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Max Yavno
Max Yavno

Max Yavno

Country: United States
Birth: 1911 | Death: 1985

Max Yavno (1911-1985) was a photographer who specialized in street scenes, especially in Los Angeles and San Francisco, California. The son of Russian immigrants, Yavno was born in New York on April 26, 1911. He had one sister. He was married at age 19 and divorced three years later. He died in April 1985 of complications resulting from a fall in a shower. Yavno worked as a Wall Street messenger while attending City College of New York at night. He attended the graduate school of political economics at Columbia University and worked in the Stock Exchange before becoming a social worker in 1935. He did photography for the Works Progress Administration from 1936 to 1942. He was president of the Photo League in 1938 and 1939. Yavno was in the U.S. Air Force from 1942 to 1945, after which he moved to San Francisco and began specializing in urban-landscape photography.

History professor Constance B. Schulz said of him: "For financial reasons he worked as a commercial advertising photographer for the next twenty years (1954–75), creating finely crafted still lifes that appeared in Vogue and Harper's Bazaar. He returned to artistic landscape photography in the 1970s, when his introspective approach found a more appreciative audience. Funding from the National Endowment for the Arts enabled him to travel to Egypt and Israel in 1979." He also captured a pre-Dodgers Chavez Ravine, a giant plaster leg on top of a building in West Los Angeles and a "nostalgic" shot of a cable car being turned around at Powell and Market streets in San Francisco.

His noted photograph of a crowd watching "sun-worshipping bodybuilders at Muscle Beach in Venice" sold at auction in 1984 for almost $4,000. He said he had spent three Sundays at the beach before the subjects "stopped flexing for his camera and resumed posing for each other." His obituary in the Los Angeles Times said that: Melrose Avenue photo gallery owner G. Ray Hawkins, who represented Yavno and exhibited his works, called him a "social documentarian" and noted that he had "a very special ability for combining composition and content while capturing his social vignettes."

Photographer Edward Steichen selected twenty of Yavno's prints for the permanent collection at New York's Museum of Modern Art in 1950, and the next year Yavno won a Guggenheim Fellowship.

Source: Wikipedia


Yavno graduated from City College of New York in 1932 and earned a graduate degree in business administration from Columbia University in 1933. Originally employed as a social worker for the New York Home Relief Bureau (1935), he was later hired by the Works Progress Administration to photograph city locations for use in theater set design (1936-42). Yavno joined the Photo League in the late 1930s, serving as president in 1938-39 and participating in several exhibitions. He became friends with Consuelo Kanaga, who mentored him in his photographic work. He worked with Aaron Siskind on his unfinished project The Most Crowded Block in the World (1941). Yavno was drafted into the Army Air Force that year, but remained on detached service in New York. He later moved to California, where he provided illustrative photographs for two books: The San Francisco Book, with Herb Caenn (1948) and The Los Angeles Book, with Lee Shippey (1950). In the mid-seventies, Yavno resumed noncommercial photography, expanding his terrain from the streets of New York City and Los Angeles to those of Jerusalem and Cairo.

Source: The Jewish Museum


 

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More Great Photographers To Discover

Fred Herzog
Canada
1930 | † 2019
Fred Herzog devoted his artistic life to walking the streets of Vancouver as well as almost 40 countries with his Leica, photographing - mostly with color slide film - his observations of the street life with all its complexities. Herzog ultimately became celebrated internationally for his pioneering street photography, his understanding of the medium combined with, as he put it, "how you see and how you think" created the right moment to take a picture. Fred was born Ulrich Herzog in Stuttgart, Germany in 1930 and spent his childhood in Rottweil, Germany. He lost both of his parents during the war, and in 1946 Herzog went to work as an apprentice in his grandparents' hardware store. Disillusioned by the ravages of war and the situation in Germany, he emigrated to Canada in 1952 and settled in Vancouver in 1953. During the next several years. Herzog studied photography magazines while working aboard ships for the CPR steamship line, and in 1957 he was hired as a medical photographer at St. Paul's Hospital. In 1961, he became the head of the Photo/Cine Division in the Department of Biomedical Communications at UBC, and in 1970 was appointed Associate Director of the Department. Herzog was also hired as an Instructional Specialist in the Fine Arts Department at Simon Fraser University in 1967, and in 1969 became an instructor in the Fine Arts Department at UBC. Herzog had a walking route through Vancouver that enabled him to build friendships with other photographers and neighborhood residents and gave him an acute understanding of the daily life and soul of Vancouver. Over the course of several decades, Herzog produced a substantial body of color photographs, taking urban life, second-hand shops, vacant lots, neon signage, and the crowds of people who have populated city streets over the past years as his primary subjects. Herzog's use of color was unusual in the 1950s and 60s, a time when fine art photography was almost exclusively associated with black and white imagery. Additionally, Herzog photographed using Kodachrome slide film which was notoriously difficult to print. For decades he remained virtually unknown until his mid-seventies when printing technology caught up, allowing him to make archival pigment prints that matched the exceptional color and intensity of the Kodachrome film. A retrospective exhibition, Fred Herzog: Vancouver Photographs, was held at the Vancouver Art Gallery in 2007 and was the first major recognition of Herzog's body of work. Herzog exhibited his work both in Canada and internationally, including the exhibitions Fred Herzog: Photographs, C/O Berlin, Germany (2010), Fred Herzog: A Retrospective, Equinox Gallery, Vancouver (2012), Eyes Wide Open! 100 Years of Leica Photography, Haus der Photographie, Hamburg, Germany (2015), Photography in Canada, 1960-2000, National Gallery of Canada, Ottawa (2017), and many others. In 2010 Herzog received an Honorary Doctorate from Emily Carr University of Art and Design, and in 2014 he received the Audain Prize for Lifetime Achievement in the Visual Arts. An artist profile on Herzog was featured on the Knowledge Network for the series Snapshot: The Art of Photography II in 2011. In 2014, Herzog's photograph Bogner's Grocery (1960) was released as a limited edition stamp as part of Canada Post's Canadian Photography Series. Herzog died on September 9, 2019 at age 88.Source: Wikipedia
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United States
Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and imagine alternatives to them. Her work explores community and the interactions within it, as well as the barriers and connections between people, between places and between ways of perceiving. Her practice has embraced collaboration, and through this, collage, drawing, sewing, text, and found images have been integrated into her work. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, challenging entrenched binaries. Drake was born in California and studied Media/Culture and History in the early 1990s at Brown University. Following her graduation from Brown, in 1994, Drake moved to New York and worked as a interactive concept designer for many years before departing to engage with the physical world through photography. Between 2007 and 2013, Drake traveled frequently to Central Asia from her base in Istanbul to work on two long term projects which became acclaimed bodies of work. Wild Pigeon (2014) is an amalgam of photographs, drawings, and embroideries made in collaboration with Uyghurs in western China. In 2018, the SFMOMA acquired the body of work and opened a six month solo exhibition of Wild Pigeon. Two Rivers (2013) explores the connections between ecology, culture and political power along the Amu Dary and Syr Darya rivers and was exhibited at The Pitt Rivers Museum, the Soros Foundation, the Third Floor Gallery, and the Photo Book Museum, among other venues. In Internat (2014-17), Drake worked with young women in an ex Soviet orphanage to create photographs and paintings that point beyond the walls of the institution and its gender expectations. The work was exhibited at the Houston Center for Photography in the US, and at Si Fest and Officine Fotografiche Roma in Italy. Drake returned to the US in 2014 and is now based in Vallejo, California, from where she is currently making work that upends perceptions of gender, community, and safety in her own community. Drake is the recipient of a Guggenheim fellowship, the Lange-Taylor Prize, the Anamorphosis prize, an HCP fellowship, a Lightwork residency, and a Fulbright fellowship to Ukraine, among other awards. Her work has been published widely, in publications such as The New Yorker, Aperture, The New York Review of Books, Harpers, The New York Times Magazine, Prix Pictet, IMA, the British Journal of Photography, The Guardian, and Paris Review. She became a member of Magnum Photos in 2019. Source: carolyndrake.com
Matthew Brandt
United States
1982
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Avarino Caracò
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Giles Clarke
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(Arthur Fellig) Weegee
Austria/United States
1899 | † 1968
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