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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
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Bill Burke
Bill Burke

Bill Burke

Country: United States
Birth: 1943

William M. Burke is an American photographer and educator known for his 20 years of documentary photography in Vietnam and neighboring countries, detailing the effects of war. Bill Burke was born in 1943 in Derby, Connecticut. In 1966, he received a B.A. degree in Art History from Middlebury College. He continued studies at Rhode Island School of Design (RISD), and received a B.F.A degree in 1968 and a MFA degree in 1970, while studying with photographer Harry Callahan.

In 1971, he started teaching at the School of the Museum of Fine Arts in Boston. In 1978, he became a Guggenheim fellow in photography. His work is included in many public collections including the Smithsonian American Art Museum, San Francisco Museum of Modern Art, Princeton University Art Museum, Museum of Modern Art, Museum of Fine Arts, Boston, among others.

Source: Wikipedia


Since 1971 he has taught at the School of the Museum of Fine Arts in Boston. While he has contributed to the Christian Science Monitor and published his work in Fortune and Esquire, Burke prefers to present personal travelogue images in series in books and exhibitions. His monographs include They Shall Cast Out Demons (1983), Bill Burke Portraits (1987), I Want to Take Picture (1987), and Mine Fields (1994). He has exhibited alone and in groups at ICP and elsewhere.

Bill Burke, who failed his draft physical, was spared the experience of many of his contemporaries who fought in the Vietnam War. Since the 1970s he has photographed his travels through Asia not to document military atrocities, but to record his personal reactions. His work reflects a fascination with historical events and sites, yet his interest is broader than the topical documentation of photojournalism. The independent spirit of works such as Robert Frank's The Americans (1959) informs Burke's approach to his subjects: he recognizes his outsider status, and the black-and-white photographs of his many trips to Cambodia are as much about the personal impact and experience of being a witness as they are about the cultures he visits. This visitor status is important: Burke makes no pretense trying to develop a photo essay with political overtones, in the tradition of American documentary photography of the 1930s.

Source: International Center of Photography


Selected Books on Available on Amazon
I Want To Take Picture
I Want To Take Picture
Bill Burke, Jack Woody

Gallery

Howard Greenberg Gallery

Website

www.binhfoto.com

 

Selected Books

I Want To Take Picture
I Want To Take Picture
Bill Burke, Jack Woody

Inspiring Portfolios

Jesús Umbría Brito
© Jesús Umbría Brito
Nanda Hagenaars
© Nanda Hagenaars
Carole Mills Noronha
© Carole Mills Noronha
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More Great Photographers To Discover

Jan Janssen
Jan Janssen
Netherlands
1963
As a social photographer, Jan Janssen captures the moments he recognises in his fellow human beings, especially those elsewhere in the world. In everyday moments, he finds the same needs, insecurities or pleasures that all people enjoy in their lives - albeit to different degrees. Travelling is inseparable from Janssen photographic practice. On the one hand, travelling is an opportunity to discover who you are yourself. By travelling to other places, Jan seeks precisely the things we have in common. In a world of polarisation and contrasts, sometimes even on one continent, Janssen settles geographical and symbolic boundaries by photographing people in a pure essence. He photographs the richness of our most basic human needs, like freedom, family and security - or, conversely, the absence of their obviousness. To create his photographs, Janssen works on location for long periods of time. He often returns to the same place during subsequent trips. Here he builds a bond with the local people, a bond based on mutual respect and dignity. This photographing with a free heart allows him to get as close to people as possible. Only in this way can he penetrate to the essence of their being, and then capture it on camera. It Matters Pieces of Europe is a long-term photography project, started in 2016. In this series, I show the moments I recognise in my fellow human beings. Things that are common to our human existence, such as love, play, growing up, loss and need for contact. Things that are present everywhere in the world, in anyone. Several times a year, I travel to destinations in Central and Eastern Europe. For these photos, I travelled to Turkey, Azerbaijan, and Armenia, among others. Once arrived in the country, I work together with the locals to find entry into these communities. I find it very important that I approach them as an equal, and not as a western outsider just using them to take a photo. I build a bond with my portrayed people by following them for weeks, sometimes months. I may return regularly after my visit or stay in touch with my portraits online or remotely. Through this long-term contact, I get to know their traits and discover when they are at their most beautiful, their most vulnerable or their purest. It is at these moments that the most beautiful photos are created. The series is growing and will culminate in a book of the same name in 2026. Travelling is inseparable from my practice. It is an opportunity to discover who I am. By travelling to other places, I seek precisely the things we have in common. It is also a way for me to remind myself of the gratitude of a simple existence in places elsewhere in the world: things I take for granted in the West. Article Exclusive Interview
Brett Weston
Brett Weston
United States
1911 | † 1993
Brett Weston (originally Theodore Brett Weston; December 16, 1911, Los Angeles–January 22, 1993, Hawaii) was an American photographer. Van Deren Coke described Brett Weston as the "child genius of American photography." He was the second of the four sons of photographer Edward Weston and Flora Chandler. Weston began taking photographs in 1925, while living in Mexico with Tina Modotti and his father. He began showing his photographs with Edward Weston in 1927, was featured at the international exhibition at Film und Foto in Germany at age 17, and mounted his first one-man museum retrospective at age 21 at the De Young Museum in San Francisco in January, 1932. Weston's earliest images from the 1920s reflect his intuitive sophisticated sense of abstraction. He often flattened the plane, engaging in layered space, an artistic style more commonly seen among the Abstract Expressionists and more modern painters like David Hockney than other photographers. He began photographing the dunes at Oceano, California, in the early 1930s. This was a favorite location of his father Edward and a location that they later shared Brett's with wife Dody Weston Thompson. Brett preferred the high gloss papers and ensuing sharp clarity of the gelatin silver photographic materials of the f64 Group rather than the platinum matte photographic papers common in the 1920s and encouraged Edward Weston to explore the new silver papers in his own work. Brett Weston was credited by photography historian Beaumont Newhall as the first photographer to make negative space the subject of a photograph. Donald Ross, a photographer close to both Westons, said that Brett never came after anyone. He was a true photographic equal and colleague to his father and "one should not be considered without the other." "Brett and I are always seeing the same kinds of things to do - we have the same kind of vision. Brett didn't like this; naturally enough, he felt that even when he had done the thing first, the public would not know and he would be blamed for imitating me." Edward Weston - Daybooks - May 24, 1930. Brett Weston used to refer to Edward Weston lovingly as "my biggest fan" and there was no rivalry between the two photographic giants. Brett and his wife Dody loyally set aside their own photography to help Edward after he was unable to print his own images due to Parkinson's disease, which claimed Edward's life in 1958. Brett Weston married and divorced four times. He had one daughter, Erica Weston. Brett Weston lived part time on the Big Island of Hawaii and in Carmel, California for the final 14 years of his life. He maintained a home in Waikoloa that was built by his brother Neil Weston, and later moved to Hawaii Paradise Park. He died in Kona Hospital on January 22, 1993 after suffering a massive stroke. Works by Brett Weston are included in collections of the Colorado Springs Fine Arts Center, the Honolulu Museum of Art, the Los Angeles County Museum of Art, the Museum of Contemporary Art, Los Angeles, the Oklahoma City Museum of Art and the San Francisco Museum of Modern Art. In November of 1996, Oklahoma City collector Christian Keesee acquired from the Brett Weston Estate the most complete body of Weston’s work. Source: Wikipedia
Mary Ellen Mark
Mary Ellen Mark
United States
1940 | † 2015
Mary Ellen Mark is an American photographer known for her photojournalism, portraiture, and advertising photography. She has had 16 collections of her work published and has been exhibited at galleries and museums worldwide. She has received numerous accolades, including three Robert F. Kennedy Journalism Awards and three fellowships from the National Endowment for the Arts. Mary Ellen Mark was born in suburban Philadelphia, Pennsylvania, and began photographing with a Box Brownie camera at age nine. She attended Cheltenham High School, where she was head cheerleader and exhibited a knack for painting and drawing. She received a BFA degree in painting and art history from the University of Pennsylvania in 1962, and a Masters Degree in photojournalism from that university's Annenberg School for Communication in 1964. The following year, Mark received a Fulbright Scholarship to photograph in Turkey for a year. While there, she also traveled to photograph England, Germany, Greece, Italy, and Spain. In 1966 or 1967, she moved to New York City, where over the next several years she photographed Vietnam War demonstrations, the women's liberation movement, transvestite culture, and Times Square, developing a sensibility, according to one writer, "away from mainstream society and toward its more interesting, often troubled fringes". As Mark explained in 1987, "I'm just interested in people on the edges. I feel an affinity for people who haven't had the best breaks in society. What I want to do more than anything is acknowledge their existence". Her shooting style ranges from a 2 ¼ inch format, 35 mm, and 4x5 inch view camera. She also uses a Leica 4 for most photographs and Nikons for long-range shooting. Mark loves shooting with a Hasselblad for square format and she shoots primarily in black-and-white, using classic Kodak Tri-X film. Source: Wikipedia Mary Ellen Mark achieved worldwide visibility through her numerous books, exhibitions and editorial magazine work. She published photo essays and portraits in such publications as Life, New York Times, The New Yorker, Rolling Stone, and Vanity Fair. For over five decades, she traveled extensively to make pictures that reflect a high degree of humanism. She is recognized as one of our most respected and influential photographers. Her images of our world's diverse cultures have become landmarks in the field of documentary photography. Her portrayals of Mother Teresa, Indian circuses, and brothels in Bombay were the product of many years of work in India. A photo essay on runaway children in Seattle became the basis of the academy award-nominated film Streetwise, directed and photographed by her husband, Martin Bell. Mary Ellen received the 2014 Lifetime Achievement in Photography Award from the George Eastman House as well as the Outstanding Contribution Photography Award from the World Photography Organisation. She has also received the Infinity Award for Journalism, an Erna & Victor Hasselblad Foundation Grant, and a Walter Annenberg Grant for her book and exhibition project on America. Among her other awards are the Cornell Capa Award from the International Center of Photography, the John Simon Guggenheim Fellowship, the Matrix Award for outstanding woman in the field of film/photography, and the Dr. Erich Salomon Award for outstanding merits in the field of journalistic photography. She was also presented with honorary Doctor of Fine Arts degrees from her Alma Mater, the University of Pennsylvania and the University of the Arts; three fellowships from the National Endowment for the Arts; the Photographer of the Year Award from the Friends of Photography; the World Press Award for Outstanding Body of Work Throughout the Years; the Victor Hasselblad Cover Award; two Robert F. Kennedy Awards; and the Creative Arts Award Citation for Photography at Brandeis University. She published twenty books including Passport (Lustrum Press, 1974), Ward 81 (Simon & Schuster, 1979), Falkland Road (Knopf, 1981), Mother Teresa's Mission of Charity in Calcutta (Friends of Photography, 1985), The Photo Essay: Photographers at work (A Smithsonian series), Streetwise (second printing, Aperture, 1992), Mary Ellen Mark: 25 Years (Bulfinch, 1991), Indian Circus (Chronicle, 1993 and Takarajimasha Inc., 1993), Portraits (Motta Fotografica, 1995 and Smithsonian, 1997), a Cry for Help (Simon & Schuster, 1996), Mary Ellen Mark: American Odyssey (Aperture, 1999), Mary Ellen Mark 55s (Phaidon, 2001), Photo Poche: Mary Ellen Mark (Nathan, 2002), Twins (Aperture, 2003), Exposure (Phaidon, 2005), Extraordinary Child (The National Museum of Iceland, 2007), Seen Behind the Scene (Phaidon, 2009), Prom (Getty, 2012,) Man and Beast (University of Texas Press, 2014,) Tiny: Streetwise revisited (Aperture, 2015,) and Mary Ellen Mark on the Portrait and the Moment (Aperture, 2015.) Mark's photographs have been exhibited worldwide. She also acted as the associate producer of the major motion picture, American Heart (1992), directed by, Martin Bell. Her last book Tiny: Streetwise Revisited is a culmination of 32 years documenting Erin Blackwell, who she first met in 1983 on assignment for Life Magazine. Erin was the subject of both the book and film Streetwise. Martin also made an updated film, Tiny: The Life of Erin Blackwell. Aside from her book and magazine work, Mark photographed advertising campaigns among which are Barnes and Noble, British Levis, Coach Bags, Eileen Fisher, Hasselblad, Heineken, Keds, Mass Mutual, Nissan, and Patek Philippe.Source: www.maryellenmark.com
Jennifer Bazzoli
Jennifer Bazzoli
Italy
2001
Jennifer Bazzoli is an Italian photographer focusing on travel and documentary photography. Her passion began in 2018 with her first camera, when she started experimenting with different styles and techniques. With a background in photography and cinematography, she is now dedicated to capturing distant lands, their landscapes and their people. Statement "What I aim for, with my work and my dedication, is to leave a positive impact while sharing authentic stories from different places and cultures." Awarded Photographer of the Week - Week 45, 2025
Cole Weston
Cole Weston
United States
1919
Cole Weston, born on January 30, 1919 in Los Angeles, was the fourth and youngest son of famed 20th Century photographer, Edward Henry Weston. Cole received his first camera, a 4 by 5 Autograflex, from his brother Brett in 1935. Cole graduated with a degree in theater arts from the Cornish School in Seattle in 1937 and then served in the Navy during World War II as a welder and photographer. After his discharge from the Navy in 1945 Cole worked for Life Magazine. In 1946 he moved to Carmel to assist his father Edward. During this time Eastman Kodak started sending their new color film, Kodachrome, for Edward to try out. Cole took this opportunity to experiment with this new medium and eventually became one of the world’s great masters of fine art color photography. In 1957 Cole began shooting his first color photographs of the magnificent Big Sur coast, Monterey Peninsula and central California. At this time he carried on his own portrait business while assisting his ailing father, who passed away in 1958. Edward had authorized Cole to print from Edward’s negatives after his death, so Cole continued printing Edward’s work while pursuing his own fine art photography. In 1975 Cole began lecturing and conducting workshops on his father’s photography as well as his own. With his work in the theater arts Cole was a natural when it came to teaching and lecturing and his many students still comment on what a great workshop he gave. He traveled throughout the United States, England, Europe, Russia, Mexico, New Zealand and the South Pacific photographing and inspiring others with his characteristic enthusiasm and charm. In 1988 after three decades devoted to printing his father’s work, Cole at last set aside his responsibility to Edward’s legacy and refocused on his own photography. Cole had his first solo exhibition in San Francisco in 1971. Since then, his work has been featured in more than sixty exhibitions worldwide and has been collected by museums throughout the United States and Europe. His work has been featured in numerous gallery shows and publications with three monographs and numerous articles having been published on his exquisite photography. Michael Hoffman from Aperture Publications once quoted, “In the history of photography there are but a few masters of color photography, Cole Weston is assuredly one of these masters of the medium whose dramatic powerful images are a source of great joy and pleasure”. Cole passed away from natural causes on April 20th, 2003. Like Cole, who once carried on the legacy of his father’s photography, his children have decided, as a tribute to their father, to carry on printing and offer Trust prints of Cole’s fine color photographs. Cole Weston was a dedicated artist and master of fine photography. Hopefully the availability of modern prints will make it possible for photographic enthusiasts everywhere to continue to enjoy his life’s work.
Thomas Struth
Thomas Struth
Germany
1954
Thomas Struth was born 1954 in Geldern, Germany and currently lives and works in Berlin. He is best known for his genre-defying photographs, though he began originally with painting before he enrolled at the Kunstakademie, Düsseldorf in 1973. Struth has developed his individual photographic practice, often penetrating places of the human imagination in order to scrutinize the landscape of invention, technology, and beyond (as in his recent CERN and Animal images). Celebrated for his diverse body of work-Unconscious Places, Familienleben (Family Life), Museum Photographs, New Pictures from Paradise and Nature & Politics-Struth continues to advance his vocabulary with each new series, while maintaining the same principles core to his practice. Recent comprehensive exhibitions of Struth's work include the major touring exhibition Thomas Struth: Nature & Politics exhibited at the Museum Folkwang, Essen, Germany; the Martin-Gropius-Bau, Berlin, Germany, the High Museum, Atlanta, Georgia; the Moody Center for the Arts, Houston, Texas; the St. Louis Museum of Art, Missouri and the MAST Foundation Bolgna, Italy (2016-2019) as well as Figure Ground which opened at the Haus der Kunst, Munich, Germany and traveled to the Guggenheim Museum, Bilbao, Spain (2017-2019). Other recent exhibitions have been shown at: Hilti Art Foundation, Vaduz, Lichtenstein (2019); Aspen Museum of Art, Colorado (2018); the Metropolitan Museum of Art, New York (2014); and a major traveling retrospective which traveled from the Museu Serralves, Portugal to the K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, the Whitechapel Gallery, London, and the Kunsthaus Zurich, Switzerland (2010-2012). In 2018 Struth received the Honorary Magister Artium Gandensis from the Royal Academy of Fine Arts (KASK), Ghent, Belgium. In 2016 he was elected Foreign Honorary Member of the American Academy of Arts and Letters and received the Centenary Medal and Honorary Membership from The Royal Photographic Society, London. In 2014 he was awarded an Honorary Fellowship by the Royal Institute of British Architects. He is the winner of the Spectrum-International Prize for Photography of the Foundation of Lower Saxony (1997) and the Werner Mantz Prize for Photography, The Netherlands (1992). He has participated in numerous international group exhibitions including Common Ground, Venice Architecture Biennale (2012), Future Dimension, the Venice Biennial (1990) and Documenta IX (1992). Source: Marian Goodman Gallery
Willie Anne Wright
Willie Anne Wright
United States
1924
Willie Anne Wright is an American photographer known for her colorful cibachrome and grayscale Pinhole Photography. Willie Anne Wright was born Willie Anna Boschen, in Richmond, Virginia. Her father was a musician and sometime-artist. She graduated from the College of William & Mary in 1945 with a BS in Psychology, and from Virginia Commonwealth University in 1964 with an MFA in Painting. She later studied at the Maine photographic workshops in Rockport, Maine and the Visual Studies Workshop in Rochester, New York. She married and had three children. Willie Anne Wright began her artistic career as a painter, teaching art classes at the Jewish Community Center, and was influenced by one of her painting instructors, Theresa Pollak. For a while, she experimented with printmaking. By 1973, she began to focus more and more on photography. Inspired by her surroundings and personal life, her first works incorporated images of her family, friends, and Civil War reenactors. Well known for her use of the old technique of pinhole, she is also an exceptional master in lensless photography, solar printing, and photograms. Some of her more well known works include her Civil War Redux series, which focuses on local Civil War reenactors whom she followed around for several years, her Pregnant Women series, which features pregnant friends of hers, and The Swimmer series, which features women lounging by poolsides or in pools. Willie Anne first experimented with pinhole photography in 1985. For a class project she had to create and use a pinhole camera. She used Cibachrome paper for use in a sixteen by twenty inch pinhole camera. With color-correcting filters she created wide-angle color prints by placing the pinhole close to the film plane. Her images were whimsical with bright colors and a vignette border.Source: Wikipedia Willie Anne Wright is a native and resident in Richmond, Virginia. She received a BS in Psychology from The College of William and Mary and an MFA in Painting from Virginia Commonwealth University. She also studied photography at Maine Photographic Workshops, Rockport, Maine; Visual Studies Workshops, Rochester, New York; and VCU. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Since then her lensless photography — pinhole and photogram — have been exhibited nationally and internationally, and have been included among numerous publications such as Art News, The Oxford American, Le Stenope, and The Book of Alternative Processes. Wright's works are collected privately and publicly, and are in the permanent collections of Virginia Museum of Fine Arts, Richmond, Virginia; Chrysler Museum of Art, Norfolk, Virginia; George Eastman House, Rochester, New York; High Museum of Art, Atlanta Georgia; The Mariners' Museum, Newport News, Virginia; Southeast Museum of Photography, Daytona Beach, Florida; New Orleans Museum of Art, New Orleans, Louisiana; Mobile Museum of Art, Mobile, Alabama; Morris Museum of Art, Augusta, Georgia; New Mexico History Museum, Santa Fe, New Mexico; Longwood University, Farmville, Virginia; University of Mary Washington, Fredericksburg, Virginia; University of Maine, Bangor, Maine; and University of New Hampshire, Dublin, New Hampshire.Source: www.willieannewright.com
Susi Belianska
Susi Belianska
Slovakia/Italy
1980
Susi Belianska is a photographer and artist with a passion for capturing visual stories, particularly through the art of portrait photography. Her fascination with the intricate details of the human face, the play of light and shadow that accentuates its contours, and the emotions it conveys drives her to create compelling and evocative portraits that tell unique narratives. With a background in the fashion industry, she transitioned into full-time photography in 2007, capturing diverse campaigns and catalogues for national and international brands. Her work has been featured in prominhotent publications like Condè Nast - Vogue Italia, GQ, Financial Times, Vrij Magazine, L’Officiel, D Repubblica, among others. She develops as well her personal projects within fine art. In 2013 she won the Nikon Talent Photo Contest presented and exhibited during the international contemporary art Artissima fair In 2012 she was in shortlist of the Sony World Photography Awards in fashion category. She actively participates in renowned photography festivals, including the Ancona Photo Festival 2021 and Grenze Photo Festival Verona 2022. Das Unheimliche: Das Unheimliche is a photographic project that explores the intersection between the human being and the artificial and invites us to reflect on the complex dynamics and emotional dilemmas that arise when confronted with the possibility that a man-made work can replace a living being. The photographs depict girls representing dolls, thus embodying the idea of the artificial figure hidden behind a human appearance. Each portrait captures the ambivalence of experience in front of these hybrid figures, who seem alive but lack genuine vitality. The expressions on the girls' faces convey a combination of fascination, unease and disquiet, inviting viewers to question the meaning and implications of this substitution. The idea that artificial creations can replace a person has ancient roots and can be traced across different cultures and historical periods. A significant example dates back to ancient Greece, where stories and myths have been documented involving statues or artifacts that come to life. Among these narratives, the myth of Pygmalion stands out, a famous sculptor who fell in love with his own creation: a statue of a woman. Through divine intervention, the statue came to life, highlighting the ability of artificial figures to enchant and involve human affections. Over the centuries, the idea of replacing an individual with an artificial figure has been explored in different forms of artistic expression such as in the film "Die Pupe" by Ernst Lubitsch or the short story "Sandman" by E.T.A. Hoffmann. In Lubitsch's film ,a shy young man decides to marry a mechanical doll to avoid a traditional marriage while in Hoffmann's story, a man becomes obsessed with a female automaton believing it to be alive.These works reflect on the tensions between desire, fear and the challenge of defining what is truly human. With the advent of modern technologies and artificial intelligence, the discussion around the possibility of replacing a human being has taken on a new meaning and relevance. Modern lifelike dolls and artificial intelligence interfaces, such as advanced chatbots, have become subjects of ethical and social debate. These creations raise profound questions about the nature of human relationships, affection and emotional connection, questioning our perceptions of what is authentic and genuine. Exploring the boundary between the human and the artificial has profound implications on a psychological level as well, as what approaches a living being but lacks vitality or completeness can elicit complex emotional reactions. Sigmund Freud's "Das Unheimliche" theory and Masahiro Mori's "Uncanny valley" hypothesis offer perceptive insight into these challenges and ambiguities. According to Freud's "Das Unheimliche" theory, the experience of what is familiar yet strange and disturbing can trigger a variety of psychological reactions, such as disgust or fear. When we are faced with artificial figures that resemble human appearance but without being alive, a feeling of unease can arise that challenges our understanding of what is considered authentic and genuine. Mori's "Uncanny Valley" hypothesis focuses on the concept of an emotional curve that describes our psychological responses based on the level of similarity of an artificial figure to human appearance. The project aims to capture the essence of these reflections, highlighting the contradictions and tensions that emerge. The girls portrayed represent a fascinating duality: on the one hand, they seem to reflect the dolls' ideal of perfection and control, with their delicate features and impeccable poses; on the other, they convey a feeling of foreboding and dissonance, which underlines the lack of authenticity and vitality. Each photograph is intended as an invocation of the need for a deeper connection with our own humanity and the complex emotional dynamics that emerge when we are faced with an artificial creature that seeks to emulate human affection and vitality. The project challenges us to investigate the meaning of humanity and our ability to deal with the complexities of affection, intimacy and replacement in an age characterized by rapid technological advances. It prompts us to explore our relationship to artifice and to deepen our understanding of ourselves. Stars: he focus of this project is to elevate women to a central place in the universe, symbolizing their importance, and to emphasize the need for equal treatment in social and occupational settings. The project features surreal images of women situated in an infinite cosmos surrounded by stars, emphasizing the timeless relevance of the message.The women depicted are captured without clothing to avoid association with any particular historical period, as passing time has no bearing in this context. The stars radiate upon their bodies, symbolizing the brilliance that women should exude in today's contemporary society. This project aims to celebrate those women who break the mold and call for questioning of stereotypes in a society often dominated by male culture. It highlights the strength and resilience of women who have defied non gender equal societal norms.Additionally, the project seeks to ignite discussions and raise awareness about gender inequality, addressing not only men but also women who may unknowingly undervalue their own worth, urging individuals to recognize and appreciate their own intrinsic value.
Fenqiang Liu
Fenqiang Liu
United States
Fenqiang Liu is a Florida nature and fine art photographer known for transforming the beauty of the natural world into emotionally rich and visually striking images. His artistic journey began with drawing and painting in middle school and evolved into photography during college, where he discovered the camera as his most powerful tool for artistic expression. Specializing in wildlife photography, Liu captures birds and their habitats with patience, precision, and a deep sensitivity to light and composition. Often photographing Great Egrets in Florida’s wetlands and ancient oak trees draped in Spanish moss, he uses creative camera angles and a flexible zoom lens to respond quickly to fleeting moments. Sometimes he moves in close to reveal intimate behaviors—such as the male egret’s courtship display or tender interactions between mother and chicks. At other times, he pulls back to include the surrounding landscape, even the moon, creating poetic scenes that celebrate nature’s harmony and grandeur. Liu’s work has received numerous prestigious international photography awards. Through his images, he invites viewers to experience the wonder of nature and hopes to inspire a deeper appreciation for its beauty and the importance of protecting it. Article Secret Garden All About Photo Competitions Winner AAP Magazine 32 B&W All About Photo Awards 2026
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Jan Janssen
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Exclusive Interview with Jan Janssen
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Exclusive Interview with Henk Kosche
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Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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