London. His retrospective exhibition was chosen as the main show for Singapore's Month of Photography Asia in 2007. In 2008, he was named Honorary Doctor of Arts at Manchester Metropolitan University (MMU) in recognition of his ongoing contributions to photography and MMU's School of Art. The easy bit is picking up a camera and pointing and shooting. But then you have to decide what it is you’re trying to say and express. -- Martin Parr Martin Parr's documentary photography style is intimate, anthropological, and satirical. Macro lenses, ring flash, high-saturation color film, and, since it became a more convenient format to work in, digital photography, all allow him to put his subjects "under the microscope" in their own environment, allowing them to expose their lives and values in ways that often involve inadvertent humor. For example, in order to create his book Signs of the Times: A Portrait of the Nation's Tastes (1992), Parr went into ordinary people's homes and photographed the mundane aspects of his hosts' lives, combining the images with quotes from his subjects in order to bring viewers uncomfortably close to them. The end result of Parr's technique has been described as ambiguous emotional reactions, with viewers unsure whether to laugh or cry. IRELAND. Galway. Galway Races. 1997Courtesy Magnum Photos / © Martin Parr Parr is also a curator and editor. He has curated two photography festivals, one in Arles in 2004 and the other in Brighton in 2010. Parr recently curated the Strange and Familiar exhibition at the Barbican. Many major museums, including the Tate, the Centre Pompidou, and the Museum of Modern Art in New York, have acquired Martin Parr's work. In 2017, Martin Parr established the Martin Parr Foundation. Unless it hurts, unless there’s some vulnerability there, I don’t think you’re going to get good photographs. -- Martin Parr
Matthew Finley
United States
1972
Matthew Finley uses his photography to express himself and connect to the world around him. With a variety of photography processes, he explores intimate emotions through gesture, line and performance to communicate his experience. Growing up queer in an unaccepting environment, Finley felt apart from the world around him. Now, as an adult working through social anxiety, the studio is a safe space to create where he can be vulnerable and express his true self. Creating and exhibiting his work is a way to forge relationships with viewers and help those who see themselves reflected in it to feel less alone. Finding inspiration in nature, classic art and found photographs, he address-es modern issues such as his coming out story, intimate relationships, and finding peace in our tumultuous world. Based in Los Angeles, Finley’s work has shown in solo and group shows in multiple galleries across the U.S. Most recently, his work was on the walls of the esteemed Fahey/Klein Gallery in Los Angeles with the likes of Herb Ritts and Herbert List. Other works have circled the globe as part of the FOTOFILMIC 17 traveling show and he has pieces in the permanent col-lections of the Museum of Contemporary Photography, Columbia College Chicago, The Museum of Art and History, Lancaster, and the Center for Fine Art Photography. His images have also appeared in publications including Oxford American, Shots Magazine, and Plates to Pixels where he won the Juror Award in The Visual Armistice 10th Annual Juried Showcase. Finley’s most current project An Impossibly Normal Life recently received Center Santa Fe’s 2024 Personal Award as well as the Center for Photographic Art’s 2024 LGBTQ+ Artist Grant.
Eugene Richards
United States
1944
Eugene Richards is a noted American documentary photographer. During the 1960s, Richards was a civil rights activist and VISTA volunteer. After receiving a BA in English from Northeastern University, his graduate studies at the Massachusetts Institute of Technology were supervised by photographer Minor White. Richards' published photographs are mostly intended as a means of raising social awareness, have been characterized as "highly personal" and are both exhibited and published in a series of books. The first book was Few Comforts or Surprises (1973), a depiction of rural poverty in Arkansas; but it was his second book, the self-published Dorchester Days (1978), a "homecoming" to Dorchester, Massachusetts, where Richards had grown up, that won most attention. It is "an angry, bitter book", both political and personal. Gerry Badger writes that "[Richards's] involvement with the people he is photographing is total, and he is one of the best of photojournalists in getting that across, often helped by his own prose". Richards has been a member of Magnum Photos and of VII Photo Agency. He lives in New York.Source: Wikipedia Eugene Richards, photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called "War on Poverty". Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan. Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta. Upon returning to Dorchester, Richards began to document the changing, racially diverse neighborhood where he was born. After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America. In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make. Richards has published seventeen books. Exploding Into Life, which chronicles his first wife Dorothea Lynch’s struggle with breast cancer, received Nikon's Book of the Year award. For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Richards received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Richards’s most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.Source: eugenerichards.com
Sarah  Ketelaars
United Kingdom
Sarah Ketelaars is a British photographer from Brighton, UK. She has a BA and an MA degree in English Literature from Jesus College, Cambridge, an MSc in Social Science from the Robert Gordon University in Aberdeen and a Diploma in photography from City College, Brighton. She began her career as a journalist and her images have appeared on book, CD and magazine cover. Her work has been exhibited nationally and internationally and is represented by Trevillion Images & Getty, and by 35 North Gallery in Brighton. In 2021 she was selected as one of the Lensculture Critics’ Choice winners for her project ‘Windows’ shot during lockdown in Houston, Texas and in 2024 she was selected as a finalist for her project ‘The 544’ in the Lensculture Art Photography Awards. The 544 This ongoing project is a memorial to 544 psychiatric patients murdered by the Nazis in 1941 in Latvia. The figurative images I’ve made are all cyanotypes. Eventually there will be one for each man, woman and child killed. My grandmother was working at the hospital from where the patients were taken. I have visited the hospital and found that although the story is known no memorial exists. The only official record seems to be a short paragraph in the Nuremberg report. So far I have found no record of the names. Using a historic photographic process feels fitting for a project examining a historical event. An ancient pagan Latvian folk symbol is drawn on by hand in gold ink to each piece. It is impossible for me to look at these images without thinking about how the lives of these people ended. However, the project is primarily intended as a memorial. I wanted the images to hint at some more celebratory moments, to remember the lives lived before these people entered the hospital; before they died. Not knowing anything about the identities of the dead, I have tried to imagine each one as a unique, precious being, and give each back a little of the character stripped from them when they were murdered and reduced by history to a number on a list of nameless victims. The project is the second in a trilogy looking at my family history, examining themes of cultural inheritance, identity and intergenerational trauma.
Josephine Cardin
Dominican Republic
Born in Santo Domingo, Dominican Republic, Josephine Cardin is a fine arts photographer who grew up in South Florida, until moving to Boston, MA in 2006.Presently, Cardin has been developing her figurative work, inspired by music, dance, and the human themes of loneliness, isolation, melancholy, love and loss. Cardin uses both dancers, and self-portraiture to illustrate scenes that bewitch, seduce, and explore our human sensibilities; through abstract stories with a visual dialogue between the subject and the artist created through a symbiosis of harmonic gestures and magnetic artistry.Cardin's work has been published in The Spoiler�s Hand, Lucy�s, Canto, beau BU, Scope, F-Stop, and Dance Magazines; Playbill, and the book Meet The Dancers. She has exhibited with The Professional Woman Photographers, The Boca Raton Museum of Art Juried Exhibition, and with The Woman in The Visual Arts. Most recently Cardin received and honorable mention for the 2014 Julia Margaret Cameron Awards, and was selected as a finalist for the PhotoNola/International House Mary Magdalene Exhibit in New Orleans. She has done work for the Boston Ballet, Rochester City Ballet, Arts Ballet Theater, and The Broward Center for the Performing Arts; as well as work for corporate clients. Additionally she earned an artistic grant from the state of Florida, prior to her move to Boston.Always an artist in some capacity, Cardin started out as a ballet dancer, then earning her B.A. in Art History from Florida Atlantic University, followed by an M.A. in Communications from Lynn University. She went on to hold several professional jobs in the arts, while continuing to produce personal and professional photography projects as a freelancer. In 2010 Cardin focused on pursuing her fine arts career full-time. She lives and works in Rochester, NY, with her husband and two young children.
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All About Photo Awards 2026
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