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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Josef Sudek
Josef Sudek
Josef Sudek

Josef Sudek

Country: Czech Republic
Birth: 1896 | Death: 1976

Josef Sudek was a Czech photographer, best known for his photographs of Prague. Sudek was originally a bookbinder. During The First World War he was drafted into the Austro-Hungarian Army in 1915 and served on the Italian Front until he was wounded in the right arm in 1916. Although he had no experience with photography and was one-handed due to his amputation, he was given a camera. After the war he studied photography for two years in Prague under Jaromir Funke. His Army disability pension gave him leeway to make art, and he worked during the 1920s in the romantic Pictorialist style. Always pushing at the boundaries, a local camera club expelled him for arguing about the need to move forwards from 'painterly' photography. Sudek then founded the progressive Czech Photographic Society in 1924. Despite only having one arm, he used large, bulky cameras with the aid of assistants. Sudek's photography is sometimes said to be modernist. But this is only true of a couple of years in the 1930s, during which he undertook commercial photography and thus worked "in the style of the times". Primarily, his personal photography is neo-romantic. Sudek's restored atelier in Prague – Újezd His early work included many series of light falling in the interior of St. Vitus cathederal. During and after World War II Sudek created haunting night-scapes and panoramas of Prague, photographed the wooded landscape of Bohemia, and the window-glass that led to his garden (the famous The Window of My Atelier series). He went on to photograph the crowded interior of his studio (the Labyrinths series). His first Western show was at George Eastman House in 1974 and he published 16 books during his life. Known as the "Poet of Prague", Sudek never married, and was a shy, retiring person. He never appeared at his exhibit openings and few people appear in his photographs. Despite the privations of the war and Communism, he kept a renowned record collection of classical music.

(Source: en.wikipedia.org)

 

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Bernd and Hilla Becher
In the realm of photography, Bernd and Hilla Becher are celebrated as pioneers whose work not only revolutionized the perception of industrial landscapes but also shaped the course of conceptual photography in the 20th century. Born in Germany, Bernd Becher (1931–2007) and Hilla Becher (1934–2015) met as students at the Kunstakademie Düsseldorf in the late 1950s, where they forged a partnership both personally and professionally that would endure for over five decades. Bernd initially studied painting before shifting his focus to photography under the tutelage of the eminent photographer Otto Steinert. It was during this period that he began to develop his signature style characterized by precise, objective, black-and-white images of industrial structures. Hilla, meanwhile, studied graphic and printing techniques, which would later prove instrumental in the meticulous printing process integral to their photographic work. The couple's collaboration blossomed as they embarked on a lifelong mission to document the vanishing industrial landscape of post-war Germany and beyond. Their photographs primarily featured industrial structures such as mine shafts, water towers, gas tanks, and blast furnaces, meticulously captured with a straightforward, documentary approach devoid of sentimentality or subjective interpretation. What set the Bechers apart was their systematic approach to photography. They meticulously cataloged these structures, arranging them in grids or typologies that emphasized the inherent beauty and functional aesthetics of these often-overlooked forms. Their work transcended mere documentation, offering viewers a profound meditation on the intersection of industry, architecture, and human labor. Throughout their career, the Bechers remained dedicated to their craft, tirelessly traveling across Europe and the United States to capture industrial sites before they disappeared due to modernization and economic shifts. Their influence extended beyond their own photographic output; they also imparted their knowledge and passion for photography as educators at the Kunstakademie Düsseldorf, where they mentored numerous students who would go on to make significant contributions to the field. Bernd and Hilla Becher's legacy endures not only through their extensive body of work but also through the impact they had on subsequent generations of photographers. Their commitment to preserving and elevating the industrial landscape through photography transformed the perception of these structures, elevating them to objects of aesthetic contemplation and cultural significance. Today, their photographs are cherished as timeless artifacts that capture the beauty and dignity of the industrial age, ensuring that their legacy will endure for generations to come.
Thomas Struth
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1954
Thomas Struth was born 1954 in Geldern, Germany and currently lives and works in Berlin. He is best known for his genre-defying photographs, though he began originally with painting before he enrolled at the Kunstakademie, Düsseldorf in 1973. Struth has developed his individual photographic practice, often penetrating places of the human imagination in order to scrutinize the landscape of invention, technology, and beyond (as in his recent CERN and Animal images). Celebrated for his diverse body of work-Unconscious Places, Familienleben (Family Life), Museum Photographs, New Pictures from Paradise and Nature & Politics-Struth continues to advance his vocabulary with each new series, while maintaining the same principles core to his practice. Recent comprehensive exhibitions of Struth's work include the major touring exhibition Thomas Struth: Nature & Politics exhibited at the Museum Folkwang, Essen, Germany; the Martin-Gropius-Bau, Berlin, Germany, the High Museum, Atlanta, Georgia; the Moody Center for the Arts, Houston, Texas; the St. Louis Museum of Art, Missouri and the MAST Foundation Bolgna, Italy (2016-2019) as well as Figure Ground which opened at the Haus der Kunst, Munich, Germany and traveled to the Guggenheim Museum, Bilbao, Spain (2017-2019). Other recent exhibitions have been shown at: Hilti Art Foundation, Vaduz, Lichtenstein (2019); Aspen Museum of Art, Colorado (2018); the Metropolitan Museum of Art, New York (2014); and a major traveling retrospective which traveled from the Museu Serralves, Portugal to the K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, the Whitechapel Gallery, London, and the Kunsthaus Zurich, Switzerland (2010-2012). In 2018 Struth received the Honorary Magister Artium Gandensis from the Royal Academy of Fine Arts (KASK), Ghent, Belgium. In 2016 he was elected Foreign Honorary Member of the American Academy of Arts and Letters and received the Centenary Medal and Honorary Membership from The Royal Photographic Society, London. In 2014 he was awarded an Honorary Fellowship by the Royal Institute of British Architects. He is the winner of the Spectrum-International Prize for Photography of the Foundation of Lower Saxony (1997) and the Werner Mantz Prize for Photography, The Netherlands (1992). He has participated in numerous international group exhibitions including Common Ground, Venice Architecture Biennale (2012), Future Dimension, the Venice Biennial (1990) and Documenta IX (1992). Source: Marian Goodman Gallery
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