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Bruce Barnbaum
Bruce Barnbaum

Bruce Barnbaum

Country: United States
Birth: 1943

Bruce Barnbaum, of Granite Falls, WA, entered photography as a hobbyist in the 1960s, and after four decades, it is still his hobby. It has also been his life's work for the past 30 years.

Bruce's educational background includes Bachelor's and Master's degrees in mathematics from UCLA. After working for several years as a mathematical analyst and computer programmer for missile guidance systems, he abruptly left the field and turned to photography.

Bruce has authored several books, some of which have become classics. The Art of Photography was first published in 1994 and remained in print until 2007. Bruce has been self-publishing the book ever since, but with limited distribution.

Bruce is a frequent contributor to several photography magazines. His series The Master Printing Class is featured in each issue of Photo Techniques, and his articles are published regularly in LensWork. Through his workshops, articles, lectures, books, and innovative photography, Bruce has become a well-known and highly respected photographer, educator, and pioneer.

Bruce is recognized as one of the finest darkroom printers on this planet, both for his exceptional black-and-white work, as well as for his color imagery. He understands light to an extent rarely found, and combines this understanding with a mastery of composition, applying his knowledge to an extraordinarily wide range of subject matter. His work is represented by more than ten galleries throughout the United States and Canada, and is in the collections of museums and private collectors worldwide.

Source: O’Reilly


Bruce has been an active environmental advocate for more than three decades, both independently and through organizations such as the Sierra Club (where he served on the Board of Directors of the Angeles Chapter from 1976-80, and the California Regional Conservation Committee), Audubon, the Stillaguamish Citizens’ Alliance (which he co-founded in 1991) now renamed the Mountain Loop Conservancy, 1000 Friends of Washington, and the North Cascades Conservation Council (where he has served on the Board of Directors since 1994).

As a photographer he has seen the changes in our land and our landscape—almost all of them for the worse—that have taken place in the 35 years he has actively been photographing our planet. He points out that we all live on this one magical globe called “Earth,” and unless we love it, revere it, and protect it, we’ll all perish with it. Currently, we are exploiting planet earth at an unprecedented rate, saddling ourselves with many self-inflicted problems: human overpopulation, global warming, an increasing ozone hole, deforestation, overfishing of the oceans, overuse of fresh water resources, pollution of the air, land, and waters (lakes, rivers, and oceans), and many others too numerous to detail. But humanity is doing little to correct any one of these problems. We have enough knowledge to recognize the steps that should be taken to turn from our destructive ways to more intelligent, productive, and sustainable means, but we may not have the wisdom or political will to implement that knowledge.

Source: Fahey/Klein Gallery


 

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More Great Photographers To Discover

Anton Corbijn
Netherlands
1955
Anton Corbijn (born 20 May 1955) is a Dutch photographer, music video director, and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for almost 3 decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words? and Nirvana's "Heart-Shaped Box" (1993), as well as the Ian Curtis biopic Control (2007), George Clooney's The American (2010), and A Most Wanted Man (2013) based on John le Carré's 2008 novel of the same name. Anton Corbijn was born on 20 May 1955 as Anton Johannes Gerrit Corbijn van Willenswaard in Strijen, the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year. Father Anton (Hilversum, 12 Nov 1917 - Amersfoort, 9 Mar 2007) would take up the same position in Hoogland (1966) and Groningen (Diakonessenhuis, 1972) moving his wife and four children with him. His mother, Marietje Groeneboer (11 Sep 1925 - Hoogland, 15 Sep 2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (Strijen, 1960) is a younger brother. Grandfather Anton Johannes (Corbijn) van Willenswaard (Schoonhoven, 24 Nov 1886 - Hilversum, 16 Aug 1959) was an art teacher at Christian schools in Hilversum and an active member in the local Dutch Reformed church in Hilversum. Corbijn started his career of music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photos of the 'rising star' Herman Brood & His Wild Romance. Because of the pictures taken by Corbijn, Brood's fame rose quickly, and as a result Corbijn's own exposure increased. Corbijn has photographed Joy Division, Depeche Mode, Tom Waits, Pr?ta V?tra, David Bowie, Peter Hammill, Miles Davis, Björk, Captain Beefheart, Kim Wilde, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Simple Minds, Clint Eastwood, The Cramps, Roxette and Herbert Grönemeyer, amongst others. Perhaps his most famous, and longest standing, association is with U2, having taken pictures of the band on their first US tour, as well as taking pictures for their Joshua Tree and Achtung Baby albums (et al) and directing a number of accompanying videos. From the late 70s the London based NME, (New Musical Express), a weekly music paper, featured his work on a regular basis and would often feature a photograph of his as the front page. One such an occasion was a portrait of David Bowie back stage in New York at his play The Elephant Man in nothing more than a loin cloth. In the early years of London based The Face, a glossy monthly post-punk life style / music magazine, Anton Corbijn was a regular contributor. He made his name working only in black and white. In May 1989 he began taking pictures in colour using filters: his first try was done for Siouxsie Sioux. Between 1998 through 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings. Corbijn has photographed album covers for U2, working with sleeve designer Steve Averill and Peter Hammill, Depeche Mode, The Creatures (the second band of Siouxsie Sioux), Nick Cave, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Simple Minds, R.E.M., The Bee Gees, Saybia and Moke.Source: Wikipedia
Platon (Antoniou)
United Kingdom
1968
Born in London in 1968, Platon was raised in the Greek Isles until his family returned to England in the 1970's. He attended St. Martin's School of Art and after receiving his BA with honors in Graphic Design, went on to receive an MA in Photography and Fine Art at the Royal College of Art. After working for British Vogue for several years, he was invited to NY to work for the late John Kennedy Jr. and his political magazine, 'George'. After shooting portraits for a range of international publications including Rolling Stone, the New York Times Magazine, Vanity Fair, Esquire, GQ and the Sunday Times Magazine, Platon developed a special relationship with Time magazine, producing over 20 covers. In 2007 Platon photographed Russian Premier Vladimir Putin for Time Magazine's Person Of The Year Cover. This image was awarded 1st prize at the World Press Photo Contest. In 2008 he signed a multi-year contract with the New Yorker. As the staff photographer, he has produced a series of large-scale photo essays, two of which won ASME Awards in 2009 and 2010. Platon's New Yorker portfolios have focused on many themes including President Obama's Inauguration, the U.S Military, portraits of world leaders and the Civil Rights Movement. The following year, Platon teamed up with the Human Rights Watch to help them celebrate those who fight for equality and justice in countries suppressed by political forces. These projects have highlighted human rights defenders from Burma as well as the leaders of the Egyptian revolution. Following his coverage of Burma, Platon photographed Aung San Suu Kyi for the cover of Time - days after her release from house arrest. In 2011, Platon was honored with a prestigious Peabody Award for a collaboration on the topic of Russia's Civil Society with The New Yorker Magazine and Human Rights Watch. Platon's first monograph 'Platon's Republic', was published in 2004 by Phaidon Press. To coincide with its publication, the work was exhibited internationally, in London at the ex-Saatchi Gallery as well as the Milk Gallery in New York. His second book, 'Power' - a collection of portraits of over 100 world leaders - was published in 2011 by Chronicle and following its success was selected by Apple to be released as an app. The book includes portraits of Barack Obama, Mahmoud Ahmedinejad, Dmitry Medvedev, Benjamin Netanyahu, Hugo Chavez, Mahmoud Abbas, Tony Blair, Robert Mugabe, Silvio Berlusconi, and Muammar Qaddafi. In recent years, public speaking has progressively played a major role in Platon's career as communicator and storyteller. He has been invited to be a keynote speaker at the World Economic Forum in Davos, Yale, the London School of Economics, the National Portrait Gallery in London and the International Center of Photography in NY. He has also appeared on a range of television media including Charlie Rose (PBS), Morning Joe (MSNBC), Fareed Zakaria's GPS (CNN) and the BBC World News. Between 2011-2013, Platon's work has been exhibited in galleries both domestically and abroad. He has exhibited in New York at the Matthew Marks Gallery and the Howard Greenberg Gallery, as well as internationally at the Colette Gallery in Paris, France. The New York Historical Society also exhibited a solo show of Platon's Civil Rights photographs, which remain as part of the museum's permanent collection. Other permanent collections holding Platon's photography include The Florida Museum of Photographic Arts in Tampa, Florida and The Westlicht Museum for Photography in Vienna, Austria. Platon's advertising credits include the United Nations Foundation, Credit Suisse Bank, Exxon Mobil, Diesel, the Wall Street Journal, Motorola, Nike, Converse, Verizon, Vittel, Levi's, IBM, Rolex, Ray-Ban, Tanqueray, Kenneth Cole, Issey Miyake, Moschino, Timex and Bertelsmann among others. Platon lives in New York with his wife, daughter and son. (Source: www.platonphoto.com)
Sim Chi Yin
Singapore
1978
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Anders Petersen
Sweden
1944
Anders Petersen was born 1944 in Stockholm, Sweden. 14 years old his family moved to Karlstad in Värmland, where he met the artists ?Karin Bodland and Lars Sjögren.In 1961 he stayed for some time in Hamburg in order to learn German and trying to write and paint. He didn’t take any pictures. Five years later he met Christer Strömholm and became a student at his School of Photography in Stockholm. Strömholm was not just his teacher but also a close friend. Their friendship influenced him for life. In 1967 he starts photographing a bar called Café Lehmitz in Hamburg, close to Zeughausmarkt. He was photographing there for a period of almost three years and in 1970 he had his first soloexhibition over the bar in Café Lehmitz with 350 photographs nailed to the wall. In 1973 he published his first book ”Gröna Lund”, about people in an amusementpark in Stockholm. In 1974 he graduated from the Swedish Filmschool,Dramatiska Institutet, in Stockholm. In 1978 he published ”Café Lehmitz ” in Germany. In 1984 the first book in a trilogy about locked instituations was published. The three books were about people in a prison, a nursing house, and a mental hospital. After photographing the mental hospital for three years he oriented himself towards a more free approach in a kind of diarylike photography. During 2003 and 2004 Anders Petersen was appointed Professor of Photography in the School of Photography and Film at the University of Göteborg, Sweden. He regularly has workshops and exhibitions throughout Europe, Asia and in the USA. He has received numerous grants and rewards since the seventies. In 2003 Anders Petersen was elected the ”Photographer of the Year” by the International Photofestival in Arles.In 2006 he was shortlisted as one of four for the ”Deutsche Börse Photography Prize”. In 2007 he received the ”Special Prize of the Jury” for his exhibition ”Exaltation of Humanity” by the third International Photofestival in Lianzhou, China. In 2008 he received the ”Dr. Erich Salomon Award” by Deutsche Gesellschaft für Photographie, Germany. ”The Arles Contemporary Book Award for 2009? went to JH Engström and ?Anders Petersen’s collaborative book ”From Back Home” by Max Ström.?The book was nominated to ”The Best Photographic Book in Sweden, ?year 2009? and also Winner of Design Bronze Lion in Cannes. In 2010, he was in the jury for the BMW Prize at Paris Photo. In 2012, nominated to the Swedish Photo Book Prize in Stockholm for ”SOHO”, and PhotoBook of the Year award for "City Diary" Paris Photo and the Aperture Foundation. Anders Petersen has his darkroom in Stockholm, Sweden. Source: www.anderspetersen.se Anders Petersen, one of Sweden’s most influential auteur photographers, sensitively blurs the boundaries between madness and normality in his artwork “Mental Hospital”. Petersen, who won international renown with his Hamburg Café Lehmitz series (1967-1970), spent several years photographing patients at a psychiatric hospital just south of Stockholm. His gaze is one of raw tenderness, conveying naked emotions with insightful poetry. Carried by a deep integrity, he takes the viewer to the limits of normality. "It is the naked encounter, the raw, piercing confrontation with the Other and therefore with myself," Petersen said, describing his intention. "I photograph people with whom I can identify and I feel attracted by people who live outside society. In all my photographs, I try, essentially, to create self-portraits." He is neither sentimental nor sensational. Instead, his images show a great respect for that which is enigmatic in people, for that which is hidden under the surface. Petersen’s works have marked the history of photography. In 2003, he won the award “Photographer of the Year” at the festival "Rencontres de la Photographie" in Arles, and he was honored with the German Photography Society’s Dr.-Erich-Salomon prize in 2008 for his life’s work. Source: Grundemark Nilsson Gallery
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