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Bruce Barnbaum
Bruce Barnbaum

Bruce Barnbaum

Country: United States
Birth: 1943

Bruce Barnbaum, of Granite Falls, WA, entered photography as a hobbyist in the 1960s, and after four decades, it is still his hobby. It has also been his life's work for the past 30 years.

Bruce's educational background includes Bachelor's and Master's degrees in mathematics from UCLA. After working for several years as a mathematical analyst and computer programmer for missile guidance systems, he abruptly left the field and turned to photography.

Bruce has authored several books, some of which have become classics. The Art of Photography was first published in 1994 and remained in print until 2007. Bruce has been self-publishing the book ever since, but with limited distribution.

Bruce is a frequent contributor to several photography magazines. His series The Master Printing Class is featured in each issue of Photo Techniques, and his articles are published regularly in LensWork. Through his workshops, articles, lectures, books, and innovative photography, Bruce has become a well-known and highly respected photographer, educator, and pioneer.

Bruce is recognized as one of the finest darkroom printers on this planet, both for his exceptional black-and-white work, as well as for his color imagery. He understands light to an extent rarely found, and combines this understanding with a mastery of composition, applying his knowledge to an extraordinarily wide range of subject matter. His work is represented by more than ten galleries throughout the United States and Canada, and is in the collections of museums and private collectors worldwide.

Source: O’Reilly


Bruce has been an active environmental advocate for more than three decades, both independently and through organizations such as the Sierra Club (where he served on the Board of Directors of the Angeles Chapter from 1976-80, and the California Regional Conservation Committee), Audubon, the Stillaguamish Citizens’ Alliance (which he co-founded in 1991) now renamed the Mountain Loop Conservancy, 1000 Friends of Washington, and the North Cascades Conservation Council (where he has served on the Board of Directors since 1994).

As a photographer he has seen the changes in our land and our landscape—almost all of them for the worse—that have taken place in the 35 years he has actively been photographing our planet. He points out that we all live on this one magical globe called “Earth,” and unless we love it, revere it, and protect it, we’ll all perish with it. Currently, we are exploiting planet earth at an unprecedented rate, saddling ourselves with many self-inflicted problems: human overpopulation, global warming, an increasing ozone hole, deforestation, overfishing of the oceans, overuse of fresh water resources, pollution of the air, land, and waters (lakes, rivers, and oceans), and many others too numerous to detail. But humanity is doing little to correct any one of these problems. We have enough knowledge to recognize the steps that should be taken to turn from our destructive ways to more intelligent, productive, and sustainable means, but we may not have the wisdom or political will to implement that knowledge.

Source: Fahey/Klein Gallery


 

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More Great Photographers To Discover

Erwin Olaf
Netherlands
1959 | † 2023
Erwin Olaf (b. 1959) is an internationally exhibiting artist with works in the collections of museums and galleries around the world. Olaf has received numerous highly prestigious commissions and awards. Olaf emerged onto the international art scene when his series ‘Chessmen’ won the Young European Photographer of the Year award in 1988. This was followed by an exhibition at the Ludwig Museum in Cologne, with subsequent solo and group shows at major museums and galleries around the world, including Centro de Arte Contemporaneo de Málaga, Museum of Image and Sound in São Paulo, Martin-Gropius-Bau in Berlin, SECCA in North Carolina and Santiago Museum of Contemporary Art. In 2018 the Rijksmuseum has accuired 500 key artworks from his fourty-year oeuvre for their collection. This follows recent official portraits for the Dutch royal family and the design of the new Euro coin for King Willem Alexander. Rutger Pontzen, art critic for Dutch newspaper the Volkskrant said, ‘Controversial or not, Erwin Olaf does give a picture of the Netherlands’.. ‘and that makes him distinctive in Dutch photography’.. ‘In other words, his oeuvre belongs to the cultural heritage’. Starting his career as a photojournalist documenting the gay scene of the 1980s, Olaf increasingly sought and defined his own subjects, often explored in series of works in black and white (Squares, Chessmen and Blacks) and colour (Mind of their Own, Rain, Hope, Grief, Dusk, and Dawn). In recent years he has developed his themes through the form of monumental tableaux, for which he adopts the role of director as well as photographer. Olaf is a master of this craft, a virtuoso in the fine and subtle arts of photography and drama suffused with stillness, contemplation and dreamlike mystery. He is also a true picture maker, showing a close affinity with Old Masters and contemporary artists alike, from Rembrandt to Mapplethorpe, and in that sense his work emphatically bridges the gap between historical and contemporary picture-making. Now internationally renowned, Erwin Olaf’s photography remains an essential part of the Netherlands’ cultural heritage. Taco Dibbits, Rijksmuseum director, says, ‘his work is deeply rooted in the visual traditions of Dutch art and history’ and that consequently Olaf is ‘one of the most important photographers of the final quarter of the 20th century’. From progression to decay, notions of transformation are prevalent throughout Olaf’s work with a multitude of projects proving his fascination for society’s ever-changing demands, its simultaneous development and devolution of our moral compass, and its cultivated sense of anticipation for an almost-achievable contentment. These are the preoccupations that add a fascinating dimension to ‘Skin Deep’ and ‘Tamed and Anger’, but also colour the tension in ‘Separation’ which explores the artist’s relationship with his mother, the controversial ‘Royal Blood’, the pressures of ageing in ‘Mature’ and the self-portrait series ‘I Wish, I Am, I Will Be’. All these projects reveal the friction of an imperfect reality hidden beneath a perfectly curated façade. His most recent work sees the conclusion of the three-part project ‘Shifting Metropolises’ [working title] - a series of artworks looking at internationally renowned cities undergoing seismic change in the modern world. Rather than fabricating a controlled studio environment, this trilogy is the only time the artist has shot on location, retaining his characteristic cinematic associations to produce a body of work wrought with the genuine emotions and neuroses of these places and their inhabitants. A bold approach to his work has earned Olaf a number of commissions from institutions including Louis Vuitton, Vogue, the Stedelijk Museum Amsterdam, and the Rijksmuseum Amsterdam, for which he designed the 2016 ‘Catwalk’ exhibition, including a promotional video and photographic campaign. He has been awarded Photographer of the Year in the International Colour Awards 2006 and Kunstbeeld magazine’s Dutch Artist of the Year 2007 as well as the Netherlands’ prestigious Johannes Vermeer Prize. Additional international awards include the Infinity Award from the International Centre of Photography, the Silver Lion at the Cannes Lions Festival for Advertising, and a Lucie Award from the United States for his whole oeuvre. In 2013 he won the commission to redesign the Dutch Euro coins, which have been in circulation since 2014. Olaf has screened video work at the Centre Pompidou in Paris, the Museum at FIT in New York, and at Nuit Blanche in Toronto with a live score commissioned for his series ‘Waiting’. He has also projected his 30 channel video installation ‘L’Éveil' onto the Hôtel de Ville for Nuit Blanche in Paris, curated by Jean de Loisy (Director, Palais de Tokyo). In March 2018 the Museu da Imagem e do Som in São Paulo hosted a retrospective of his work. In 2019 Shanghai Center of Photography (SCôP) will host a solo exhibition. The Gemeentemuseum The Hague and The Hague Museum of Photography will host an anniversary solo exhibition for Erwin Olaf his 60th birthday, and to celebrate 40 years of photography. In 2019 there will be a new retrospective monograph released, published by Hannibal, Aperture, Xavier Barral and Prestel. Erwin Olaf (born 1959, Hilversum, the Netherlands) lives and works in Amsterdam. Source: www.erwinolaf.com
Yukari Chikura
Yukari Chikura born in Tokyo, Japan. After graduated from university of music. She became music composer and computer programmer. She is the winner of STEIDL BOOK AWARD and her work has been published by STEIDL. She was selected as "FOTOFEST Discoveries of the Meeting Place 2018". She won LensCulture Emerging Talent Awards 2016, Sony World Photography Awards , Photolucida Critical Mass TOP50 2016 & 2015 among others. Her work has been published by New York Times, Guardian among others. She held 12 places solo exhibition and group exhibition at museum, gallery around the world. Some projects have collected in Griffin Museum in US and Bibliotheque national de France. ZAIDO This book is Yukari Chikura's preservation of the 1300-year-old Japanese ritual festivity "Zaido." Following a series of tragedies including her father's sudden death, her own critical accident and the 2011 Tohoku earthquake and tsunami, Chikura recalls how her father came to her in a dream with the words: "Go to the village hidden deep in the snow where I lived a long time ago." And so with camera in hand she set off on a restorative pilgrimage to northeast Japan (the first of numerous journeys), which resulted in this book. Chikura arrived at the village, surreally silver in the snow and mist, and there discovered Zaido, where inhabitants from different villages gather on the second day of each new year and conduct a ritual dance to induce good fortune. The performers dedicate their sacred dance to the gods and undergo severe purifications. Combining photos of snowscapes that border on abstraction with images of the intricate masks and costumes of Zaido, Chikura depicts the cultural diversity of the participants as well as their common bond in creating collective memory and ensuring the survival of this ritual. More about Zaido by Ann Jastrab
Andrew Keedle
United Kingdom
1969
Michal Korta
Poland
1975
Michał Korta, born and raised in Poland, is an award-winning portrait and documentary photographer based near Kraków. He studied Photography at the Academy of Fine Arts in Kraków and German Literature at Jagiellonian University. Korta’s work spans collaborations with press, publishers, and agencies, alongside personal projects across Central Asia, the United States, Israel, the Balkans, and Africa. His photography explores themes of identity, social dynamics, and the layers of history within landscapes and people. He has published three photography books, including Balkan Playground, nominated as one of Poland’s best photo books in 2018. His photographs have been exhibited across Europe and beyond, and he lectures on photography in Poland and Switzerland. Recently, Korta has focused on portraiture and long-term personal projects, continuing to merge intimate storytelling with striking visual narratives. Statement "For years, I have been irresistibly drawn to the art of capturing the essence of creators—artists, musicians, writers, painters, composers, directors, and actors. Through my lens, I strive to craft portraits that are both unadorned and striking, each frame a vivid testament to their singular personality and unyielding spirit. I believe in the power of simplicity and the devotion to craft—the delicate art of feeling the sitter's energy, observing and shaping the light to honor presence. I’a a worshiper of natural light. Even if sometimes I have to modify it according to needs. Light is god." Awarded Photographer of the Week - Week 48
Jamie Johnson
United States
1968
Jamie Johnson is a Los Angeles photographer specializing in children and alternative processes. Winner of the Julia Margaret Cameron Portfolio Award and Spider Black and White Photography Award. Her work has been published in many photography magazines and is exhibiting in galleries worldwide. Jamie's work is in the permanent collection of the Hammer Museum in Los Angeles and Archaelogy Museum in Alabama and currently has a show at the Norton Museum of Fine Art in Palm Beach Florida. As a mother and fine art photographer whose bread and butter comes from photography, my passion for faces of the next generation has been a life long focus. I travel the world capturing images children and childhood around the globe. From Laos to Cuba, from the Amazon to India, I have found a universality in the world of children. I have always been particularly interested in observing how girls are raised, examining the morals, values, and education of the next generation of young women. My work has been exhibited Internationally in galleries and museums from New York thru London and Paris, and has been published in dozens of magazines. My Journey with the Irish Travellers I have spent my entire career photographing children all over the world. The last five years I have focused my eyes on the Irish Traveller that live in caravans on the side of the road or in open fields throughout Ireland. The Traveller community are an Irish nomadic indigenous ethnic minority. There is no recorded date as to when Travellers first came to Ireland. This is lost to history but Travellers have been recorded to exist in Ireland as far back as history is recorded. Even with their great history they live as outsiders to society and face unbelievable racism growing up. As a mother of two daughters I became so interested in the culture and traditions and lives of these children. The experience I had photographing the grit and beauty, that is the everyday life of a Traveller child, is one that inspires me everyday. Their deep respect for family and cultural values is refreshing, one that can be quite difficult to find in an age with the convince of social media. Not always immediately accepting of an outsider holding a large camera, I took my time getting to know and understand these faces that represent the new generation. My ever growing fascination with the children of today has lead my all over the world, capturing their innocence or in some cases loss of, in its most raw form. Unlike most children they are unable to refer to a history book to learn about their ancestors, a part of this journey was being able to document an era that is so different to any other I have shot. It is one that is and will always be rapidly changing, everytime I visit it is a whole different world yet with the relationships I have been lucky enough to make, it seems to feel like I never left. I am exponentially grateful the young people documented and that I have come in contact with over my years of visiting are able to call me their friend and I can happily say the same. It is with an honest heart I hope to show that these beautiful children who have great hopes and goals and work everyday to reach their dreams no matter how hard they have to fight racisms and stereotypes placed on them for centuries. A child is an innocent, happy, precious part of the world that should be loved and accepted and encouraged no matter where or how they live. More about The Irish Travellers Pre-order her new book
Pedro Luis Saiz Ajuriaguerra
Pedro Luis Saiz Ajuriaguerra (Bilbao, Bizkaia, Spain, 1974). self-taught photographer, began his career back in 2011 discovering a passion that was unknown, the beginning do little more than encourage their concerns are increasing making try almost all disciplines of photography, highlighting mainly in sports photography, and architectural photography. It has the distinctions MCEF / o (Gold Master of the Spanish Confederation of Photography) and EFIAP / g (Gold Excellence of the International Federation of Photographic Art). He is currently collaborating with magazines such as BAO Bilbao Magazine, Bilbao Tourism, Bilbao Bizkaia Tour Magazine and for different sports promoters such as MGZ Promotions, Euskobox etc. Judge in more than 20 international competitions. He has participated in numerous International competition and has managed numerous medals of FIAP, PSA, GPU, IUP, DPA, UPI, CVB, ISF, PCA (50 FIAP Gold Medals and around 70 PSA Gold Medals), just over 400 awards and more than 5000 acceptances by various international photographic salons in the last years. The predator of instants He is shy, thin, with white skin and very large, green, expressive eyes. They are eyes that capture everything; Suddenly, they focus on a sheet of time and begin to create a painting. The camera is just the harpoon that he catches that moment. Before, Pedro Luís has studied the hunting area. And then he will catch the moment before showing the trophy. He is a predator. "I'm not obsessed with light, or color, or movement. I am very attracted to various disciplines such as sports, architecture and extreme macro. I am looking for a place, event or object and I begin my research on what can be photographed, which can last for weeks. Then I let myself go, "he explains. "It is essential to tell stories with photos. A good photograph must relate something. A photo is a story, a short story. Of course, it is not always possible. But the most impressive photos always have a story inside ". He insists that passion is the descriptive element of his photographic style. "It is my strong point, it forces me to go further." That passion is transmitted to the photo "with a lot of contrast, sharpness and blacks pushed to the limit; with marked shadows, the light is there. It is a style close to the comic ". The photo does not exist although the moment already feels that it carries the harpoon on its back. "It is necessary to complement two processes: a good photograph and a good edition. He did a lot of editing work ", "A photo, once you have taken it, you have worked on it, you have it finished, it loses part of its value for me. It is tremendous. It may be something subconscious, but once the process is complete, it loses its charm. And I do not stop finding defects. It also happens to me that the more I see a photo, it becomes devalued, it comes off the ability to surprise me. It is the essence of the predator. He needs new blood. A recent trail. The stimulus to capture prey that he has not yet seen.
Edward Steichen
Luxembourg/United States
1879 | † 1973
Edward Steichen (1879 - 1973) was born in Luxembourg, but immigrated to the United States, to Milwaukee, in 1880. In 1894, Steichen began a four-year lithography apprenticeship with the American Fine Art Company of Milwaukee. After hours, he would sketch and draw, and began to teach himself to paint. Having come across a camera shop near to his work, he bought his first camera, a secondhand Kodak box "detective" camera, in 1895. In 1900, as Steichen headed to Paris to study painting, he stopped in New York. By that time he was an aspiring painter and an accomplished photographer in the soft-focus, Pictorial style and he made a pilgrimage to the Camera Club of New York to show his work to Alfred Stieglitz, the leading tastemaker in American photography. Stieglitz, vice-president of the Camera Club and editor of its journal Camera Notes, was impressed by the young artist from Milwaukee and bought three of his photographs-a self-portrait and two moody, atmospheric woodland scenes printed in platinum-for the impressive sum of five dollars each. Elated, Steichen then boarded the ship for Europe. Once in France, Steichen quickly abandoned his painting studies and began to focus his energies on photography. He learned the technical intricacies of the gum bichromate process, popular among the members of the Photo-Club de Paris, and developed a reputation as a portraitist of noted artists, writers, and members of society. Arriving back in New York in 1902, Steichen rented a studio on the top floor of a brownstone at 291 Fifth Avenue and hung out his shingle; his work as a professional portrait photographer flourished. That same year, Stieglitz announced the formation of the Photo-Secession-the name he gave to the loose-knit group of photographers he exhibited, published, and promoted during the next decade and a half-and the publication of a new, still more lavish journal, Camera Work. Over the fifteen-year, fifty-issue run of Camera Work, no other artist would be featured as prominently as Steichen, who had sixty-five photographs and three paintings reproduced in fifteen issues, including a "Special Steichen Supplement" in April 1906 and an all-Steichen double issue in 1913. In 1906, Steichen determined "to get away from the lucrative but stultifying professional portrait business" and return to France with his family in hopes of resuscitating his idled painting career. It was a move with numerous consequences. For one, it positioned him to embrace the Autochrome, the process for making glass-plate color transparencies introduced by the Lumière brothers in 1907. Steichen-who had experimented with various methods such as gum bichromate to introduce color into his photographs-was enthralled by the technique. Steichen also made what he called his "first attempt at serious documentary reportage" in the summer of 1907, using a borrowed hand camera. Steichen returned to the U.S. in 1914. Serving in the US Army in World War I (and the US Navy in the Second World War), Steichen commanded significant units contributing to military photography. After World War I, during which he commanded the photographic division of the American Expeditionary Forces, he reverted to straight photography, gradually moving into editorial and fashion photography. His portraits of Greta Garbo, Marlene Dietrich, Gloria Swanson, and other celebrities appeared in Vogue and Vanity Fair in the 1920s and 1930s. From 1947-1962, Steichen served as the Director of Photography at New York's Museum of Modern Art.. Among other accomplishments, Steichen is appreciated for creating the 1955 exhibition, The Family of Man, at the Museum of Modern Art consisting of over 500 photographs. Steichen purchased a farm that he called Umpawaug in 1928, just outside West Redding, Connecticut, and lived there until his death. Source: Howard Greenberg Gallery
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