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Yael Martínez
Yael Martínez

Yael Martínez

Country: Mexico
Birth: 1984

Yael Martínez (born 1984) is a Mexican Photographer which became a Magnum Photos Nominee member in 2020. Martínez is based in Guerrero, Mexico.

Martínez's work has explored the connections between, poverty, narcotrafic, organized crime, and how this affects on the communities in his native Guerrero in southern Mexico.

He is trying to represent the relationship of absence and presence and this state of invisibility in a symbolic manner working with the concepts of pain, emptiness, absence, and forgetting.

Yael Martínez received the Magnum Emergency Fund, Magnum On religión, and was named one of the PDN´s 30 new and emerging photographers to watch in 2017. In 2015 he was selected in the Joop Joop Swart Master Class Latinoamerica and was finalist in the Eugene Smith grant in 2015, 2016.

He was nominated to the Foam Paul Huf Award, the Prix Pictet and the Infinity award of the International Center of Photography.

Source: www.yaelmartinez.com


Martínez’s work addresses fractured communities in his native Mexico. He often works symbolically to evoke a sense of emptiness, absence, and pain suffered by those affected by organized crime in the region.

He is the recipient of the Eugene Smith Award 2019, was fellow of the Photography and Social Justice Program of The Magnum Foundation. He won the 2nd Prize of the World Press Photo contests 2019 in the category of long-term projects. Martínez was grantee of the Magnum Foundation in the grants: Emergency Fund and On Religion in 2016- 2017.

His work has been featured in group shows in America, Europe, Africa and Asia.

His work has been published by: The Wall Street Journal, Blomberg news, Lens NY times, Time, Vogue Italy, Vrij Nederland, Aperture.

Source: Magnum Photos


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Anders Petersen
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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