All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Homai Vyarawalla
A fox hunt in Delhi led by Col. Sahni, early 1940s
Homai Vyarawalla
Homai Vyarawalla

Homai Vyarawalla

Country: India
Birth: 1913 | Death: 2012

Homai Vyarawalla, India's first woman photojournalist, is best known for documenting the country's transition from a British colony to a newly independent nation. Vyarawalla was born on 9 December 1913 in the western Indian state of Gujarat. Her family belonged to India's tiny but influential Parsi community.

She spent much of her childhood on the move because her father was an actor in a travelling theatre group. But the family soon moved to Mumbai (then Bombay), where she attended the JJ School of Art. She was in college when she met Manekshaw Vyarawalla, a freelance photographer, who she would later marry. It was he who introduced her to photography.

She received her first assignment - to photograph a picnic - while she was still in college. It was published by a local newspaper, and soon she started to pick up more freelance assignments. Vyarawalla began to draw more attention after her photographs of life in Mumbai were published in The Illustrated Weekly of India magazine.

The Vyarawallas moved to Delhi in 1942 after they were hired to work as photographers for the British Information Service. Homai Vyarawalla, one of few female photojournalists working at the time in Delhi, was often seen cycling through the capital with her camera strapped to her back.

She took her most iconic images, however, after India became independent - from the departure of the British from India, to the funerals of Mahatma Gandhi and former prime minister Jawaharlal Nehru. Homai Vyarawalla also photographed most prominent independence leaders. But she said in an interview that her biggest regret was that she missed photographing the meeting where Mahatma Gandhi was assassinated. She was on her way to attend it when her husband called her back for some other work.

Her work also includes candid, close-up photographs of celebrities and dignitaries who visited India in the years following independence, including China's first prime minister Zhou Enlai, Vietnamese leader Ho Chi Minh, Queen Elizabeth II and US President John F Kennedy. Vyarawalla photographed many famous people but Mr Nehru figures most prominently in her work as her "favourite subject". She said in an interview that when Mr Nehru died she "cried, hiding my face from other photographers".

Ms Vyarawalla clicked her last picture in 1970, retiring after a four-decade-long career. She left Delhi after her husband died in 1969 and moved to Gujarat. She was awarded India's second highest civilian honour, the Padma Vibhushan, in 2011. She died on 16 January 2012 at the age of 92.

Source: BBC


 

Homai Vyarawalla's Video

Selected Books

Inspiring Portfolios

Call for Entries
AAP Magazine #56 Shadows
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Lise Sarfati
France
1958
Lise Sarfati has lived and worked in the United States since 2003. She has realized six important series of photographs there. They have been followed by exhibitions and publications. Each of her works makes clear the identity of an approach focused on the intensity of the rapport established with the person photographed, and of that person with the context. A vision in which the individual is environment, a map outlining a perilous cultural geography. The richness of perception is constructed without effects. The compositions are flawless in the simplicity and unity of the image – the style tends to be elementary and clean, avoiding all qualifications, but the traits of each thing and each person trace a hundred thousand folds. The dimension of the interplay of postures is that of a solemn immaturity: the scenery formed by the people and places is the silent crumpling of a dream in which each risks his or her skin. A feminine seduction tinged with fateful coincidences; the beauty of the adolescents looks like a magic spell. Their solitude and strangeness in the world turn the image into an echo chamber inhabited by the photographer, her subject and the viewer. The earlier period of a photographic work carried out in Russia (continuously from 1989 to 1999) confirms the tendency of this research. She identifies a very precise and endless psychological spectrum. The projections, the ambitions associated with the immense space, the way in which they compose these figures, play an essential role: the supporting roles are incandescent. A determinism of the heroic, inevitably tragic figure, as if not even we really have another choice.
Bob Willoughby
United States
1927 | † 2009
Bob Willoughby, whose photographs transformed the images of Hollywood’s biggest stars, is a true pioneer of 20th century photography. He was the first “outside” photographer hired by the major studios to create photographs for the magazines, and was the link between the filmmakers and major magazines of the time, such as Life and Look. Born June 30th, 1927 in Los Angeles, his parents were divorced by the time he was born and he was raised by his mother. Bob was given an Argus C-3 camera for his twelfth birthday, providing the catalyst for what would become the key to his future. After high school, he studied cinema at night at the USC Cinema Department and design with Saul Bass at the Kahn Institute of Art. At the same time he apprenticed with a number of Hollywood photographers; Wallace Seawell, Paul Hesse, and Glenn Embree, gleaning technical and business know-how. His first magazine assignments were for Harper's Bazaar in the early ’50s when famed art director Alexey Brodovitch became aware of his work. His career took off in 1954 when Warner Bros. asked him to photograph Judy Garland’s final scene on the set of A Star Is Born. His portrait of the freckle-faced star became his first Life cover. From then on his production was phenomenal. His images were in print literally every week for the next twenty years. As the first “special” he covered the making of over 100 films, including the 1960s movies The Graduate, My Fair Lady, Rosemary’s Baby and Who’s Afraid of Virginia Woolf?. His body of work, documenting this historic era of filmmaking, is unsurpassed. He captured with wonderful perception the most famous actors and directors of the time on and off the set, in unguarded moments of repose, vulnerability and high drama. He had a unique ability to capture what was essential to each film. Bob also had a remarkable understanding of the needs of each individual magazine; he could be shooting for seven different publications and know exactly what each one needed in terms of editorial content and design layout. While Willoughby is most famous as the great chronicler of Hollywood, before he began covering film production he had already made an astonishing series of images of jazz musicians. Willoughby had a huge appreciation of jazz both in its technical aspects and its ability to raise the roof in performance. He had a masterful feel for the character of the artists, and he was able to convey it even in the difficult lighting conditions of recording studios and stage. He was responsible for a number of technical innovations, including the silent blimp for 35mm still cameras, which became common on film sets. He was the only photographer working on films at the time to use radio-controlled cameras, allowing him unprecedented coverage in otherwise impossible situations, and he had special brackets built to hold his still cameras on or over the Panavision cameras. The Academy of Motion Picture Arts and Sciences in Hollywood honored Willoughby with a major retrospective exhibition of his work. He was awarded the Lucie Award for Outstanding Achievement in Still Photography in New York in 2004. His photographs are in the permanent collections of the National Portrait Gallery, Washington, D.C.; the National Portrait Gallery, London; the National Museum of Photography, Bradford, UK; Bibliothèque Nationale de France, Paris; the Museum of Modern Art, Film Department, New York; the Academy of Motion Picture Arts and Sciences, Beverly Hills; the Metropolitan Museum of Art, New York; the Tate Gallery Collection, London; Théâtre de la Photographie et de l’Image, Nice; and Musée de la Photographie, Charleroi, Belgium. In December 2009, Bob passed away at his home in Vence in the South of France, surrounded by his wife Dorothy and four children.Source: willoughbyphotos.com
David Salcedo
Spain
1981
My maternal grandfather had a grocery store in the town, the paternal grandfather did a thousand jobs throughout Spain, the grandmothers made a living sewing clothes and faced continuous worries. My parents had to emigrate to and they ended up having a bar, where the whole family worked. I, perhaps, should have stayed with the bar, but I chose the path of light. There was no shortage of those who told me that it would be difficult and hard, but no one in my family has had it easy. Why would I be less? Years later I am full of new physical and spiritual scars, which have added to what already existed within me and always defined my way of seeing the world. And it is that I will never be able to escape from what is close to me and is the measure of everything I discover, of the tenderness that they taught me to have in my heart and the silence with which I lived for years. It is in this mixture that my photographs are macerated. The set of these circumstances, nothing special, is what has led me to win several prizes and scholarships, exhibit nationally and internationally, participate in a good number of catalogues, publish several fanzines, collaborate with the Kursala of the University of Cádiz, to publish with the publishing house Ediciones Posibles And it seems that everything was an instant. Statement Next you have Fuchina, a work on the festivals of my parents’ town, Caravaca de la Cross. To do so, I fled from the traditional way of approaching parties with three very clear ideas, also looking for them to be protagonists in a subtle way. The first of the ideas is to do a job where the sound was extracted in the middle of all the noise of some parties with more than 20 music bands and more than 50 brass bands. The second of the concepts is to play with the plans, cuts and compositions to make the viewer feel as if they were inside the festivities. Third is to create a metaphor about the general situation of the town itself with strong light and faded color. The name Fuchina refers to a liquor that decades ago was distilled illegally for parties.
Thomas Devaux
France
1980
Thomas Devaux has authored several complex and ambitious series. In each of them one can find a subtle but strong game of jousting played out between his core values and the evolutions brought about by modern technology. The inflammatory value behind the photography is not so innate. It is more a direct effort meant to mirror a fragment of a future re-composition.The works in the "ATTRITION" series were selected according to their composition and their figurative will. This is a double articulation between what is borrowed and that which is a reinterpretation on one hand and an axe in art history on the other hand. "ATTRITION", thanks to the expanded possibilities of digital techniques of which I have become very experienced, shows a n affluence of forms and materials such as an organic proliferation of hair, of body parts, etc. The portrait becomes a division of a face created by itself or vanishes in its own contour. The development material, though shadowy and opaque, is light and see-through. It raises the texture of the paper which allows for an automatic refinement of the forms and pigments.The final result is both sensual and onirique in the in the very image of the models that Devaux photographs in the backstages of fashion shows. They allow him to grasp the pictorial qualities which remain anchored in this field of photography. His surface does not rely upon the thickness of painting materials but rather on an artificial yet original vocabulary which is personal and photographic." Source: Anne Biroleau-Lemagny, General Curator Charge of Contemporary 21st Century: French National Library Born in 1980. Lives and works in Paris.Thomas Devaux moved frequently when he was young and he never stopped being "in motion". He moved to London after graduating from high school, and then he started his studies in Montpellier, while exploring the image in all its forms: photography, experimental cinema, painting and collage...He achieved through this artistic extension to remove the boundary between drawing and photography. Finally, he obtained diploma of Licence in Performing Art in Paris (Paris X). Developing great interest in traveling and exploring the world, he found his place in 2006 working for a fashion magazine: Fashion Insider. He first started as a photographer and cameraman, and became the artistic director of the magazine in 2009. He attended the world's most famous fashion shows and worked in many countries (France, Italy, Brazil, Portugal, Georgia, UK, Turkey, Denmark, Cyprus...). Opening up to the world, and to all the celebrities he met and interviewed for his magazine, was the opportunity to develop and make his style recognized: Jean-Paul Gaultier, Karl Lagerfeld, John Galliano, Donatella Vercace, Sonia Rykiel, Usher, Chris Brown, Kanye West, Milla Jovovich, Beth Ditto, Pedro Almodovar... Source: 1:1 Photo Magazine At first sight, portraits. At second glance, the questioning. Paintings or photographs? Thomas Devaux artwork throws off. By its form as its content, it upsets any certainty. And, it is precisely though that movement that it comes to its full magnitude.Fashion photographer, Thomas Devaux keeps from its reports thousands of shoots made behind the scenes that feed a later digital work. Indeed, in front of his screen, he cuts, deconstructs, assembles and recomposes his pictures until he creates images full of contradictions. Far from being frightened, Thomas Devaux finds with these dualities a remarkable tool to transcend the boundaries and ward off any kind of fatality. Of fashion, he likes the aesthetics but condemns the stylistic dictum and the imperative beauty. Of photography, he praises the documentary force but fears the frozen relation to time. And, from these considerations, comes out the idea of an nonconformism, un-postural, in the original meaning, as Thomas Devaux refuses any reductive normativity without denying for all that any legagy. Entitling his series "Attriction", he seems to insist on the idea of wear. A notion that does not necessarily imply deterioration. As, if the marks of time destroy some aspects, they also reveal some others. Finally, his work damages beauty to enhance it out of the conservative models. It brings together traditional approaches and opens them to modernity. It integrates the cyclic dimension of existence and reminds that what springs dies and what dies springs again with a new form. Source: Ozarts Etc
Carrie Mae Weems
United States
1953
Considered one of the most influential contemporary American artists, Carrie Mae Weems has investigated family relationships, cultural identity, sexism, class, political systems, and the consequences of power. Determined as ever to enter the picture—both literally and metaphorically—Weems has sustained an on-going dialogue within contemporary discourse for over thirty years. During this time, Carrie Mae Weems has developed a complex body of art employing photographs, text, fabric, audio, digital images, installation, and video. In a New York Times review of her retrospective, Holland Cotter wrote, ''Ms. Weems is what she has always been, a superb image maker and a moral force, focused and irrepressible." Weems has participated in numerous solo and group exhibitions at major national and international museums including the Metropolitan Museum of Art, The Frist Center for Visual Art, Solomon Guggenheim Museum in New York, and the Centro Andaluz de Arte Contemporáneo in Seville, Spain. Weems has received numerous awards, grants, and fellowships, including the prestigious Prix de Roma, The National Endowment of the Arts, The Alpert, The Anonymous was a Woman, and The Tiffany Awards. In 2012, Weems was presented with one of the first US Department of State’s Medals of Arts in recognition for her commitment to the State Department’s Art in Embassies program. In 2013 Weems received the MacArthur “Genius” grant as well as the Congressional Black Caucus Foundation’s Lifetime Achievement Award. She has also received the BET Honors Visual Artist award, the Lucie Award for Fine Art photography, was one of four artists honored at the Guggenheim’s 2014 International Gala, a recipient of the ICP Spotlights Award from the International Center of Photography, The WEB Dubois Award from Harvard University, as well as Honorary Degrees from: California College of the Arts, Colgate University, Bowdoin College, the School of Visual Arts and Syracuse University. She is represented in public and private collections around the world, including the Metropolitan Museum of Art, NY; The Museum of Fine Arts, Houston; the Museum of Modern Art, NY; Museum of Contemporary Art, Los Angeles; and The Tate Modern, London. Weems has been represented by Jack Shainman Gallery since 2008, and is currently Artist in Residence at the Park Avenue Armory. She lives in Syracuse, New York, with her husband Jeffrey Hoone who is Executive Director of Light Work.
Vincent Laforet
France / United States
1975
Vincent Laforet is a French-American director and photographer. He shared the 2002 Pulitzer Prize for Feature Photography with four other photographers (Stephen Crowley, Chang Lee, James Hill, Ruth Fremson) as a member of The New York Times staff's coverage of the post 9/11 events overseas that captured "the pain and the perseverance of people enduring protracted conflict in Afghanistan and Pakistan." In 2006, Laforet became The Times' s first national contract photographer. He has been sent on assignment by Vanity Fair, The New York Times Magazine, National Geographic, Sports Illustrated, Time, Newsweek, and Life. He is represented by the Stockland Martel agency. In 2002, PDN named Vincent Laforet as one of the "30 photographers under 30 to watch″. In 2005, American Photo Magazine recognized Laforet as one of the "100 Most Influential People in Photography." He and four other photographers were awarded the Pulitzer Prize in Feature Photography for their post-9/11 coverage overseas in 2002. His work has been recognized in the Communication Arts Annual, PDN Annual, The SPD Magazine Cover of the Year (Society of Publication Designers), The World Press Photo Awards, The Pictures of the Year Competition, The Overseas Press Club, The National Headliners Awards, The Pro-Football Hall of Fame. Vincent is a Canon Explorer of Light and Canon Printmaster and serves as consultant to companies such as Apple, Adobe, Carl Zeiss, Leica, Canon, Bogen, Lexar, and X-Rite. He and his work have been profiled on CNN and Good Morning America. In 2008, Laforet directed Reverie, the first widely available short film shot with the Canon 5D Mark II camera. The video has been cited by proposers of the use of DSLR cameras in digital cinematography. In 2010, he launched a nationwide film competition Beyond The Still and he directed the final chapter the film which was screened at the Sundance Film Festival. He is a DGA Director (Directors Guild of America) and of the ICG (International Cinematographers' Guild – Local 600.) He has directed a number of short films and numerous commercials. In 2011, he was chosen by Canon to be one of the first 4 filmmakers to shoot with their first cinema camera, the Canon C300, and he directed the film Mobius which premiered at Paramount Studios. The opening was attended by Martin Scorsese, Ron Howard, Robert Rodriguez, and JJ Abrams. The same year, his first book Visual Stories was released by Peachpit and describes his thought process and approach to a variety of assignments throughout his photography career. He has been awarded 3 of the prestigious Cannes Lions (Platinum, Gold, Silver) for his commercial directing work. Vincent Laforet attended the Dalton School and received his B.S. from the Medill School of Journalism at Northwestern University in 1997. He is fluent in French and English, and speaks Russian and Spanish. He lives in Manhattan Beach, California. Laforet was an adjunct professor at the Columbia Journalism's Graduate School of Journalism, the International Center of Photography and the Poynter Institute. He was inducted in Northwestern's Alumni Hall of Fame in 2010. In the fall of 2020 Laforet joined Apple Inc, with a focus on photography, video and future technologies.Source: Wikipedia
Matt Wilson
United Kingdom
1969
Matt Wilson’s current body of work is part of an ongoing project, based upon a collection of transient observations, the landscapes of every day life and the people that call those landscapes home. It delves into the artist’s own history, his formative and current years within his home landscape and in the city he now resides and also, those of distant landscapes both literally and metaphorically he has traveled. A subtle, visually rich character study of what makes us who we are and the places we all inhabit and journey to, a chance to observe those looking outward whilst reflectively an opportunity to gaze inward.Source: Susan Inglett Gallery Matt Wilson photographed everywhere in Europe, starting with his native England, but also in France, with which it has its affinities, without omitting the Eastern countries where he still returns frequently between two stays Cuba. More recently, he ended his desire browse new territory: the United States where he lived for ten years. He could be afraid to touch this history, both American photographers are already loaded beautifully. But again, it gives us an amazing vision that reveals by snapshots of landscapes and men burnt by the sun that eventually, anyway, by lying down on this vast landscape to create ineffable moments that we may be fooling yourself and see it in watercolor. Then we could call this work “pictorial metaphor” even if the drift purely pictorial characters Matt Wilson were not so rooted in their time and in their daily lives, although sometimes needy. Because somewhere, if Matt Wilson gives us what he sees through a poetic prism, it is also a reporter and reflects our contemporary society by its subjects but often raw deals at tragic nor misery. His watchful eye is rather benevolent view borrowing a tragicomic light behind the full extent of a deeply humanistic thought.Source: mattwilsonphotography.com
Advertisement
AAP Magazine #56 Shadows
Win a Solo Exhibition in April
AAP Magazine #56 Shadows

Latest Interviews

Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Call for Entries
Solo Exhibition April 2026
Get International Exposure and Connect with Industry Insiders