All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Final Chance to Win a Solo Exhibition this March! Deadline: February 18, 2025
Final Chance to Win a Solo Exhibition this March! Deadline: February 18, 2025
Barbara Cole
Courtesy Chris Wahl
Barbara Cole
Barbara Cole

Barbara Cole

Country: Canada
Birth: 1953

For the last forty-five years, artist Barbara Cole has been recapturing the otherworldly mysteries of early photography in a body of work that flows in and out of time.

Born in 1953 in Toronto, Canada, Cole, eager to shape a place for herself at an early age, quickly turned to art. Immediately out of high school, she began modeling for a newspaper and soon became fashion editor for the following ten years. Her early start in fashion and self-taught practice have informed her intuitive photography that undulates between tradition and invention. Her inventor's spirit is evident in her preference for raw, hands-on photographic methods. From turn-of-the-century cameras, shadow boxes, darkrooms, and tintypes-she engages directly in shaping her images in order to impart deeply personal truths.

The underwater photography for which Cole is most known started in the late 1990s. Once, submerged in her pool, she opened her eyes and what she saw reminded her of the Polaroid film she was so fond of until it eventually went out of production. She has been searching for timelessness ever since. The wavy, enigmatic waters are often juxtaposed against weightless figures, forming her signature, velvety dreamscapes. In these figures we see human beings who are just-just-on the verge of forming complete selves, suggesting we are always in the process of recreating ourselves, always striving to reach new heights.

As an innovator in her field, Cole ventures into territories full of light and shadow, memory and dreams, with imagery that is nothing short of exaltation. Whether reincorporating twenty-year-old images in current underwater photography, or reimagining a modern format for the turn-of-the-century tintype, Cole's work shortens the distance between past and present. For Cole history is written in water.

Cole has held numerous exhibitions across North America, Europe, and the Middle East. Her work has also been extensively commissioned internationally for corporate collections. She has exhibited in the Canadian Embassy in both Tokyo and Washington D.C. The acclaimed documentary series, Snapshot: The Art of Photography II, features an episode devoted exclusively to Cole's photographic practice.

Cole currently lives and works in Toronto.

Articles

Exclusive Interview with Barbara Cole
Barbara Cole and Wet Collodion Photographs

Galleries

Bau-Xi Gallery
Galerie de Bellefeuille
Art Angels
Holden Luntz Gallery
NOX Contemporary Art Space
 

Inspiring Portfolios

Call for Entries
Win A Solo Exhibition in March
Win an Online Solo Exhibition in March 2025
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Laura Heyman
United States
Laura Heyman was born in Essex County, New Jersey. She received a B.F.A in photography from University of the Arts in Philadelphia, PA, and an M.F.A. from Cranbrook Academy of Art in Bloomfield Hills, MI. Heyman’s work has been exhibited at Luggage Store Gallery, San Francisco, CA, Deutsches Polen Institute, Darmstadt, DE, Ampersand International Arts, San Francisco, CA, Senko Studio, Viborg, DK, Silver Eye Gallery, Pittsburgh, PA, The Palitz Gallery, New York, NY, Light Work Gallery, Syracuse, NY, The Ghetto Biennale, Port-au-Prince, Haiti, Philadelphia Photographic Arts Center, Philadelphia, PA, The Laguna Art Museum, Laguna, CA, The United Nations, New York, NY and The National Portrait Gallery, London, UK.In 2010, she was nominated for a John Guttman Photography Fellowship, and was awarded a Light Work Mid-Career Artist Grant. She has received the Silver Eye Fellowship, a Ragdale Fellowship and multiple NYFA Strategic Opportunity Stipends. Heyman has curated exhibitions and panel discussions at Vox Pouli, Philadelphia, PA, Wonderland Art Space, Copenhagen DK and the Clocktower Gallery, New York, NY, and her work has been reviewed and profiled in The New Yorker, Contact Sheet, Frontiers, and ARTnews.Pa Bouje Ankò: Don’t Move Again uses the studio portrait to explore embedded hierarchies between photographers, subjects and viewers. The work is driven in part by longstanding questions around photographic representation, specifically those involving the voyeurism and objectification of so-called “third world” subjects by “first world” artists. Seeking to examine these questions in depth, I established an outdoor portrait studio in the Grand Rue neighborhood of Port-au-Prince, Haiti in late November 2009. Advertisements circulated news about a photography studio in the area, where members of the local community could schedule appointments to have their portraits made for free. Working in black and white with an 8x10 camera, I photographed one hundred and twenty people over a period of two weeks.Three weeks later, the meaning of those images shifted with the earthquake. They became both records and memorials. That event also changed the focus of the project, which evolved to include various expanding populations in Port-au-Prince tied to future development and reconstruction.Issues of representation, visual sovereignty and cultural protocol, central to the project from the beginning, became more complicated after the earthquake. When I first arrived in Port-au-Prince, I imagined that positioning myself as a “studio photographer” would allow me to escape or subvert the complex tangle of hierarchies at play in Haiti, as well as in the exchange between photographer and subject. Neither has been the case. Instead, layers of meaning and intention continue to reveal themselves, expanding the project's framework and engaging the myriad contradictions and impossibilities present in the work’s original question.All about Laura Heyman:AAP: When did you realize you wanted to be a photographer?I began making photographs in high school, and knew I wanted to be a photographer before going to college.AAP: Where did you study photography?At University of the Arts in Philadelphia, I studied with Jack Carnell and Alida Fish. At Cranbrook Academy of Art, where I got my MFA, I studied with Carl Toth, and also Grant Kester, who taught Critical Theory at the school during my first year there.AAP:Do you have a mentor or role model?I don’t know that I’d say I have a mentor – there are peers I look to regularly for advice and feedback on my work.AAP: Do you remember your first shot? What was it?One of my first shots was the stream in my grandparent’s backyard in Phonecia, New York. My grandfather fished there, and my older sister and I used to run around and catch salamanders and frogs.AAP: What or who inspires you?Artists like Collier Schorr, An-My Lê, Roni Horn, Robert Adams, Mark Ruwedel, Pieter Hugo; David Shrigley, Jennifer Dalton Ai Wei Wei; Richard Mosse and Liz Cohen. I’m inspired by artists whose work makes me think, those using humor in their practice, and artists who really put themselves on the line. Books and essays, movies and performance – I’m inspired by a lot of different people and things.AAP: How could you describe your style?The visual style of my work changes according to the subject – a constant is subjects or projects that can and do express a layered viewpoint, or pose a series of questions.AAP: What kind of gear do you use? Camera, lens, digital, film?While I sometimes shoot digital, mostly I work analogue, with a medium or large format camera. Lately that has meant using Ilford HP5 black and white film with a Deardorff 8X10 camera and a 300 mm lens.AAP: Do you spend a lot of time editing your images?For me, editing (by which I mean deciding what images are included in a series, not post-production) is at least fifty percent of the job. I spend as much, if not more time editing a series as I do producing it.AAP: Favorite(s) photographer(s)?Collier Schorr, Robert Adams, Rineke Djikstra, Zoe Strauss, Luc DelahayeAAP: What advice would you give a young photographer?Know what you want. Shoot twice as much as you think you should. Be prepared to shoot and re-shoot until you get what you want.AAP: Your best memory as a photographer?A number of photographs I made of some friends while we waited in a car for the ferry. It was cold out, and we were all inside, smoking. The images captured the moment and the subjects very precisely – although this was over twenty years ago, they still have an immediacy that thrills me.AAP: Your worst souvenir as a photographer?A little while ago I was shooting some portraits on a very sunny day, and forgot to flag the lens. The negatives l ended up with were completely fogged and unusable.AAP: If you could have taken the photographs of someone else who would it be?Either Robert Adams What We Bought, or Collier Schorr’s Jens F. Both books have a real hold on me – I’m completely consumed every time I open one up. And after years of looking at them, they still surprise and fascinate me.
André Adolphe-Eugène Disdéri
France
1819 | † 1889
André-Adolphe-Eugène Disdéri (French: 28 March 1819 - 4 October 1889) was a French photographer who started his photographic career as a daguerreotypist but gained greater fame for patenting his version of the carte de visite, a small photographic image which was mounted on a card. Disdéri, a brilliant showman, made this system of mass-production portraiture world famous. Disdéri began his working life in a number of occupations, while also studying art. He started as a daguerreotypist in Brest in 1848 or 1849 but in December 1852 or January 1853 he moved to Nîmes. There he received assistance from Édouard Boyer and Joseph Jean Pierre Laurent with his photography-related chemistry experiments. After a year in Nîmes he moved to Paris, enabling easy access to people who would be the subjects of his cartes de visite. Photographs had previously served as calling cards,[6] but Disdéri's invention of the paper carte de visite (i.e. "visiting card") photograph second enabled the mass production of photographs. On 27 November 1854 he patented the system of printing ten photographs on a single sheet (although there is no evidence that a system printing more than eight actually materialized). This was the first patent ever for a carte de visite. Disdéri's's cartes de visite were 6X9 cm, about the size of conventional (nonphotographic) visiting cards of the time, and were made by a camera with four lenses and a sliding plate holder; a design inspired by the stereoscopic cameras. The novelty quickly spread throughout the world. According to a German visitor, Disdéri's studio became "really the Temple of Photography - a place unique in its luxury and elegance. Daily he sells three to four thousand francs worth of portraits". The fact that these photos could be reproduced inexpensively and in great quantity brought about the decline of the daguerreotype and ushered in a carte de visite craze as they became enormously popular throughout Europe and the United States. So great was the publicity that all of Paris wanted portraits. Disdéri also invented the twin-lens reflex camera. The great French photographer Nadar, who was Disdéri's competitor, wrote about the new invention in his autobiographical "Quand j'étais photographe", "about the appearance of Disdéri and Carte de Visite... It spelled disaster. Either you had to succumb - that is to say, follow the trend - or resign." At the pinnacle of his career, Disdéri was extremely wealthy and renowned; but like another famous photographer, Mathew Brady, he is reported to have died in near poverty. By the end of his life, Disdéri had become penniless. He died on 4 October 1889 in the Hôpital Ste. Anne in Paris, "an institution for indigents, alcoholics, and the mentally ill". He was a victim of his own invention. The system which he invented and popularized was so easy to imitate that photographers all over the world took advantage of it.
Désirée Dolron
Netherlands
1963
Désirée Dolron is a Dutch photographer and filmmaker. Her oeuvre ranges from documentary photography and still lifes to portraiture and film.Throughout her career, Dolron has been investigating themes such as the passing of time, the relation between finite and transcendent and the complexity and impermanence of the human condition. Dolron was awarded the 1996 Laureate Prix de Rome (Amsterdam, NL). Her work is represented in numerous international public and private collections including the Solomon R. Guggenheim Museum in New York, Collection H&F in Barcelona, Museo Nacional Centro de Arte Reina Sofia in Madrid, Gemeentemuseum in The Hague, Stedelijk Museum in Amsterdam, la Collection Neuflize Vie in Paris and the Victoria and Albert Museum in London. Désirée Dolron lives and works in Amsterdam. Source: desireedolron.com The meticulous attention to production details characterizes her body of work, and elements such as sound (or its absence –silence) are often used as important tools of narration, helping the viewer to enter into the conceptual depth of Dolron’s works. Both moving and still images are composed by the artist and manage to recreate a reality that is a-temporal, undefined yet extremely present. Desirée Dolron (1963 Haarlem, NL) was awarded the 1996 Laureate Prix de Rome (Amsterdam, NL), and her work is part of major international collections such as the Solomon R. Guggenheim Museum in New York (US), the Museo Nacional Centro de Arte Reina Sofía in Madrid (SP), the Stedelijk Museum in Amsterdam (NL), and the Victoria and Albert Museum, London (UK). Source: GRIMM Gallery
Ragnar Axelsson
Iceland
1958
For over 40 years, Ragnar Axelsson, Rax, has been photographing the people, animals, and landscape of the most remote regions of the Arctic, including Iceland, Siberia, and Greenland. In stark black-and-white images, he captures the elemental, human experience of nature at the edge of the liveable world, making visible the extraordinary relationships between the people of the Arctic and their extreme environment – relationships now being altered in profound and complex ways by the unprecedented changes in climate. A photojournalist at Morgunbladid since 1976, Ragnar has also worked on free-lance assignment in Latvia, Lithuania, Mozambique, South Africa, China, and Ukraine. His photographs have been featured in LIFE, Newsweek, Stern, GEO, National Geographic, Time, and Polka, and have been exhibited widely. Ragnar has published 7 books in various international editions. His most recent, Jökull (Glacier) was published in 2018, with a foreword by Olafur Eliasson. Andlit Nordursins (Faces of The North), was published in 2016, with a foreword by Mary Ellen Mark, and won the 2016 Icelandic Literary Prize for non-fiction. Other awards for Ragnar's work include numerous Icelandic Photojournalist Awards; The Leica Oskar Barnack Award (Honorable Mention); The Grand Prize, Photo de Mer, Vannes; and Iceland's highest honor, the Order of the Falcon, Knight's Cross. Ragnar is currently working on a 3-year project documenting people's lives in all 8 countries of the Arctic. At this pivotal time, as climate change irrevocably disrupts the physical and traditional realities of their world, Ragnar is bearing witness to the immediate and direct threat global warming poses to their survival. Must Read Article Photography and Climate Change Awareness
Masao Yamamoto
Masao Yamamoto was born in 1957 in Gamagori City, Aichi Prefecture in Japan. Although originally trained as a painter, he is one of the best known Japanese photographers working today. Yamamoto’s images are like fragments from a puzzle that capture an allusive, ineffable moment. He has produced several limited edition series of mixed media photographs, including Box of Ku, Nakazora, Kawa=Flow and most recently, Shizuku=Cleanse. He has published several books among them: Box of Ku, (Nazraeli Press, 1998); Nakazora (Nazraeli, 2001); The Path of Green Leaves (Nazraeli, 2002); Omizuao (Nazraeli, 2003); Santoka (Harunatsuakifuyu Sousho, Japan,2003); é (2005); Fujisan (Nazraeli, 2008); Yamamoto Masao, (Galerie Albert Baumgarten, Germany, 2009); Yamamoto, Masao (21st Editions, 2011); and Where we met: Yamamoto, Masao and Arpaïs du Bois (Lanoo Publishers, Belgium, 2011). Masao Yamamoto’s work has been exhibited all over the world, and his photographs are in many public and private collections including: the Museum of Fine Arts, Houston; the International Center of Photography; the Center for Creative Photography; the Santa Barbara Art Museum; the Victoria and Albert Museum; the Maison Européenne de la Photographie; and the Sir Elton John Collection. Source: Etherton Gallery Masao Yamamoto (born 1957 in Gamagori City in Aichi Prefecture, Japan) is a Japanese freelance photographer known for his small photographs, which seek to individualize the photographic prints as objects. Yamamoto began his art studies as a painter, studying oil painting under Goro Saito in his native city. He presently uses photography to capture images evoking memories. He blurs the border between painting and photography however, by experimenting with his printing surfaces. He dyes, tones (with tea), paints on, and tears his photographs. His subjects include still-lives, nudes, and landscapes. He also makes installation art with his small photographs to show how each print is part of a larger reality. Source: Wikipedia Masao Yamamoto's photography is known for evoking emotional power in the form of small-scale photographs. Photographer Masao Yamamoto (1957-present) was born in Aichi Prefecture in Japan. Originally interested in pursuing painting, studying oil painting specifically under Goro Saito. Though Masao Yamamoto eventually transitioned into photography in 1993, his painting background is apparent in his works’ painterly look, incorporating blurs and experimenting with printing surfaces; with many Masao Yamamoto photographs, he manipulated the silver gelatin prints through analogue, which means such as painting the images with tea or actual paint and tearing them. Subjects vary wildly, ranging from Japanese countryside to nude female bodies. Many liken Yamamoto’s art to haikus, considering his mastery of brevity and focus on everyday details. Yamamoto's photography and prints are on permanent display at museums like the J.P. Morgan Chase Art Collection as well as many other private, corporate and public collections. Masao Yamamoto's photography style is a study in tactile experience, encouraging viewer engagement through nuanced layers and unique museum and gallery installations. His extremely detail-oriented approach creates an intricate, ephemeral feel; each photograph is an isolated section of a larger series, like Box of Ku, which featured handheld-sized images. Most of his series work is unframed and artificially aged to mimic a tangibility, further lending to the accessibility. Masao Yamamoto has published many monographs, including Tori (Radius Books, 2016), Poems of Santoka (Galerie Vevais, 2016), Small things in silence, (Editorial RM, 2014), KAWA=Flow (Kochuten Books, 2011), YAMAMOTO MASAO (21st Editions, 2011), Fujisan (Nazraeli Press, 2008), é (Nazraeli Press, 2005), Omizuao (Nazraeli Press, 2003), Santoka (Harunatsuakifuyu Sousho, Japan, 2003), The Path of Green Leaves (Nazraeli Press, 2002) and A Box of Ku (Nazraeli Press, 1998). Masao Yamamoto's photography and prints are on display in museums and galleries across the United States, Japan, Europe, Russia and Brazil. His work is included in permanent collections like International Center of Photography, Victoria and Albert Museum, the Sir Elton John Collection. Masao Yamamoto has also had photographs hung at Jackson Fine Art, including solo shows Nakazora (2003) and A Box of Ku (1999) and group show Contemporary Japanese Photography. Source: Jackson Fine Art
Mona Kuhn
Brazil
1969
Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity's longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn's photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn's distinct aesthetic has propelled her as one of the most collectible contemporary art photographers-her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn's first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's Works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Spring 2022. Mona Kuhn's work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l'Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. I'm most comfortable representing the nude as minimal and timeless. I like to cherish the body as a source of inspiration, as a platform for metaphors, for intimacy and complexities of human nature. It is my way of investigating the deepest questions about life. -- Mona Kuhn Articles Selected Works at Galeri XII Paris Paradise Lost at Jackson Fine Art Works at Galeri XII Los Angeles Between Modernism and Surrealism at Edwynn Houk Gallery
Advertisement
Win a Solo Exhibition in February
Photo Basel 2025
Photographer of the Week

Latest Interviews

Exclusive Interview with Jaume Llorens
Jaume Llorens, born in Porqueres, near Girona, has been passionate about photography since his teenage years. Though he began exhibiting his work later in life, his artistic journey has quickly gained recognition on the international stage. His work is characterized by a deep, contemplative connection with nature, where silence and observation shape his artistic vision. His poetic project Gaia, inspired by this reflective approach, earned him the December 2023 Solo Exhibition. We asked him a few questions about his life and work.
Exclusive Interview with Asiya Al Sharabi
Asiya Al Sharabi is a Yemeni-American visual artist whose work has been recognized both nationally and internationally. She began her career as a journalist and photographer before shifting her focus to artistic photography, using her lens to explore the complexities of identity, culture, and migration. Now based in the U.S., her work is deeply rooted in the experiences of Middle Eastern women, young adults, and immigrants—themes that continue to shape her creative vision.
Exclusive Interview with Members of Circulo Collective
Círculo Collective is a photography group dedicated to fostering unity and shared humanity during these challenging times. This exclusive collective brings together photographers from five countries: India, Tanzania, Iran, Brazil, and Poland. In a world increasingly defined by division and conflict, the mission of Círculo Collective holds profound significance. Through their work, they seek to remind us of the connections that bind us and the power of community in overcoming adversity. We reached out to them with a few questions to gain deeper insights into their project.
Exclusive Interview with Manuela Federl
Manuela Federl is a journalist and documentary filmmaker with over 15 years of experience. She studied languages, economics, and cultural studies, focusing on the Mapuche people in Chile, which became the subject of her published thesis. In 2016, she founded her company, bergjournalisten, and has since created award-winning documentaries like 100 Hours of Lesbos and THE GAME. Gambling Between Life and Death. For the past two years, she has traveled extensively, documenting social issues through photography and storytelling. Her series The Roma Princesses earned her the January 2024 Solo Exhibition.
Exclusive Interview with Dona Ann McAdams about ’Black Box’
Black Box, a memoir by award-winning American photographer Dona Ann McAdams, combines fifty years of black and white photography with the photographer’s own short lyric texts she calls “ditties.” The book brings together McAdams’ striking historical images with personal reflections that read like prose-poems. Her photographs, taken between 1974 and 2024, document astonishing moments and people across decades of American life.
Exclusive Interview with Grace Weston
Grace Weston’s staged photography transforms miniature vignettes into powerful narratives that explore psychological themes with a playful yet profound touch. Her meticulously crafted scenes invite viewers to delve into stories of power, identity, and human complexity. Weston’s innovative work has earned international recognition, including winning the November 2023 Solo Exhibition. We asked her a few questions about her life and work.
Exclusive Interview with Tebani Slade
Tebani Slade is a fine art, street, and documentary photographer whose work bridges continents, blending the raw authenticity of her Australian roots with the vibrant energy of her second home in Barcelona. Known for her thoughtful approach to storytelling, Tebani immerses herself in unfamiliar settings, capturing unscripted moments that reveal profound truths about the world around her.
Exclusive Interview with Mital Patel
Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in all its forms—whether natural or manmade. From architecture and landscapes to the creatures of the wild, Patel has a distinct passion for capturing the most remarkable elements of life through his visual representation of movement, emotion and mood. From behind the lens, he strives to bring viewers his very unique view of nature, telling a story without words and conveying a feeling in the abstract. He challenges his audience to let their imaginations run free, taking the journey with him on his travels and opening their minds beyond the confines of static photography. In each of his pieces, Patel hopes to offer his audience a way to view the world around them a bit differently – to appreciate the beauty of moments and places that are often overlooked. An intrepid traveler and lover of adventure, Patel’s passion for creative and imaginative photography is a great asset to his exploration of the world, which spans six out of the seven continents. His work is admired worldwide for its unique and artistic perspective.
Exclusive Interview with Steff Gruber
Steff Gruber, is a renowned Swiss photographer and filmmaker whose career spans decades of impactful storytelling. Having started as a press photographer for Keystone Press, Gruber was one of the pioneers of the docudrama genre, making his mark with the internationally acclaimed documentary LOCATION AFRICA. This film, which followed the intense dynamic between Werner Herzog and Klaus Kinski during the making of COBRA VERDE, earned him international recognition and set the tone for his distinct filmmaking style. Gruber's passion for human interest stories has taken him to various countries, where he has documented diverse subjects through his compelling photo stories, often returning multiple times to deepen his understanding of the people and places he captures. His work is celebrated for its striking visual language and his bold approach to narrative, which continues to push boundaries in both photography and film. We asked him a few questions about his life and work.
Call for Entries
Win A Solo Exhibition in March
Win an Online Solo Exhibition in March 2025